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mental wellness

Magical Ink

June 28, 2024 · Discuss on the GT Forum

https://media.blubrry.com/happypod/media.transistor.fm/ac5ab972/bbb486d9.mp3

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46: Ariel and Stef are joined by Dr. Jinxi Caddel for a heartfelt and art-filled dive into the world of tattoos, identity, and Disney fandom. From full Alice in Wonderland back pieces to tiny churro flash tats, this episode celebrates how ink becomes a personal archive of memory, culture, and connection.

Jinxi shares her journey from tattoo publishing to mental health, co-owning a tattoo shop, and running a private practice for those who color outside the lines. Together, they unpack stigma, nostalgia, and the healing power of self-expression—through Disney and beyond. Whether you’re tattooed, tattoo-curious, or just love a good Dole Whip, this one’s for you.

Summary

00:00 Hosts and guest introductions
02:00 Childhood Disney memories and first tattoos
04:00 Jinxi’s journey from tattoo publishing to psychology
08:00 Stigma, acceptance, and professional visibility
13:00 Tattoos in families and intergenerational storytelling
16:00 Favorite Disney tattoos—characters, quotes, and food!
20:00 Fandoms in ink: Star Wars, Marvel, and park icons
24:00 Flash tattoos and memory markers
28:00 Permanent makeup and cultural ties
32:00 Tattoos as affirmations and emotional touchstones
35:00 Therapeutic meaning behind body art
40:00 Building safe, expressive spaces in education and therapy
46:00 Final reflections and where to find Jinxi’s work

Transcription

00:00:03:20 – 00:00:05:01
Hello, everyone.

00:00:05:01 – 00:00:07:01
Welcome to the Happiest Pod on Earth.

00:00:07:01 – 00:00:07:18
I’m Stef

00:00:07:18 – 00:00:09:12
I’m an educator who uses passions

00:00:09:12 – 00:00:10:09
and fandoms to help

00:00:10:09 – 00:00:11:15
my students grow

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and learn about themselves

00:00:12:19 – 00:00:14:07
and the world around them.

00:00:14:07 – 00:00:16:01
And I’m Ariel, a licensed therapist

00:00:16:01 – 00:00:17:20
who uses clients passions and fandoms

00:00:17:20 – 00:00:18:15
to help them grow

00:00:18:15 – 00:00:19:11
and heal from trauma

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and mental and wellness.

00:00:21:19 – 00:00:23:14
And I am Jinxi

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and I’m a mental health therapist

00:00:25:19 – 00:00:27:12
and a book publisher.

00:00:27:12 – 00:00:29:10
And the tattoo shop owner,

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in Eugene, Oregon.

00:00:31:11 – 00:00:33:01
I have a practice called Black

00:00:33:01 – 00:00:33:20
Sleep Therapy,

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where, I like to help people who,

00:00:36:22 – 00:00:39:02
like to color outside the lines.

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That might be black sheep

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or unicorns themselves.

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So I’m happy to be here.

00:00:45:02 – 00:00:46:04
Wonderful.

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And here at Happiest Pod,

00:00:47:11 – 00:00:48:19
we dissect Disney mediums

00:00:48:19 – 00:00:50:05
So the critical lens. Why?

00:00:50:05 – 00:00:51:15
Because we are more than just fans,

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and we expect more from the mediums

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we consume.

00:00:54:07 – 00:00:56:15
So, what are we talking about today?

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Well, we have another very

00:00:59:09 – 00:01:01:04
special guest on our podcast.

00:01:01:04 – 00:01:03:04
Welcome, Dr. Jinxi Right?

00:01:03:04 – 00:01:04:05
It is.

00:01:04:05 – 00:01:05:17
Thank you so much.

00:01:05:17 – 00:01:06:11
I appreciate it,

00:01:06:11 – 00:01:08:09
but I’m so happy to be here.

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Yeah, absolutely.

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And we’re we have a really fun topic

00:01:11:22 – 00:01:12:15
to talk about.

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And,

00:01:13:18 – 00:01:16:11
we talk about Disney art on many levels,

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but I think this is a level of Disney

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art that we haven’t quite talked about,

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which is body art and tattoos.

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And,

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I think with the recent,

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I think resurgence of tattoos

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and the accessibility

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to getting tattoos

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has been widely seen and respected.

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And, we just love

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especially going to the parks

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and seeing different

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interpretations of Disney art.

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And also,

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you know,

00:01:40:21 – 00:01:42:17
we were really curious for you,

00:01:42:17 – 00:01:44:02
Dr. Jinxi

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you’re kind of journey into your

00:01:47:02 – 00:01:49:17
amazing life, I think, as a therapist

00:01:49:17 – 00:01:51:02
and as an artist.

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I think it’s a very unique,

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perspective

00:01:54:01 – 00:01:55:10
that not many people know about.

00:01:55:10 – 00:01:57:11
Yeah. Well, thank you so much.

00:01:57:11 – 00:02:00:11
I, you know, it’s funny because

00:02:00:17 – 00:02:03:14
as a child, my very first experience

00:02:03:14 – 00:02:07:03
with a tattoo was at Disneyland,

00:02:07:03 – 00:02:10:05
and I was behind a girl in line

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who had a Cheshire

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cat tattoo on her back.

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And I thought it was like,

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the dreamiest thing I had ever seen,

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and I.

00:02:19:01 – 00:02:19:23
I can’t remember

00:02:19:23 – 00:02:22:05
how old I was, but I just

00:02:22:05 – 00:02:25:05
it was locked in and I just knew

00:02:25:05 – 00:02:27:05
someday I wanted tattoos to,

00:02:28:16 – 00:02:30:07
And, I

00:02:30:07 – 00:02:31:16
actually didn’t get

00:02:31:16 – 00:02:34:01
my first tattoo until,

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like,

00:02:34:08 – 00:02:35:13
my mid to late

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20s, after

00:02:36:22 – 00:02:38:17
I had had all of my kids

00:02:38:17 – 00:02:43:23
and, I was working as a, an editor

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and a writer

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for several,

00:02:45:18 – 00:02:48:18
tattoo magazines at the time.

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And so that just opened

00:02:51:04 – 00:02:51:19
my world

00:02:51:19 – 00:02:54:04
into all of these incredible artists.

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And,

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my very first tattoo

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was a tiny little cherry on my ankle.

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And,

00:03:01:00 – 00:03:04:03
and that has since grown into pretty much

00:03:04:03 – 00:03:05:06
I have my whole head

00:03:05:06 – 00:03:08:05
tattooed, down, down to my toes.

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Most of it’s covered.

00:03:09:08 – 00:03:10:21
I have a couple little spots

00:03:10:21 – 00:03:12:23
that I’m trying to hopefully

00:03:12:23 – 00:03:14:19
be conservative them with now,

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because I don’t

00:03:15:07 – 00:03:18:07
have much real estate left.

00:03:19:04 – 00:03:20:17
But, that’s a real thing.

00:03:20:17 – 00:03:21:09
That’s a real thing.

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The real estate is limited

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And, you know, I did it,

00:03:25:11 – 00:03:26:21
when I first started,

00:03:26:21 – 00:03:30:01
I was so into the art form

00:03:30:01 – 00:03:33:04
and the, the camaraderie

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and just the whole experience

00:03:35:01 – 00:03:36:04
of getting tattooed

00:03:36:04 – 00:03:37:20
that I went full force,

00:03:37:20 – 00:03:38:17
you know, like, once

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I was ready to do it,

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I was like, just going.

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So I.

00:03:44:06 – 00:03:45:14
I covered up a lot,

00:03:45:14 – 00:03:48:06
you know, my arms, pretty early on,

00:03:48:06 – 00:03:49:16
a lot of the precious

00:03:49:16 – 00:03:51:10
real estate got taken up,

00:03:51:10 – 00:03:52:20
you know, in my early years.

00:03:52:20 – 00:03:55:12
But, now I’m much more,

00:03:55:12 – 00:03:57:08
you know, thoughtful. I think.

00:03:57:08 – 00:04:00:06
So I worked

00:04:00:06 – 00:04:01:20
in the publishing world

00:04:01:20 – 00:04:04:09
for a long time in the tattoo realm,

00:04:04:09 – 00:04:05:02
and,

00:04:05:02 – 00:04:06:00
eventually worked

00:04:06:00 – 00:04:08:11
for a publishing company in the,

00:04:08:11 – 00:04:10:09
where I kind of learn

00:04:10:09 – 00:04:13:03
the ropes of how to put books together.

00:04:13:03 – 00:04:14:12
And then my husband

00:04:14:12 – 00:04:17:12
and I, started Out of Step Books

00:04:17:13 – 00:04:20:13
in, 2010.

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And we made art and tattoo books.

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We still run it,

00:04:24:11 – 00:04:25:23
but we’re both pretty busy

00:04:25:23 – 00:04:26:22
with lots of things.

00:04:26:22 – 00:04:28:16
So we haven’t done a book

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for two years now,

00:04:29:23 – 00:04:32:23
but we did 28 publications,

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including, two children’s books,

00:04:35:20 – 00:04:39:06
and they’re all somehow tattoo related.

00:04:39:15 – 00:04:40:02
What the

00:04:40:02 – 00:04:41:06
the kids book is

00:04:41:06 – 00:04:42:11
kind of a little dip

00:04:42:11 – 00:04:45:01
into positive psychology

00:04:45:01 – 00:04:47:19
about having a positive mental attitude,

00:04:47:19 – 00:04:49:09
and it was illustrated

00:04:49:09 – 00:04:51:05
by a tattoo artist.

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And then we have one of the other kids

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books is a little ABC book,

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and it was,

00:04:56:00 – 00:04:57:18
26 tattoo artists

00:04:57:18 – 00:05:00:14
each did a letter of the alphabet.

00:05:00:14 – 00:05:03:12
It’s super cute and…. That’s amazing!

00:05:03:12 – 00:05:04:03
Yeah,

00:05:04:03 – 00:05:04:21
it was fun

00:05:04:21 – 00:05:05:21
because we used to go

00:05:05:21 – 00:05:07:09
to a lot of conventions

00:05:07:09 – 00:05:08:07
to sell the books.

00:05:08:07 – 00:05:10:08
And, you know, a lot of tattoo

00:05:10:08 – 00:05:11:19
collectors have children.

00:05:11:19 – 00:05:13:03
Yeah.

00:05:13:03 – 00:05:13:21
It was just. Yeah.

00:05:13:21 – 00:05:16:00
You know, it was pretty awesome

00:05:16:00 – 00:05:17:17
to get to have that.

00:05:17:17 – 00:05:21:12
And then when we moved to,

00:05:21:12 – 00:05:23:03
Eugene, Oregon, we,

00:05:23:03 – 00:05:24:17
opened the, tattoo

00:05:24:17 – 00:05:26:23
shop, called Out of Step Tattoo.

00:05:26:23 – 00:05:28:03
And at this time,

00:05:28:03 – 00:05:30:01
I had gone back to school,

00:05:30:01 – 00:05:31:05
many years ago

00:05:31:05 – 00:05:33:11
to get my masters and my doctorate

00:05:33:11 – 00:05:35:05
in clinical psychology.

00:05:35:05 – 00:05:38:07
So I kind of, I still have

00:05:38:15 – 00:05:42:05
my artistic ties because obviously, it’s

00:05:42:05 – 00:05:43:11
my outlet,

00:05:43:11 – 00:05:45:12
you know, for the things today,

00:05:45:12 – 00:05:48:01
a part of my self-care.

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And, I need that in my life

00:05:51:02 – 00:05:52:21
to be able to handle the work

00:05:52:21 – 00:05:55:03
I do as a therapist.

00:05:55:03 – 00:05:57:15
So it’s been a very unique,

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but awesome balance for me.

00:06:01:01 – 00:06:03:08
Yes. Yeah, yeah.

00:06:03:08 – 00:06:04:13
So I’m, I’m hearing

00:06:04:13 – 00:06:05:14
that you got to

00:06:05:14 – 00:06:06:19
really meld together

00:06:06:19 – 00:06:08:02
different parts of yourself

00:06:08:02 – 00:06:09:09
for authenticity

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And I’m hearing that as being

00:06:11:04 – 00:06:11:21
it feeds you.

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It continues to rejuvenate

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you and be a new experience.

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Absolutely.

00:06:16:22 – 00:06:18:19
And the tattoo community

00:06:18:19 – 00:06:21:19
became so important in my life, too.

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You know, they I feel like it’s family.

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And it gave me so much.

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And the artists

00:06:28:11 – 00:06:30:06
I worked with were so important,

00:06:30:06 – 00:06:31:11
especially on the books.

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We would work with thousands of artists

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from across the world.

00:06:34:23 – 00:06:36:06
So,

00:06:36:06 – 00:06:38:15
it just became such a part of my life,

00:06:38:15 – 00:06:39:01
you know?

00:06:39:01 – 00:06:40:19
And honestly,

00:06:40:19 – 00:06:42:17
shout out to the tattoo community,

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because when we were low

00:06:43:23 – 00:06:46:23
on masks and gloves during the pandemic,

00:06:47:08 – 00:06:48:19
a lot of tattoo artists

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donated those things to hospital.

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Like it was vital for us

00:06:52:08 – 00:06:53:06
our ability

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to be able to move forward

00:06:54:19 – 00:06:57:09
and take care of our healing professions.

00:06:57:09 – 00:06:58:14
Absolutely

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I know it’s it’s

00:07:00:11 – 00:07:03:06
really is an incredible community

00:07:03:06 – 00:07:04:09
of people.

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And,

00:07:06:09 – 00:07:07:21
I, I still I’m

00:07:07:21 – 00:07:09:15
a co-owner of the tattoo shop.

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I don’t get to be

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there as much as I like

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because I’m always in my office.

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But, but my partner, runs it,

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and we have 12 amazing

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artists who are very, dedicated to

00:07:23:17 – 00:07:25:23
and inclusive environment that,

00:07:25:23 – 00:07:28:23
you know, that just delivers

00:07:28:23 – 00:07:32:05
special and wonderful art to collectors.

00:07:32:11 – 00:07:34:01
So it’s.

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Yeah, it’s it’s been a it’s been a

00:07:36:20 – 00:07:38:04
I feel super lucky,

00:07:38:04 – 00:07:40:14
you know, to have been on this journey

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in this way.

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And, you know,

00:07:42:10 – 00:07:43:01
it’s funny

00:07:43:01 – 00:07:46:05
because when I first went back to school,

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I was really concerned about my tattoos

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because I had very visible,

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you know, head, neck and hand tattoos

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and I didn’t know if, it would be okay.

00:07:57:11 – 00:07:59:20
You know, in my, in the profession

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because I didn’t know if people would

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accept me and hire me.

00:08:05:23 – 00:08:08:19
But, you know, it’s it’s been,

00:08:08:19 – 00:08:10:11
I don’t feel like my tattoos

00:08:10:11 – 00:08:12:17
have ever held me back at all

00:08:12:17 – 00:08:14:20
in the mental health world. It’s been.

00:08:14:20 – 00:08:15:11
If anything,

00:08:15:11 – 00:08:16:03
I feel like

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it helps me to connect to my clients.

00:08:19:13 – 00:08:19:17
Yeah.

00:08:19:17 – 00:08:20:12
And,

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I think a lot of people maybe seek me out

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because they,

00:08:24:08 – 00:08:25:10
they see things

00:08:25:10 – 00:08:28:07
that they feel related to.

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So it’s it’s been it’s been cool.

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I’m curious.

00:08:33:10 – 00:08:35:16
I know that you have tattoos

00:08:35:16 – 00:08:37:21
all over your body with visible, Stef?

00:08:37:21 – 00:08:39:07
Do you have tattoos

00:08:39:07 – 00:08:41:10
because you’re in an education space?

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And is that was there worry there or now?

00:08:44:06 – 00:08:45:14
Has the perception changed?

00:08:45:14 – 00:08:46:12
Because I know that

00:08:46:12 – 00:08:47:22
in the mental health field,

00:08:47:22 – 00:08:50:01
we’re allowing clinicians

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to be more authentic,

00:08:51:12 – 00:08:53:11
no longer the blank slate.

00:08:53:11 – 00:08:56:17
So has that, experience you’re having?

00:08:57:21 – 00:09:00:04
No, actually, when I

00:09:00:04 – 00:09:00:18
finish school,

00:09:00:18 – 00:09:01:16
because I finish school

00:09:01:16 – 00:09:02:10
a little bit later,

00:09:02:10 – 00:09:05:06
I got my teaching credential in Masters.

00:09:05:06 – 00:09:06:04
A little bit later.

00:09:06:04 – 00:09:06:16
Wasn’t left,

00:09:06:16 – 00:09:07:16
like, right out of high school.

00:09:07:16 – 00:09:09:11
I worked for a long time,

00:09:09:11 – 00:09:11:02
when I was doing my student teaching,

00:09:11:02 – 00:09:12:09
I met a lot of colleagues,

00:09:12:09 – 00:09:13:23
especially in the schools,

00:09:13:23 – 00:09:16:08
that I was doing my student teaching at,

00:09:16:08 – 00:09:17:20
that had visible tattoos.

00:09:17:20 – 00:09:20:04
Mainly they were on their arms.

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Sometimes they had them on their necks

00:09:21:12 – 00:09:22:08
and things like that.

00:09:22:08 – 00:09:24:21
But now being in Los Angeles, it’s

00:09:24:21 – 00:09:25:13
it was a little bit

00:09:25:13 – 00:09:26:09
more expected

00:09:26:09 – 00:09:28:00
because we are

00:09:28:00 – 00:09:28:06
we were

00:09:28:06 – 00:09:29:10
kind of going into the wave

00:09:29:10 – 00:09:30:13
of younger

00:09:30:13 – 00:09:31:20
educators now

00:09:31:20 – 00:09:32:19
because a lot of our

00:09:32:19 – 00:09:34:12
educators were retiring.

00:09:34:12 – 00:09:35:22
And some of my mentors,

00:09:35:22 – 00:09:37:21
one of my mentors in particular,

00:09:37:21 – 00:09:39:16
he was a musician as well,

00:09:39:16 – 00:09:40:22
but he had been teaching in the

00:09:40:22 – 00:09:43:23
LSD system for somewhat 20 years,

00:09:43:23 – 00:09:46:19
and he had tattoos only on his arms.

00:09:46:19 – 00:09:47:11
But,

00:09:47:11 – 00:09:49:00
it totally took that stigma

00:09:49:00 – 00:09:50:12
away from me immediately.

00:09:50:12 – 00:09:52:05
And then when I got hired

00:09:52:05 – 00:09:54:03
at the school that I’m currently in,

00:09:54:03 – 00:09:56:04
my coworkers, they had tattoos.

00:09:56:04 – 00:09:58:17
This one, they were female and nice.

00:09:58:17 – 00:09:59:20
You know, the kids love them

00:09:59:20 – 00:10:02:05
because they were colorful.

00:10:02:05 – 00:10:04:02
Know the parents that we serve.

00:10:04:02 – 00:10:05:22
They have tattoos, too.

00:10:05:22 – 00:10:07:09
And I think

00:10:07:09 – 00:10:08:10
now it’s it’s

00:10:08:10 – 00:10:10:14
more of an expression of their art

00:10:10:14 – 00:10:12:05
and things that they love

00:10:12:05 – 00:10:14:12
as opposed to an identity marker.

00:10:14:12 – 00:10:16:21
And, I know there was so many years

00:10:16:21 – 00:10:18:22
that it was a negative identity marker,

00:10:18:22 – 00:10:20:13
especially in certain areas of,

00:10:20:13 – 00:10:21:21
you know, Los Angeles

00:10:21:21 – 00:10:22:23
and other big cities.

00:10:22:23 – 00:10:25:21
But I think slowly that stigma

00:10:25:21 – 00:10:27:09
has kind of gone away now

00:10:27:09 – 00:10:29:17
because these people,

00:10:29:17 – 00:10:31:08
they’re just here with their families

00:10:31:08 – 00:10:32:08
and they just want their kids

00:10:32:08 – 00:10:33:09
to have a safe space

00:10:33:09 – 00:10:35:01
where they can be themselves.

00:10:35:01 – 00:10:36:23
So, I mean, I have

00:10:36:23 – 00:10:39:16
two visible tattoos, but I have,

00:10:39:16 – 00:10:41:03
you know, hope

00:10:41:03 – 00:10:42:05
I’ve been wanting to have more,

00:10:42:05 – 00:10:44:03
but having kids in the middle of it

00:10:44:03 – 00:10:45:18
got kind of hard.

00:10:45:18 – 00:10:47:19
But it’s true.

00:10:47:19 – 00:10:49:07
But my husband, he’s,

00:10:49:07 – 00:10:50:05
you know,

00:10:50:05 – 00:10:51:04
we’ve mentioned before

00:10:51:04 – 00:10:52:13
he’s enlisted in the military,

00:10:52:13 – 00:10:56:09
and he is all tatted up, but,

00:10:56:09 – 00:10:56:18
you know,

00:10:56:18 – 00:10:57:16
even though

00:10:57:16 – 00:10:59:15
they have certain regulations,

00:10:59:15 – 00:11:03:14
I think when he changes into his,

00:11:03:14 – 00:11:04:20
physical training clothes,

00:11:04:20 – 00:11:06:19
everyone’s like, oh, my gosh,

00:11:06:19 – 00:11:08:17
I didn’t know you were blasting

00:11:08:17 – 00:11:10:03
all your arms and legs.

00:11:10:03 – 00:11:13:03
And it’s a conversation piece.

00:11:13:05 – 00:11:14:14
And, yeah,

00:11:14:14 – 00:11:15:11
you know, for him,

00:11:15:11 – 00:11:18:08
we were just at Disney World recently,

00:11:18:08 – 00:11:20:20
and so many people come up to him

00:11:20:20 – 00:11:22:21
and ask him, hey, man, I love your ink.

00:11:22:21 – 00:11:24:09
Like I really love the art.

00:11:24:09 – 00:11:25:03
You know, like,

00:11:25:03 – 00:11:26:09
you know, just kudos to you.

00:11:26:09 – 00:11:27:12
And that’s how they strike

00:11:27:12 – 00:11:29:07
conversation and commonality.

00:11:29:07 – 00:11:30:07
And even though

00:11:30:07 – 00:11:31:13
they weren’t Disney tattoos,

00:11:31:13 – 00:11:34:00
they just admire the work of the artist.

00:11:34:00 – 00:11:35:18
And that in itself creates community.

00:11:35:18 – 00:11:38:08
And it’s so beautiful to see. Totally.

00:11:38:08 – 00:11:41:17
I, I love to hear that so many educators

00:11:41:20 – 00:11:43:11
have visible tattoos.

00:11:43:11 – 00:11:44:19
That makes me so happy.

00:11:44:19 – 00:11:46:23
It’s so, so awesome.

00:11:46:23 – 00:11:50:12
I, I worked for a short period of time

00:11:50:12 – 00:11:51:06
in high school

00:11:51:06 – 00:11:52:00
and middle school

00:11:52:00 – 00:11:53:01
as a therapist,

00:11:53:01 – 00:11:54:10
and I again,

00:11:54:10 – 00:11:55:16
I was worried,

00:11:55:16 – 00:11:57:00
you know, that it

00:11:57:00 – 00:11:59:20
it might not be cool with the parents and

00:11:59:20 – 00:12:01:06
but it just

00:12:01:06 – 00:12:03:14
I think as you said, the stigma

00:12:03:14 – 00:12:05:12
has changed

00:12:05:12 – 00:12:06:16
You know we are

00:12:06:16 – 00:12:08:01
we’re it’s just different.

00:12:08:01 – 00:12:08:14
And people

00:12:08:14 – 00:12:09:15
are accepting

00:12:09:15 – 00:12:12:13
and appreciating the art form.

00:12:12:13 – 00:12:15:16
And I love to hear that for myself.

00:12:15:16 – 00:12:17:09
I do not have any tattoos.

00:12:17:09 – 00:12:19:02
However,

00:12:19:02 – 00:12:20:15
my grandmother got her

00:12:20:15 – 00:12:22:08
first tattoo in her 60s

00:12:22:08 – 00:12:23:15
because she couldn’t

00:12:23:15 – 00:12:26:15
draw her eyeliner on.

00:12:27:00 – 00:12:28:23
It was because of her arthritis.

00:12:28:23 – 00:12:30:12
So she went to the doctor

00:12:30:12 – 00:12:32:19
and the doctor did a tattoo. Eyeliner.

00:12:32:19 – 00:12:34:21
Oh, that’s so cute.

00:12:34:21 – 00:12:38:05
I know my aunt in her 60s

00:12:38:05 – 00:12:39:11
got her first tattoo

00:12:39:11 – 00:12:41:04
and it was lip liner again

00:12:41:04 – 00:12:42:23
because she didn’t know the time.

00:12:42:23 – 00:12:45:11
So I think I have to uphold that

00:12:45:11 – 00:12:47:15
tradition to where my first tattoo

00:12:47:15 – 00:12:49:17
needs to be on my face. And my 60s.

00:12:49:17 – 00:12:52:07
That’s what I’ve decided.

00:12:52:07 – 00:12:53:16
That’s a big commitment.

00:12:54:22 – 00:12:56:02
Yeah.

00:12:56:02 – 00:12:56:20
You know,

00:12:56:20 – 00:12:57:23
permanent

00:12:57:23 – 00:12:59:20
makeup artists are incredible

00:12:59:20 – 00:13:03:07
to that whole that whole, craft has, has

00:13:03:07 – 00:13:06:15
just changed leaps and bounds as well.

00:13:06:15 – 00:13:08:12
And it’s it’s

00:13:08:12 – 00:13:09:07
how amazing

00:13:09:07 – 00:13:12:07
is it right to be able to have that that.

00:13:12:11 – 00:13:13:18
Yeah. Yeah.

00:13:13:18 – 00:13:14:23
And I think the first

00:13:14:23 – 00:13:16:18
like the first experience

00:13:16:18 – 00:13:17:12
that I had

00:13:17:12 – 00:13:18:17
with my family members

00:13:18:17 – 00:13:20:05
getting anything that resembled

00:13:20:05 – 00:13:22:10
a tattoo was permanent makeup

00:13:22:10 – 00:13:23:17
because I remember

00:13:23:17 – 00:13:26:01
my aunts would go back to the Philippines

00:13:26:01 – 00:13:28:05
and they would get permanent makeup done

00:13:28:05 – 00:13:29:11
because they simply just

00:13:29:11 – 00:13:30:19
didn’t want to do the routine

00:13:30:19 – 00:13:31:18
every single day.

00:13:31:18 – 00:13:32:02
Yeah.

00:13:32:02 – 00:13:32:18
And I was

00:13:32:18 – 00:13:33:13
and I know the ink

00:13:33:13 – 00:13:34:22
pattern was a little bit different

00:13:34:22 – 00:13:36:00
because it would like,

00:13:36:00 – 00:13:37:14
somehow fade to like blue

00:13:37:14 – 00:13:39:04
or purple after a while.

00:13:40:05 – 00:13:41:04
But now, I mean, the

00:13:41:04 – 00:13:42:14
technology has changed

00:13:42:14 – 00:13:43:09
because I was like,

00:13:43:09 – 00:13:45:03
I like, is that a rite of passage

00:13:45:03 – 00:13:46:05
that I have to do,

00:13:46:05 – 00:13:47:07
like one day

00:13:47:07 – 00:13:49:13
when I don’t have any eyebrows,

00:13:49:13 – 00:13:50:10
which is fine,

00:13:50:10 – 00:13:50:22
but I don’t know

00:13:50:22 – 00:13:53:01
if I like the color blue. Yeah.

00:13:53:01 – 00:13:55:05
But luckily,

00:13:55:05 – 00:13:56:17
you know, I’m smart enough to know

00:13:56:17 – 00:13:57:19
now that the technology

00:13:57:19 – 00:13:59:08
has changed to wear,

00:13:59:08 – 00:14:02:03
you know, stay the same color.

00:14:02:03 – 00:14:03:14
But, yeah,

00:14:03:14 – 00:14:04:18
I don’t have to live with myself.

00:14:04:18 – 00:14:07:17
The permanent eye makeup I love.

00:14:07:17 – 00:14:08:22
Yeah, the ink.

00:14:08:22 – 00:14:10:21
Companies have come

00:14:10:21 – 00:14:13:05
so far to everything.

00:14:13:05 – 00:14:13:21
Oh, man.

00:14:13:21 – 00:14:16:23
It compared to when we started,

00:14:17:14 – 00:14:21:06
you know, 25, almost 30 years ago,

00:14:21:19 – 00:14:22:20
getting tattooed, it’s

00:14:22:20 – 00:14:25:08
changed so, so significantly.

00:14:25:08 – 00:14:28:19
And it’s so exciting to see all of the,

00:14:30:10 – 00:14:31:23
Leaps and bounds

00:14:31:23 – 00:14:34:03
It’s it’s become. It’s pretty.

00:14:34:03 – 00:14:35:11
It’s pretty exciting.

00:14:35:11 – 00:14:36:18
Okay, well, as we know,

00:14:36:18 – 00:14:38:15
this is a Disney podcast.

00:14:38:15 – 00:14:41:15
So yeah, the fact that you own a tattoo

00:14:41:16 – 00:14:43:21
shop, what are the Disney tattoos

00:14:43:21 – 00:14:44:20
that you’ve seen?

00:14:44:20 – 00:14:48:13
I do know for us on episode 39,

00:14:48:13 – 00:14:49:18
The Battle of the Pumpkin King,

00:14:49:18 – 00:14:52:05
we had an author named Dan Conner on,

00:14:52:05 – 00:14:54:10
and he wrote a graphic novel,

00:14:54:10 – 00:14:56:06
oh, The Battle for Pumpkin King.

00:14:56:06 – 00:14:56:21
And he said he’s

00:14:56:21 – 00:14:58:04
seen so many Nightmare

00:14:58:04 – 00:15:01:02
Before Christmas tattoos at conventions

00:15:01:02 – 00:15:01:14
And that’s, like,

00:15:01:14 – 00:15:04:06
very popular characters to have.

00:15:04:06 – 00:15:05:02
So cool.

00:15:05:02 – 00:15:06:09
Well,

00:15:06:09 – 00:15:09:09
I mean, just because of the beloved

00:15:09:21 – 00:15:12:11
ness of Disney characters, it’s

00:15:12:11 – 00:15:14:10
it’s always going to be such

00:15:14:10 – 00:15:16:02
a popular thing.

00:15:16:02 – 00:15:16:16
You know,

00:15:16:16 – 00:15:17:09
I have,

00:15:17:09 – 00:15:21:11
the little oyster babies on my arm,

00:15:21:11 – 00:15:22:07
and my whole,

00:15:22:07 – 00:15:25:07
my whole back is, Alice in Wonderland.

00:15:25:10 – 00:15:27:02
Disney Alice

00:15:27:02 – 00:15:28:10
Yeah.

00:15:28:10 – 00:15:30:19
So, I love that.

00:15:30:19 – 00:15:32:13
I love them, too.

00:15:32:13 – 00:15:35:07
I oh, man, I can’t even

00:15:35:07 – 00:15:36:23
I don’t even know where to start with.

00:15:36:23 – 00:15:41:05
I think a lot of people do, quotes,

00:15:41:05 – 00:15:41:21
you know,

00:15:41:21 – 00:15:45:20
things like, like Hakuna matata or,

00:15:45:22 – 00:15:47:17
you know,

00:15:47:17 – 00:15:48:12
doing the,

00:15:48:12 – 00:15:51:12
To infinity and beyond things like that, you know,

00:15:51:12 – 00:15:54:09
but then the characters I, you see

00:15:54:09 – 00:15:55:05
such a huge,

00:15:56:04 – 00:15:58:10
array.

00:15:58:10 – 00:16:00:04
I think Tinkerbell has always

00:16:00:04 – 00:16:03:04
been very, popular.

00:16:03:06 – 00:16:06:09
She’s, you know, just the magical element

00:16:06:09 – 00:16:09:09
and, her feistiness and,

00:16:10:03 – 00:16:12:22
Alice in Wonderland does seem to be

00:16:12:22 – 00:16:14:14
still very popular.

00:16:14:14 – 00:16:17:16
You know, Lilo and Stitch,

00:16:17:17 – 00:16:19:21
I think we’ve seen a lot.

00:16:19:21 – 00:16:24:21
Ohana, just, you know, that

00:16:24:22 – 00:16:26:06
that whole

00:16:26:06 – 00:16:27:19
family,

00:16:27:19 – 00:16:31:03
anything that can tie things together

00:16:31:03 – 00:16:34:03
that you hold dear to yourself.

00:16:34:22 – 00:16:38:09
I see a lot of Disney theme park tattoos.

00:16:39:11 – 00:16:42:14
I recently saw a cool, on Instagram.

00:16:42:14 – 00:16:46:10
I saw a cool, Dole whip, tattoo.

00:16:46:16 – 00:16:48:01
That is so cute.

00:16:48:01 – 00:16:48:22
And,

00:16:48:22 – 00:16:53:22
just like the Mickey Mouse, ice cream bars

00:16:53:22 – 00:16:56:21
of course, the castle is huge.

00:16:56:21 – 00:16:58:10
And,

00:16:58:10 – 00:17:00:07
Oh, man, it’s endless, right?

00:17:00:07 – 00:17:01:12
Because everybody

00:17:01:12 – 00:17:05:03
has their special character or saying

00:17:05:08 – 00:17:06:21
or memory

00:17:06:21 – 00:17:09:05
that they want to keep with them.

00:17:09:05 – 00:17:10:06
And yeah,

00:17:10:06 – 00:17:14:01
I think that element of nostalgia, and,

00:17:14:01 – 00:17:17:14
and also just the, associations

00:17:17:14 – 00:17:20:09
that it can have for people is so,

00:17:20:09 – 00:17:22:15
so special. So yeah.

00:17:23:20 – 00:17:24:15
Yeah, yeah,

00:17:24:15 – 00:17:25:17
I definitely seen

00:17:25:17 – 00:17:27:05
a lot of the food items

00:17:27:05 – 00:17:29:02
as like flash tattoos

00:17:29:02 – 00:17:30:19
because they’re just so easy to do

00:17:30:19 – 00:17:31:21
and they’re very quick.

00:17:31:21 – 00:17:33:14
And it’s just a little trinket

00:17:33:14 – 00:17:35:16
of like a churro or like you say,

00:17:35:16 – 00:17:38:00
a Mickey pops or a Dole whip

00:17:38:00 – 00:17:39:14
or even like a popcorn bucket.

00:17:39:14 – 00:17:40:12
I’ve seen,

00:17:40:12 – 00:17:41:17
but yeah,

00:17:41:17 – 00:17:43:15
I it’s just as like, simple as,

00:17:43:15 – 00:17:45:06
you know, getting an enamel pin.

00:17:45:06 – 00:17:45:21
I feel like

00:17:45:21 – 00:17:48:01
it’s like you collect those things

00:17:48:01 – 00:17:49:23
to show on your body as opposed

00:17:49:23 – 00:17:51:17
to, like, your bag.

00:17:51:17 – 00:17:52:13
You know, it’s something

00:17:52:13 – 00:17:53:17
that you’re probably going to love

00:17:53:17 – 00:17:55:18
forever is tied to a special memory,

00:17:55:18 – 00:17:57:21
which is, you know, I think pretty cool.

00:17:57:21 – 00:17:58:21
Well,

00:17:58:21 – 00:17:59:19
Disney has, like,

00:17:59:19 – 00:18:01:13
Marvel and Star Wars like.

00:18:01:13 – 00:18:02:15
And that franchise.

00:18:02:15 – 00:18:05:18
Oh, more and more of those tattoos.

00:18:05:18 – 00:18:08:06
Lots of, like, Captain America’s shield.

00:18:08:06 – 00:18:11:06
So lots of like Wakanda Forever.

00:18:11:06 – 00:18:13:16
I, I’ve seen a numerous amount of those.

00:18:13:16 – 00:18:15:10
And then every kind of lightsaber.

00:18:15:10 – 00:18:18:18
Imagine light side, dark side rebels.

00:18:18:18 – 00:18:19:13
Yeah.

00:18:19:13 – 00:18:22:08
I wasn’t even thinking of the Star Wars

00:18:22:08 – 00:18:23:12
part of it because,

00:18:23:12 – 00:18:26:12
as you know, that is just

00:18:26:15 – 00:18:28:05
an incredibly huge

00:18:28:05 – 00:18:30:10
genre of tattoos in itself.

00:18:30:10 – 00:18:32:18
There are some tattoo artists who

00:18:32:18 – 00:18:33:19
that’s all they do

00:18:33:19 – 00:18:35:07
because they have such

00:18:35:07 – 00:18:36:08
a demand for it

00:18:36:08 – 00:18:38:20
that that’s all they could keep up,

00:18:38:20 – 00:18:39:18
you know?

00:18:39:18 – 00:18:41:20
And same with Disney.

00:18:41:20 – 00:18:43:21
There are so many tattoo artists

00:18:43:21 – 00:18:47:20
who specialize in Disney themed tattoos,

00:18:47:20 – 00:18:49:05
and they have such huge

00:18:49:05 – 00:18:50:04
waiting lists

00:18:50:04 – 00:18:53:02
that they don’t need to do anything else,

00:18:53:02 – 00:18:54:04
you know?

00:18:54:04 – 00:18:54:22
Oh,

00:18:54:22 – 00:18:58:01
I was thinking to like the glass slipper.

00:18:58:15 – 00:19:00:22
The apple from Snow White

00:19:00:22 – 00:19:03:14
You know, just all those iconic

00:19:03:14 – 00:19:06:00
things that that, you know,

00:19:06:00 – 00:19:07:07
as soon as you look at it.

00:19:07:07 – 00:19:09:16
What it is, Yes.

00:19:09:16 – 00:19:11:17
And same with the food.

00:19:11:17 – 00:19:15:17
Those things are so memorable.

00:19:15:22 – 00:19:16:13
You know,

00:19:16:13 – 00:19:18:23
we we all know exactly what it is

00:19:18:23 – 00:19:20:12
as soon as you see it.

00:19:20:12 – 00:19:22:21
So. Yeah, like you said, like iconic.

00:19:24:06 – 00:19:25:03
Yes.

00:19:25:03 – 00:19:27:02
It. And

00:19:27:02 – 00:19:30:05
like nobody else can do it like Disney.

00:19:30:08 – 00:19:30:19
Right.

00:19:30:19 – 00:19:33:21
So I feel like it’s just it

00:19:34:06 – 00:19:37:12
you see it and you know and it’s also has

00:19:37:18 – 00:19:39:16
a special meaning to the,

00:19:39:16 – 00:19:42:05
the person who’s wearing it.

00:19:42:05 – 00:19:43:00
Yeah.

00:19:43:00 – 00:19:45:01
I’m curious to know, are there

00:19:45:01 – 00:19:47:16
people still a little embarrassed

00:19:47:16 – 00:19:49:14
that they’re getting a Disney tattoo

00:19:49:14 – 00:19:50:09
that you’ve seen?

00:19:50:09 – 00:19:51:19
Because, you know,

00:19:51:19 – 00:19:54:04
there’s talk about Disney adults

00:19:54:04 – 00:19:55:02
and, you know, like, oh,

00:19:55:02 – 00:19:56:03
that’s so childish.

00:19:56:03 – 00:19:57:15
And I know that some

00:19:57:15 – 00:19:58:07
sometimes, I mean,

00:19:58:07 – 00:20:00:03
usually a tattoo is symbolize,

00:20:00:03 – 00:20:00:19
you know, to

00:20:00:19 – 00:20:02:19
to make you appear a certain way,

00:20:02:19 – 00:20:04:20
maybe intimidating or what have you.

00:20:04:20 – 00:20:07:01
But has there people been you know,

00:20:07:01 – 00:20:08:09
I do want to get this tattoo,

00:20:08:09 – 00:20:12:01
but I’m a little embarrassed, you know,

00:20:12:13 – 00:20:13:08
I can’t

00:20:13:08 – 00:20:16:01
I can’t recall anything like that.

00:20:16:01 – 00:20:18:06
I’m sure that that happens.

00:20:18:06 – 00:20:19:20
But I feel like

00:20:19:20 – 00:20:20:22
getting tattooed

00:20:20:22 – 00:20:23:19
is such an empowering thing

00:20:23:19 – 00:20:25:19
that when you decide

00:20:25:19 – 00:20:26:06
that you’re

00:20:26:06 – 00:20:27:19
dedicating this space

00:20:27:19 – 00:20:29:07
on your body to something,

00:20:30:06 – 00:20:31:22
if that’s what you love and

00:20:31:22 – 00:20:32:17
care about,

00:20:32:17 – 00:20:35:17
you’re probably really proud to wear it.

00:20:35:17 – 00:20:36:08
You know,

00:20:36:08 – 00:20:37:09
regardless of how

00:20:37:09 – 00:20:39:08
the rest of the world sees you.

00:20:39:08 – 00:20:42:11
And I think that Disney,

00:20:42:19 – 00:20:45:23
Disney adults, Disney fans like that.

00:20:45:23 – 00:20:48:11
They love it, right? That’s true.

00:20:48:11 – 00:20:48:18
It.

00:20:48:18 – 00:20:51:21
Yeah, but I’m sure that that’s there.

00:20:52:07 – 00:20:54:15
I, I can’t think of an instance

00:20:54:15 – 00:20:56:07
where I have seen that,

00:20:56:07 – 00:20:58:23
but I’m sure that, you know,

00:20:58:23 – 00:21:01:23
people who observe of them might still

00:21:02:17 – 00:21:05:15
say that talking about the empowerment

00:21:05:15 – 00:21:06:04
for you,

00:21:06:04 – 00:21:07:01
what have you noticed

00:21:07:01 – 00:21:08:08
as the benefits

00:21:08:08 – 00:21:09:14
of tattooing,

00:21:09:14 – 00:21:12:08
the benefits of getting a tattoo

00:21:12:08 – 00:21:13:04
on the end?

00:21:13:04 – 00:21:16:08
I feel like it’s such an endless list.

00:21:16:13 – 00:21:19:04
You know,

00:21:19:04 – 00:21:21:01
I think it’s so it can become

00:21:21:01 – 00:21:24:01
so connected to a person’s identity

00:21:24:03 – 00:21:26:05
and what they hold,

00:21:26:05 – 00:21:28:07
important to themselves.

00:21:28:07 – 00:21:29:01
It can

00:21:29:01 – 00:21:32:20
and it can encompass past memories,

00:21:32:22 – 00:21:35:08
things that have happened in your life

00:21:35:08 – 00:21:38:04
as well as dreams for your future.

00:21:38:04 – 00:21:42:06
And, I think, like we talked about

00:21:42:06 – 00:21:44:05
with the nostalgia,

00:21:44:05 – 00:21:45:04
things that

00:21:45:04 – 00:21:47:07
have been important to you

00:21:47:07 – 00:21:51:04
in your childhood that you want to relive

00:21:51:04 – 00:21:55:19
and remember, I think a really big thing

00:21:55:19 – 00:21:56:10
I’ve seen

00:21:56:10 – 00:21:58:05
is that community,

00:21:58:05 – 00:22:00:11
sense of belongingness

00:22:00:11 – 00:22:02:16
that can be so important

00:22:02:16 – 00:22:04:23
to our mental health and well-being.

00:22:04:23 – 00:22:06:02
You know, having

00:22:06:02 – 00:22:08:20
those social identities that,

00:22:08:20 – 00:22:12:01
that, you know, you belong somewhere.

00:22:12:04 – 00:22:15:04
It can be so empowering for somebody.

00:22:15:15 – 00:22:18:15
And is that form of expression

00:22:18:18 – 00:22:20:11
because that as we know

00:22:20:11 – 00:22:23:12
that when you decide to take that on,

00:22:23:18 – 00:22:25:18
to wear it on your body,

00:22:25:18 – 00:22:28:08
you’re giving a bold statement

00:22:28:08 – 00:22:32:02
about, about yourself and, yeah,

00:22:32:04 – 00:22:34:06
what you’re willing to,

00:22:34:06 – 00:22:36:09
portray to the world.

00:22:37:20 – 00:22:39:01
I see

00:22:39:01 – 00:22:39:16
a lot

00:22:39:16 – 00:22:43:05
of my clients do I see wear tattoos,

00:22:43:10 – 00:22:46:17
and we use it so often in the work

00:22:46:17 – 00:22:49:17
just because it can be,

00:22:49:18 – 00:22:51:22
such a form of healing.

00:22:51:22 – 00:22:54:22
If you’re overcoming trauma

00:22:55:00 – 00:22:56:10
and you want to

00:22:56:10 – 00:22:59:01
learn how to take that power back,

00:22:59:01 – 00:23:01:18
it can be just great reminders

00:23:01:18 – 00:23:02:22
to look down

00:23:02:22 – 00:23:03:20
at something

00:23:03:20 – 00:23:09:04
that helps you to stay strong or a, or,

00:23:09:06 – 00:23:12:04
a quote or something that

00:23:12:04 – 00:23:13:16
that it has been

00:23:13:16 – 00:23:15:22
important in your healing.

00:23:15:22 – 00:23:17:02
Yeah. Yeah.

00:23:17:02 – 00:23:19:19
I, I for me, it

00:23:19:19 – 00:23:21:16
it has become a very important

00:23:21:16 – 00:23:23:19
part of my identity.

00:23:23:19 – 00:23:26:15
I think it helped me to become,

00:23:26:15 – 00:23:29:19
to step outside of

00:23:31:02 – 00:23:33:07
barriers that were created for me

00:23:33:07 – 00:23:35:04
as a child and,

00:23:35:04 – 00:23:38:02
and be able to kind of become

00:23:38:02 – 00:23:39:11
my own person.

00:23:39:11 – 00:23:42:08
And as you, as you weave them

00:23:42:08 – 00:23:43:12
all together,

00:23:43:12 – 00:23:45:14
that becomes stronger and stronger.

00:23:45:14 – 00:23:48:02
It did for me. Yeah.

00:23:48:02 – 00:23:51:01
So it it’s, I don’t know, I,

00:23:51:01 – 00:23:52:21
I just for me, it’s

00:23:52:21 – 00:23:55:08
been such an incredible part

00:23:55:08 – 00:23:56:14
of my own journey

00:23:56:14 – 00:23:58:04
and tool to use

00:23:58:04 – 00:23:59:17
with people that I work with.

00:24:01:10 – 00:24:03:01
I think it really gives another meaning

00:24:03:01 – 00:24:05:09
to being comfortable in your skin. Right?

00:24:05:09 – 00:24:05:23
Because I think

00:24:05:23 – 00:24:08:02
once you get past that barrier of,

00:24:08:02 – 00:24:09:09
hey, this is me,

00:24:09:09 – 00:24:10:04
I’m just going to wear it

00:24:10:04 – 00:24:12:14
proudly on my body.

00:24:12:14 – 00:24:13:21
That you don’t have to think about it

00:24:13:21 – 00:24:14:20
consciously anymore.

00:24:14:20 – 00:24:16:07
You’re not so much in your head

00:24:16:07 – 00:24:17:12
and you’re just like, hey,

00:24:17:12 – 00:24:18:14
and this is it.

00:24:18:14 – 00:24:20:18
Just accept me as I am or,

00:24:20:18 – 00:24:22:21
you know, move along. You sort of thing.

00:24:22:21 – 00:24:24:06
It totally.

00:24:24:06 – 00:24:26:02
And and that, you know,

00:24:26:02 – 00:24:27:09
when people have been

00:24:27:09 – 00:24:28:23
through really hard things,

00:24:28:23 – 00:24:31:12
in their lives, sometimes you,

00:24:31:12 – 00:24:33:05
you need that.

00:24:33:05 – 00:24:35:06
You just need

00:24:35:06 – 00:24:37:06
whatever tool that is.

00:24:37:06 – 00:24:37:18
And,

00:24:37:18 – 00:24:40:18
and sometimes tattoos can just be such,

00:24:40:19 – 00:24:43:09
helpful part of that,

00:24:43:09 – 00:24:44:12
I think, to,

00:24:44:12 – 00:24:46:21
to help somebody to make those decisions,

00:24:46:21 – 00:24:49:06
make those commitments and,

00:24:49:06 – 00:24:51:09
and then proudly wear it.

00:24:51:09 – 00:24:51:17
Is it

00:24:51:17 – 00:24:53:02
something that you

00:24:53:02 – 00:24:55:03
hold with you every day?

00:24:55:03 – 00:24:58:03
And that can be such a great reminder?

00:24:58:09 – 00:25:02:05
Yeah, I noticed in my practice,

00:25:02:05 – 00:25:04:06
when we are talking about tattoos,

00:25:04:06 – 00:25:05:20
it often aligns with someone’s

00:25:05:20 – 00:25:07:23
grief experience. Right? With them.

00:25:07:23 – 00:25:08:06
Yeah.

00:25:08:06 – 00:25:11:09
Or a date, or an image.

00:25:11:18 – 00:25:13:15
And the really beautiful thing about

00:25:13:15 – 00:25:15:19
it is not only does it honor that loss,

00:25:15:19 – 00:25:17:10
but it opens the door

00:25:17:10 – 00:25:19:07
to be able to talk about this person.

00:25:19:07 – 00:25:20:04
And I know for

00:25:20:04 – 00:25:20:18
my clients

00:25:20:18 – 00:25:21:21
recovering from grief,

00:25:21:21 – 00:25:24:21
everyone’s afraid to like, make them sad.

00:25:25:02 – 00:25:26:01
Oh, we don’t mention it.

00:25:26:01 – 00:25:27:02
We don’t say anything

00:25:27:02 – 00:25:28:07
because we don’t want to.

00:25:28:07 – 00:25:30:01
We don’t want to bring stuff up.

00:25:30:01 – 00:25:31:08
And they want to talk

00:25:31:08 – 00:25:32:18
about the person they lost.

00:25:32:18 – 00:25:34:06
They want to celebrate them

00:25:34:06 – 00:25:35:22
It doesn’t just bring sadness, it

00:25:35:22 – 00:25:37:18
brings joy and lots of nostalgia,

00:25:37:18 – 00:25:39:09
lots of loving memories.

00:25:39:09 – 00:25:41:18
And with a tattoo with a beautiful image,

00:25:41:18 – 00:25:43:02
someone will ask about it

00:25:43:02 – 00:25:44:08
and it opens up the door

00:25:44:08 – 00:25:45:15
to have the conversation.

00:25:45:15 – 00:25:47:23
And it didn’t start from them

00:25:47:23 – 00:25:49:05
asking out of fear.

00:25:49:05 – 00:25:51:05
Was curiosity right?

00:25:51:05 – 00:25:53:07
That oh, that you nailed it.

00:25:53:07 – 00:25:57:00
That’s that’s so, so powerful, isn’t it?

00:25:57:00 – 00:26:00:00
Because memorial tattoos,

00:26:00:03 – 00:26:02:06
they can mean so much to people

00:26:02:06 – 00:26:04:19
and as you said, opening that door

00:26:04:19 – 00:26:07:20
and being able to have a conversation

00:26:07:20 – 00:26:10:23
starter that, in fact, it’s funny,

00:26:10:23 – 00:26:14:10
is that because I do have a client who,

00:26:14:21 – 00:26:18:03
his father passed away and

00:26:18:11 – 00:26:20:05
was a guitar player

00:26:20:05 – 00:26:23:05
and got a tattoo of a guitar,

00:26:23:05 – 00:26:26:05
with, like, the banner that says Dad

00:26:26:07 – 00:26:28:03
And,

00:26:28:03 – 00:26:31:00
that has happened so many times for them

00:26:31:00 – 00:26:32:08
where you know,

00:26:32:08 – 00:26:34:03
somebody comments on the tattoo,

00:26:34:03 – 00:26:34:21
and then

00:26:34:21 – 00:26:38:10
they get to explain how important

00:26:38:10 – 00:26:39:04
and meaningful

00:26:39:04 – 00:26:42:16
that is without, as you said, making,

00:26:42:16 – 00:26:43:05
you know,

00:26:43:05 – 00:26:45:04
that helps them to open the door

00:26:45:04 – 00:26:46:01
to talk about it

00:26:46:01 – 00:26:47:11
so that they’re

00:26:47:11 – 00:26:49:01
the person on the receiving end

00:26:49:01 – 00:26:50:12
doesn’t feel

00:26:50:12 – 00:26:52:10
bad or wonder about

00:26:52:10 – 00:26:54:22
when it’s appropriate to talk.

00:26:54:22 – 00:26:58:14
And memorial tattoos are so special.

00:26:58:14 – 00:27:01:14
And whether it’s it’s a portrait of a

00:27:02:03 – 00:27:05:22
loved one or a date or name or a pet,

00:27:05:22 – 00:27:10:08
I have a tattoo of a special little kitty

00:27:10:08 – 00:27:13:11
that we lost a few years ago that I see

00:27:13:11 – 00:27:16:11
every day, and I it means so much to me.

00:27:16:18 – 00:27:19:20
And yeah, I, I agree, memorial

00:27:19:20 – 00:27:22:21
tattoos are such a gift, you know,

00:27:23:02 – 00:27:26:07
because it it helps a person to heal

00:27:26:07 – 00:27:29:11
and keep that with them in a positive way

00:27:30:01 – 00:27:31:21
and, and help the world

00:27:31:21 – 00:27:34:14
around them to also feel comfortable.

00:27:34:21 – 00:27:35:18
Yeah, definitely.

00:27:35:18 – 00:27:36:23
And you know, on the note

00:27:36:23 – 00:27:38:06
of telling a story,

00:27:38:06 – 00:27:39:14
whether it’s a story of grief

00:27:39:14 – 00:27:41:00
or a story of love,

00:27:41:00 – 00:27:43:13
we also know that tattoos are a symbol

00:27:43:13 – 00:27:45:15
of cultural expression as well.

00:27:45:15 – 00:27:46:21
So I know that,

00:27:46:21 – 00:27:47:06
you know,

00:27:47:06 – 00:27:49:04
many more people are honing in

00:27:49:04 – 00:27:51:10
on their cultural expression.

00:27:51:10 – 00:27:52:13
I know for myself,

00:27:52:13 – 00:27:54:10
and I know we’re Filipina Americans,

00:27:54:10 – 00:27:56:06
and so many Filipinos

00:27:56:06 – 00:27:58:08
are tapping into that,

00:27:58:08 – 00:28:01:14
sense of, you know, tribe and family

00:28:01:14 – 00:28:03:02
to an ancient place

00:28:03:02 – 00:28:04:07
that we we’ve never

00:28:04:07 – 00:28:06:04
experienced will want to grow,

00:28:06:04 – 00:28:06:21
you know, closer

00:28:06:21 – 00:28:08:16
to where I know

00:28:08:16 – 00:28:10:07
that, you know, for Disney fans,

00:28:10:07 – 00:28:11:09
they want to be connected

00:28:11:09 – 00:28:12:07
to certain cultures

00:28:12:07 – 00:28:14:09
that they might not be connected to.

00:28:14:09 – 00:28:17:21
But to use tattoos is a bridge to

00:28:17:21 – 00:28:19:04
something like that.

00:28:19:04 – 00:28:22:14
So for have you seen like, certain ways

00:28:22:14 – 00:28:24:18
that people have embraced kind of,

00:28:24:18 – 00:28:27:00
you know, that culture in that way?

00:28:27:00 – 00:28:28:18
Oh for sure. I mean,

00:28:30:03 – 00:28:33:08
first, it’s so it’s so special

00:28:33:08 – 00:28:34:00
to be able

00:28:34:00 – 00:28:35:01
to understand

00:28:35:01 – 00:28:37:08
some of the roots of tattooing.

00:28:37:08 – 00:28:39:17
Like the Tā Moko,

00:28:39:17 – 00:28:42:23
with indigenous, people in New Zealand

00:28:43:09 – 00:28:48:16
and, Irezumi is the tattoo in, Japan.

00:28:49:04 – 00:28:50:20
And to be able to

00:28:50:20 – 00:28:53:17
look at some of the origins of that,

00:28:53:17 – 00:28:57:15
because you do see how essential

00:28:57:15 – 00:29:00:21
that is in, in their community,

00:29:01:02 – 00:29:04:15
you know, women who receive the,

00:29:04:15 – 00:29:07:13
the chin tattoos in New Zealand.

00:29:07:13 – 00:29:10:19
A few years ago, there was a,

00:29:11:07 – 00:29:14:20
newscaster there who, proudly

00:29:14:20 – 00:29:19:01
wears hers and, and it was, on the news.

00:29:19:01 – 00:29:23:16
And it was such a amazing step for,

00:29:24:20 – 00:29:27:20
allowing that to be normalized.

00:29:28:17 – 00:29:30:09
And I,

00:29:30:09 – 00:29:34:07
I love to see how all of that comes back

00:29:35:01 – 00:29:36:15
around when people come in

00:29:36:15 – 00:29:37:14
and want something

00:29:37:14 – 00:29:39:20
connected to their cultural

00:29:39:20 – 00:29:40:21
and their heritage.

00:29:40:21 – 00:29:43:21
It’s because those are the the roots.

00:29:43:21 – 00:29:44:10
You know,

00:29:44:10 – 00:29:46:05
tattooing is so rich in

00:29:46:05 – 00:29:48:20
in this historical

00:29:48:20 – 00:29:51:02
form of storytelling and,

00:29:51:02 – 00:29:54:04
and that’s your way to also carry that.

00:29:55:09 – 00:29:58:21
I am so happy that, Disney has,

00:29:59:06 – 00:30:00:18
Moana

00:30:00:18 – 00:30:03:18
we were able to see a tattooed character.

00:30:03:19 – 00:30:06:16
I, I would love to see them

00:30:06:16 – 00:30:09:12
continue this,

00:30:09:12 – 00:30:13:15
maybe to even work with, tattoo

00:30:13:15 – 00:30:14:18
artists, indigenous

00:30:14:18 – 00:30:17:21
tattoo artists to be able to incorporate

00:30:18:23 – 00:30:21:15
true forms of,

00:30:21:15 – 00:30:23:23
into other character development.

00:30:23:23 – 00:30:26:21
That would be so exciting to see.

00:30:26:21 – 00:30:29:01
And, and wouldn’t

00:30:29:01 – 00:30:31:05
it be great to see more tattoo

00:30:31:05 – 00:30:33:23
characters, you know, just in general,

00:30:33:23 – 00:30:36:01
because as we’ve talked about

00:30:36:01 – 00:30:36:22
this is

00:30:36:22 – 00:30:39:18
a very normal part of our culture.

00:30:39:18 – 00:30:42:21
Now, a lot of people wear tattoos.

00:30:42:21 – 00:30:43:21
And I

00:30:43:21 – 00:30:45:19
think, if I’m not mistaken,

00:30:45:19 – 00:30:48:00
we only have one

00:30:48:00 – 00:30:50:20
Disney character with tattoos right now.

00:30:50:20 – 00:30:51:23
We have Maui.

00:30:51:23 – 00:30:52:19
Maui.

00:30:52:19 – 00:30:55:05
Moana doesn’t get it.

00:30:55:05 – 00:30:57:15
Looks like Moana gets hers right.

00:30:57:15 – 00:30:58:16
In the next movie,

00:30:58:16 – 00:31:01:16
we saw a trailer and then Pocahontas.

00:31:02:03 – 00:31:03:10
Oh you’re right.

00:31:03:10 – 00:31:06:16
Oh of course, yeah, but unfortunately,

00:31:07:01 – 00:31:07:22
you know, Pocahontas

00:31:07:22 – 00:31:09:13
is based off of a real person,

00:31:09:13 – 00:31:10:12
and her tattoos

00:31:10:12 – 00:31:11:20
are actually very intricate.

00:31:11:20 – 00:31:12:18
According to, like,

00:31:12:18 – 00:31:14:02
what some of the imagery was.

00:31:14:02 – 00:31:15:05
So what they have,

00:31:15:05 – 00:31:16:10
I think that they show her

00:31:16:10 – 00:31:17:19
having is very,

00:31:17:19 – 00:31:21:03
very basic as the youths say right.

00:31:21:11 – 00:31:22:23
I was the band and then.

00:31:22:23 – 00:31:23:13
Yeah,

00:31:23:13 – 00:31:24:00
if you

00:31:24:00 – 00:31:25:00
if you want to

00:31:25:00 – 00:31:28:02
maybe argue it does you know

00:31:28:02 – 00:31:31:02
Andy writing his name on his toys

00:31:31:02 – 00:31:32:03
is that tattooing

00:31:34:17 – 00:31:35:18
I would

00:31:35:18 – 00:31:36:15
I like to

00:31:36:15 – 00:31:37:22
think it’s

00:31:37:22 – 00:31:40:12
well it’s a form of of marking.

00:31:40:12 – 00:31:41:00
Right.

00:31:41:00 – 00:31:44:19
Which a tattoo is an obviously becomes

00:31:44:19 – 00:31:48:03
so essential to the story when,

00:31:48:14 – 00:31:52:14
when he’s questioning his value

00:31:52:14 – 00:31:53:15
to Andy

00:31:53:15 – 00:31:55:09
when Woody is questioning his value.

00:31:55:09 – 00:31:59:01
And that kind of connects that to

00:31:59:05 – 00:32:02:04
because, sometimes getting tattoo

00:32:02:04 – 00:32:05:15
can help us to establish or identity.

00:32:06:08 – 00:32:08:15
So I would love to think

00:32:08:15 – 00:32:10:02
that they’re going for that.

00:32:10:02 – 00:32:12:10
But what do you guys think?

00:32:12:10 – 00:32:13:00
I mean,

00:32:13:00 – 00:32:16:02
we it’s still a form of marking though.

00:32:16:02 – 00:32:18:13
And,

00:32:18:13 – 00:32:20:15
and, you know, just

00:32:20:15 – 00:32:23:15
the importance of him

00:32:24:05 – 00:32:27:00
or the two characters to each other,

00:32:27:00 – 00:32:28:09
you know, yeah,

00:32:28:09 – 00:32:30:09
it’s funny that you mentioned Andy

00:32:30:09 – 00:32:32:08
questioning his, like,

00:32:32:08 – 00:32:33:21
I guess, allegiance to whoever

00:32:33:21 – 00:32:35:14
it was his owner at the time,

00:32:35:14 – 00:32:37:20
because I was thinking, you know, if he,

00:32:37:20 – 00:32:39:10
you know, had any contemplation

00:32:39:10 – 00:32:41:01
on taking that away,

00:32:41:01 – 00:32:42:15
it was like as if he was breaking up

00:32:42:15 – 00:32:44:03
with Andy.

00:32:44:03 – 00:32:44:15
Like, you know,

00:32:44:15 – 00:32:46:02
when somebody gets a tattoo of,

00:32:46:02 – 00:32:46:20
like, a form or,

00:32:46:20 – 00:32:48:19
you know, like, significant other

00:32:48:19 – 00:32:49:20
and they don’t want to remember

00:32:49:20 – 00:32:50:19
that anymore.

00:32:50:19 – 00:32:51:03
I was like,

00:32:51:03 – 00:32:53:00
is he technically lasering this away?

00:32:53:00 – 00:32:54:00
Like, yeah,

00:32:54:00 – 00:32:54:08
you know,

00:32:54:08 – 00:32:54:20
because he doesn’t

00:32:54:20 – 00:32:55:17
want anything to do with

00:32:55:17 – 00:32:56:22
but you,

00:32:56:22 – 00:32:59:19
you know, only go during that parallel.

00:32:59:19 – 00:33:01:08
Yeah. Yeah.

00:33:01:08 – 00:33:01:17
Yeah.

00:33:01:17 – 00:33:04:05
I would love to see more of that.

00:33:04:05 – 00:33:05:21
I know, I know, yeah.

00:33:05:21 – 00:33:06:05
Go ahead.

00:33:06:05 – 00:33:06:13
Well,

00:33:06:13 – 00:33:07:04
when I think of

00:33:07:04 – 00:33:08:19
representation of tattoos,

00:33:08:19 – 00:33:10:02
aside from those characters,

00:33:10:02 – 00:33:12:03
we have like what Jack Sparrow

00:33:12:03 – 00:33:13:16
and anybody who is a pirate.

00:33:13:16 – 00:33:15:18
Yeah. True.

00:33:15:18 – 00:33:17:11
And that which,

00:33:17:11 – 00:33:19:07
which kind of hearkens back

00:33:19:07 – 00:33:22:04
more to the stigmatized way

00:33:22:04 – 00:33:23:16
of seeing that. Right.

00:33:23:16 – 00:33:27:12
Because but wouldn’t

00:33:27:12 – 00:33:31:01
it be an amazing opportunity to teach

00:33:31:09 – 00:33:34:02
about cultural heritage

00:33:34:02 – 00:33:35:11
and the connection

00:33:35:11 – 00:33:36:21
of, of those characters

00:33:36:21 – 00:33:39:10
and to do their part

00:33:39:10 – 00:33:42:05
with normalizing tattoos?

00:33:42:05 – 00:33:44:21
Because I mean it

00:33:44:21 – 00:33:46:12
I understand needing

00:33:46:12 – 00:33:48:04
to keep the balance for children.

00:33:48:04 – 00:33:50:15
However, children are exposed

00:33:50:15 – 00:33:52:23
to tattoo people all the time. Yes.

00:33:52:23 – 00:33:55:16
And I, you know, growing.

00:33:55:16 – 00:33:57:05
When my kids grew up,

00:33:57:05 – 00:33:59:13
we obviously were tattooed

00:33:59:13 – 00:34:01:07
and we tried to incorporate

00:34:01:07 – 00:34:03:10
lots of different art into the house.

00:34:03:10 – 00:34:05:14
And I really find that

00:34:05:14 – 00:34:07:12
when when you normalize

00:34:07:12 – 00:34:09:14
something, they’re not scared of it

00:34:09:14 – 00:34:11:21
and they don’t think it’s taboo

00:34:11:21 – 00:34:12:14
and, and like,

00:34:12:14 – 00:34:15:18
they don’t want to rebel back to it

00:34:15:18 – 00:34:19:18
as much as when you, repress it

00:34:19:18 – 00:34:21:19
and teach them that it’s scary.

00:34:22:18 – 00:34:24:13
So I would just love to

00:34:24:13 – 00:34:25:01
see them

00:34:25:01 – 00:34:25:22
just, you know,

00:34:25:22 – 00:34:27:16
not know that they think,

00:34:27:16 – 00:34:28:07
yeah,

00:34:28:07 – 00:34:29:09
we have to get

00:34:29:09 – 00:34:31:09
them head tattoos or facial,

00:34:31:09 – 00:34:32:16
but just easy. Cool.

00:34:32:16 – 00:34:34:12
They have a few new characters

00:34:34:12 – 00:34:38:00
that just sported something, you know.

00:34:38:04 – 00:34:38:21
So, you know,

00:34:38:21 – 00:34:40:11
I always thought that,

00:34:40:11 – 00:34:40:19
you know,

00:34:40:19 – 00:34:42:22
we didn’t get tattoos on characters

00:34:42:22 – 00:34:44:03
because I thought it was difficult

00:34:44:03 – 00:34:47:16
for the animators to like, portray

00:34:48:03 – 00:34:49:22
like a really good piece of art

00:34:49:22 – 00:34:52:12
because sometimes it can get so intricate

00:34:52:12 – 00:34:53:23
and you don’t want to,

00:34:53:23 – 00:34:55:15
you know, make that dull

00:34:55:15 – 00:34:56:20
and you don’t want it to be a bad

00:34:56:20 – 00:34:58:15
looking tattoo.

00:34:58:15 – 00:35:00:05
But I mean, when they did Maui,

00:35:00:05 – 00:35:03:02
I think the CGI and also

00:35:03:02 – 00:35:04:19
the animation has gone so far

00:35:04:19 – 00:35:06:08
that maybe there’s a little bit

00:35:06:08 – 00:35:07:18
easier for, you know, digital

00:35:07:18 – 00:35:09:05
animators to do that.

00:35:09:05 – 00:35:11:06
Because when I saw Maui’s

00:35:11:06 – 00:35:12:09
I was like, these are good.

00:35:12:09 – 00:35:14:15
Look, you know, they’re accurate, right?

00:35:14:15 – 00:35:15:10
Portrayed

00:35:15:10 – 00:35:16:17
and they don’t look weird

00:35:16:17 – 00:35:18:14
and they look great on the skin.

00:35:18:14 – 00:35:19:10
But, you know,

00:35:19:10 – 00:35:20:21
I can imagine if that was harder

00:35:20:21 – 00:35:23:09
for like a 2D animation to do that.

00:35:23:09 – 00:35:24:12
So, you know,

00:35:24:12 – 00:35:25:07
I don’t know if you guys

00:35:25:07 – 00:35:26:16
had a thought about that

00:35:26:16 – 00:35:28:19
because he does move

00:35:28:19 – 00:35:31:17
and they flow with the movements

00:35:31:17 – 00:35:32:15
really well.

00:35:32:15 – 00:35:35:05
That’s a that’s a great point.

00:35:35:05 – 00:35:36:08
Yeah.

00:35:36:08 – 00:35:39:08
But that they can do it I know they can.

00:35:39:11 – 00:35:40:10
Yeah, I could do it.

00:35:40:10 – 00:35:41:17
I have a feeling we can

00:35:41:17 – 00:35:42:19
if we believe in you,

00:35:42:19 – 00:35:45:18
get more tattooed individuals in Disney.

00:35:45:18 – 00:35:47:03
It’s going to come from Pixar.

00:35:48:07 – 00:35:50:11
Oh I get it’s for the money.

00:35:50:11 – 00:35:50:22
Right.

00:35:50:22 – 00:35:53:22
So yeah that’s for the money.

00:35:56:12 – 00:35:58:12
I going back to the cultural

00:35:58:12 – 00:35:59:06
element though,

00:35:59:06 – 00:36:00:13
I, I just,

00:36:00:13 – 00:36:03:03
I think that’s such a great opportunity

00:36:03:03 – 00:36:05:16
to really have those accurate,

00:36:05:16 – 00:36:08:19
you know, depictions of something

00:36:08:19 – 00:36:11:19
that can be so important.

00:36:12:03 – 00:36:13:02
And, and I know

00:36:13:02 – 00:36:15:05
we saw the one part of the song

00:36:15:05 – 00:36:17:12
where the one guy was getting his tattoo.

00:36:17:12 – 00:36:20:00
That’s how that’s that’s true.

00:36:20:00 – 00:36:22:19
So so kudos to that.

00:36:22:19 – 00:36:23:21
Yeah.

00:36:23:21 – 00:36:26:02
So I and I would like to think

00:36:26:02 – 00:36:28:04
that as we progress

00:36:28:04 – 00:36:30:18
that that will change to. Right.

00:36:30:18 – 00:36:33:01
Because things that,

00:36:33:01 – 00:36:35:16
that they incorporated years ago

00:36:35:16 – 00:36:37:02
have certainly changed

00:36:37:02 – 00:36:40:02
with women’s roles and

00:36:40:02 – 00:36:42:15
and just progress in general.

00:36:42:15 – 00:36:45:00
So fingers crossed.

00:36:45:00 – 00:36:45:06
Well,

00:36:45:06 – 00:36:46:05
and then speaking

00:36:46:05 – 00:36:47:17
in the cultural component Stef

00:36:47:17 – 00:36:48:23
I think when your husband

00:36:48:23 – 00:36:50:16
had to get one of his tattoos, didn’t

00:36:50:16 – 00:36:51:21
he have to like, answer

00:36:51:21 – 00:36:52:19
this questionnaire

00:36:52:19 – 00:36:54:23
for lineage, for certain imagery

00:36:54:23 – 00:36:56:17
and things that could be used

00:36:56:17 – 00:36:58:02
that were like that

00:36:58:02 – 00:36:59:08
historically represents

00:36:59:08 – 00:37:00:16
a certain tribe of people?

00:37:01:15 – 00:37:02:00
Yeah.

00:37:02:00 – 00:37:03:06
So there’s a place here

00:37:03:06 – 00:37:04:01
in Orange County,

00:37:04:01 – 00:37:05:13
actually, that specializes

00:37:05:13 – 00:37:07:07
in tribal Filipino tattoos.

00:37:07:07 – 00:37:08:09
Oh, okay.

00:37:08:09 – 00:37:10:04
So it was like a lengthy,

00:37:10:04 – 00:37:13:08
like, multi-month process where we had to

00:37:13:22 – 00:37:15:01
we had to like,

00:37:15:01 – 00:37:15:21
kind of dig deep

00:37:15:21 – 00:37:17:00
and see what his grandmother

00:37:17:00 – 00:37:17:23
did for living,

00:37:17:23 – 00:37:18:21
what his grandfather

00:37:18:21 – 00:37:21:05
did on both sides of his family, kind of,

00:37:21:05 – 00:37:22:18
you know, like what their,

00:37:22:18 – 00:37:25:02
what their role was in the family

00:37:25:02 – 00:37:25:09
and like,

00:37:25:09 – 00:37:27:05
what industry that they worked in.

00:37:27:05 – 00:37:29:21
And they work that into his entire sleeve

00:37:29:21 – 00:37:30:18
and his sleeve

00:37:30:18 – 00:37:33:15
basically tells the story of his family,

00:37:33:15 – 00:37:34:21
what he does for a living.

00:37:34:21 – 00:37:36:01
He’s in communication.

00:37:36:01 – 00:37:38:05
So he had, like little lightning bolts

00:37:38:05 – 00:37:39:06
that like, symbolize,

00:37:39:06 – 00:37:39:19
you know,

00:37:39:19 – 00:37:41:20
the transfer of like, information

00:37:41:20 – 00:37:42:15
and things like that.

00:37:42:15 – 00:37:44:20
So yeah, it was it was really great.

00:37:44:20 – 00:37:45:14
And it helped us

00:37:45:14 – 00:37:47:02
learn more about his lineage,

00:37:47:02 – 00:37:48:11
which we wouldn’t have known

00:37:48:11 – 00:37:50:19
if he didn’t decide to do that.

00:37:50:19 – 00:37:51:05
Wow.

00:37:51:05 – 00:37:52:09
So is this

00:37:52:09 – 00:37:55:07
are these things that the tattoo

00:37:55:07 – 00:37:55:20
you artist

00:37:55:20 – 00:38:00:02
or the shop did research on to wow.

00:38:00:08 – 00:38:01:03
That is it is.

00:38:02:07 – 00:38:03:10
And then the next part of it

00:38:03:10 – 00:38:05:06
is the actual work, the

00:38:05:06 – 00:38:07:20
oh my gosh, that’s amazing process.

00:38:07:20 – 00:38:10:15
What it’s like a genealogy project

00:38:10:15 – 00:38:12:06
that comes to life on skin.

00:38:12:06 – 00:38:15:15
And that’s really amazing and so special.

00:38:15:15 – 00:38:17:19
That just makes it so special.

00:38:17:19 – 00:38:18:15
You know,

00:38:18:15 – 00:38:19:08
any time

00:38:19:08 – 00:38:20:09
you have an artist

00:38:20:09 – 00:38:24:04
that goes to those lengths and really cares

00:38:24:04 – 00:38:26:12
about the final product,

00:38:26:12 – 00:38:28:12
that’s that’s magic.

00:38:28:12 – 00:38:31:14
You know, that’s that’s so amazing.

00:38:32:02 – 00:38:34:13
And he must be so proud to wear it

00:38:34:13 – 00:38:36:08
and to tell the story. Right.

00:38:36:08 – 00:38:38:09
Because the story

00:38:38:09 – 00:38:39:19
he has to like kind of figure out

00:38:39:19 – 00:38:41:00
how he’s going to say it

00:38:41:00 – 00:38:42:21
because there’s so much to talk about.

00:38:42:21 – 00:38:44:05
But sometimes somebody asks him,

00:38:44:05 – 00:38:45:21
like in line at Disneyland.

00:38:45:21 – 00:38:47:18
So he has like two seconds to like

00:38:47:18 – 00:38:48:08
this background.

00:38:49:11 – 00:38:51:03
My mom said, okay, bye.

00:38:51:03 – 00:38:51:15
See you later.

00:38:51:15 – 00:38:52:03
Thank you.

00:38:52:03 – 00:38:53:17
Oh, that’s so cute.

00:38:53:17 – 00:38:55:11
Or hours in line.

00:38:55:11 – 00:38:57:03
I mean, you get maybe.

00:38:57:03 – 00:38:58:13
No, I’m just kidding. What?

00:38:58:13 – 00:38:59:16
When you don’t have Genie+

00:38:59:16 – 00:39:02:02
When we don’t have lightning lane, Right.

00:39:02:02 – 00:39:02:21
Nope.

00:39:02:21 – 00:39:06:20
So we have been in Oregon since 2015,

00:39:07:07 – 00:39:09:09
but we used to be annual passholders,

00:39:09:09 – 00:39:12:09
so we lived in, we I was telling Ariel that,

00:39:12:12 – 00:39:15:05
I lived in Riverside most of my life

00:39:15:05 – 00:39:16:05
growing up.

00:39:16:05 – 00:39:17:16
So I used to go all the time.

00:39:17:16 – 00:39:18:05
I mean, I know

00:39:18:05 – 00:39:21:05
things have changed so much, so I don’t

00:39:21:05 – 00:39:22:17
I don’t fully understand

00:39:22:17 – 00:39:25:22
all of the new rules, with lines and all.

00:39:25:22 – 00:39:27:05
There’s a lot to know.

00:39:27:05 – 00:39:28:11
And you know what?

00:39:28:11 – 00:39:29:21
We’ll save that for another podcast.

00:39:29:21 – 00:39:31:09
Okay, there we go.

00:39:33:06 – 00:39:33:16
That’s

00:39:33:16 – 00:39:34:11
really, really

00:39:34:11 – 00:39:35:16
cool about your husband’s

00:39:35:16 – 00:39:36:18
tattoo, though,

00:39:36:18 – 00:39:39:13
I, I think it’s amazing

00:39:39:13 – 00:39:42:07
that there is a shop that can

00:39:42:07 – 00:39:43:14
isn’t that cool, that

00:39:43:14 – 00:39:47:10
there can be a shop that is so focused on

00:39:48:05 – 00:39:52:06
such a particular community, so amazing.

00:39:52:06 – 00:39:53:03
It’s really.

00:39:53:03 – 00:39:53:12
Yeah.

00:39:53:12 – 00:39:55:13
And knowing that there, you know,

00:39:55:13 – 00:39:57:23
we do have like a cultural history

00:39:57:23 – 00:39:59:08
of that being, you know,

00:39:59:08 – 00:40:00:09
you know, attached to us.

00:40:00:09 – 00:40:02:09
I think it’s great that there’s people

00:40:02:09 – 00:40:04:04
who do their research and continue

00:40:04:04 – 00:40:05:20
on that tradition for,

00:40:05:20 – 00:40:06:14
you know, those,

00:40:06:14 – 00:40:08:06
you know, us in the diaspora

00:40:08:06 – 00:40:11:05
that don’t have access to it because,

00:40:11:05 – 00:40:11:13
all right,

00:40:11:13 – 00:40:12:23
you know, our country so far away.

00:40:12:23 – 00:40:14:15
So it was really, really great.

00:40:14:15 – 00:40:16:01
So cool.

00:40:16:01 – 00:40:19:01
And yeah, I love that.

00:40:19:02 – 00:40:21:08
And you know, that really sets artists

00:40:21:08 – 00:40:21:23
apart too,

00:40:21:23 – 00:40:23:19
because there are a lot of

00:40:23:19 – 00:40:25:14
tattoo artists in the world nowadays.

00:40:25:14 – 00:40:26:04
And when you

00:40:26:04 – 00:40:27:09
when you have something

00:40:27:09 – 00:40:31:04
so niche like that but and special it’s

00:40:31:12 – 00:40:33:08
it’s brilliant honestly.

00:40:33:08 – 00:40:35:03
So super cool.

00:40:35:03 – 00:40:36:01
Yeah.

00:40:36:01 – 00:40:36:15
I’m, I’m

00:40:36:15 – 00:40:39:00
curious do with the tattoo artists

00:40:39:00 – 00:40:39:21
that you’ve worked with

00:40:39:21 – 00:40:42:23
or talked to when you have already iconic

00:40:42:23 – 00:40:45:23
imagery like Disney imagery does that

00:40:46:22 – 00:40:47:09
bring more

00:40:47:09 – 00:40:50:19
challenge to how they create the art,

00:40:50:19 – 00:40:51:19
or does it

00:40:51:19 – 00:40:52:18
like having that

00:40:52:18 – 00:40:54:12
that already iconic imagery

00:40:54:12 – 00:40:55:12
make it easier?

00:40:55:12 – 00:40:57:03
Like what is that like for them

00:40:57:03 – 00:40:59:19
creative wise?

00:40:59:19 – 00:41:02:01
I, I think it’s it’s

00:41:02:01 – 00:41:04:15
probably changed a lot over the years.

00:41:04:15 – 00:41:06:03
I it’s funny,

00:41:06:03 – 00:41:06:20
I remember

00:41:06:20 – 00:41:10:06
when, I first started getting tattooed

00:41:10:20 – 00:41:13:10
it was still a little risky

00:41:13:10 – 00:41:16:15
to actually get an accurate,

00:41:16:16 – 00:41:18:15
replica

00:41:18:15 – 00:41:20:23
of a tattoo of a Disney character.

00:41:20:23 – 00:41:22:22
I, I know this is wild,

00:41:22:22 – 00:41:25:00
but there were stories back

00:41:25:00 – 00:41:27:13
then where they would, sue people,

00:41:27:13 – 00:41:29:14
you know, for having

00:41:29:14 – 00:41:32:15
or having Disney images on that

00:41:32:15 – 00:41:35:15
that weren’t changed.

00:41:35:17 – 00:41:36:22
Which is

00:41:36:22 – 00:41:38:13
I mean, this is a long time ago, but,

00:41:38:13 – 00:41:39:08
yeah, obviously

00:41:39:08 – 00:41:42:08
things have changed drastically.

00:41:42:08 – 00:41:44:19
So I think in those times,

00:41:44:19 – 00:41:48:10
artists had to make some alterations

00:41:48:10 – 00:41:48:18
to it.

00:41:48:18 – 00:41:50:06
So, you know,

00:41:50:06 – 00:41:52:04
I mean, you can still hide it,

00:41:52:04 – 00:41:56:03
I’m sure, but but just to be in alignment

00:41:56:06 – 00:41:57:16
with their

00:41:57:16 – 00:42:00:00
what they were requiring at the time.

00:42:00:00 – 00:42:03:01
But, I think now

00:42:03:13 – 00:42:07:12
it’s probably such a benefit to have

00:42:08:03 – 00:42:10:22
that,

00:42:10:22 – 00:42:12:20
you know, that core imagery

00:42:12:20 – 00:42:15:21
because it, it it’s, you know, it’s so

00:42:15:21 – 00:42:19:07
well done and so, memorable,

00:42:19:17 – 00:42:21:00
and then adding

00:42:21:00 – 00:42:22:18
those little touches to it

00:42:22:18 – 00:42:26:05
and your style, because everybody’s

00:42:26:05 – 00:42:29:23
got a little flair that makes their stuff

00:42:30:18 – 00:42:34:15
pop, you know, and whether it’s like,

00:42:34:15 – 00:42:36:11
watercolor version

00:42:36:11 – 00:42:39:09
or maybe just black and gray,

00:42:39:09 – 00:42:40:23
you know, taking a taking

00:42:40:23 – 00:42:42:13
a very colorful character,

00:42:42:13 – 00:42:43:20
but just doing know, cool

00:42:43:20 – 00:42:47:02
black and gray imagery or adding

00:42:47:07 – 00:42:48:16
something behind it

00:42:48:16 – 00:42:50:18
that means something to the person.

00:42:52:03 – 00:42:53:22
I’m sure it.

00:42:53:22 – 00:42:54:08
Mr..

00:42:54:08 – 00:42:54:20
It’s probably

00:42:54:20 – 00:42:57:21
a different answer for tattoo artist.

00:42:57:21 – 00:43:00:21
Right. There’s just

00:43:01:09 – 00:43:03:09
sometimes just taking an image

00:43:03:09 – 00:43:07:02
and making a stencil of it and pop,

00:43:07:08 – 00:43:08:09
you know, you’re done.

00:43:08:09 – 00:43:11:05
That’s that’s super easy.

00:43:11:05 – 00:43:12:12
And and so

00:43:12:12 – 00:43:14:16
but putting all that extra into

00:43:14:16 – 00:43:17:16
it is makes it special and.

00:43:18:01 – 00:43:18:15
Yeah.

00:43:18:15 – 00:43:20:12
Yeah, that’s a good question though

00:43:20:12 – 00:43:22:20
I know I want to ask all these artists

00:43:22:20 – 00:43:25:15
what they think. Yeah.

00:43:25:15 – 00:43:28:00
Well and I know you had a presentation

00:43:28:00 – 00:43:31:07
at tag’s 2022 where you highlighted

00:43:31:07 – 00:43:32:13
a lot of the benefits,

00:43:32:13 – 00:43:34:07
the therapeutic benefits of tattooing.

00:43:34:07 – 00:43:36:21
And we have discussed some things,

00:43:36:21 – 00:43:38:12
but I’m curious for you,

00:43:38:12 – 00:43:40:02
for newer clinicians,

00:43:40:02 – 00:43:41:18
how can they bring up the subject

00:43:41:18 – 00:43:42:22
of someone’s tattoos?

00:43:42:22 – 00:43:43:17
You just straight up

00:43:43:17 – 00:43:44:16
ask them, like, what?

00:43:44:16 – 00:43:46:23
What have you noticed about the waves

00:43:46:23 – 00:43:48:21
and what have you noticed?

00:43:48:21 – 00:43:50:23
Has been therapeutic conversations

00:43:50:23 – 00:43:52:07
about it.

00:43:52:07 – 00:43:52:22
Well,

00:43:52:22 – 00:43:56:09
I first, as I mentioned earlier, I,

00:43:56:17 – 00:44:00:20
I always embrace that when I see people

00:44:01:05 – 00:44:02:01
who are tattoo

00:44:02:01 – 00:44:03:13
because I know

00:44:03:13 – 00:44:04:17
from my own experience

00:44:04:17 – 00:44:07:01
that you have so many stories

00:44:07:01 – 00:44:08:06
to tell through it.

00:44:08:06 – 00:44:09:23
So if somebody know

00:44:09:23 – 00:44:11:07
this is and

00:44:11:07 – 00:44:14:00
and wants to talk about it, it’s,

00:44:14:00 – 00:44:14:19
you know, it’s

00:44:14:19 – 00:44:17:03
it’s usually this open door

00:44:17:03 – 00:44:18:14
that lets you.

00:44:18:14 – 00:44:21:05
Yeah, open up all kinds of things.

00:44:21:05 – 00:44:24:14
I think the main thing that I have found

00:44:24:14 – 00:44:25:05
has been so

00:44:25:05 – 00:44:28:05
valuable is through narrative therapy,

00:44:28:06 – 00:44:32:09
because tattoos are your storybook,

00:44:32:14 – 00:44:32:23
you know,

00:44:32:23 – 00:44:35:19
they are your way of telling your journey

00:44:35:19 – 00:44:37:03
and your story.

00:44:37:03 – 00:44:38:01
And a lot of times

00:44:38:01 – 00:44:40:09
when people are, do it

00:44:40:09 – 00:44:42:04
when we’re doing trauma work,

00:44:42:04 – 00:44:45:17
the whole goal is to rewrite that story

00:44:45:17 – 00:44:48:22
in a powerful, new, positive way.

00:44:49:12 – 00:44:52:18
And tattoos can be that stepping stone

00:44:52:20 – 00:44:53:14
for that.

00:44:55:07 – 00:44:57:16
It’s, I

00:44:57:16 – 00:45:00:18
had a client a while ago who was in a

00:45:01:07 – 00:45:03:19
really, bad car accident

00:45:03:19 – 00:45:06:14
and had a few tattoos, but,

00:45:06:14 – 00:45:10:09
through the work, she decided

00:45:10:09 – 00:45:13:09
to get a Phoenix tattoo,

00:45:13:11 – 00:45:16:11
because it represents rebirth.

00:45:16:16 – 00:45:18:15
And it was strength.

00:45:18:15 – 00:45:20:02
And,

00:45:20:02 – 00:45:23:01
it was such the incredible experience

00:45:23:01 – 00:45:23:12
for her

00:45:23:12 – 00:45:27:00
to even just making the appointment

00:45:27:00 – 00:45:28:21
because this was,

00:45:28:21 – 00:45:29:12
this started

00:45:29:12 – 00:45:30:18
this whole new story

00:45:30:18 – 00:45:31:05
that now

00:45:31:05 – 00:45:34:08
she gets to tell as she’s healing

00:45:34:08 – 00:45:35:16
both physically

00:45:35:16 – 00:45:37:20
and mentally and emotionally.

00:45:37:20 – 00:45:41:10
And each, tattoo session

00:45:41:21 – 00:45:45:08
just brought so much for her as she was

00:45:45:08 – 00:45:46:15
coming out of something

00:45:46:15 – 00:45:49:15
very traumatic into this beautiful

00:45:50:09 – 00:45:51:01
phoenix,

00:45:51:01 – 00:45:54:08
you know, that actually represents that,

00:45:55:01 – 00:45:58:11
another way of seeing it work

00:45:58:21 – 00:46:02:09
very powerfully is, and just

00:46:02:20 – 00:46:03:20
trigger warning

00:46:03:20 – 00:46:06:03
in case anybody, struggles

00:46:06:03 – 00:46:07:01
with self-harm,

00:46:07:01 – 00:46:11:17
but, through self-harm scars,

00:46:11:20 – 00:46:12:21
this

00:46:12:21 – 00:46:15:04
this has become a really beautiful thing

00:46:15:04 – 00:46:16:16
that a lot of tattoo artists do

00:46:16:16 – 00:46:21:00
now to tattoo over and kind of with

00:46:21:05 – 00:46:22:15
the, the scars.

00:46:23:21 – 00:46:24:21
It’s so

00:46:24:21 – 00:46:25:18
powerful and

00:46:25:18 – 00:46:26:10
healing

00:46:26:10 – 00:46:29:10
to be able to take something so painful

00:46:29:16 – 00:46:33:16
that you are want to grow and

00:46:33:16 – 00:46:35:14
and change from

00:46:35:14 – 00:46:38:12
and cover it up with something beautiful

00:46:38:12 – 00:46:40:12
and where you used to look down

00:46:40:12 – 00:46:42:15
and see something,

00:46:42:15 – 00:46:44:15
you know, very hard

00:46:44:15 – 00:46:46:04
And, now

00:46:46:04 – 00:46:46:18
you have

00:46:46:18 – 00:46:49:09
this whole new way of seeing that.

00:46:49:09 – 00:46:51:21
So that’s

00:46:51:21 – 00:46:54:01
that is a really incredible,

00:46:54:01 – 00:46:57:10
direction that a lot of artists do now.

00:46:58:07 – 00:47:00:23
Also, mastectomy

00:47:00:23 – 00:47:04:19
tattoo is can be incredible

00:47:04:20 – 00:47:07:03
new journey into again

00:47:07:03 – 00:47:08:21
something that we have been difficult

00:47:08:21 – 00:47:10:13
to get through you

00:47:10:13 – 00:47:11:14
Oh my gosh,

00:47:11:14 – 00:47:13:06
some of the mastectomy

00:47:13:06 – 00:47:14:22
artists are so incredible.

00:47:14:22 – 00:47:17:08
Not only with 3D nipple tattoos,

00:47:17:08 – 00:47:20:09
but also, just adorning it

00:47:20:09 – 00:47:23:11
with flowers or octopus

00:47:23:11 – 00:47:24:15
or whatever,

00:47:24:15 – 00:47:25:19
whatever it is

00:47:25:19 – 00:47:27:05
that you guys came up with,

00:47:27:05 – 00:47:30:04
and now you’ve transformed something

00:47:30:04 – 00:47:33:16
into this very proud part of you.

00:47:34:06 – 00:47:35:09
Yeah.

00:47:35:09 – 00:47:38:12
Same same for, the top surgery.

00:47:39:00 – 00:47:40:09
People

00:47:40:09 – 00:47:41:18
that go through top surgery

00:47:41:18 – 00:47:45:07
that want to have a 3D nipple tattooed,

00:47:45:14 – 00:47:48:04
I, I’m sure you guys have seen the work.

00:47:48:04 – 00:47:50:19
It’s absolutely mind blowing.

00:47:50:19 – 00:47:53:16
It looks so, so real.

00:47:53:16 – 00:47:55:03
And. And how,

00:47:57:05 – 00:47:59:01
how wonderful.

00:47:59:01 – 00:47:59:10
Right.

00:47:59:10 – 00:48:00:03
For somebody

00:48:00:03 – 00:48:03:06
to be able to have the opportunity

00:48:03:06 – 00:48:07:02
to feel whole and and as themself.

00:48:07:12 – 00:48:09:16
So I know, something else

00:48:09:16 – 00:48:12:02
I’ve seen with tattoos in my practice,

00:48:12:02 – 00:48:13:22
as the audience might remember,

00:48:13:22 – 00:48:14:19
I specialize

00:48:14:19 – 00:48:15:18
with survivors

00:48:15:18 – 00:48:18:18
of child sexual abuse or sexual abuse

00:48:18:22 – 00:48:21:05
And so

00:48:21:05 – 00:48:22:15
getting any tattoo

00:48:22:15 – 00:48:25:04
feels like a reclaim of the body.

00:48:25:04 – 00:48:27:16
That right is like,

00:48:27:16 – 00:48:29:16
I can mark a moment of,

00:48:29:16 – 00:48:31:21
this moving forward is me,

00:48:31:21 – 00:48:33:23
like in my post-traumatic growth or,

00:48:33:23 – 00:48:35:05
exactly

00:48:35:05 – 00:48:38:03
like owning all parts of myself again.

00:48:38:03 – 00:48:38:10
Yeah.

00:48:38:10 – 00:48:41:18
And it could be as as simple as,

00:48:41:18 – 00:48:43:02
you know, some dots on the hand

00:48:43:02 – 00:48:44:19
or a little flower or on the hand right.

00:48:44:19 – 00:48:46:13
It can be very immaculate

00:48:46:13 – 00:48:49:22
It, and I know that,

00:48:50:14 – 00:48:52:02
that was the only way

00:48:52:02 – 00:48:53:19
that healing moving forward

00:48:53:19 – 00:48:55:09
was going to happen was

00:48:55:09 – 00:48:56:19
if my client could feel like

00:48:56:19 – 00:48:59:00
they owned their body again.

00:48:59:00 – 00:49:00:08
Right?

00:49:00:08 – 00:49:01:02
Yes.

00:49:01:02 – 00:49:03:20
It’s it’s so powerful.

00:49:03:20 – 00:49:05:10
It really is. It’s like

00:49:06:13 – 00:49:09:18
deciding to make that step

00:49:10:05 – 00:49:13:07
and using your own body as that,

00:49:13:20 – 00:49:17:16
that catalyst to be able to reclaim that.

00:49:17:16 – 00:49:19:12
Oh my gosh, it’s huge.

00:49:19:12 – 00:49:22:05
And I also always love

00:49:22:05 – 00:49:23:01
that you get to

00:49:23:01 – 00:49:25:07
where you get to hold it with you always.

00:49:25:07 – 00:49:26:06
You know,

00:49:26:06 – 00:49:29:07
because it’s not even like a moment

00:49:29:07 – 00:49:30:06
or a day

00:49:30:06 – 00:49:32:14
where you’re having this ceremony

00:49:32:14 – 00:49:33:21
or special thing.

00:49:33:21 – 00:49:36:21
It’s like something that you get to turn to

00:49:37:03 – 00:49:39:11
when you need to do to reminds you

00:49:39:11 – 00:49:40:16
that you did that.

00:49:40:16 – 00:49:42:09
You took back that power.

00:49:42:09 – 00:49:46:21
So I, I see it so often and I, I just

00:49:46:21 – 00:49:47:16
I love that

00:49:47:16 – 00:49:50:03
that’s something that is available

00:49:50:03 – 00:49:53:03
in in trauma work

00:49:53:03 – 00:49:55:21
and rewriting your story

00:49:55:21 – 00:49:57:08
with narrative therapy.

00:49:57:08 – 00:49:59:14
So yeah. Thank you.

00:49:59:14 – 00:50:00:02
You guys did

00:50:00:02 – 00:50:03:04
ask the question about, educational,

00:50:03:09 – 00:50:04:14
tools

00:50:04:14 – 00:50:07:00
that that teachers might be able to.

00:50:07:00 – 00:50:10:00
And I know we, we talked a lot about how

00:50:10:00 – 00:50:13:03
that is kind of a part of school now,

00:50:13:03 – 00:50:14:21
which makes me so happy.

00:50:14:21 – 00:50:16:21
But I did make a couple little notes

00:50:16:21 – 00:50:20:17
about, I thought, integrating tattoos

00:50:20:17 – 00:50:23:22
into curriculum in the cultural sense,

00:50:24:07 – 00:50:25:23
you know, is amazing

00:50:25:23 – 00:50:29:18
way to teach historical and

00:50:29:18 – 00:50:31:11
cultural significance

00:50:31:11 – 00:50:36:01
Introducing some of, like the

00:50:36:04 – 00:50:39:04
the Māori Tā moko or

00:50:39:06 – 00:50:42:00
Japanese Irezumi things

00:50:42:00 – 00:50:44:17
maybe having a guest speaker,

00:50:44:17 – 00:50:47:17
a, teacher could do either

00:50:47:17 – 00:50:48:21
a tattoo artist

00:50:48:21 – 00:50:51:06
or somebody who was very,

00:50:51:06 – 00:50:53:13
knowledgeable about tattoo history.

00:50:53:13 – 00:50:55:18
I think kids would love that.

00:50:55:18 – 00:50:57:11
And and maybe things

00:50:57:11 – 00:50:59:14
that they might be scared about asking.

00:50:59:14 – 00:51:02:04
They could feel comfortable with.

00:51:02:04 – 00:51:03:21
Yeah.

00:51:03:21 – 00:51:06:11
Obviously art in art class.

00:51:06:11 – 00:51:08:10
Just asking kids

00:51:08:10 – 00:51:09:14
to design their own

00:51:09:14 – 00:51:11:07
tattoo and, like, what?

00:51:11:07 – 00:51:14:03
Personal meaning that you have to them.

00:51:14:03 – 00:51:18:06
And just being able to explore symbolism

00:51:18:06 – 00:51:20:06
and the design elements

00:51:20:06 – 00:51:21:16
and all the cool things

00:51:21:16 – 00:51:23:22
you could do with art, of course.

00:51:23:22 – 00:51:26:16
And then had, Oh, I also see,

00:51:26:16 – 00:51:28:11
with literature,

00:51:28:11 – 00:51:29:20
creative writing

00:51:29:20 – 00:51:32:12
lady using tattoos as a motif

00:51:32:12 – 00:51:36:10
or a symbol for a creative writing.

00:51:36:10 – 00:51:40:07
Exercise to, like, analyze

00:51:40:15 – 00:51:43:13
characters or themes or plots or,

00:51:43:13 – 00:51:44:21
you know, just,

00:51:44:21 – 00:51:45:18
I guess

00:51:45:18 – 00:51:47:12
another big part of that to me

00:51:47:12 – 00:51:49:06
is normalizing it.

00:51:49:06 – 00:51:52:17
So it’s not something that feels so

00:51:53:09 – 00:51:54:06
taboo.

00:51:54:06 – 00:51:55:11
You know, I just

00:51:55:11 – 00:51:56:10
I really like that

00:51:56:10 – 00:51:58:03
because I did see online

00:51:58:03 – 00:52:00:06
somebody do a book writing assignment

00:52:00:06 – 00:52:00:19
where instead of

00:52:00:19 – 00:52:02:22
just writing like a book report,

00:52:02:22 – 00:52:05:05
they had to pick, like is

00:52:05:05 – 00:52:07:12
are they called jibbitz on the Crocs

00:52:07:12 – 00:52:10:02
widget? Yes. Yeah.

00:52:10:02 – 00:52:13:00
They had to make a Croc for the character

00:52:13:00 – 00:52:15:00
and put jibbitz on there.

00:52:15:00 – 00:52:17:19
So it’s like the character in your book.

00:52:17:19 – 00:52:19:15
Like what tattoos would they have?

00:52:19:15 – 00:52:20:04
Like,

00:52:20:04 – 00:52:22:02
would Ponyboy from The Outsiders

00:52:22:02 – 00:52:23:17
be wearing?

00:52:23:17 – 00:52:24:13
Exactly.

00:52:24:13 – 00:52:26:19
Like, there’s endless things, right,

00:52:26:19 – 00:52:28:10
that you could do.

00:52:28:10 – 00:52:30:10
I think that’s so cool.

00:52:30:10 – 00:52:30:20
That’s

00:52:30:20 – 00:52:34:14
that’s a great little, little assignment

00:52:34:20 – 00:52:36:01
that teacher do that would

00:52:37:13 – 00:52:40:01
Do you have any like, advice for anybody

00:52:40:01 – 00:52:41:01
who’s an aspiring

00:52:41:01 – 00:52:43:04
tattoo artist that you know,

00:52:43:04 – 00:52:44:09
wants to hone in on something

00:52:44:09 – 00:52:46:12
because there’s so many out there, but,

00:52:46:12 – 00:52:47:00
you know,

00:52:47:00 – 00:52:48:10
is there any advice that you would give

00:52:48:10 – 00:52:49:00
for somebody

00:52:49:00 – 00:52:52:00
to just believe in what they can do?

00:52:52:16 – 00:52:53:01
Yeah.

00:52:53:01 – 00:52:53:19
Well,

00:52:53:19 – 00:52:56:14
the best thing any aspiring tattoo

00:52:56:14 – 00:52:58:15
artist can do is to draw.

00:52:58:15 – 00:53:00:23
Draw a draw

00:53:00:23 – 00:53:03:11
Just like live.

00:53:03:11 – 00:53:05:07
Breathe. Practicing.

00:53:05:07 – 00:53:06:00
You know,

00:53:06:00 – 00:53:08:17
because it’s muscle memory, right?

00:53:08:17 – 00:53:10:11
So if you’ve done it

00:53:10:11 – 00:53:13:11
over and over on your iPad or your paper,

00:53:13:12 – 00:53:15:18
obviously going into to do that,

00:53:15:18 – 00:53:18:16
On skin is going to feel normal.

00:53:18:16 – 00:53:21:02
Interestingly enough,

00:53:21:02 – 00:53:23:16
because I lived in California and Oregon,

00:53:23:16 – 00:53:26:14
in Oregon, we’re one of the few states

00:53:26:14 – 00:53:29:23
that required tattoo school

00:53:29:23 – 00:53:33:20
a person has to go to tattoo school and,

00:53:33:20 – 00:53:35:05
finish a program

00:53:35:05 – 00:53:38:01
and take a test to be licensed.

00:53:38:01 – 00:53:40:22
So it’s a little bit different experience

00:53:40:22 – 00:53:42:12
here than what

00:53:42:12 – 00:53:44:09
I was used to coming from California,

00:53:44:09 – 00:53:48:04
where basically, you know, you can

00:53:48:13 – 00:53:50:13
you can hone your skills

00:53:50:13 – 00:53:52:20
and opening up shop basically, you know,

00:53:52:20 – 00:53:55:17
there are some, important,

00:53:55:17 – 00:53:57:04
like bloodborne pathogens

00:53:57:04 – 00:53:59:17
and things that you need to be.

00:53:59:17 – 00:54:00:15
Yeah.

00:54:00:15 – 00:54:03:21
But in Oregon, they’re a little bit,

00:54:04:03 – 00:54:05:19
more strict with,

00:54:05:19 – 00:54:07:23
who could get into the field,

00:54:07:23 – 00:54:10:10
which there’s a lot of debate

00:54:10:10 – 00:54:13:15
in the tattoo world on tattoo schools.

00:54:13:15 – 00:54:14:01
There’s

00:54:14:01 – 00:54:15:20
kind of the old school way

00:54:15:20 – 00:54:19:02
of doing an apprentice ship, earning

00:54:19:03 – 00:54:20:00
your way,

00:54:20:00 – 00:54:20:09
you know,

00:54:20:09 – 00:54:21:21
which used to be

00:54:21:21 – 00:54:23:22
the way that things were done.

00:54:23:22 – 00:54:26:12
And, So.

00:54:26:12 – 00:54:27:23
But in Oregon, you just

00:54:27:23 – 00:54:30:06
you don’t have a choice.

00:54:30:06 – 00:54:32:08
You know, even with the even though

00:54:32:08 – 00:54:33:14
people, you know,

00:54:33:14 – 00:54:35:01
want them to earn it

00:54:35:01 – 00:54:36:03
and go through the old school

00:54:36:03 – 00:54:38:05
boy, you just have to go to school.

00:54:38:05 – 00:54:42:17
So, but I, I say just draw,

00:54:42:17 – 00:54:46:12
live it, breathe it, do your research.

00:54:46:12 – 00:54:48:17
Follow amazing tattoo artists.

00:54:48:17 – 00:54:51:20
That inspiration is so huge.

00:54:52:05 – 00:54:54:20
One of the things that our books

00:54:54:20 – 00:54:55:12
that we used to

00:54:55:12 – 00:54:58:14
make, were made for that purpose.

00:54:58:14 – 00:55:01:00
They were inspirational books

00:55:01:00 – 00:55:04:00
to get people to give ideas and stuff

00:55:04:00 – 00:55:04:14
for others.

00:55:04:14 – 00:55:06:03
And the way we would do

00:55:06:03 – 00:55:08:21
it is we would have a theme

00:55:08:21 – 00:55:11:01
and we would open up a call for art.

00:55:11:01 – 00:55:12:11
So for instance,

00:55:12:11 – 00:55:15:04
we had like a book on birds,

00:55:15:04 – 00:55:18:04
on one on insects, one on skulls,

00:55:18:05 – 00:55:21:02
one on under the sea, you know, so

00:55:21:02 – 00:55:22:16
we would have an idea,

00:55:22:16 – 00:55:24:23
open up the call for art.

00:55:24:23 – 00:55:26:14
People would create tattoos

00:55:26:14 – 00:55:29:04
or drawings or paintings or sculptures,

00:55:29:04 – 00:55:30:19
whatever their need then was,

00:55:30:19 – 00:55:33:23
and then they would submit the images.

00:55:34:06 – 00:55:35:01
And then once

00:55:35:01 – 00:55:37:03
we would get all of that stuff after,

00:55:37:03 – 00:55:38:19
we usually have, submissions open

00:55:38:19 – 00:55:40:14
for like 6 to 8 months,

00:55:40:14 – 00:55:41:15
and then we would take

00:55:41:15 – 00:55:42:19
all the submissions

00:55:42:19 – 00:55:44:07
and, and kind of choose

00:55:44:07 – 00:55:46:08
what was going to be in the books.

00:55:46:08 – 00:55:49:23
And they became kind of,

00:55:50:14 – 00:55:52:19
inspirational tools that a lot of tattoo

00:55:52:19 – 00:55:54:08
artists have in their shop,

00:55:54:08 – 00:55:55:15
so that when people come in

00:55:55:15 – 00:55:58:15
and they can look at ideas for that.

00:55:58:15 – 00:56:02:13
So, gathering, books and,

00:56:02:17 – 00:56:06:07
just all kinds of the line drawings

00:56:06:07 – 00:56:09:10
and anything you can do to practice

00:56:09:10 – 00:56:13:08
and just understand, what it takes

00:56:13:08 – 00:56:14:00
because it’s,

00:56:15:12 – 00:56:16:02
you have to be

00:56:16:02 – 00:56:17:04
very dedicated

00:56:17:04 – 00:56:19:20
to that craft to do well in it.

00:56:19:20 – 00:56:23:01
And, yeah, I love that.

00:56:23:01 – 00:56:25:18
It’s there are so many tattoo artists.

00:56:25:18 – 00:56:26:00
Yeah.

00:56:26:00 – 00:56:27:05
Which is so different

00:56:27:05 – 00:56:29:08
from when I first started.

00:56:29:08 – 00:56:31:04
But it’s so exciting to see

00:56:31:04 – 00:56:33:00
how many young people

00:56:33:00 – 00:56:34:20
are coming into the field.

00:56:34:20 – 00:56:36:08
It’s pretty cool.

00:56:36:08 – 00:56:37:02
They. Yeah.

00:56:37:02 – 00:56:38:19
I think, when talking about,

00:56:38:19 – 00:56:41:01
like, family members and tattoos,

00:56:41:01 – 00:56:43:12
my first family member

00:56:43:12 – 00:56:45:09
that had a tattoo that I saw.

00:56:45:09 – 00:56:46:05
So maybe others

00:56:46:05 – 00:56:47:03
did, you know,

00:56:47:03 – 00:56:50:03
it was my great Uncle Fred.

00:56:50:04 – 00:56:51:20
He was one of the last people

00:56:51:20 – 00:56:53:03
to be in the horse Calvary.

00:56:53:03 – 00:56:56:03
So he’s, you know, old, old man.

00:56:56:14 – 00:56:58:16
And he was, he was a marine,

00:56:58:16 – 00:56:59:19
and he was in the Navy.

00:56:59:19 – 00:57:02:02
So you you got to get a tattoo.

00:57:02:02 – 00:57:03:13
You just. Right.

00:57:03:13 – 00:57:06:15
So on his arm, he had a naked woman,

00:57:06:22 – 00:57:09:19
and he comes home and my great great

00:57:09:19 – 00:57:10:15
aunt goes,

00:57:10:15 – 00:57:12:13
you put some clothes on that lady.

00:57:13:16 – 00:57:15:06
So you had a tattoo, you

00:57:15:06 – 00:57:17:04
a bathing suit over her.

00:57:17:04 – 00:57:19:15
And so when I, I knew him, he was

00:57:19:15 – 00:57:22:10
he was in his 80s, into his 90s.

00:57:22:10 – 00:57:23:22
He was rolling around his wheelchair

00:57:23:22 – 00:57:24:19
and he would be like,

00:57:24:19 – 00:57:26:19
I can make her dance.

00:57:26:19 – 00:57:29:05
And we would just sit there

00:57:29:05 – 00:57:31:15
and he would make his, his lady dance.

00:57:31:15 – 00:57:32:11
And.

00:57:32:11 – 00:57:34:07
Yeah, it was,

00:57:34:07 – 00:57:35:22
when I knew him, it was fading.

00:57:35:22 – 00:57:37:18
It was obviously really old ink.

00:57:37:18 – 00:57:38:15
And so she was

00:57:38:15 – 00:57:41:15
both bathing suit and naked.

00:57:41:19 – 00:57:43:13
It’s like, no.

00:57:43:13 – 00:57:46:14
Oh, my God, I love that he went for it.

00:57:46:16 – 00:57:48:01
Yes, but for. Right.

00:57:48:01 – 00:57:49:13
And on his arm.

00:57:49:13 – 00:57:51:21
Yeah. That’s a very prominent place.

00:57:51:21 – 00:57:53:13
Oh, it’s right here. Yeah.

00:57:53:13 – 00:57:54:21
Oh. In the.

00:57:54:21 – 00:57:56:17
Oh, no.

00:57:56:17 – 00:57:58:07
Yeah. Watch her dance

00:58:01:08 – 00:58:01:21
Good for him.

00:58:01:21 – 00:58:03:21
Him? What was his name?

00:58:03:21 – 00:58:04:07
Fred.

00:58:04:07 – 00:58:05:11
Everybody called him Bus

00:58:05:11 – 00:58:07:15
and I called him Uncle Fred and. Yeah.

00:58:07:15 – 00:58:09:07
Rest in peace,he

00:58:09:07 – 00:58:11:19
he loved his little naked lady tattoo.

00:58:11:19 – 00:58:14:04
And his mama said, you he she said,

00:58:14:04 – 00:58:15:13
put some clothes on her.

00:58:15:13 – 00:58:18:13
You make her a right woman.

00:58:18:18 – 00:58:19:17
So.

00:58:19:17 – 00:58:22:07
Yeah, Good for him, man.

00:58:22:07 – 00:58:25:15
You see, like those during that time,

00:58:26:02 – 00:58:29:13
it was, you know, a lot of a lot of,

00:58:29:13 – 00:58:30:04
you know,

00:58:30:04 – 00:58:33:17
naval officers or motorcycle gangs.

00:58:33:22 – 00:58:34:08
It’s like,

00:58:34:08 – 00:58:36:16
you know, it’s that old school,

00:58:36:16 – 00:58:37:22
that stigma

00:58:37:22 – 00:58:40:02
that that kind of stuck for so long.

00:58:40:02 – 00:58:42:17
But for him, that’s so cute.

00:58:42:17 – 00:58:44:16
That’s a great story.

00:58:44:16 – 00:58:45:00
Yeah.

00:58:45:00 – 00:58:46:17
And then, as the listeners know,

00:58:46:17 – 00:58:47:19
my dad is in the Navy,

00:58:47:19 – 00:58:49:06
but he was deathly afraid of needles,

00:58:49:06 – 00:58:50:05
so that was the only reason

00:58:50:05 – 00:58:51:13
he didn’t get a tattoo.

00:58:51:13 – 00:58:53:04
And,

00:58:53:04 – 00:58:55:19
I guess my grandma had to pick it up.

00:58:57:16 – 00:58:58:18
I you okay?

00:58:58:18 – 00:59:00:07
So it’s like my aunt with the lips,

00:59:00:07 – 00:59:01:14
my grandma with the eyeliner.

00:59:01:14 – 00:59:03:05
So I guess I have to have eyebrows.

00:59:03:05 – 00:59:05:19
Like, that’s the only other. Oh,

00:59:05:19 – 00:59:07:06
that I know

00:59:07:06 – 00:59:10:01
you are definitely next, don’t you think?

00:59:10:01 – 00:59:11:04
Stefanie? She.

00:59:11:04 – 00:59:14:04
It’s got to be up.

00:59:14:05 – 00:59:15:10
Yeah.

00:59:15:10 – 00:59:17:09
Well, this is completely lovely.

00:59:17:09 – 00:59:20:10
And before we wrap up, Dr. Jinxi

00:59:20:10 – 00:59:21:15
where can our listeners

00:59:21:15 – 00:59:23:14
find more information about your work

00:59:23:14 – 00:59:25:03
and maybe some resources

00:59:25:03 – 00:59:25:22
that you’d recommend

00:59:25:22 – 00:59:27:02
for those interested

00:59:27:02 – 00:59:28:04
in the positive mental

00:59:28:04 – 00:59:30:00
health effects of tattoos?

00:59:30:00 – 00:59:32:01
Oh, thank you for asking.

00:59:32:01 – 00:59:32:11
You know,

00:59:32:11 – 00:59:34:03
I do have,

00:59:34:03 – 00:59:36:08
there’s an amazing tattoo artist.

00:59:36:08 – 00:59:39:16
She’s also an interdisciplinary artist

00:59:39:16 – 00:59:41:15
in many amazing mediums.

00:59:41:15 – 00:59:44:16
But her name is Tamara Santibanez

00:59:45:03 – 00:59:46:12
and she wrote,

00:59:46:12 – 00:59:49:07
I think it was 2021 or 2022.

00:59:49:07 – 00:59:51:00
She wrote this really incredible

00:59:51:00 – 00:59:52:02
book called,

00:59:52:02 – 00:59:52:22
Could This

00:59:52:22 – 00:59:56:11
Be Magic Tattooing as Liberation Work.

00:59:57:00 – 00:59:59:06
And it’s beautiful.

00:59:59:06 – 01:00:04:12
It’s, it talks about, trauma

01:00:04:17 – 01:00:06:06
and, you know,

01:00:06:06 – 01:00:09:06
using tattooing as a way to,

01:00:09:06 – 01:00:12:18
kind of help people create boundaries

01:00:13:04 – 01:00:16:03
and shape being like, a more ethical

01:00:16:03 – 01:00:19:23
way of doing that work,

01:00:19:23 – 01:00:21:09
in with it

01:00:21:09 – 01:00:24:09
through a, trauma informed lens.

01:00:24:15 – 01:00:27:07
And she has the full pdf of that book

01:00:27:07 – 01:00:29:18
for free actually on her website.

01:00:29:18 – 01:00:33:10
So it’s I highly recommend that,

01:00:33:10 – 01:00:34:21
and then there’s another,

01:00:34:21 – 01:00:37:21
I think it’s from the early 2000,

01:00:37:23 – 01:00:39:05
but it’s called

01:00:39:05 – 01:00:42:19
Tattooed: The Socio Genesis of Body Art.

01:00:43:05 – 01:00:45:00
And it’s really a great book

01:00:45:00 – 01:00:46:14
by Michael Atkinson,

01:00:46:14 – 01:00:49:17
and it has a lot of research in it

01:00:49:17 – 01:00:50:22
that connects,

01:00:50:22 – 01:00:53:05
a lot of the psychological,

01:00:53:05 – 01:00:56:05
components that we talked about today.

01:00:56:06 – 01:00:58:20
So definitely recommend those.

01:00:58:20 – 01:01:04:09
And then me, I oh, thank my,

01:01:04:09 – 01:01:05:08
my website

01:01:05:08 – 01:01:08:15
for my practice is, drjinxi.com

01:01:10:00 – 01:01:12:10
And then my, Instagram,

01:01:12:10 – 01:01:15:10
like, my personal Instagram is @Jinxi

01:01:16:18 – 01:01:22:05
Our tattoo shop is @OOSTattoo

01:01:22:05 – 01:01:25:01
And, the book publishing

01:01:25:01 – 01:01:29:09
company is @OutofStepBooks

01:01:29:09 – 01:01:32:03
and, all of our tattoo and art

01:01:32:03 – 01:01:33:15
books can be found.

01:01:33:15 – 01:01:37:01
oosbooks.com

01:01:38:08 – 01:01:41:01
And I think that’s it.

01:01:41:01 – 01:01:42:03
You can find me a like

01:01:42:03 – 01:01:44:03
LinkedIn and ResearchGate

01:01:44:03 – 01:01:47:03
with some of my my research, with just

01:01:47:03 – 01:01:50:03
putting my name in it.

01:01:50:12 – 01:01:52:02
Wonderful, wonderful.

01:01:52:02 – 01:01:52:13
Well,

01:01:52:13 – 01:01:54:15
if you have an amazing Disney

01:01:54:15 – 01:01:55:04
tattoo,

01:01:55:04 – 01:01:57:06
please DM us an image of it

01:01:57:06 – 01:01:59:00
@HappiestPodGT

01:01:59:00 – 01:02:02:03
You can find us on IG and on X.

01:02:02:15 – 01:02:03:03
Thank you,

01:02:03:03 – 01:02:04:19
Dr. Jinxi this is a beautiful,

01:02:04:19 – 01:02:06:06
wonderful conversation.

01:02:06:06 – 01:02:08:08
So much for joining.

01:02:08:08 – 01:02:11:10
Hopefully me or Ariel could visit

01:02:11:10 – 01:02:13:18
you one day. Oh, I would love that.

Media/Characters Mentioned

• Alice in Wonderland
• Nightmare Before Christmas
• Toy Story (Woody)
• Moana
• Pocahontas
• Tinkerbell
• Lilo & Stitch
• Mickey Mouse (parks food)
• Star Wars (lightsabers, rebels)
• Marvel (Captain America, Black Panther)

Topics/Themes Mentioned
  • Tattoo culture and stigma
  • Identity and self-expression
  • Disney nostalgia and fandom
  • Permanent makeup & family traditions
  • Healing through art
  • Storytelling through bodywork
  • Representation in education and therapy
  • Cultural tattoo practices
  • Tattoos as community and connection

DR. Jinxi’s website: www.drjinxi.com
Dr. Jinxi’s Tattoo + Book Publishing: oosbooks.com
IG: @oostattoo

Website: happy.geektherapy.com
| Instagram: @HappiestPodGT | X: @HappiestPodGT | Facebook: @HappiestPodGT |
| Stef on X: @stefa_kneee | Ariel on Instagram: @airyell3000 |

Geek Therapy is a 501(c)(3) non-profit that advocates for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
Website: www.geektherapy.org
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| GT X: @GeekTherapy | GT Discord: geektherapy.com/discord |
| GT Forum: forum.geektherapy.com |

Sidekicks! Disney’s Animal Aides

June 16, 2023 · Discuss on the GT Forum

https://media.blubrry.com/happypod/media.transistor.fm/75bf0208/fa00a83f.mp3

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#33: Explore the unique roles of Disney sidekicks as they dissect how these beloved characters from classics like ‘The Little Mermaid,’ ‘Cinderella,’ and ‘The Lion King’ relate to mental wellness. Engaging discussions reveal how these animated companions, could don the titles of emotional support animal or service animal. Unravel the therapeutic significance of these animal sidekicks, blending childhood nostalgia with a deeper understanding of mental health support.

Read the blog post for this episode for additional references and resources.

Become a member of Geek Therapy on Patreon: http://www.patreon.com/geektherapy

Summary

HPOE33

  • Introduction (0:11): Ariel and Stefanie introduce the topic of Disney sidekicks, examining their roles and categorizing them based on their functions and relationships with main characters.
  • Sidekick Definitions (1:47): The hosts discuss definitions of pets, working animals, and assistance animals, exploring how these relate to Disney sidekicks and mental wellness.
  • Analyzing Disney Sidekicks (10:38 – 21:18): Various Disney sidekicks like Meeko, Sven, Hay Hay, and Pascal are analyzed. Their roles range from pets to emotional support or service animals, considering their relationships with main characters and contributions to the story.
  • Zazu in The Lion King (29:58 – 35:24): Discussion on Zazu’s dual role as an advisor and pet-like figure, examining his loyalty and integration into the community.
  • Cinderella’s Mice and Other Disney Animals (35:47 – 41:14): Exploration of Gus Gus and Jaq in “Cinderella” as examples of service animals, and discussion of other animal characters in Disney movies.
  • Flounder and Sebastian in The Little Mermaid (40:48 – 44:54): Analysis of their roles as companions and advisors, aiding Ariel in her journey.
  • Mushu in Mulan (45:45 – 48:36): Discussion of Mushu as a potential emotional support animal for Mulan, reflecting on his role in her journey and personal growth.
  • Personal Experiences with Pets (48:36 – 53:04): Stefanie shares her personal experience with her dog Chance, discussing the emotional support and companionship provided by pets.
  • Conclusion (53:04 – 53:42): The hosts invite listeners to share their animal companions, as well as their thoughts on Disney sidekicks.
Transcription

Ariel Landrum 0:11
Hello, everyone, welcome to The Happiest Pod On Earth, I’m Ariel, a licensed therapist who uses clients passions and fandoms to help them grow and heal from trauma and mental unwellness.

Stefanie Bautista 0:21
And I’m Stef, I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them.

Ariel Landrum 0:28
And here at Happiest Pod, we dissect Disney mediums with a critical lens.

Stefanie Bautista 0:33
Why do we do that? Well, because we’re more than just fans, we expect more from the mediums that we consume. So what Disney experience or Disney topic are we discussing today, Ariel?

Ariel Landrum 0:44
We’re going to talk about the famous Disney sidekick animals

Stefanie Bautista 0:49
Sidekick animals!

Ariel Landrum 0:50
Usually, we see them accompanied with princesses. But now we’re just seeing them more and more in general, with a variety of characters.

Stefanie Bautista 0:59
And we all know we have our favorites, right? If you go off the top your head my the will obviously the first one that comes to mind is Flounder just because he’s cute. He was like, you know, the best friend that always got your back always was just like your number one fan. And you know, we identify a lot of these sidekicks so readily with whatever princess or whatever main character that they themselves have become main characters in their own right. Much like we love our pets, me and Ariel are big animal lovers, and we do have pets of our own. We wanted to talk about the relationship between the sidekicks, these animal sidekicks and their main character, their friend, or whoever, and categorize them in a way that’s a little bit more suited to the real world with Ariel’s help.

Ariel Landrum 1:47
Absolutely. So we’re gonna do some definitions first. And for some of you who may not know, part of one of the things that I do as a mental health clinician, is I can provide assessments to see if someone qualifies for an emotional support animal. That qualification needs to meet very specific criteria. And the first one being that the individual must have a mental health disability. The disability has to match the definition for a federal ADA, including that there are functional impairments. And it significantly limits at least one or more life functions. So I have to assess for all of those things. The other thing I have to assess is, if the emotional support animal has what’s called a Nexus that’s a legal term or a relationship, where their relationship with their owner mitigates or lowers the symptoms of that disability. So it’s a lot of assessing.

Stefanie Bautista 2:46
it really is something that I feel people have embraced a lot more in, you know, the past decade or so. And knowing through the pandemic, through all of these hard times that we’ve gone through, they really do make a difference in how we live our everyday lives, how we treat ourselves how we treat the world. Me as a mother, I know that having a pet around teaches my kids responsibility. And it also teaches them to care for, you know, animals and the things around them. So let’s get into it. We want to identify exactly what categories we’re working with, right?

Ariel Landrum 3:22
Absolutely. So we all know they’re sidekicks. But Stef and I were talking and it seemed like some of them serve more functions and purposes than the other. So with these definitions, keep these in mind as we’re we’re essentially rating and grading. The first one is a pet or companion animal. So this is an animal that provides leisurely companionship to its owner. They’re kept primarily for a person’s company, often an extroverted display, amusement or entertainment. They’re usually domesticated or have a domestic breed. And they have close daily relationships with humans, they are not considered an assisted animal. So in assisted animals an umbrella category. An assistant animals and animal that works, provides assistance or performs tasks for the benefit of an individual with a disability. So an assistant animal is not a pet. Very big distinction.

Stefanie Bautista 4:19
Yes.

Ariel Landrum 4:19
Is not there for just leisurely enjoyment. An assistant animal is technically a working animal. And the difference would be that some working animals or livestock, so if you think of an animal that is agricultural, for labor, it will produce like eggs or milk or a wool. An assistant animal is sort of doing like a job so they could technically be a working animal.

Stefanie Bautista 4:43
Okay, that would include like a sheep dog, right that like herd sheep and things like that.

Ariel Landrum 4:47
Yep. But an assisted animal specifically, its work involves an owner or a certain relationship around a disability. So far an emotional support animal that companionship and support alleviates at least one or more aspects of their handle disabilities. So that’s that nexus that I was talking about. Now, they haven’t been trained to do this. And the common examples that I’ve found for my clients who are ADHDers, having an emotional support animal creates a schedule of consistency for them, because you cannot ignore the cat crying like the cat will cry and cry and cry. And so the symptom that’s being mitigated is lack of structure, due to executive dysfunction that happens from being an ADHDer. Right? So that would be like an example.

Got it. Yeah, because the things got to eat. So you got to put them on a schedule to eat. And that helps them with routines, and just doing things that are over and over again, so that they can get used to it and help out with that gap. Got it.

And that consistency helps then mitigate the symptoms of ADHD that occur and thus creating more holistic lived experience for this individual. And remember, I said it just, it needs to adversely affect one or more life functioning, and the nexus of the emotional support animal to that disability needs to help alleviate at least one or more. So if the alleviation is simply like the ability to have a structured schedule something that you couldn’t do on your own because your brain doesn’t allow you to, then that’s it. Like I’ve done my my full assessment. Under assisted animal. There are three types of animals, there’s emotional support animal, there’s therapy, and all people tend to get emotional support animal therapy animal wrong, a therapy animal is used as a therapeutic aid by a Health or Human Services professional to support someone else. So an emotional support animal helps their handler that the therapy animal is told to do work by the handler to others, and oftentimes they get permission to go into like hospital settings, for example, you’ll see a lot of therapy animals in like, a children’s unit, helping or or in a senior center giving sort of like emotional aid to others.

Stefanie Bautista 7:09
Yep. When my dad was in care when he was receiving really intense kidney treatment, there was always a dog that came by UCLA and you know, greeted all of the patients and everybody loved him. He was like, the most beautiful golden retriever. And, like, of course, you know, my dad loves dogs, because I have one too. And, you know, he was just like, yeah, he really brought light and he brought a lot of happiness into the ward, because you know, other than that, they wouldn’t see something like that.

Ariel Landrum 7:39
Oh, that’s so cute.

Stefanie Bautista 7:40
Yeah.

Ariel Landrum 7:41
So an emotional support animal can be any animal therapy animal, even though it’s, it’s told therapy animals, almost always a dog. And then service animal. Legally federally is a dog.

Stefanie Bautista 7:55
Good to know.

Ariel Landrum 7:56
Unless some states allow a miniature horse and those are for individuals with like violent struggles. But yeah, so even though we’re saying service animal, it’s really a dog. However, other animals have been trained to provide services, they just might not have as many legal rights. And we’re only talking about the United States. So I don’t know, like definitions and laws, other places. But a service animal is an animal that has received specialized training to perform a specific task or set of tasks for a person with a disability. And so some of those common tasks would be opening a door grabbing medication, alerting individuals in the presence of allergens like barking, or helping to pull a wheelchair, assisting individuals who are blind or have low vision with navigation, providing physical support and assistance with balance. However, a service animal could also be a psychiatric service animal and help with situations like sensory relief and overload by link deep pressure application, or alerting a handler before they have a panic attack through like licking them or barking, or encouraging engagement by limiting selective solitude. So like, if someone’s getting overwhelmed by a crowd, they might circle for crowd control, or they might push the individual towards the corner to get a breather space. So those are our animals. And the thing about a service animal that sometimes people aren’t aware of is that there are official places where you can get a service animal trained, but technically and legally, a service animal can be trained by their handler. And so this is where our Disney princesses come in. Because, from what we know, or I mean, our Disney characters with side kicks, from what we know, none of these side kicks have had like an official training from somewhere.

Stefanie Bautista 9:38
No, they’re dealing with their own stuff in life, and I don’t think there was time for them to take a course.

Ariel Landrum 9:46
Remember that because disabilities are unique and individual, the way that individuals need assistance? Yeah, it would make sense that they might need very specific tailored tasks that aren’t part of like the regular regime of like a traditional training experience.

Stefanie Bautista 10:02
And I mean, there is an article that says, you know, why? Why do Disney princesses or Disney characters have animal sidekicks in the first place? And one of the main reasons is to give that character the emotional support that they need. You see that they’re, you know, riding on their shoulder or their, you know, they’re just for them to pet or they’re giving them some sort of advice. Like they’re normal. They’re normally always talking mainly, but they can act as their guardians as well, as you’re going to see as we go through some of these sidekicks. So, you know, in reality, if they were doing their job.

Ariel Landrum 10:38
And like we said, emotional support, animals don’t have to have any tasks that they’re trained. It’s just that relationship, that relationship that mitigates a specific disability. Now, this is where we’re things get a little tricky. I’m not diagnosing any of these characters, and saying that they do have a specific disability because it’s not canon. But we’re going to assume if we did give them a category…

Stefanie Bautista 11:01
What would we categorize them as?

Ariel Landrum 11:04
Yeah, yeah, if they were more than pet, we believe.

Stefanie Bautista 11:07
And we challenge you when you rewatch some of these movies to see if what we’re saying is true. Or if you have a differing opinion, because, you know, I’m sure that when these characters were written, they weren’t specifically “Oh, this one’s gonna be a therapy animal. This one’s gonna be a support animal.” It was really the relationship that the main character and this animal had and how they played in moving the story forward. So lots of things to think about, but I think it was a really cool thing for us to kind of look at these really important characters in a different lens to see how they played their part in moving the relationship forward with their main character. So are you guys ready?

Ariel Landrum 11:44
Yes.

Stefanie Bautista 11:44
Awesome. So we’re going to start with Meeko are wonderful raccoon. In Pocahontas, we see Meeko riding in the front of Pocahontas’ boat, always there whenever she needed whenever they were going through the wilderness. Whenever she was singing, he was around. And he was really funny. He had a lot of comic relief in the movie, from what I remember.

Ariel Landrum 12:08
I remember Meeko stealing a lot of things.

Stefanie Bautista 12:10
I remember him eating a lot. He was just always eating.

Ariel Landrum 12:14
Did he specifically aid Pocahontas. I remember him grabbing the compass and giving it to her. So he was aware that that was like something she she wanted and he retrieved it? Would you consider that like task oriented aid? Did she ever tell him what to do?

Stefanie Bautista 12:33
I felt like he was the sassy best friend that was like, “Are you sure you want to date this guy? Are you sure we want to do this?” Like he always kind of gave the side eye and was like, as he was eating, like, kind of brushing off John Smith. So I mean, I don’t think that he was necessarily trained to be her guardian. But I think he gave off a lot of best friend vibes to me.

Ariel Landrum 12:59
So then, so then we’re gonna rule out a service animal and we’re gonna rule out therapy animal because he wasn’t providing like emotional support to others.

No.

Would you consider him a pet or an emotional support animal because the only thing I can think of is he did comfort her when she was sad.

Stefanie Bautista 13:17
He did. He shared it, which is kind of why I kind of more categorized him as like, like almost like a human counterpart. But he wasn’t talking. He didn’t say anything. He just squeak. He was one of the characters that did not have any speaking roles. So…

Ariel Landrum 13:33
So pet?

Stefanie Bautista 13:34
I would say a pet. I will say a pet with a lot of attitude, which in real life, we have pets with a lot of attitude.

Ariel Landrum 13:41
All right. All right. All right. I concur. I think, from what I can remember, and anyone can of course, correct us. It seems more like he was a pet that was atune to his handler, his owner. And a very independent pet. I think I’m like an outdoor cat.

Stefanie Bautista 14:00
An outdoor cat. And also, I mean, he was mimicking the way she was like falling through the waterfall when she was like swimming. He he had a lot of character. So I think definitely a pet. And because Pocahontas was so in tune to nature and the animals around her. I think that drew a lot of similarities between his character and his emotions and her emotions, just because she already had that established connection with the world around her.

Ariel Landrum 14:27
Yeah, so culturally, she may not identify him as a pet could she may identify him like for kinship bonds.

Unknown Speaker 14:34
Kinship, yep.

Ariel Landrum 14:35
In the forms of the just this exercise. Yeah we’ll go with pet.

Stefanie Bautista 14:39
We’ll go with pet. All right, great. So we have Meeko as a pet. All right, we’re gonna fast forward a little bit and we’re going to talk about Sven our reindeer from Frozen.

Ariel Landrum 14:51
Okay, so in not talking about diagnoses, but just general awarenesses what we do know is that Kristoff was abandoned and raised through an adoptive family. And so therefore, there can be some very specific, unique struggles even as far as like trauma struggles, and he may have difficulty having, you know, a sense of belonging, questioning himself. And what we do know from the two movies, he isn’t really certain or secure about his place in the relationship has a whole song about it.

Stefanie Bautista 15:29
In the world, really, he’s not sure where he fits in, he’s just kind of like a snowflake flying in the wind.

Ariel Landrum 15:34
I won’t give him a diagnosis, but I would say that he probably has enough for me to further assess for potentially one that could result in additional support.

Stefanie Bautista 15:44
Yes, and we all know that Sven is working he has a working animal because he helps haul the ice up and down the mountain. He helps Kristoff make his money. So we know that he has a lot to do with the the way that Kristoff runs his life and makes a living. So I think definitely working animal is one of his titles. And you know, he he has a lot of us. He’s got a lot of sass. He’s kind of like his, you know, bro best friend his. They definitely have a bromance going on? Because Sven is very animated, and he does a lot of physical gestures that suggests that he wants Kristoff to do one thing or another.

Ariel Landrum 16:25
Definitely think because of how Kristoff talks to him uses. He actually uses him in social interactions pretending to like be Sven’s voice, right? Like Kristoff, like, does that mimic the voice and even in his song in the second movie to Anna like, it’s fun. He’s like singing to you. He’s like practicing his proposal. I feel like Sven’s leaning more towards emotional support animal that happens to be a working animal that’s been trained to do a lot of tasks.

Stefanie Bautista 16:52
Yeah, yeah. Because they do use them even in the Spring Frozen Short, he’s helping decorate the whole entire place for for the birthday party. They’re hanging things on his antlers. He’s, you know, helping set up like a party. So he’s definitely trained to do a lot of things that help people, not just Kristoff.

Ariel Landrum 17:14
Okay, okay. So because he’s not just helping Kristoff. He’s doing general work for humans. But he provides specific emotional aid to when Kristoff is the second guessing himself have low self esteem questioning himself unsure anxious when we’re gone with emotional support animal.

Stefanie Bautista 17:31
Yes. Oh, and he’s another one that does not talk.

Ariel Landrum 17:34
Does not talk. Yeah. I think that adds another layer to it. Because that pretty much is our experience with animals.

Stefanie Bautista 17:41
Yeah.

Ariel Landrum 17:41
We are not like Dr. Doolittle. There’s a good chance that we are having to develop relational understanding with our animals.

Stefanie Bautista 17:48
Yes, yes. Yes. Yes. Yes. All right. Great. Okay, next one is a fun one, because we kind of talked about this particular character and how they held their place in this universe. And that is Hay Hay from Moana. Our wonderful, clueless. Not really all there ever. And I wouldn’t even know if he was exactly Moana’s side kick, even though he was on the boat and just always happen to be there. Because when we think of Moana, we think Pua right?

Ariel Landrum 18:18
Yeah I do.

Stefanie Bautista 18:19
Because Pua is her pet Pua is you know her roaddog. Pua is the one that is helping her and rooting for her like I mentioned earlier. But Hay Hay, he’s kind of just there. But he plays an integral part to the story.

Ariel Landrum 18:32
Yeah. which is surprising. also voiced by Alan Tudyk, which is like it’s hilarious to think that somebody had to…

Stefanie Bautista 18:38
A had a voice…

Ariel Landrum 18:40
Acting role to this chicken. Rooster rooster.

Stefanie Bautista 18:44
And before we categorize him, he is known as the village idiot.

Ariel Landrum 18:49
He’s known as the village idiot. Yes, I I definitely think even though he he ate that stone.

Stefanie Bautista 18:56
The rock.

Ariel Landrum 18:58
Rocks, rock eating chicken. I think he was a pet. But I think he was a self domesticated pet.

Stefanie Bautista 19:05
Yes. Self domesticated because he is so independent in the wildest ways possible.

Ariel Landrum 19:12
Like…

Stefanie Bautista 19:12
He’s chaotic.

Ariel Landrum 19:13
He’s He’s chaotic. Neutral, maybe?

Stefanie Bautista 19:16
Yeah, I think chaotic neutral. I don’t think he has any intention of harm. And I don’t think he has any intention of good.

Ariel Landrum 19:21
Yeah, just is he just says, Yeah, even I, I watching the movie, I’m not even sure like when he coughed up the stone at the appropriate time, it’s still hard to tell if that was like sheer luck and fate, or if it was, like him, having an awareness that Moana needed some aid. So I’m gonna go with pure, pure pet, self domesticated. And we have that right. Like sometimes we have like squirrels in our yards.

Stefanie Bautista 19:49
I mean, we also have a lot of pets who are, you know, who have won awards for being chaotic like the ugliest dog award. And, you know, just these dogs that are just so lovable. Because you know that they’re just trying to live.

Ariel Landrum 20:03
Just living life.

Stefanie Bautista 20:04
They are the way they are, they look a little funky, and that’s okay. But you know, they’re still lovable. They still mean good. And I mean for Hay Hay himself, he almost gets killed multiple times.

Ariel Landrum 20:15
Is completely unaware of it.

Stefanie Bautista 20:17
Yeah, unaware that the world has kind of imploding around him. But, you know…

Ariel Landrum 20:20
And when I think of Moana, as she does uncover a lot of her her history, that she wasn’t aware of. Something similar to like many diaspora, or when people are leaving their homelands. However, her current motivation had to do with present stress, which was based off of like, essentially climate anxiety, if you think about it.

Stefanie Bautista 20:46
Yeah.

Ariel Landrum 20:46
So she could technically be diagnosed with that. But the thing when it comes to like climate, well, it would be anxiety, but we put for the climate. But when it comes to climate anxiety, and those who are indigenous, it’s not really considered a disorder, it’s considered a an appropriate response to seeing their homelands, like completely demolished and often comes with like grief and loss, fear for their future. So I think I think, pet, and I don’t think that she has anything that would denote to me that there would be a disability.

Stefanie Bautista 21:18
Yeah, because it’s a common effect. It’s a common struggle that a lot of people in the diaspora go through, especially with her people who have moved from place to place. And now in that move, in that, you know, reality of her village, her trying to find her place is something that she’s just naturally going through, it’s not necessarily an anomaly to anybody who’s living there.

Ariel Landrum 21:40
And the land going through like struggles with fishing and coconut like, essentially, like, I mean, we know it’s the goddess, but it’s like a blight. You know, like there’s there’s actual struggle going on with the the climate and the nature, again, appropriate responses. And so I would not consider, not the, I would not consider it a mental health disorder as a result of something like, organic could be environmental trauma, if it were to persist. But we saw in the movie, she kind of clean things up pretty quickly.

Stefanie Bautista 22:12
She did, she did, and you know, Hay Hay, kind of symbolizes a part of her village that you know, always is with her, because it’s something that just exists in her village that is very specific to her village. And that makes her think of home all the time, even though she has Pua with her even though she has the memories. And you know, her grandma with her all the time. Hay was a physical representation of that, and he just always showed up. So I think you know, that being a part of home is something that a pet gives to us, wherever we are, if you move with your pet, whether it’s city to city, state to state, it’s a little piece of home that you know, you always familiarize yourself with.

Ariel Landrum 22:51
Even in the way that you’re sharing that when I work with clients who have like pet grief and loss, one of the things that I highlight is we tend to get pets at pivotal moments of our life. Like when we first stepped out into the world on our own, when we were first living on our own or when we get children or preparing to start a family or as a couple trying to see if we could we that’s usually when we get a pet. So they marker like milestones, very specific moments of our lives. And that and that was Hay Hay, like he he ventured out with her in a moment where she just had a lot of uncertainty. And when it comes to the grief and loss of a pet, usually that’s marking like, if we’ve lived with them for a substantial amount of time that’s marking an end of like that milestone, and having to both realize that and grieve not only those changes and losses, but now have to grieve the act, the act of representation of that, which is our pet.

Stefanie Bautista 23:46
Yeah, and to move on with your life without that is a huge transition for people who get pets at pivotal moments. Like you said.

Ariel Landrum 23:54
Pets witnesses that are most vulnerable. We stand naked in front of them.

Stefanie Bautista 23:58
They’re kind of just there all the time.

Ariel Landrum 24:00
And that was Hay Hay, right?

Stefanie Bautista 24:01
Yeah.

Ariel Landrum 24:01
There all the time.

Stefanie Bautista 24:03
You really didn’t want him to be here. It was kind of a nuisance. He was just there with his googly eyes. Great. I love that. I didn’t think we’re gonna have that conversation with Hay Hay, but you know what, he took us there. He took us there. Wonderful. So that is Hay Hay our next free well actually this one’s not even really free because doesn’t have hair is Pascal from Tangled. Wonderful chameleon so lovable so cute. Rapunzel’s right hand’s man? I’m I think Pascal is a male name. So I’m I think he’s a boy.

Ariel Landrum 24:38
Yeah, I think I think she uses he he him with him.

Stefanie Bautista 24:42
Yeah, yeah. So Pascal is very loyal to her. He is her only friend when she’s imprisoned in the tower never leaves her side. So we know that there’s a lot of emotional bonding there because they’re the only two in the tower. He is her fierce protector. He is kind of like kind of like a sibling almost, that, you know really is rooting for her. And once Flynn Rider comes up, he has his side eye. I think he’s also a character that doesn’t talk.

Ariel Landrum 25:10
Yes, yes, I do know that Pascal grabs things for her like her paint brushes. I do believe he has been trained essentially, either actively she taught him or just from the general relationship of interaction. And given that she is in severe solitude and finds out later that she’s kidnapped, I could say that there may be some diagnoses that could occur. Given that he goes out with her into the world, it’s hard to tell if she trusts Flynn Rider, right or more because she has Pascal or like the like her own naivety or just willingness, or her spirit right to just explore on the world. And we do see her oscillate in a lot of pain for like, leaving her mom, right? Like that was a big thing was this their attachment together was her to be individualized to her to sort of like they were very what is in Bowen called enmeshed. So, again, because she was locked away. I think he could lean towards psychiatric service animal, I think there’s a possibility.

Stefanie Bautista 26:19
I definitely believe that. Yeah, I think that that’s huge, just because Rapunzel is going through so many extreme measures in her daily life. And when we see Rapunzel she’s coming out of that, and she’s having a lot of realizations, she’s at a pivotal moment in her life. So she is not only going through her process of discovering womanhood, but she’s also discovering that everything that she knew was basically not exactly what she thought it was. And Pascal is her constant throughout all of this.

Ariel Landrum 26:49
And like you mentioned, the only socialization she had besides her mother. So already, he plays an integral psychological role in that she, she creates dialogue with him. But very different than when Kristoff’s using Sven, like, essentially for emotional support. Because he’s, he’s kind of leaning on him, like during times of struggle. For her, like, Pascal is constantly with her. She’s constantly engaging with him. And she’s having essentially direct relationship and dialogue with him and, and plans her day with him. Like, I feel like he’s so integral to what her lived experience was before she left the tower, then there couldn’t, I couldn’t imagine him not being a psychiatric service animal.

Stefanie Bautista 27:36
Exactly. And I think the choice for him to be a chameleon was so smart, because he is basically her window to the outside world. He could be whatever she wanted him to be. And he has the ability to do that, because she didn’t have that perspective to the outside world, aside from her interactions with him. And, you know, I think if it was any other animal, I don’t think it would have had the same effect. Because what she was going through was really, really extreme.

Ariel Landrum 28:05
And I think also shows you where some of the advancement for disability laws for service animals needs to take place. Like I said, here in the US, it’s the service animal federally is a dog, and that tower was not going to fit a dog. I don’t think there’s no way that Mother Gothel would have allowed her to have a dog she had to be able to hide him right? And

Stefanie Bautista 28:29
He could camouflage whenever he needed to hide in her hair really because her hair could hide anything. Maybe her hair could have hit an emotional service dog. Now that I think about. I mean she’s swinging from tower to tower, she could hide a dog. She could hide a dog.

Ariel Landrum 28:43
She could hide a dog in there.

Stefanie Bautista 28:44
But anyway that’s beside the point.

Ariel Landrum 28:47
But yeah, I think that if there had been more if we have been embracing more animals in regards to like those laws, the we would find a lot more people getting assistance in ways that that we hadn’t considered and for for me when it comes to emotional support animals because the law doesn’t say that it has to be specifically a dog. I have assessed cats, dogs, and some lizards. I don’t know much about bird and human interaction. I’ve never received training for that. So that’s why I always refer out but with particularly when it comes to like bearded dragons seem to be the thing.

Stefanie Bautista 29:24
Yeah a lot of popularity around Bearded Dragons as emotional support animals.

Ariel Landrum 29:29
The reason they get into being the choice oftentimes has to do with the individual has severe allergies. So it’s like, oh, I don’t have the option of a dog or a cat. And I also need what an emotional support animal can provide to mitigate. You know, my mental health disability and bearded dragon ends up doing it.

Stefanie Bautista 29:47
Interesting.

Ariel Landrum 29:48
Yeah.

Stefanie Bautista 29:49
They’re cute though.

Ariel Landrum 29:50
They are.

Stefanie Bautista 29:50
Love Love Me a bearded dragon. I do want to shout out Flynn Rider’s horse Maximus…

Ariel Landrum 29:57
Yeah…

Stefanie Bautista 29:58
He plays…

Ariel Landrum 29:58
Well stolen horse or rehomed?

Stefanie Bautista 30:02
He rehomed himself? Oh, Because I think that he creates a counterpart to Rapunzel’s relationship with Pascal. And I think, because we see Flynn Rider have his own kind of character arc and his growth in the story as well, because he learns a lot of things about himself. I think it was really beautiful for both of them to go through those changes with their animal companions.

Ariel Landrum 30:25
And essentially him being challenged by like this authority figure of a horse and creating essentially respect towards it. Whereas, like, all previous versions of him had no respect for like authority.

Stefanie Bautista 30:36
Yeah, yeah, definitely. And this was more of like a mutual relationship, almost, because the horse was kind of forced into it, but then also was just kind of like, “Alright, this guy’s kind of pathetic, so let’s help him out.”

Ariel Landrum 30:47
“I feel pity.”

Stefanie Bautista 30:50
All right, awesome. So the next character that we’re going to talk about is a speaking character. And he has a very great role in this iconic movie. And we are going to be talking about Zazu from The Lion King.

Ariel Landrum 31:05
Ah!

Stefanie Bautista 31:06
So we are kind of pivoting now. And we were talking about a animal companion to a villain. So as you all know, Zazu in the original Lion King, the animated version, he is the royal advisor to well, he is Mufasa’s as advisor, but then he has to kind of pivot, because when Mufasa passes away, he has to now serve under Scar. So he kind of plays a dual role. And we can all say that he is a working animal because he is an advisor.

Ariel Landrum 31:34
Yeah, yes. And I think even more so when he was Scar’s advisor, he was even more of a working animal because he was he, he didn’t even get to give advice. It was like, “Sing for me!,” right? “Do do this task.” And that’s all that we don’t have a relationship. When it came to Mufasa, he had a relationship with Mufasa. They, they had dialogue together. And this is where it’s like, it starts to get murky, right? Because they can actually have a conversation and you’re having a conversation with your pets. But if we were thinking of Mufasa if Mufasa was a human and Zazu was still a bird. One of the things that I would notice of their interaction is that he is considering the needs of Zazu which starts to feel more like a pet. And we do consider the needs of working animals we do, you know, good ethical farms are gonna give them the medicine they need proper food, enrichment and nourishment. However, at the end of the day, they’re still a working animal. Where as in this case, Zazu seemed integrated with the community. So it’s with the family felt more pet like.

Stefanie Bautista 31:43
Yeah, definitely pet like but also a pet that could snitch on you because he was kind of a killjoy all the time especially through Simba’s eyes. Simba, Nala were like “Zazu get the heck away from us, we are just trying to live our lives. We’re trying to be kids.” And he was like the uncle the babysitter, who was just like, you know, “Don’t do that. You can’t go over there.” But he meant well, we know that he has good intentions for the kingdom good intentions for Mufasa’s family because he is so loyal. And not only is he a servant, but he is you know, trusted within their community.

Ariel Landrum 33:16
And because he’s so loyal even though he was a working animal, then later assigned, we could say like to Scar, the second that Simba came back, he allied with Simba like…

Stefanie Bautista 33:28
Yeah.

Ariel Landrum 33:29
Allied with his original, essentially what you’d say family or owners. And we, we do see that right when, when pets get re homed, or when working animals get moved to a different farm, they tend to remember their original family and have like a bond with them.

Stefanie Bautista 33:43
Yeah. Or even if they’re lost, and they get reunited, or if they deploy, and

Ariel Landrum 33:52
You have that story. We’ll say that in a bit. They remember

Stefanie Bautista 33:58
They remember and they show it in every single way, humanly or animal possible.

Ariel Landrum 34:03
Emotionally.

Stefanie Bautista 34:04
Emotionally. And we see that through Zazu because he immediately is like, “You know what, screw all that. I’m just gonna go back to my original pride,” even though he is not a lion himself. He has loyalty to the pride that Mufasa created.

Ariel Landrum 34:21
And remember, we said that pets, first and foremost have companionship. And there’s companionship there. Right when you’re thinking of family bonding, like Yeah, that’s it.

Stefanie Bautista 34:32
Yeah, exactly. So yeah. Zazu man, voice by Rowan Atkinson, which I was like, “Mr. Bean what?” When I was a kid, because, you know, Mr. Bean, he was he was pretty popular back then. And having him having that speaking role, I think really brought his character to life. And he did such a wonderful job of just playing that kind of snitch.

Ariel Landrum 34:58
Yes.

Stefanie Bautista 34:59
That snitcher but also you know, you really felt for him when he was under Scar’s control because you you didn’t want him to perish.

Ariel Landrum 35:07
And then in the live action it’s a it’s John Oliver right?

Stefanie Bautista 35:10
Yes, it’s a John Oliver.

Ariel Landrum 35:11
And I think he did. I mean this John Oliver!

Stefanie Bautista 35:13
Such a great job! Yeah John Oliver! Could have been just a reincarnation of Zazu himself. So smart. So as a matter of fact, very British.

Ariel Landrum 35:24
Also sassy.

Stefanie Bautista 35:25
Super sassy. And yeah, we we heard that Sass vocalized instead of just you know, like a side eye or their actions. It was all of that so. Yeah, great character. Okay, fantastic. So, the next one is we’re going to reach a little bit because this is a much much older movie. Gus and Jaq from Cinderella.

Ariel Landrum 35:47
Ahh Gus Gus!

Stefanie Bautista 35:48
Yes, Gus Gus and Jaq are wonderful sidekicks, little mice, that helps Cinderella they’re faithful mouse companions to her. And they love her. They truly just love her. They live with her. They see her struggles. They’re devoted to helping her sneaking her all the things that she needs in order for her to escape her situation.

Ariel Landrum 36:08
And she does go through severe amounts of trauma she loses she’s she loses the mom she loses the dad gains a wicked stepmother and we can sisters right? Becomes essentially, I’m not even gonna use the term like indentured servant like she’s abused into essentially slavery in her own home. Has no access to any of her own wealth, her own family property, her name, they they essentially try to erase her from the from existence except to just be I wouldn’t say maid but she’s not getting paid.

Stefanie Bautista 36:40
Yeah.

Ariel Landrum 36:41
And so lots of severe trauma. What we do know is she, herself relies personally on kindness, something that was instilled to her by her bio parents, and something that she’s able to hold on true. But given the amount of trauma that she’s experienced in the lack of socialization, the outside world, she definitely needed to socialize herself with the animals. And there are a variety of animals in that movie, but the mice specifically did her bidding, like Gus Gus and Jaq would do what she told them to they would retrieve things. And so I definitely consider them a service animal or psychiatric service animal that had, like function that they are aware of, and their direct relationship to her like they they enjoyed sort of like their own life, but for the most part, they were keeping an eye on her.

Stefanie Bautista 37:34
Yeah, they were keeping an eye on her. They were watching out for her. They’re the ones who got the key to the room, because Lady Tremaine locked her in there so that she couldn’t try on the glass slipper. If none of that happened. If they didn’t do that action, there would be no story. So I mean, I think definitely you’re spot on with that categorization. Because they’re they’re really the heroes in this story. They save her. It wasn’t Prince Charming. It was them.

Ariel Landrum 38:00
It was them. And I think they work with the other animals well.

Stefanie Bautista 38:05
They work with the birds.

Ariel Landrum 38:07
Okay, the she gets Bruno up there to scare away Lucifer, the cat. And even though like they are essentially, on the chopping block of, like hierarchy when it comes to engaging with the cat, they did what they were told. And when it comes to service animals and psychiatric service animals, we obviously want to take care in the situations we put them in. But some situations could be just naturally scary to them that they ignore that fear because they want to service their handler. So like, common examples would be like, noises at a construction site can be very scary and loud to a dog. But if they have to help guide their handler, they will do it. They will they will they will desensitize themselves and those mice knew they need to be afraid of the cat. They still try their best.

Stefanie Bautista 38:56
Still did it. And that cat was big. It was pissy. It who just did not want to do anything with anyone.

Ariel Landrum 39:02
Named after the devil.

Stefanie Bautista 39:03
Literally named the devil. And interesting enough Jaq, Jacque and Gus Gus don’t speak English. They speak kind of a broken version of it. So they’re kind of like they say Cinder- they Cinderelle they don’t really say her name so they they’re not totally humanized. But they’re not totally fully animal. They were close. They were shirts.

They make me think of Pokemon. Gus Gus.

Truly but it’s funny because Pokemon don’t even wear clothes like that it’s just Pikachu that does.

Ariel Landrum 39:40
Unless you’re playing Pokemon Go and it’s an event day.

Stefanie Bautista 39:42
Yes, yes, yes, yes, yeah, so anyway, we digress. But Jaq and Gus Gus are super lovable. I think they are unsung heroes. I mean, they are mice so we know that they are the underdogs. that we know that they are the ones that you know we’re rooting for. Without them Cinderella would not be saved. She She would still be in her crappy situation. So shout out to those two. We’ve gone through a lot of different animals. And I think it is fitting that we end, I want to end with a couple just because we didn’t hit these pretty big ones. Little Mermaid just came out, we all know and we have a lot of really great friends when it comes to the Little Mermaid. So we can kind of do a mash up of two? Because we can talk about Flounder. And we can talk about Sebastian, because they are two very important characters and friends to Ariel that help her in different ways. We did talk about Zazu. And when I think about Zazu, I think about how Sebastian plays a very similar role because they are both advisors to their king.

Ariel Landrum 40:48
So I definitely think that with the live action and the animated Flounder and Flounder was more of essentially a companion so a pet. And, you know, knew I would say tasks or tricks like could grab things. But But he had a relationship with Ariel. I think the second that she lost her fins, she gained a physical disability.

Stefanie Bautista 41:14
Yes.

Ariel Landrum 41:14
Like we’re thinking like gaining legs would not be. But remember, she is not human. She is not she’s not meant to have those legs, she literally essentially removed an entire appendage of her body. Yes. and is having to now completely relearn how her body is functioning without that appendage.

Stefanie Bautista 41:35
And she lost her voice.

Ariel Landrum 41:37
She lost her voice. So she also cannot communicate. So she has two forms of essentially what would be a physical disability. And I think after that because of her deep relationship with Flounder, he turned into somewhat of a service animal however, because of his limitations being in the water, it then transition to Sebastian, who was not her pet. And instead was maybe I would say like, if we’re gonna say companion or pet or dad’s pet, he like then rehome to her.

Stefanie Bautista 42:12
Yeah.

Ariel Landrum 42:13
Who learned to be a service animal because what we saw was he helped. We saw them helping her swim up, right. Both of them are under each of her arms. He’s like now having to translate things to her and communicate to her. He is running around the castle. Spoiler alert in the live action. He doesn’t get a kitchened. He doesn’t have the kitchen song.

Stefanie Bautista 42:35
Yeah, boo. But anyway.

Ariel Landrum 42:38
But he is sleeping in the bed with her. He is trying to help her achieve a very specific goal, which is to create a connection with Eric, which we can say that he becomes her voice.

Stefanie Bautista 42:48
Yeah.

Ariel Landrum 42:48
Right.

Stefanie Bautista 42:49
Yeah, he becomes the orchestrator, which is in the animated movie as well, because he starts the song he almost has them kiss. So he is definitely working all throughout this movie, because he is on task all the time. He just wants to get the job done to protect her.

Ariel Landrum 43:07
Yeah. And I don’t know how you even live action or the animated how Eric somehow magically understands him. But yeah, he becomes her voice. He literally is the one because he’s the one who speaks her name. Right?

Stefanie Bautista 43:20
Yeah, like says it behind like, trees. But then, I think Well, I think Eric somehow manifest that as like a voice in his head.

Ariel Landrum 43:30
Yeah.

Stefanie Bautista 43:31
He’s not necessarily saying “Oh, my God isn’t an animal talking to me?!” He’s just like, oh, maybe there’s something because he’s looking for intuition, right? He’s looking for something that’s going to give him a signal to find this girl. And he takes those signals, which are actually Sebastian, he doesn’t know that. But he’s thinking of it in his own way.

Ariel Landrum 43:47
Yeah, I think they both become that. And I will say, again, is something that can be common, because some of the things that we want to remember is that anyone, anyone and everyone is susceptible to gaining a disability, that is why it’s important to become a advocate for the disabled, because you could be part of that community. It unfortunately could just be one accident away. And and so in this case, with her having someone speak for her, that like essentially her interpreter as as well as could be. That was such a beautiful task and functional aid, though, was necessary and crucial.

Stefanie Bautista 43:47
Yeah, it was crucial to the whole thing. It’s crucial to the story to her development to her survival. And with without that, I think, you know, we we don’t necessarily think Ariel and Sebastian we think Ariel and Flounder, and you know, I feel like this perspective might have changed me to think you know, Sebastian did hold it down for Ariel even though he truly did not want to it was just a nuisance for him the whole entire time.

Ariel Landrum 44:54
Yeah. And he had the ability to go on land and in water.

Stefanie Bautista 44:58
Another smart choice. Yeah, because Flounder had those limitations.

Ariel Landrum 45:02
Yeah. And again, sometimes with a service animal, we realize like, we need a very specific thing that one can’t provide or the other. That’s why I mentioned earlier, miniature horses for balancing. They are, they’re just stocky and sturdier. There’s no way that I don’t care how big of a dog you have that if you have a difficulty with balance, that a dog’s not really going to provide that in the way that a horse can.

Stefanie Bautista 45:28
Got four sturdy legs. Well, we went through a lot of different animals and a lot of really beloved animals and characters. We do want to leave off, I don’t want to forget our magical character Mushu.

Ariel Landrum 45:45
All right!

Stefanie Bautista 45:45
Because he is not really a real animal. But he’s also not seen by everyone. So I feel like he’s a definite anomaly. To a lot of sidekicks. I think he is open to interpretation.

Ariel Landrum 45:59
Yeah. So I don’t know if you could call him a pet. Yeah, he might be a working animal he was assigned.

Stefanie Bautista 46:04
I mean, his official label is Guardian.

Ariel Landrum 46:07
Yeah okay.

Stefanie Bautista 46:08
So he is a deity. He is a guardian, even though he is a dragon. But also guys, dragons aren’t real. So he is definitely a sidekick. I feel like it’s, it’s good to note him. He’s an honorable mention in our list, because he’s, he’s there for Mulan, he talks to the ancestors, he’s there to protect her, no matter where she is. But he also has a physical ability to help her out whenever she needs to watch out for her when she’s taking a swim, or, you know, taking a bath, and lights fireworks like, not every animal could do that.

Ariel Landrum 46:45
I think if I were to categorize him more as a pet, I may categorize them as emotional support animal when Mulan because Because essentially, Mulan was committing a crime. But if we moved remove that component, she was engaging in, you know, gender fluidity of gender expression. And, you know, dressing like a man, if we were to even say that she was someone who was queer wanted to be more fluid in her presentation, he then might be an emotional support animal, not because that is a disability, but because of the way the outside world treats individuals who are gender fluid, and that she got support from him, like he was cooking her food, and he was fighting others for her. But also, he was, at first he was a little bit against it, but he was actively supporting her in a time when she could have had a lot of mental emotional struggle. So maybe.

Stefanie Bautista 47:37
That was, that was only her her only connection to, you know, keeping her from just giving up. Because he was there rooting her on and he was there being the voice of reason and saying, you know, “Hey, let’s take a step back and think about why you’re actually doing this.” But he also had an agenda of his own because he wanted to be a, you know, a full deity himself. So there’s a lot of layers to Mushu I think that warrants a whole episode in itself.

Ariel Landrum 48:03
And I think even you highlighting that, like when I work with clients who are trans and transitioning their emotional support, animals are oftentimes the direct reason why they can complete a transition. And it’s because, “If I’m happier, my pets happier, I’m happier, we have a better relationship. And because we have a better relationship, I no longer feel the symptoms of potentially depression or anxiety that have been put on me by the environment.” So in that case, I would say that because he was a direct motivator for her he, he could have been an emotional support animal like we’re leaning towards there.

Stefanie Bautista 48:36
I mean, he was my emotional support animal when Mulan was going through all of that stuff when I was watching the movie. So without him and his comical relief, and also his just undying loyalty to her. I think she wouldn’t have gone through what she had gone through and survived and saved all of China. Personally, I gained a pet when I needed it the most emotionally. When my husband deployed overseas for a whole year, I was living by myself in the apartment and we lost our dog that we had raised a couple years before that. And so I felt that it was time for me to find a dog or a dog to find me. So I adopted my pitbull mix Chance at one of the really big Best Friends Animal adoption events here in Los Angeles, shout out to them. He was fully trained. He was about three years old when I adopted him. And he was a really great companion for me when I was living alone in the apartment, because he gave me a sense of purpose and routine when you know, I didn’t really have those things not having my partner living with me. Other than going to work. It gave me something to look forward to like I walked them in the morning I walked them at night. We shared a lot of just outings together with friends. And you know, he he’s still with us to this day. Now that I have two kids. He’s, you know, my kids protector and I Um, yeah, the different times that my husband left to deploy or went on training, every single time he comes back, my dog goes insane. Like he jumps around, like claws, whoever he is pushing down, he’s about 75 pounds. So he is not a very small dog. So when he shows his emotions, he shows them in a big, big way. And that kind of goes back to what you were saying that, you know, all of these animals, they, they do recognize people, they do establish those relationships, they do have that loyalty, all of these things that, you know, we see in stories happen in real life. And so, you know, having Chance as a part of the family in a time where I was lonely, and I needed some companionship really carried throughout the different phases in our life. And now that we don’t, you know, we don’t experience that in the extreme that we did before, because now I have kids, he plays a different purpose now. And you know, as he’s getting older, as my kids are getting older, they’re forming that bond. And they’re establishing that mutual relationship of emotional need of security, of just a sense of community within, you know, they’re all siblings now, which is really great to see. And, you know, Ariel has seen firsthand the benefits of me adopting Chance at the pivotal time that I needed him.

Ariel Landrum 51:24
Yes. And when Stef was interested in trying to see if he could qualify as an emotional support animal, I gave her referrals to be able to get the evaluation. And what what some people aren’t aware of is emotional support animals have to be reevaluated every year. And there was a certain point where once AJ returned, and then you started to grow your family, he became just a pet. At that point, there was no need to do this assessment. There’s no need to do documentation. And I think that’s that’s also just crucial to let people know is that sometimes they think that their certification from a mental health providers like forever, and yeah, it lasts for a year. That’s because disabilities also change, right? When we have more accesses, when we start to, depending on on what we’re experiencing, like in a mental health related experience, maybe we’re doing more healing, maybe we’ve now switched to a different type of treatments and emotional support animal, we’ve added medication, now we’re able to do things more that we don’t rely on our emotional support animal for.

Stefanie Bautista 52:27
Yeah, and one of the reasons why I asked for diagnosis is because of my living situation. At the time, too. I was living in an apartment complex that didn’t necessarily welcome dogs, unless they were serving a purpose. So since then, my living situation has changed. I don’t have to, you know, report that to anybody. So even though it kind of worked out in my favor, it it was just it’s good to know that you know, you have to kind of abide by the cycles and the the ways that we all grow as well in relationship to our animals, whether they’re working or whether they’re not.

Ariel Landrum 53:04
So if you have any sidekicks that you think we should have talked about, or if you disagree with any of our decisions, please, please tweet at us @happiestpodGT, or send us a DM on Instagram, @happiestpodGT. If you have a service animal or emotional support animal or even a pet that you want to share and show. Go ahead and send that to we want all the animal photos.

Stefanie Bautista 53:30
Yes, all the animal photos always in forever. All right, it was great talking about our animal sidekicks. And you know what, I’m gonna go hug my dog now. Yeah. All right. See you next time, everyone.

Ariel Landrum 53:42
Bye!

Media/Characters Mentioned
  • Disney Sidekicks
  • Ariel (The Little Mermaid)
  • Miko (Pocahontas)
  • Kristoff and Sven (Frozen)
  • Hay Hay (Moana)
  • Rapunzel and Pascal (Tangled)
  • Zazu (The Lion King)
  • Gus and Jack (Cinderella)
  • Flounder and Sebastian (The Little Mermaid)
  • Mushu (Mulan)
  • Disney’s Rapunzel
  • Disney’s Cinderella
Topics/Themes Mentioned
  • Mental Wellness
  • Role of Disney Sidekicks in Emotional Support
  • Americans with Disabilities Act
  • Mental Health Assessments
  • Emotional Support Animals
  • Service Animals
  • Therapy Animals
  • Impact of Animal Companions
  • Disability and Disney Characters
  • Psychiatric Service Animals
  • Ethical Treatment of Working Animals
  • Heroic Animal Characters
  • Disability Representation in Disney Movies
  • Emotional Support
  • Coping Mechanisms
  • Reevaluation of Emotional Support Animals

Questions? Comments? Discuss this episode on the GT Forum.

—

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Behind the Magic: Up Close with Lady Tremaine

July 15, 2022 · Discuss on the GT Forum

https://media.blubrry.com/happypod/media.transistor.fm/47215077/f474de4b.mp3

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#29: Ariel and Stef had the honor of interviewing the terrifying and regal Jessica who played Lady Tremaine at Walt Disney World. In this episode, we learn the joys, the frustrations, and the horrors of being a face character at the happiest place on earth.

Read the blog post for this episode for additional references and resources.

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Transcription

Ariel Landrum 0:11
Hello, everyone, welcome to the Happiest Pod on Earth. I’m Ariel, I’m a licensed therapist who uses clients passions and fandoms to help them grow and heal from trauma and mental unwellness.

Stefanie Bautista 0:21
And I’m Stef, and I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them.

Jessica Lady Tremaine 0:28
And I’m Jessica, also known as TramaineTok, I am a TikToker, Instagrammer and former Disney performer for several years.

Ariel Landrum 0:39
And at Happiest Pod, it’s a place where we dissect Disney mediums with a critical lens.

Stefanie Bautista 0:44
Why do we do that? Because just like we’re more than just fans, we expect more from the mediums we consume.

Ariel Landrum 0:50
So everybody, what are we discussing today?

Stefanie Bautista 0:53
Well, we have a special guest!

Ariel Landrum 0:56
She’s so special.

Stefanie Bautista 0:57
Thank you, Jessica, for joining us today. What an honor it is to have you and thank you for taking the time. And we are so excited to hopefully pick your brain a little bit about your experiences and you know, just another side of Disney that we personally do not have any idea about so.

Ariel Landrum 1:18
Yes, yes. Okay, so for our audience members, as Jessica mentioned, she is a TokToker. She is also a former face character at Walt Disney World Resort in Florida. She’s also an actress and dancer for Universal Orlando Resort, and was a character performer even at SeaWorld in Orlando. So she’s going to share with us what it’s like to be a character at the parks and some of the do’s and don’ts in regards to character interaction.

Jessica Lady Tremaine 1:49
Awesome.

Ariel Landrum 1:50
So starting off the character you played with Lady Tremaine, who, for some of our audience members, in our villains episode, we talked about Lady Tremaine’s a very scary villain because she’s a realistic villain. Like I could see me walking up and actually interacting with somebody who has a very similar tendencies. Did you mean to be a Disney villain and specifically her? How does that sort of process go?

Jessica Lady Tremaine 2:14
No, essentially, the audition process is very generic. It’s what us in the entertainment industry would call a cattle call. So you go, there’s hundreds and if not 1000s of people at one audition, and they’re looking for kind of everything, or they’re not specific about what they’re looking for. And Disney is very good about being very ambiguous with what they’re asking for. So So I went to a general audition. So I was not setting out to be a villain. I didn’t even know that like, I kind of fit that type.

Stefanie Bautista 2:49
I guess that’s something you don’t really think about, like, which one? Do my features represent? I would. Now it got me thinking.

Ariel Landrum 2:58
Well, and even like that word, like type, like, how did they present to you like, “Hey, we think this is who you fit the best, or what you should be doing.”

Jessica Lady Tremaine 3:06
Well, I found out over the course of not only my audition process, but my callback process with which is what they call a face fitting. Essentially, I am you haven’t seen me in person, but I’m five foot 10. So I’m, I’m pretty tall. Um, they had me measured a little bit shorter. So I could do more fur characters, which we can talk about later. But so I’m very tall. I have a very long face with a lot of angles. So I have very strong jawline, very narrow cheeks. And I also have just like very long features. They were very particular about my eyes, my eyes are very large in relation to the rest of my features. And they really noticed me in the audition based on my facial expressions, I very extreme facial expressions, just naturally talking not even when I’m really turning it on. So that was kind of what I found out later was what they were looking at.

Stefanie Bautista 4:09
Interesting.

Ariel Landrum 4:10
I I’m like I’m hearing you describe your facial features and how detailed it is. And I’m I don’t even think I could describe myself in such detail, does it? I mean, I guess that’s part of being an actress. Like you have to kind of be able to really describe yourself and be able to understand what you might fit.

Jessica Lady Tremaine 4:31
Yeah, absolutely. And I will say that a lot of it comes from I mean, you’re therapist, it comes from a place of being criticized. So one of the most criticized industries is the entertainment industry. You know, I wasn’t just an actress, I was also a dancer. So I spent my entire life being told you’re too tall or you’re not thin enough or your proportions aren’t right. You know, all those said in polite ways are not really great to hear, but it resonates with you when you’ve heard it for so many years, so it’s easy for you to point it out.

Ariel Landrum 5:08
Okay. Okay. I think that’s really interesting to note that you have to sort of pivot your mind around what criticism is going to be because you’re stepping into a profession where it is part of the profession. There’s no real like, gentle way to say things. And I can see that being a level of self awareness, but also so like, do you feel like you have to have like a tough skin to be able to enter entertainment?

Jessica Lady Tremaine 5:35
Yeah. And actually, it it actually is helped with now being on social media. But when you especially are a villain, you are heckled from the moment you walk out onto set until the moment you walk back/

Stefanie Bautista 5:48
For sure.

Jessica Lady Tremaine 5:49
And it would happen to my face. Like I’ve told this story on my Tik Tok, where a dad told me, I was a size four at the time. And I’m 5’10”. So it’s pretty tiny. So I am, I was a size four, and a dad told me that I was fat and ugly, to my face in front of his wife and children, and a hashtag came out of it on a video that trended for a while, called “Cinderella is Savage,” Because my friend was Cinderella, my friend was Cinderella for at the time, and I told her, and she went over and said something to him. And I don’t know what she said to him. But he came over and apologized to me. So I don’t know what she said.

Stefanie Bautista 6:33
She said something.

Jessica Lady Tremaine 6:34
Yeah. So so. So so in order to cope, you have to either disassociate or something like almost have like an out of body experience? Because if you don’t, you’ll you’ll go crazy.

Stefanie Bautista 6:49
I mean, it seems like you use that as a strength for you. I mean, and that carries in your social media, because I mean, a lot of your followers do say, you know, you’re really brave for speaking up and speaking out on behalf of cast members. And I think that’s the most I mean, you can say that for any profession, but especially in a profession where you’re being scrutinized from every single angle, to be honest like that. I mean, I really appreciate it. I know all your followers do. And I mean, did that did those stories inspire you to share your experiences as a cast member just to kind of get it out in the open? Or what really was the spark to say, “Hey, I’m going to just give a little bit of truth to this.”

Ariel Landrum 7:30
Yeah, make it really public, because a lot of the things that you’ve shared on your Tiktok, they were like, shocking to me. But then it made sense. Like, okay, you’re a public, you’re in the public. I should have, I shouldn’t be shocked to yet I am shocked.

Jessica Lady Tremaine 7:45
Yeah, so I actually started to share my story on accident. So I created my Tiktok. Honestly, I had a friend of mine who wanted to send me videos, and she was like, “Oh, I can just send them through the app easier.” So I wasn’t really making content. And so I did end up making my first real video, back in April, like April 29 of last year. So it’s fairly recent, where I told the story about my first time going viral as a character. So I was the character that went viral on YouTube, to the tune of like 18 or 19 million views. And that was several years ago. So a long time ago, but um, I essentially talked about that interaction. And from there, it sparked like that went viral in a matter of two or three days. And I all of a sudden had all these questions that I didn’t know anybody ever wanted answers to. And so I just started answering them. I know it’s silly, but I just started answering them. And then as I kind of went through, I was able to process things that had happened to me that were really, really damaging in a way that my therapist hadn’t really been able to walk me through them, because he just didn’t really it’s not that he wasn’t able to understand because he was doing his best, but he had never been in that position. So the coping strategies are not. They don’t fit in with a lot of other issues that people would have like unless you have experience treating people who are in the entertainment industry, it’s very hard to understand.

Ariel Landrum 9:39
No, I think that’s important that you point that out. I work with a lot of actors because I am here in Los Angeles and a lot of the boundary setting techniques we have to go over aren’t ones they can use. There’s a certain level of expectation in regards to professionalism and performance that is very different than just traditional customer service. Because your, your your name and your ability to present, whatever the brand is that you’re presenting, is your resume is your docket, and particularly for, for women or female presenting individuals, there’s even more scrutiny, because if you’re considered hard to work with, that becomes your label.

Stefanie Bautista 10:26
Yeah, you’re X out. Yeah. And I mean, I’ve worked in schools that are a little more affluent here in LA. So I work with a lot of parents who are in the industry, whether it’s, you know, script writers, or actors, actresses themselves, and this whole kind of the switch being turned on all the time, kind of carries into their real life and to their kids. So it’s very interesting to see, you know, just the world that, you know, they build around themselves, and, you know, having dealing with that in real life, and kind of like, learning how to draw those boundaries to you know, protect their mental health. So….

Ariel Landrum 11:02
And you mentioned, like sometimes needing to dissociate, it’s like, really like, “When is my mask get to take off? Like, when do I actually get to take it off?” And I would say that, it seems like at least for your responses to the questions and the videos that you’ve made, you’ve been able to be very authentic and genuine probably in a way that is, is different than trying to remember and process like going backwards and then actually having answers now very different.

Jessica Lady Tremaine 11:31
Well, that but also, when you’re in it, when you’re doing it, like there were weeks where I’d work like a 60 or 70 hour week was the same character. So as Lady Tremaine so think. Now granted, we have offset time, we have breaks. But you know, you’re still in the wig and makeup, you’re still, you know, largely on because it’s all improvised. I tried to explain it to people. It’s like you are method acting for 70 hours a week for years at a time. And I say that, because when you are doing a script for a movie, because I’ve done I’ve done, you know, some indie film stuff, I’ve done commercials like local, I’ve done small things. But you’re and I’ve done a lot of musical theater, when you’re performing a script and you step into that character, there is a time where you are no longer that character for the night, because you are following a script. But when you’re improvising as a character, and you’re not sure what people are going to ask you, what they’re going to want to talk to you about, you have to cross that method boundary to becoming that character. And if you are in I found that I was having a hard time after I finally left the company like fully letting her go, if that makes sense. And and I came to find out through the process of doing my Tiktok that I I had let her go. But I hadn’t like really processed what I put myself through in order to cope if that had made any sense.

Ariel Landrum 13:07
Yes.

Stefanie Bautista 13:08
Absolutely. Yes.

Ariel Landrum 13:10
I think that it really makes me think of like, nerdy, but like d&d bleed. Where are you, where you have some of your character become you are some of you become your character and finding where the the distinction in the end is, is very difficult, because it’s so now integrated in part of your daily experience. And even with that, like you said, there’s at least you know, there’s going to be an end to the game for you, like, you have this part of your job is how you have to make money. And the scrutiny that that you’ve mentioned in your videos of if someone thinks you did it wrong, even though you’re the one playing the character.

Jessica Lady Tremaine 13:49
Yeah. And it happens. There’s, you’re regularly observed by performance specialists. And you are never told ahead of time when that’s going to happen. So you’ll just be out on set one day, and they’re there. With their little notebook.

Stefanie Bautista 14:07
Yeah.

Ariel Landrum 14:08
Can you clock em?

Stefanie Bautista 14:09
Yeah, can you tell like who they are?

Jessica Lady Tremaine 14:12
Oh, yeah, they’re the same people over and over again. But at the same time, you see them out of the corner of your eye, and you’re supposed to ignore them. But it’s impossible.

Stefanie Bautista 14:20
That reminds you of a lot of teacher observations where like your administration would just pop into your classroom at like, the absolute worst time. And you’re just trying to like, keep it together and make sure no one’s like stabbing each other hurting each other. But also, I was thinking about what you mentioned, all of the questions that you may or may not get, you have no idea where this is coming from, or you have no idea like what’s in like a guest mind. And I can really relate because it’s like when kids ask me questions about something I’m trying to teach. I don’t know what they’re gonna say what’s going to come out of their mouth. So have you gotten a very interesting question or a very just left field question that sticks out in your mind that you We’re just like, “Hmm, interesting. Okay.”

Jessica Lady Tremaine 15:04
So, um, the weirdest one actually was asked of me, but it was not about me. So I was leading Tremaine and I got asked a question because somebody got the kid got me mixed up with the Queen from Snow White. And we in Disney, we call her The Snow Queen. That is not her name as just what we call her. But her name is just The Queen. So somebody’s, like, their wires were crossed. And so they looked at me, and they’re just like, “I thought you died at the end.” And I’m like, and then and then I said, I said something to that. “Oh, you must be mistaken. It certainly wasn’t me.” And then they were like, “No, you were that old lady who fell off the cliff and died at the end I saw.” And like yelled at me, but they are nasty. Right. So like, like, taking me to task that I was dead. But, and I do know from people who have played that character, that is a very common thing for people to say, I have played the hag version of that character, which is a fur character costume, but nobody ever asked because she doesn’t talk. So like, nobody ever asked me that.

Stefanie Bautista 16:27
She kind of just hobbles along.

Jessica Lady Tremaine 16:31
They were this child was very aggressively asking, like or not asking, yelling at me. “You died at the end, didn’t you?” Like I was on cross examination. I was being interrogated by the FBI. |You died at the end!” Exactly. So that’s like the weirdest one I’ve ever been asked because like, what do you say to that?

Stefanie Bautista 16:59
“Yes, child. You are right. I am deceased. I am here talking to you now.”

Jessica Lady Tremaine 17:02
“I’m dead. But I didn’t actually die.”

Stefanie Bautista 17:04
Yeah. In the multiverse of Lady Tremaine.

Jessica Lady Tremaine 17:09
People think that Lady Tremaine actually dies at the end. But she obviously doesn’t. But it’s just because they get the movies mixed up. That’s very common.

Ariel Landrum 17:16
Yeah, sure.

Jessica Lady Tremaine 17:19
They get Lady Tremaine and Maleficent mixed up all the time.

Ariel Landrum 17:21
Just for some audience members who don’t know what is the difference between like a face character, a cast member, and then a fur character.

Jessica Lady Tremaine 17:29
So cast member is like the general term for anybody who works at the Disney parks, or works really, for the Walt Disney Company, I think it technically encompasses all of them. But fur character performer, or just a character performer is somebody who performs in for character costumes. So you’re thinking of like Mickey, Minnie Pluto, and the like. And a face character is within the character, performer, family. So everybody who’s a face character is also a fur character, but not every fur character is a face character if that makes sense. Like all rectangles or squares are rectangles kind of thing. So it’s a very specific example.

Stefanie Bautista 18:12
No, I got it right away. I was like, yes.

Jessica Lady Tremaine 18:16
You’re an educator, you get it so. So face characters is like a specialized trained role within the character department.

Ariel Landrum 18:26
Okay, and what sort of like training do you go through.

Jessica Lady Tremaine 18:30
So you go through your standard character training, this is a four character training, it’s a five day training. You know, how to animate quote, unquote, the costume, so how to move in it, how to sign your autographs, things like that, essentially, how to move your characters eye focus, make sure your character’s eyes are looking at the camera, things like that. And then the face character training is an additional week. So an additional five days where the first day or two you are watching the movie, you are working indoors with your trainer, again, learning the signature learning the makeup learning, all the things that go along with that, and then days three through five are in park meet and greets. So you are put out into the park and you are doing meet and greets with guests and your trainer is there watching taking notes and you are getting feedback after every set.

Stefanie Bautista 19:26
Yeah, I mean, that’s all stuff. I’m like just trying to processess on like okay in my brain like drawing this chart of like the family and you know, the different types of cast members. I was really intrigued by your Disney College Program videos. I applied and did not get in because I want law. I think it was because when they asked like have you ever lied or something like that? I honestly said yes, of course. I’ve lied before. And they were like, “I’m sorry, you don’t fit the mold of what we are looking for at Disney”, and I’m like, “All right. So Oh, there’s that.” And I was just so curious to hear you talk about how it’s kind of like, it’s kind of like an apprenticeship that people are severely underpaid for, and that they are basically thrown to the wolves. And it’s like having your first job, but on this grand scale at the Disney resorts in Orlando, so there’s like millions of different jobs you can have. And it’s basically and it makes sense a way to capitalize on that labor, but keeping costs down. So thinking about all of that, and thinking about the way that I guess labor is moving now. Because, you know, there’s lots of, of course, unionizing and all that stuff, but also, for young kids and youth who are starting in the workforce, they’re pushing for a lot more opportunities and fair opportunities for them. So in your opinion, do you think that might change in the next couple of years? Because they are trying to get people back into the park and keeping up appearances and things like that? Or do you think it’s just going to kind of stay the same?

Jessica Lady Tremaine 21:03
I think it’s going to stay the same as long as the college program is as competitive to get into as it is. Now, when I applied for the college program, it was not as competitive to get in, as a general college program to get into entertainment. Yes, it’s just as competitive. But back then, like 2009, was when I applied and I got in January 2010, much less competitive. So that that was that. As far as conditions improving within the college program, I really don’t see that happening. Because there is still going to be a steady stream of kids, young people who want to do a college program, regardless of all of that.

Stefanie Bautista 21:52
I mean, I always, like when I talked to some of my middle schoolers, and these are like, the oldest kids that I deal with. And I love giving them options, because you know, you don’t always have to go the traditional, like, be a teacher, be a doctor, all these routes, I’m like, there’s so many different jobs out there. It’s just what are you willing to put up with? Having worked so many jobs, and I and of course, like working for Disney, like, that’s such a like big dream, and you know, they can’t even like imagine working for like, you know, such a big company like that. So I always try to keep it real with them and say, “Hey, you know, you’re gonna go through the same BS, essentially, wherever you go. It just depends on you know, your willingness to put up with that in order to achieve whatever you want to achieve.” So I think, yeah, I mean, your experiences, would you say, majority was it like worth it?

Jessica Lady Tremaine 22:43
I actually just did a video about this, I, I really do believe that it was worth everything that I went through. I just was recently speaking with someone about it. Honestly, it set me up for so many opportunities that I otherwise would never have had. And it really gave me a lot to teach my students because I’m still a dance teacher, I still work with students. So honestly, it really set me up with a lot of real world advice that I could give to them. And really, a lot of stories like, I can’t tell you how many times I get DMs, from people who are saying like, “I’ve always wanted to be a Disney performer. And they’re like, you’re making me have second thoughts.” And I always encourage them, they really want to do it to still do it. The purpose of what I do and my content is to share the realities, because I think what was the most harmful for me and a lot of other face characters who are on TikTok is that we were sold a fantasy, which is what Disney does, yeah, we were sold a fantasy as a job. Instead of these are the problems that you will face, this is what you’re actually getting into. So that is that is what I see my space in the world as.

Ariel Landrum 24:11
With the training that you received, because it just seems like like five to 10 days just doesn’t seem like enough is do they talk about you know how to address interactions with the community that aren’t favorable or what your have a like what rights you have as a cast member?

Jessica Lady Tremaine 24:35
Can I ask a clarifying question or so do you mean within like, interacting with guests or interacting with other cast members?

Ariel Landrum 24:46
With guests.

Jessica Lady Tremaine 24:47
Okay. Yes, they do go over things like that. And that is a part of your training that you’re doing behind the scenes with with those, those trainers. A lot of times they will say things like, “Okay, what would you do if a guest came up and tried to touch you.” And they’ll give you an example. So I’ve had it happen a lot to me, where a lot of male guests have have assaulted me and in different ways. The problem is, is that it happens so fast, that a lot of times you cannot control. It’s not You’re not meet, doing a meet and greet in a bubble, right? There are factors, there are children running around, there are people taking pictures, there are autographs being done. And they do teach you how to get out of it. But getting out of it assumes that all other factors are not involved, right. So if a man comes up and tries to grab you, you would then offer your arm, you would move you what your attendant would say something, but they don’t tell you or really, there’s really no way to teach you how to do that, while you have two children’s teeth talking to you, and you’re signing an autograph book while this person is doing this to you. So it’s there’s a lot of extra factors that they don’t, they can’t prepare you for even as much as they would want to. It’s just really not possible.

Ariel Landrum 26:17
As, as a clinician, I have to do this thing called informed consent, where I have to know let my clients know what they’re going to expect out of therapy, even so much so that I will tell them that you may not feel good right away. In fact, we’re unpacking so much stuff, you might feel worse, you might change and the people around you may not like it, the it may not always be good. Do you feel like you got full informed consent on what what the interactions would be? Or what it would be like?

Jessica Lady Tremaine 26:48
No, they they did not. And I will say that back when I started, that was not a thing that people really discussed. I have since learned in my many years in therapy, that a lot of a lot of things were really done that that that could have caused more issues than even just the job itself. So for example, not only the informed consent, but ongoing support from management just was not there. Some you would experience sexual assault, and then largely either be blamed for it blamed for not controlling the interaction. Or umm told you still had to get back out there and complete your set or you would be receiving a discussion or reprimand. So there theoretically, even if there was not informed consent, there should have been systems in place to fix that. And they’re largely weren’t.

Ariel Landrum 27:59
Do you see that changing now? Well, like do you know, people who are active characters now that have more preparation or more support from management? And I also do want to highlight that also, it’s kind of a society thing, right? Like here, I’m telling you that I need support because I’ve been assaulted, and I’m not getting it.

Jessica Lady Tremaine 28:19
Well, I think that people take sexual assault more seriously now than they did. Um, so I will say that, but I I think that the rise of character vlogging and character interactions on social media has actually made the problem worse because it has caused a lot of internet personalities who don’t know the characters really don’t understand what their life is like to go and get sensationalized viral content from the character which can cause a lot of mental distress and can cause potentially job loss. And management largely has not caught up with supporting the cast members in that way. And I get DMs from performers on a weekly basis saying that they are still getting discussions and reprimands for viral videos of them.

Ariel Landrum 29:14
Which is not within your control. And so do you think that former cast members like yourself, advocating on behalf of the community does that create some sort of change or pretty much upper management and higher ups are not looking at that stuff and probably don’t care?

Jessica Lady Tremaine 29:36
I don’t think they’re looking at it but what it has done and I’m sure you’ve seen I get a lot of flack for this. It has made it much less socially acceptable. So a lot of these vloggers will post a character video and people are now starting to if not, not watching the video, they’re flooding the comments saying, “This is inappropriate. You should not be sharing this.” But I was seeing some vloggers recently their character content is content is just not doing well, like it’s comparatively since you know, in the last few months they have really kind of taken a nosedive in views and engagement. And I hope that me speaking out is making it and others speaking out, not just me is making it less socially acceptable.

Ariel Landrum 30:24
I’m, I’m curious because there’s an intentionality to get views, right? Are there interactions that you just see with characters that people post or that isn’t a objective and happens to be a good interaction, or as a general rule that if it’s a video, it’s probably going to be scrutinized either way, so kind of avoid that.

Jessica Lady Tremaine 30:46
So it’s a gray area, and my philosophy Ariel is that if it’s a gray area, don’t post it. That is just my, because Tiktok has made it so easy to go viral, even if you’re not intending to go viral. And it is causing issues, but it’s not people necessarily doing it on purpose. Because, as you know, you know, as a as a therapist and clinician intention does not, it doesn’t really matter, because the implications are what matter. And so the intention of the poster is not the thing that I am concerned with, it’s the implications of this being posted. So the implications.

Ariel Landrum 31:32
Not intent but impact.

Jessica Lady Tremaine 31:34
Right, so the impact is, more people are going to performers trying to get viral content, they are posting characters more and more, they’re bombarding them with cameras on a regular basis, which is stressful, which is stressful for the performers. As cute as it is, um, it can be very stressful to have a camera on you all day, in addition to the job being as difficult as it is.

Stefanie Bautista 32:01
I mean, I can only imagine it’s just like a different set of eyes. And you never know where and I feel like it almost infringes on your privacy almost. And even knowing that you are a performer, you are entertainer, you are putting yourself out there. But you would think that there would be still a layer of protection. I mean, I’m wondering, because during the pandemic, we saw a lot of the characters very far away. They were like, you know, in that, like Winnie the Pooh was like in the forest, or like in a clearing or things like that. Do you know of anybody who has played those characters very far away that? Do they like that a little bit better? Or do they kind of wish it like stayed that way? Or do they miss that face to face interaction?

Jessica Lady Tremaine 32:46
I do know a few people who have done that. And I would say it’s, it’s it. On one hand, they do like the freedom of wandering and for knowing that they’re not really going to be knocked over, they’re not going to experience some of the physical problems that come with interacting with guests. I will say, though, that a big part of the enjoyment for the actual performer is interacting with children, it’s fun for us at the end of the day, like all of the issues surrounding it, are what they are, but at the end of the day, it’s still fun for us. So I would say that they are enjoying that. They were enjoying that, like new type of interaction. But I think some of them are anxious to get back to some modified form of meet and greet.

Stefanie Bautista 33:38
I mean, I guess moving into sort of like the same topic. I know that you talked about weird Disney adults, I mean, like the super super fans, when, you know, if somebody asked like, do you and your fellow characters go to the break room and be like, “Girl, I got to tell you about this, you know, person, that person or whatever.” Because, you know, in every job I’ve worked, you know, we do that. I mean, as educators, we do do that as well. So, do you have a memorable interaction with somebody who really loved you as a villain who just like adored you, and like, kind of was just like, in awe of you like whether it was an adult or a child and like how did that make you feel knowing that you know, you are playing a villain? And like you said, Because you are a villain you’re automatically viewed as something but did you get like the opposite effect at any point?

Jessica Lady Tremaine 34:30
So first, I want to I want to that’s that’s got a couple levels. Let’s start at the beginning. So um, I would not say that the Disney adults even like the really fanatical ones get talked about because characters are so preoccupied with talking about like, the weird guests and I say that like, like you’ve worked in a in a place where you’ve interacted with someone who just made it weird. Those are the things that we would talk about, either are treating us strangely, or just like, those are the ones that we talk about, but not necessarily in a malicious way, just like, “Hey, did you see that?” Like, like that kind of thing? Um, the ones that get talked about in a malicious way are the ones who are either just mean or honestly, a lot of the vloggers that are not very kind, and they get talked about a lot. But on that, so second half of that, yes. So I will tell you a quick story. So when I would often be at Mickey’s not so scary Halloween party. The two remains were a big part of that. There was a family where the there was a mom and an Aunt, Aunt aunt. And they were dressed as the stepsisters. And they’re like nine or 10 year old, one of their daughters was dressed as Lady Tremaine. Now, she was not only dressed as Lady Tremaine, I mean, she was in her blue dress that she wears to the ball. So if you go back, watch the movie. It’s like that bluish gray dress that she wears to the ball…

Ariel Landrum 36:22
Deep cut.

Jessica Lady Tremaine 36:22
She had her hair slicked back and rolled up like in those those victory rolls and a bun the back and had her hair sprayed gray. And she had a stuffed Lucifer with her. And she was fully made up like, looks like a little baby drag queen. It was super cute. And I still have a picture with them. Actually, I have it. It’s great. But so that interaction was fantastic. Because the mom and the aunt who were the stepsisters, they just like so leaned into the step sister vibe. And love and the little girl did not know what to say what to say to me. Like she was just like, “Okay, I’m going to take a picture now I’m gonna hold this cat.” She did not know what to say to me. But the mom and the aunt were having so much fun that it just like, it just took it to another level. I also loved for the Not So Scary when I would get a drag queen Lady Tremaine that would come see me that happened a couple of times, those were always the best, because they always wanted to talk forever. So I was absolutely happy living in that space, for sure.

Stefanie Bautista 37:40
I love it when parents dress up their kids, as you know, these complex characters, they really fully understand, like, who they’re playing. And so when they meet that character, they’re just like, they don’t know what to do. They don’t know what to say. And I see that a lot in cosplay conventions, and you know, comic book conventions, where, you know, you have a kid and like the coolest costume ever, but then it’s like, they’re just hobbling, walking around like a little kid like normal. So it’s very interesting to see the different avenues. And of course, when adults around them hype them up, it just creates that magic.

Jessica Lady Tremaine 38:17
It’s adorable. It’s it honestly, is one of my best memories is all of those, those fun ones.

Ariel Landrum 38:24
Kiddos.

Stefanie Bautista 38:27
I know that for myself growing up, I wasn’t the one to go up to a character, it was very hard for me to you know, know what to ask. I wasn’t when I would take a picture with them. But I wouldn’t like know how to interact. Would you use different strategies to help a kid kind of interact with you a little bit more if they were reluctant? Or was it just more so like, I’m not going to force this on a kid if they if they just don’t want to engage.

Jessica Lady Tremaine 38:51
So it’s two sided. I, if a child was clearly uncomfortable, I did not want to interact, but then the parents would often force me to interact like they were not willing to accept like me walking away. So I would often just start narrating which I do with my son now who is Autistic. And like, I would just essentially do some sort of like narration so I would sit like just talk and answer a question that I asked as if they had answered it. So for example, “Are you doing well? Are you having a wonderful day? I’m having a wonderful day as well. Thank you so much for asking.” Like I would just keep the conversation going as though they had answered. And I think it disarmed them a little bit, because if they didn’t feel like I was standing there waiting for an answer. They just were like, okay, like they just kind of dealt with it. I also I didn’t speak very loudly as my character the stepsisters have a harder time with that. But I, I was already largely quiet. But the problem with Lady Tremaine is if she’s too quiet, then she becomes terrifying. So I tried to live terrify. So if I wanted to be terrifying, I just stopped talking. That was like a thing. You just stop talking and people are terrified of you. Because there’s nothing scarier than something that you see as scary. That is not making noise or moving.

Stefanie Bautista 40:31
That’s a total mom move. That’s a teacher move.

Jessica Lady Tremaine 40:34
And I was 21 years old, like I was 20 to 24. So like, you know, I was very young when I was doing it.

Stefanie Bautista 40:42
Yeah. Actually, I did want to ask you about that. How was it playing a mother with two adult children? As the age that you were? Did you really have to, like, study a little bit or even pull from your own experiences? Because, you know, she’s she’s, she’s a mom with a lot of baggage.

Jessica Lady Tremaine 41:03
She’s a mom, but she’s not a mom. So she’s a mom in the biological sense, right? But she’s not nurturing. So that was easy. She’s not nurturing. She’s not motherly in any of her interactions. Really. She’s not patient. She’s not kind she’s not compassionate. So she’s not any of these things we associate with mother’s. So honestly, her her short temper, her kind of stoic nature, her sarcasm, her quick wit are things actually associated with a lot of younger people a lot of times, and, and since I was a trained actor at the time, I just leaned into the funny parts of her. I know I’ve talked about this before, but I played her. Almost like, like Dorothy from Golden Girls, or, or Jessica Walters character in Arrested Development, Lucille Bluth. Like I kind of played it like that just like very, like, Country Club, old lady. And that’s kind of like what I leaned into, if that makes sense.

Ariel Landrum 42:23
No, totally makes sense. I actually like Dorothy.

Jessica Lady Tremaine 42:28
I do too. I vibe with her very well. But that’s kind of like the character that I like leaned into.

Ariel Landrum 42:34
I think that’s really important that you highlight the that she isn’t the like the mother archetype. Because if we’re talking about the mother archetype, that is usually seen as like this intrinsic feminine ancient energy of Safe Space nurturing, and protection, and creativity. And she really wasn’t those things, there was a lot of just hardness there was a lot of what we would call the shadow part of that mother archetype. Where there there isn’t there isn’t nurture, there isn’t presence, there isn’t willing to problem solve, oh, no collaboration.

Jessica Lady Tremaine 43:17
I will say that there is a certain part of her character, though, that I did find a lot of compassion for and that is, like, you have to imagine, they gloss over it in the films, but they, you have to imagine a woman in France in that time period. Having lost two husbands within a few years, really. Her entire livelihood is based on being married to a person of wealth, she’s lost her first husband, who presumably she was very, we are closer with right has two children had two children with and her second husband I know they touched on this in the live action film was clearly a marriage for security and wealth and, and things like that, which was common back then. But um, you have to imagine the amount of fear number one that is instilled in in a woman of that time period, who is losing her ability to feed herself and her daughters. And then the reality that you mean, you may become destitute and not marry again, and so you your entire survival is wrapped up in your daughter’s marrying someone of that caliber. So you can see where her level of obsession grew at that point. So that is essentially where I found a lot of compassion for her. Because a lot of people are the victims of their own circumstances, you know, victims of things that happen to them in their lives. And I think that that can be said for most villains is they are all the aftermath of a lot of negative happenings.

Ariel Landrum 45:07
Yeah, yeah. Aftermath of the patriarchy.

Jessica Lady Tremaine 45:10
Exactly. Exactly.

Stefanie Bautista 45:13
For sure, and you know, all of those things are very important to consider and I’m glad that you know you, you do take time period into consideration even though you’re playing her in real life, you still have to be consciously living in that time period when you do play her. I know that one of the things that I I was thinking about watching your your Tik Tok videos was when you were talking about the costumes, and how there were like, the costumes of before, like when Disney first started, like the really scary Mickey heads and you know, like terrifying like, Donald like, Who would want to, you know, I mean, having a gown evolve, even though it is set in a certain time period. Did they make adjustments to make it comfortable for you, since you are working these crazy hours and in the heat, and you know, what the elements of Orlando, I mean, did you really have to think I need to play this, you know, French woman in, you know, the 1700s and kind of live with that, or was there like a reprieve?

Jessica Lady Tremaine 46:21
So honestly, the dress is very uncomfortable, it is very thick satin, and it’s long sleeved and comes up to the neck, it goes down to the ankles, there was a hipcage element that is not film accurate. That they added just for silhouette reasons. But I will say it did pull the bottom half of the dress away from your body. But you do have to wear all of the corresponding undergarments bloomers tights, and the like. And it is Orlando, and it is often 95 degrees with 100% humidity and you are doing a parade route. But I will say that the discomfort of the costume and the makeup and the wig and everything else made it very easy to be unpleasant. I would say the princesses probably have a harder time because they have to be pleasant. I was able to lean into the time. Yeah, I was able to allow myself to be annoyed. Because clearly I was uncomfortable. Like I mean, you can like I know that people listening can’t see this. But I have a picture behind me of a painting somebody did of Lady Termaine of me as Lady Termaine. And you can just see, if you go back and look at photos of me. On my Instagram, you’ll see like the costume just looks unyielding. And it is.

Stefanie Bautista 47:49
Yeah, I mean, you had the RBF on and it was part of your character. And it worked for you. And I love that that was a silver lining, because I feel for those princesses every single time they are just standing and waving and pretending everything is great. But ooh sweat, I cannot.

Jessica Lady Tremaine 48:08
Absolutely.

Ariel Landrum 48:09
And I’m curious for all the parks. Is the training the same? Like even just internationally? Or is there a difference in the way that the cast members and particularly the characters are supposed to interact? Or is it very formulaic?

Jessica Lady Tremaine 48:26
It is very different. So it’s not like in the American parks, it’s fairly similar because it’s, there’s similar social norms in the US. When you go to Hong Kong Disneyland, or Tokyo or Disneyland Paris, there are other social customs that they need to make you aware of now, I’ve not gone through the training myself, but I have heard about it secondhand, they do have to talk about certain things that are considered inappropriate in those countries. Like, you know, like, in some countries, like a peace sign is inappropriate, depending on how you have it. You know, I mean, there’s like a lot of local social and cultural things that you have to learn.

Ariel Landrum 49:05
Did Stef when you went international did you notice a difference?

Stefanie Bautista 49:09
I mean, I remember them not being around so much when I was in Tokyo and in Paris, but at the same time, I always traveled there in the winter. So I could only imagine how difficult it would be to be standing out there in like, almost snowy weather, and you know, being in character, but I mean, I did appreciate that when I did see them like in a parade or something they would be, you know, fully rubbed up. And you know, Jasmine wasn’t looking like Jasmine, she has like a bull like coat on. And it was nice, but I think that was the reason why I didn’t interact with those characters because I was in another country so I wasn’t exactly sure what to expect for myself. And the language barrier was kind of like I couldn’t put myself in, you know, Disneyland mode here because we have customs and norms that are okay, and we can you know, strike up a conversation. I I didn’t know if that was okay over there. So I never really went to venture. But if I ever go back there, I’ll definitely see if you know, there, there is a difference, because I know that a lot of cast members here do travel over there to to get work, especially if they have the right. Look.

Ariel Landrum 50:18
I know Jessica, you mentioned earlier a little bit that, that you’re in therapy that you are working in processing through some of your experiences. I’m curious if you want to share a little bit about your mental health history and what you would want to say to like the audience members, especially people in the entertainment industry.

Jessica Lady Tremaine 50:35
Yeah, absolutely. I’m very open even on my TikTok about the mental health implications of my time in entertainment. And, and I like to take the experiences that I’ve had and try and educate you know, people coming up in the industry now, especially my students. I had was diagnosed with body dysmorphia, and I also have PTSD. And my body dysmorphia is associated with my time not only at Disney, but my time as a dancer. So growing up in a lot of dance, a lot of physical scrutiny, essentially my, my image of my body and the way that I look not matching up with with reality, which is hard, because when you’re in an industry that’s constantly asking you to lose or gain or do this or do that it’s very, very hard. And so that has been quite a difficult journey. But I will say that the PTSD part is directly from my time at the parks, it does surround I’ve had some claustrophobia, that’s, that’s stemmed from that in large crowds. Because there is a lot of unconsented, grabbing from guests, that is largely uncontrolled. And like I said, the management is not really super supportive, if you do say, “Hey, this happened to me.” So a lot of times you just internalize it, and it’s now become, I have a lot of very crazy physical triggers. And it kind of can come out of nowhere. It, it doesn’t come out of nowhere, but it feels like it comes out of nowhere. And that’s something that I try to talk about people, largely, trolls in my comment section are like, “Well, you if you can’t handle it, you should never have the job.” Well, no, that’s not how that works, really, the job should be a healthy job. And people shouldn’t have to expect to experience trauma or mental illness or eating disorders from a job. Because and largely these people who are saying these things have no idea what it’s like to be in an industry, they don’t have, they’ve never grown up in that they don’t know what it takes to be a performer, all of the scrutiny, all of the auditions, all of the rejection. So it’s very easy to speak from the other side of your keyboard. But in reality, there is a lot of mental health damage that stems directly from the unhealthy processes that they do have set up there. And they still have to this day. And I really feel like there is a lot of room for growth. And I hope that you know, one of my suggestions or my videos reaches Disney, and they begin to really take it seriously and say, Hey, maybe we need to look at ourselves.

Ariel Landrum 53:43
Yeah, I’m curious for for the benefits were there is there like an employee assistance program where you got access to like a therapist or anything like that, that, you know, might have been implemented now.

Jessica Lady Tremaine 53:56
Um, they had insurance for part time and full time cast members, but at the time, largely, a lot of us were seasonal. And we didn’t have access to that. I think that it would be great if they had therapists. They have physical therapists available for all performers throughout the day, but they do not have they do not have anybody for mental health, which I think would really be a huge deal on days when when really traumatic events happen.

Ariel Landrum 54:27
That’s a job I need to make. Well, I’ll just pin that.

Stefanie Bautista 54:30
Write that one down. Oh, yeah.

Jessica Lady Tremaine 54:32
Put it on the vision board.

Ariel Landrum 54:34
Right on the vision board.

Stefanie Bautista 54:35
Yeah for sure.

Ariel Landrum 54:36
It makes me think of when a sports psychologists who are accessible to the Yeah, I was gonna say the supporters close enough to the to the athletes. I follow. She is the sports psychologist for like Cirque du Soleil, and really talking about the experience of being a performer of when you’ve injured yourself and what that could mean for your career, having to talk about dynamics between performers, between like team members and groups, and it has really made longevity in the career for some of the performers that previously you didn’t have access to that.

Jessica Lady Tremaine 55:18
Yeah, absolutely. I think that people don’t see actors and dancers in the same light that they see acrobats and football players and the like. So I’m hoping that we’re moving towards better mental health in the theatre community. But it’s, it’s hard because people in theater community are great actors. So you don’t always know when there’s a problem. It’s not clear. So

Stefanie Bautista 55:48
Good point.

Jessica Lady Tremaine 55:49
Which I you know, Ariel, you probably know, it’s sometimes hard to, to pull out honest and genuine statements from somebody who’s an actor, because they are inclined to put on a performance. And it’s, it’s hard for us to let our guard down and just be, be authentically ourselves.

Ariel Landrum 56:12
Yeah, this is where there’s a difference between individual change and systemic change. Because individually, if you, there’s a fear that if they put their guard down, I’m still stepping into the same environment. But now am I going to is it going to be harder for me to put it back up, it’s just a lot easier to keep it.

Jessica Lady Tremaine 56:28
Exactly.

Stefanie Bautista 56:29
That’s something that naturally comes after a while. So that’s like your go to, but I mean, I think you’re doing a great job, you’re reaching so many people. And, you know, these stories are, you know, absolutely essential for, you know, past members past, you know, even just Disney goers in general, and, you know, looking into the future and seeing the ways that we now interact as adults, and how we’re interacting with our children, and you know, the different perspectives that we never really thought of before coming to light, so that we’re a little more mindful when we are, you know, trying to enjoy ourselves, because us enjoying ourselves may not be enjoyable for somebody else. And it comes sometimes at the expense of not just your wallet, but also you know, people and you know, their experiences, I think the whole, you know, well roundedness of participating in something like that is I feel essential for anybody who is putting themselves in that environment on either side. So the information out there is just, you know, so invaluable to have it’s just, you cannot replace those things like you cannot make this issue up. So yeah, you know, it’s it’s good to open your eyes and listen, and you know, it totally gives me a different perspective. And I’m actually going to be visiting Disney World in about a month or two. So it’s been quite a while and now I’m visiting with my son who, before I did not have a child in tow. So we’ll see how that goes. Definitely less drinking at Epcot. That’s the only thing on my mind.

Jessica Lady Tremaine 58:07
Yeah, I’ve been there, I have two children. So I completely understand

Ariel Landrum 58:12
Any any do’s and don’ts, you want to give a Stef for her experience with her little one toe?

Jessica Lady Tremaine 58:19
Um, give him a lot of breaks. And that is not just for you. But that is a thing that I’ve noticed is a problem with a lot of people who come to Disney and Universal and really all the parks is that they they don’t allow themselves any room to breathe. And it’s because they’ve spent so much money and because it is they want to do everything and I get that worth the dollar. I get that however, when your child at three o’clock in the afternoon is having a gigantic meltdown because they haven’t had a break. Without any stimulation or without too much stimulation, it is a nightmare. Because then you can’t bring them back then you can’t do anything else. Because then they’re done for the day. So my best suggestion is the hottest part of the day, go somewhere else either go back to your resort, get a late lunch like a three o’clock lunch. And I say that because I have been that parent who’s want to do a full day and it never works out especially with young children. Just give them the space to recover because they are experiencing so much sensory wise. The sounds the sights, the people like it’s just a lot for them. And they get overloaded super easily. So yeah, that would be my suggestion.

Stefanie Bautista 59:46
Thank you. I think that’s something to keep in mind because we’re coming from just two parks here across the way to like five parks and you got to take a bus in between all of them or drive or.

Jessica Lady Tremaine 59:59
Oh Honestly, I can’t speak highly enough of resort hopping for your break. So you don’t have to do the same one every day. But if you just go and you sit at the Polynesian in the lobby, or whatever, that one’s my favorite. So I’m partial to or if you go to the Grand Floridian and you listen to the pianist, or you just kind of walk around and do something a lot more low key like, yeah, it’s, it’s a great option.

Stefanie Bautista 1:00:30
Yeah, for sure. I love that. Thank you so much. I’m definitely gonna take that to heart all the way. And I’m so excited now with this new perspective on you know, just, I feel like the differences between Disney Land and Disney World really are not that much. It’s just the perspectives are so much different when you’re looking at it on a grand scale. So, I mean, being an avid Disneyland goer, and I always have a different experience when I go to Disney World. And, you know, it’s just given a lot of different just different points, points of view and things to consider every time you go there. It’ll you know, now having this perspective will definitely help make you know my experience and hopefully the experiences of the cast members who are working so so hard to keep the parks open and also have their own jobs.

Ariel Landrum 1:01:20
So, audience members if you have learned anything today please DM us at G…

Stefanie Bautista 1:01:30
@HappiestPodGT.

Ariel Landrum 1:01:31
What Stef said, @HappiestPodGT or tweet at us @HappiestPodGT. A please please follow Jessica on TikTok for TremaineTok, on Instagram TremaineTokJessica, or YouTube Tremaine Tok in order to learn more on how to interact with cast members, and how to be an advocate for their mental health and wellness. Jessica, is there anything else you want to add before we end?

Jessica Lady Tremaine 1:01:57
No, that’s it. Thank you so much for having me. It’s really been a pleasure. And yeah, I’m excited to hear the episode when it comes out.

Stefanie Bautista 1:02:05
We loved having you. Thank you.

Ariel Landrum 1:02:09
Bye, everybody.

Stefanie Bautista 1:02:10
Bye.

Media/Characters Mentioned
  • Lady Tremaine
  • Evil Step Sisters
  • Anastasia
  • Drizella
  • Snow Queen
  • The Evil Queen
Topics/Themes Mentioned
  • DND Bleed
  • Dissociation
  • PTSD
  • Panic attacks
  • Assault
  • Sexual assault
  • Healthy work environment
  • Access to mental health
  • Working with the public
  • Therapy

Questions? Comments? Discuss this episode on the GT Forum.

—

 Website: happy.geektherapy.com
 | Instagram: @HappiestPodGT | Twitter: @HappiestPodGT | Facebook: @HappiestPodGT |
 | Stef on Twitter: @stefa_kneee | Ariel on Instagram: @airyell3000 |
 | Jessica on Instagram: @TremaineTokJessica | on TikTok: @TremaineTok | on YouTube: @TremaineTok

Geek Therapy is a 501(c)(3) non-profit with the mission of advocating for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
| GT Facebook: @GeekTherapy | GT Twitter: @GeekTherapy |
| GT Forum: forum.geektherapy.com  | GT Discord: geektherapy.com/discord |

We DO Talk About Bruno Reprise

February 4, 2022 · Discuss on the GT Forum

https://media.blubrry.com/happypod/media.transistor.fm/ff039185/6ae8d066.mp3

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#28: Ariel, Stef, and past host Josué team up for a second time to do a deeper dive into Disney’s Encanto. In this episode, themes of dysfunctional family roles, inner child archetypes, and how to inspire students and clients to discover their own inner talents.

Episode 26 is part one of this two-part Encanto deep dive, where we discuss our reaction to, and highlight themes from the movie.

Read the blog post for this episode for additional references and resources.

Resources for this episode:

  1. Kulture Karaoke
  2. One Hundred Years of Solitude by Gabriel Garcia Marquez
  3. The Art of Disney’s Encanto by Juan Pablo Reyes Lancaster Jones
  4. How To Do The Work by Dr. Nicole LePera

Become a member of Geek Therapy on Patreon: http://www.patreon.com/geektherapy

Transcription

Stefanie Bautista 0:11
Hello, everyone, welcome to the Happiest Pod on Earth. I’m Stef.

Ariel Landrum 0:16
I’m Ariel.

Josué Cardona 0:17
And I’m Josué.

Stefanie Bautista 0:18
And I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them.

Ariel Landrum 0:24
And I’m a therapist who uses a client’s passions and fandoms to help them grow and heal from trauma.

Josué Cardona 0:29
And I’m a former educator and former therapist who teaches other educators and therapists to use their passions and fandoms in their work.

Ariel Landrum 0:35
And Happiest Pod is a place where we dissect Disney mediums with a critical lens.

Stefanie Bautista 0:40
Why do we do that? Because just like we are more than just fans, we expect more from the mediums we consume.

Josué Cardona 0:46
So team, what is the experience are we discussing today?

Ariel Landrum 0:49
This is the We DO talk About Bruno Reprise. We’re bringing Encanto back.

Josué Cardona 0:54
A sequal?

Stefanie Bautista 0:55
Oh, dang!

Josué Cardona 0:55
Para te dos?

Stefanie Bautista 0:56
Before we even knew we were gonna get one.

Josué Cardona 0:59
What?

Stefanie Bautista 1:01
Lucky, lucky you all. You got your sequal before the sequal.

Josué Cardona 1:07
Encan-dos!

Ariel Landrum 1:07
Encan-dos!

Stefanie Bautista 1:08
I like it! I like it!

Josué Cardona 1:14
Don’t use. Cut it out.

Ariel Landrum 1:15
No I’m keeping it.

Stefanie Bautista 1:18
Too late. I don’t know about you all but it has been everywhere it has not left is in and around. I hear it every day at school. We don’t talk about Bru-No, no, no, every single day Monday through Friday. The kids love it. And I mean, I think it’s the gift that keeps on giving. Like we mentioned before.

Ariel Landrum 1:39
I was walking my dog with my roommate the other day and some kids were playing musical chairs with the we don’t talk about Bruno song. And literally I heard I would say six tiny little voices go “Isabela, your boyfriend is here!” All sounds even the music stopped and it was like, “A chair!”

Josué Cardona 2:02
I don’t think we talked about last time. I’m like that song was charting, right? Like it was it was on the chart on the Billboard charts like it was on the radio.

Stefanie Bautista 2:10
I have a fast fact about that.

Ariel Landrum 2:12
Yeah.

Stefanie Bautista 2:12
So currently, we don’t talk about Bruno has 100 million streams. And that’s Apple, Spotify. SoundCloud. What have you? Disney Radio! So 100 million. I’m pretty sure. That’s probably changed by right now as I’m talking, but…

Josué Cardona 2:32
I appreciate the shout out to Disney Radio. Yeah, it keeps on giving. I had a huge epiphany about it today. I had therapy earlier today, and I brought up the stuff and then I was listening to the soundtrack in preparation for this conversation. And I Oh, it was like, You gotta be kidding, there’s still stuff in like, I didn’t see or I didn’t realize before.

Ariel Landrum 2:56
Like what? Share!

Josué Cardona 2:57
You know, what we talked about all the different abilities and, and, you know, I’m, I’m sticking to my version, that each of them are used to to uphold this illusion, right? That Abuela that I what I wants to protect everybody by any means. So every every ability to make that more possible. And one that I really didn’t think about was Julieta’s power. Like, and I kind of like I feel like we just like talked over it. But then it’s in the first song in the Family Madrigal, where Maribel just says real quick, like, “Oh, like she makes everything better with food.” I was like oh, that’s it, you avoid talking about stuff, right? You just you just you just cook something up, you just make a meal, you just sit down. And we don’t talk about it at the Eat this and you’re and you know, forget about it. What? And then so this morning, when I was meeting with my therapist, I was talking about basically I developed a eating disorder that I was diagnosed with. And I attribute it I’ve always attributed it to the fact that when I was a kid and my parents were getting divorced, I was six years old and my mom my grandmother just would feed me just constantly just to make me feel better. And like I gained so much weight and like I still have stretch marks from when I was that that small. And and it’s been something that I’ve struggled with always and but it’s that it’s, Oh, I’ll make it better. Don’t worry, I’ll cook you something. Let me make you something right we don’t need to talk about it. I’m not gonna tell you the truth. We’re not gonna fix it. We’re not gonna address it. But eat this.” I was like, “Damnit. It was right there!” Like I didn’t think about how obvious that version of who you know what, who yet does roll there is but it’s still it’s it’s another version of we don’t talk about anything.

Stefanie Bautista 4:51
We tamp it down.

Josué Cardona 4:52
And the version in the in the movie is is so is so harmful because it literally fixes things.

Ariel Landrum 5:00
Yes. Yeah. Yes.

Josué Cardona 5:01
Right. But superficial and physical things, you know?

Stefanie Bautista 5:04
It causesyou to not confront it. Yeah. Yeah. I mean.

Josué Cardona 5:08
“How did you get hurt? Don’t worry about it, eat this. It’s fixed.”

Ariel Landrum 5:10
The best way to shut up piehole is to put a pie in.

Stefanie Bautista 5:15
I feel like that’s a running joke in Filipino culture where, if you, if you argue or you get in trouble with any of your elders, they don’t apologize to you, they just their way of apologizing is, have you eaten yet? And that’s all you’re gonna get. Because they’re choosing to keep you alive by feeding you. That’s all the sorry, you’re gonna get for whatever conflict there is, especially if it’s, you know, the fault it lies on the adults, they’ll they won’t admit that. They’ll just say, “Have you eaten yet?” Pop in and you don’t have to say yes. But most likely you will end up eventually going out because you’ll get hungry. So you don’t talk about it. You don’t resolve the conflict, you just eat the food in silence and go about your day.

Ariel Landrum 6:00
Well, it’s interesting because when it came time for the big confrontation with Mirabel and Abuela Alma essentially the person who attempts to protect Mirabel is her dad not her mom. He’s the one who essentially steps up and starts looking for her he and and even when they found the prophecy, he’s the one who’s trying to make sure that she’s okay. He’s out looking for her and making an looking out for her where as Julieta is out, this essentially looking out for the family, even when it was when she cut herself. It was because Alma gave her that look of like, “You better to handle this. You better take care of this. You take her away from the party in the group. And you you essentially settle her down.

Stefanie Bautista 6:52
Hmm.

Josué Cardona 6:53
Yeah, this movie.

Ariel Landrum 7:01
So in doing this reprise, I think first something that we didn’t talk too much about, we focused on last time really like one specific song. And I think that I’d found some information about some of the other songs that was really interesting. Sort of like Easter eggs, or like, I don’t know, cameos, shout outs. I don’t. So the first one is that in the Family Madrigal, when Abuela, almost sings her verse, it’s in the same melody as Dos Oruguitas.

Josué Cardona 7:33
It’s true. Hmmhmm.

Stefanie Bautista 7:34
Yup. Yeah.

Ariel Landrum 7:36
So a little bit of foreshadowing there.

Josué Cardona 7:39
No only foreshadowing, because I just listened to the sound track like four times and for recording. While looking at the lyrics as they were playing through. And she, she very clearly outlined in that, in that in the the melody of Dos Oruguitas in that first song, but how we have to work hard to maintain this miracle. Right it’s like, “Things things are rough. We can’t We can’t do that again. Oh, yeah. Thanks.” That’s right. In the in the opening scene, you, you told this was going on.

Stefanie Bautista 8:13
Yup.

Ariel Landrum 8:14
And what her belief system was in regards to the families role. And then in the Waiting on a Miracle, you hear, Mirabel say “I would move the mountains. Make new trees and flowers grow. I would heal what’s broken show this family something new.” And, you know, we saw the river that nobody had ever seen before. Where Abuelo Pedro had passed away. We she definitely moved the mountain she broke it apart. And by you know, having a connection stronger with her sister Isabela, she actually grew trees which until that point, we didn’t really see Isabela grow anything but flowers. And even when you go into her room, it’s all like the topiary essentially flowers.

Stefanie Bautista 9:02
I can even see her talking about I would move mountains how she moved her strongest sister. How she was able to break through that because she was such a, like a steady rock for the entire family. And how she moved her when no one else could she couldn’t even do it herself, Luisa. So she might have foreshadowed that as well.

Josué Cardona 9:23
Yeah, metaphorically. Yeah, I think I think that even if you take it literally as if, because we talked about last time, how everybody’s using their powers in an unhealthy way. So she’s like, “If, if I if I could, I would move the mountains that are blocking everything. If I had the ability to make plants grow, I’d make new trees and new stuff like that,” right? It’s like, literally, “I can see what everybody’s powers are. And I would use them differently. If I if I could heal with food or whatever. I would heal what’s broken.” Right? Like “We don’t we don’t talk about what’s broken. We don’t actually address anything that’s broken. I would actually heal what is broken. If I if I could and show this family, maybe something new.” But like, I think it’s a completely different perspective. Like we said last time, it’s like you can see the things happening. But the way that people are talking about is is, is the warped version is like, no, we don’t actually, there’s, it’s not the truth.

Ariel Landrum 10:24
Yeah, yeah. All right, I get in with again, in the Family Madrigal, she says, “This is my family, a perfect constellation. So many stars, and everybody gets to shine.” But at the end, when we’re at All of You, she says, “Look at this family, a glowing constellation. So full of stars, and everybody wants to shine. But the stars don’t shine, they burn and the constellations shift. I think it’s time you learn, you’re more than just your gifts.” So we definitely see this idea of perfection in the first song and like everybody being allowed to be individuals. And in reality, we don’t get to see them be individuals. They are only their gifts, and it’s only the way that Al, Abuela Alma interprets them.

Stefanie Bautista 11:13
Yeah.

Josué Cardona 11:14
Yeah.

Stefanie Bautista 11:14
Yeah.

Ariel Landrum 11:15
nother little interesting thing about that specific part when she says burn, she sings it at the exact same melody and tone as in Hamilton in the song Burn.

Stefanie Bautista 11:26
A Lin Manuel Miranda thing. There’s lots of those I hear.

Ariel Landrum 11:29
Yes. A little little call out a little shout out. And then also in Hamilton in the song Yorktown Hamilton says, “Seize the moment and stay in it.” And in All of You Dolores sings, “I’m seizing the moment. So would you wake up and notice me?”

Stefanie Bautista 11:46
Oh, I see what you did there.

Ariel Landrum 11:51
Another also interesting song thing which Stef you got it right you were right my fam Lin Manuel said the Family Madrigal was inspired by Belle from Beauty and the Beast. You..

Josué Cardona 12:01
You did it.

Ariel Landrum 12:02
You clocked that my friend.

Josué Cardona 12:04
It was all you.

Stefanie Bautista 12:04
Thank you. Thank you.

Ariel Landrum 12:06
This is your time.

Stefanie Bautista 12:07
This is my. You’re welcome.

Ariel Landrum 12:12
Another sort of songs. Shout out Luisa’s song Surface Pressure she says “Was Hercules ever like ‘Yo, I don’t want to fight Cerberus,'” as a shout out to obviously Hercules.

Josué Cardona 12:24
I don’t remember who said it. But I remember seeing a video or something it said “Like you know, ‘Was Hercules ever like yo, I don’t want to fight Cerberus,’ is the most Lin Manuel Miranda thing.” If you didn’t know he wrote the music to the movie at that point you’re like, “Oh, this must be Lin Manuel Miranda!”

Ariel Landrum 12:41
“I know who wrote this!”

Stefanie Bautista 12:43
“I know who wrote this! Who would even think of that?”

Josué Cardona 12:47
And that specific song Lin Manuel wrote as an apology and Love Letter for his older sister who he saw had to bear the burdens of the family.

Stefanie Bautista 12:57
Hmmm.

Josué Cardona 12:57
Yeah.

Speaking of apologies, when Bruno sings his apology to Pepa at the end, he says “Let it snow, let it go.” And the opening notes of Let It Go from Frozen or actually heard in the background.

Stefanie Bautista 13:09
Do you notice he also throws like white confetti? Making it act like as if it’s snowing? And he does even like Elsa’s pose. It’s really funny.

Josué Cardona 13:19
Okay, how many times have you watched the movies since the last episode?

Stefanie Bautista 13:23
You know, that’s, that’s a good question for everybody has it? Have you all watched it again? I actually haven’t. But I’ve seen so many clips online, that I feel like I’ve watched it in, like 30 second increments.

Josué Cardona 13:36
I just I just listen to the soundtrack again, about multiple times. I only listen to Dos Oruguitas before on repeat forever. But now I was like, “Oh, I could watch the whole movie or let me do let me just listen to the soundtrack.” And I mean, it’s kind of like watching the movie.

Stefanie Bautista 13:51
Yeah it is.

Josué Cardona 13:53
The beats are all there.

Ariel Landrum 13:54
I watched it two more times. Then of course everything on TikTok has me watched clips. I think that actually counts. But it was two more times. One to just do a refresher before we came in did our reprise and another time because I needed noise in the background for like doing stuff.

Stefanie Bautista 14:13
Funnily enough, it’s made its way into the karaoke cue. Me and my friends are on a trip with our families. And we play this card game called culture karaoke where it gives you like a category and then you have to like sing a song from a girl group from the 90s like, and then you would pick like I’m gonna pick Spice Girls or I’m gonna pick TLC or whatever. And then, unannounced unprompted, my husband puts on The Family Madrigal because they’re using YouTube, and I S you not we all just started singing it and we all like took parts and we I mean, we love the movie so much. I was just like, let’s do all the other songs. Now. Forget this game.

Josué Cardona 14:58
That’s gotta be the hardest song right? The Family Madrigal?

Stefanie Bautista 15:00
It is.

Josué Cardona 15:00
Yeah.

Stefanie Bautista 15:01
Yeah. But I think there’s a couple edits on YouTube where it like follows along with the lyrics and like who’s singing it? So it was like color coded, and they put a picture of the character. So we were definitely winded after that song. But we still sang We Don’t Talk About Bruno afterwards.

Ariel Landrum 15:21
Yeah, I think that’s interesting, because you are talking about like, everybody taking on a part. And obviously in We Don’t Talk About Bruno, everybody gets to sing a part. And the part where they are overlapping in the song at the dinner table, like setting, setting the table together, that actual composition style is actually called a madrigal,.

Stefanie Bautista 15:47
Ohh.

Ariel Landrum 15:48
Which is a poly phonetic module girl has a number of voices that vary between two and eight, usually features, maybe one prominent voice and the musical composition they interweave and overlap. And so it’s interesting that when we do actually have them all singing as a family, like that is how they’re doing it. They’re actually doing the madrigal con, vocal composition.

Stefanie Bautista 16:13
Is that similar to around? Is it like also known as around? Or is there a difference between the two?

Ariel Landrum 16:18
There’s a difference around is almost like on canon where the next person goes, the next person goes, they already had their individual song overlap with each other. And, and is if you put on if you turn it up really loud, or you put on the subtitles, the scene where they’re sort of dancing around in Mirabel’s head and she’s like looking at the… Not the fortune. She’s looking at the…

Stefanie Bautista 16:45
The prophecy?

Ariel Landrum 16:45
Yes, she’s got the fortune.

Stefanie Bautista 16:48
She’s looking at the fortune cookie! Haha!

Ariel Landrum 16:50
She’s like the prophecy. They’re all singing around her. And you can hear Isabela say, “I’m fine, I’m fine. I’m fine.” That’s what she sings. And it’s the same note that and key that she hear her introduction, the song where she says that “he told me that the life of my dreams is going to be mine.” And a lot of people have noted that she has to put on the persona of perfection. But in reality, there’s a good chance that her dreams weren’t dreams. They were nightmares. Because everybody had these like bad prophecies and she’s just presenting it as not a bad one?

Josué Cardona 17:30
I love that song The Bruno’s on because every time they everything, I still think that all his prophecies were positive. And like, in her case, again, her and Dolores case, like they were absolutely true. Like, oh, that song, “The life that you want is gonna be yours. It’s just like, but it’s a prophecy. So like, it’s gonna be in the future.” It did happen eventually. And the person that Dolores wanted, it’s like, oh, he only told you to the point where like, “Oh, yeah, your guy he’s, he’s gonna be with somebody else but like, but he’s your guy like eventually.”

Stefanie Bautista 18:00
Yeah.

Josué Cardona 18:00
It’s incomplete.

Yeah.

Stefanie Bautista 18:03
I mean, even the smaller ones there’s things that were gonna happen eventually like that fish wasn’t gonna live forever. Sorry.

Josué Cardona 18:09
Exactly.

Ariel Landrum 18:10
The director even said like you don’t hear it in the movie but the name of the woman is Spanish in Spanish translate to Ms. Dead Fish. Like that’s her name. Like “I knew your fish was gonna die girl it was written in your name!”

Josué Cardona 18:28
In the creds, does it appear in the credits like, Ms. Dead Fish?

Stefanie Bautista 18:31
Like you have no other identity but your Ms. Dead Fish? Like Mr. Green….

Josué Cardona 18:35
Villager one Villager two Ms. Dead Fish…

Stefanie Bautista 18:38
Fish..

Josué Cardona 18:38
Villager three.

Stefanie Bautista 18:39
Mr. Green Thumb is down there too.

Ariel Landrum 18:44
It says, while her name was never mentioned the film director Jared Bush revealed that the name of the woman whose goldfish dies is Señora Pez Muerto?

Josué Cardona 18:56
Pez Muerto!

Stefanie Bautista 18:56
It is!

Ariel Landrum 18:56
Meaning Ms. Dead Fish.

Josué Cardona 18:56
Yup. Yup.

Stefanie Bautista 19:00
It’s like that’s her occupation kind of like blacksmith.

Josué Cardona 19:03
That’s my new favorite Encanto trivia.

Stefanie Bautista 19:06
I know. It’s pretty good.

Ariel Landrum 19:08
“Who you cosplaying as?” “Ms. Dead Fish!”

Stefanie Bautista 19:10
Just go around with a fish bowl.

Ariel Landrum 19:13
And just tilt your head, “Dead.”

Stefanie Bautista 19:16
That’s actually a good cosplay. If you had like two of your friends are the three like villagers whose prophecies were read and a guy with a gut bald guy, Ms. Dead Fish.

Josué Cardona 19:26
One guy just like taking his hair off, right? Taking a wig off. But it’s it’s gonna happen because Encanto is everywhere and there’s gonna be at least one.

Ariel Landrum 19:39
Hey, if they have that Star Wars run with the guy who’s holding the ice cream maker. Definitely gonna have Ms. Dead Fish.

Stefanie Bautista 19:49
or even your your dad’s cosplay of the guy in Jurassic Park that everybody really like?

Ariel Landrum 19:54
Oh, yeah!

Stefanie Bautista 19:56
Everyone loved that cosplay.

Ariel Landrum 19:58
Yeah, my dad was a Jimmy Buffett. If you watched Jurassic World he has a cameo where he has two margaritas and he’s running away from pterodactyls so I was a pterodactyl and my dad was Jimmy Buffett with the two margaritas and that was…

Stefanie Bautista 20:10
Everyone at Comic Con was loving it. They were like, “Oh it’s Jimmy Buffett!”

Ariel Landrum 20:16
“It’s Jimmy Buffett! It’s the margarita guy! They’re like “Do the pose! Do the pose!”

Stefanie Bautista 20:22
Yup. it’s gonna be like that, for sure.

Ariel Landrum 20:25
Okay, okay, um, other other Easter Eggs. Hidden Mickey’s there too, as there should be. Well, the first one is actually in, What Else Can I Do? Isabella makes a cactus and that cactus is a Mickey shape. And then the second one, you actually would have to freeze frame like each second of the song. But Mirabel in the song waiting on a miracle when she dances around her parents in the foreground, there’s magical glitter that’s in the shape of Mickey’s head.

Stefanie Bautista 20:58
Hmm.

Ariel Landrum 20:58
Going with a theme of butterflies because that was something that we talked about…

Yes.

The new door that gets built at the end, there’s a butterfly for each family member except one and that one is you find it on Mirabel’s chest. So right above like the whole, like an archway butterfly for each family member. The other thing is that there’s a book called 100 Years of Solitude, and it’s written by a Colombian novelist named Gabriel Garcia Marquez. And in the book throughout, there are yellow butterflies that appear. And it’s actually the story of a multi generational family whose patriarch finds a town.

Stefanie Bautista 21:33
Much like Abuela. Hehe.

Josué Cardona 21:36
So Disney’s getting sued.

Ariel Landrum 21:39
I’m just saying like this no way there wasn’t some inspiration.

Josué Cardona 21:44
What was the what’s the movie? The white lion? Isn’t Simba, the white lion or?

Ariel Landrum 21:50
Oh, Kim Kim?

Josué Cardona 21:51
Kimba!

Stefanie Bautista 21:52
Kimba. Yeah, the anime movie?

Josué Cardona 21:54
Yeah. That’s nothing like it…

Stefanie Bautista 21:57
No.

Josué Cardona 21:58
No.

Stefanie Bautista 21:58
They would have to wait a couple, what is it like it was made in the 70s and then it and then Lion King came out in the 90s. So you have to wait until that production houses defunct in order to steal their things and not feel the ramifications.

Ariel Landrum 22:16
Okay, okay. Umm in Bruno’s room and his room by the kitchen. You can see a boot with a plant in the background and that’s actually a shout out to Walle it’s the plant that like they find an Eva takes and stores.

Josué Cardona 22:29
I don’t know how I feel about Disney movies referencing Pixar movies. I don’t like that.

Stefanie Bautista 22:35
Yeah, I was gonna mention that. I’m like, hold up. Hold up. Hold up here.

Josué Cardona 22:39
Yeah. We need boundaries. Okay. Stay in your lane.

Stefanie Bautista 22:46
We have not moved that mountain yet. They have to build another Disney CGI mountain.

Ariel Landrum 22:53
But that isn’t the first time they’ve done that though. Right?

Josué Cardona 22:57
Actually was was was Marida in, in the video game movie?

Stefanie Bautista 23:05
Oh, Wreck It Ralph?

Josué Cardona 23:06
Wreck It Ralph Marida’s in it right?

Ariel Landrum 23:08
Yeah, that’s the one I’m referring to in record while she was in there. And they make a snide rude comment, which does not sound like my Disney princesses, but they were like, “Oh, she was made from the other production company.”

Josué Cardona 23:21
Right? Right. Right. So that’s acceptable. Right? It’s like that’s that. That’s how they should act.

Ariel Landrum 23:28
You shouldn’t be snarky to each other? Frenemies?

Stefanie Bautista 23:33
Make a face.

Josué Cardona 23:34
Yeah. Yeah.

Stefanie Bautista 23:38
“They’re from the other magical town not this one.”

Ariel Landrum 23:44
“They make movies about feelings that feel okay?” Yeah, so yeah, so there’s some some Easter eggs.

Stefanie Bautista 23:54
I mean, would another Easter egg be that the Disney Pixar Disney CGI, that’s a dysfunctional family in itself, because it was like they had this partnership or family. And now they’re like all over the place animators here at I don’t know, but it could be a bigger metaphor for the messiness that is Disney CGI. Former Pixar.

Ariel Landrum 24:16
And this new generation is trying to break that generational curse?

Stefanie Bautista 24:21
I don’t know that’s going too far. But it’s a stretch.

Ariel Landrum 24:25
Stef. What have you been doing within condo in the classroom? Or have you seen teachers doing?

Stefanie Bautista 24:31
I’ve seen I mean, in, aside from playing the songs during you know, free time and like connecting with kids, because you got to kind of be hip to what the kids are listening to nowadays, right? Even though those kids are like five, just turned six. You got to know what’s cool. So I mean, everybody is you know, in and around Encanto whether it’s the clothes like what they’re, what they’re wearing, who they relate to who You know, you would find yourself like, “If you had to choose a power, what would you choose?” That’s such a popular writing prompt. Especially when you know superheroes came, you know, in the forefront of everything. It was always like, “You know, if you were a superhero, what would you be?” A couple educators, they actually twisted that a little bit to fit in Encanto when using that in the classroom. And some teachers have been using it to help kids discover their special talents. There’s this one teaching website where it says, because in the beginning of the movie Mirabele lavishes preys on her family and their unique gifts, such as healing through food, endless physical strength, even though she doesn’t have any, she figures, you know, she’s gonna contribute in big ways, like we saw. So what the teacher could do is you could ask the students to complete a writing activity where they come up with their own list of things that their family members excel, I’m not them, per se. But I, you could say, “You know, my mom’s really good at, you know, making this certain dish, or my mom’s really good at cleaning, you know, the house, or she’s really good at maybe even putting on her makeup. And you know, my dad’s really good at, you know, so and so my cousin’s good at this and this.” And then after that, “You could say, how would you transfer that into magical gifts?” So…

Ariel Landrum 26:18
Oh…

Stefanie Bautista 26:18
Let’s say for instance, if your mom is really good at doing her makeup, what if she just flick of the wrist did a whole piece of makeup? Or, you know, did it for like, even for a dog or, you know, get really silly and crazy with it? You could kind of take it to wherever. Or you could say, you know, “How would that gift? How could they? Would they be able to reflect on what their talent might be? Would you inherit that talent? Or would you take that talent further? Like, if you could change the way something looked? Would you do that? Is it a bad thing? Or a good thing? Who would it benefit? Who would it not benefit? And you know, would you do that for other people.” So there’s many different avenues that you could take a special gift.

Ariel Landrum 27:01
I like that.

Stefanie Bautista 27:02
It doesn’t have to be magical. It could just be you know, something really simple such as, you know, “I can kick a ball really, really far. Well, would you want to play a professional sport? Or would you use those talents to, you know, help other people? How would kicking a ball help someone? Oh, you know, maybe my strength could, you know, move things for people who can’t like the elderly, things like that.” So it’s kind of like taking services, to you know, your community, like a step further by making it magical. But you know, they can also scale it down by making it very accessible to students, which is really cool. But you can make it as magical or not magical as you want. The younger kids are really fun, because they can totally make it magical. And then they run wild with it.

Ariel Landrum 27:51
Yes.

Stefanie Bautista 27:52
So I implore you to ask a child what they would do with you know, Luisa’s gift or Mirabel’s gift or even ask a kid what they think Mirabel’s gift is because you might get some really interesting answers.

Josué Cardona 28:07
Yeah, I like the community framing of it. Because in the movie that’s really like, the family is really serving that town. Right? Like, “Oh, if you had abilities, how would you help your town? or the school? Yeah.

Stefanie Bautista 28:22
Yeah.

Ariel Landrum 28:22
What a clever assignment.

Josué Cardona 28:25
I mean, they’re already talking about it. Yeah. Speaking their language.

Stefanie Bautista 28:31
Yeah. And I think a lot of kids have been, you know, identifying their family members within, you know, “This is my cousin who always listens into whatever I’m saying, and she always repeats it. I don’t want her to, but she does it anyway.” And, you know, “There’s there’s that cousin who I don’t see very often, but I know he’s around. Kind of like their Uncle Bruno. Everybody has that uncle.

Ariel Landrum 28:54
Yeah. Yeah.

Stefanie Bautista 28:56
It always ends up being you know, like Bruno, so they they really see themselves even though they might not see themselves visually, they can find themselves in every character, which is really awesome.

Ariel Landrum 29:09
That’s interesting that you mentioned Dolores, and like a cousin that won’t keep secrets. And there is a fan theory that because Dolores can hear everything she knew the prophecy already and was just waiting to the right time to like stir the pot so that her man wouldn’t get stolen from her because she even says, “No one is worried about the magic but you and the rats in the walls.”

Josué Cardona 29:37
And in one of the songs she says “I can hear him now.” I think it’s it’s an Bruno right?

Ariel Landrum 29:46
“Mumbling and something..”

Josué Cardona 29:48
She’s like, “I can hear him now.”

Stefanie Bautista 29:49
There’s a lot of talk yeah, about what she hears and the things she shouldn’t be hearing.

Ariel Landrum 29:56
She’s got all the chisme.

Josué Cardona 29:58
So I mean, I mean she and she admits, “I I’ve always knew that Bruno was there. I could hear him. Like, I knew I know everything.” This way like, I feel like her, her power is just as sad as as Luisa and Isabela’s because like she has to stay quiet about this stuff, you know that she hears everything and she can’t say anything or do anything about it. Because for I mean, who knows what why she thinks that but that’s a lot of pressure too.

Ariel Landrum 30:27
You can also see in the background. I think her powers is the one that sucks the most. Because when well what everybody’s like clapping, she just uses her two index fingers because everything’s just so flipping loud.

Stefanie Bautista 30:41
Too loud.

Ariel Landrum 30:42
And it’s like we don’t we I don’t see her hat wearing like any earmuffs or earplugs at all. I feel so bad. Like she needs some Bose Bose noise canceling headphones. Number 45.

Stefanie Bautista 30:54
I want a Disney short of young Dolores. Like, where she did it no restraint and just said everything she heard.

Ariel Landrum 31:05
Yeah!

Stefanie Bautista 31:05
Cause there are kids who just repeat everything that they hear even though they shouldn’t…

Ariel Landrum 31:09
Oh that was me!

Stefanie Bautista 31:12
I would love to see just her just spilling the chisme. Spills everything.

Josué Cardona 31:17
It is funny because the dinner scene right, she she can’t hold it in. But then but like you learn “Oh, she said she’s had a lot of restraint.”

Ariel Landrum 31:26
Yeah. She just stirred the pot at the right moment.

Josué Cardona 31:30
Yeah yeah. I mean, this was pretty juicy.

Ariel Landrum 31:33
My girl.

Josué Cardona 31:34
I get it. Yeah.

Stefanie Bautista 31:37
But yeah, I agree. I think her powers you know, very burdensome, then that town is not that large? Now think if it was larger, if it continues to expand, is she is she using things to help her, you know, control block it out? Or? I don’t know.

Josué Cardona 31:55
I just I’ve never thought about how bad it could be. But what if she can actually hear outside of the town? And she can’t go. But she knows that. Like, all these things are happening. And there’s this whole world out there.

Stefanie Bautista 32:10
There’s life beyond the walls. There’s life beyond the walls. Oh, man, we need another episode for that one.

Josué Cardona 32:20
I don’t want to think about that. About Dolores’ plight now. The tragedy of the Dolores.

Ariel Landrum 32:28
We don’t really have a timeframe do we?

Josué Cardona 32:30
No not really? And like when things happen at the beginning? The story takes like 50 years after that.

Ariel Landrum 32:36
Yeah.

Josué Cardona 32:37
And….

Stefanie Bautista 32:40
We know that they make espresso. So we know that those processes are there.

Josué Cardona 32:46
Yeah.

Stefanie Bautista 32:47
But other than that, I mean, there’s no sign of electricity aside. I mean, they’re using carts.

Josué Cardona 32:55
But also like, we have no idea like, because we have no frame of reference for the….

Stefanie Bautista 32:59
Yeah.

Josué Cardona 32:59
initial scene…

Ariel Landrum 33:00
Yeah.

Josué Cardona 33:01
Like, technology could have advanced like, it could have been the 1900s. And now it’s 1950. And they’re still, you know, like…

Stefanie Bautista 33:07
In yeah.

Josué Cardona 33:07
There was a big change. You know, like people driving cars around that mountain. They have no idea what’s going on. They just saw about it split. And it’s like, “Wait, what?”

Stefanie Bautista 33:16
Yeah, what an homage to rural living, especially in countries like that. Because, yes, there could be cars and you know, electric cars going around. But if you live in the boonies, you would not know that. You would not know that at all. And there are places that exist today that are like that. I mean, speaking of Encanto has been so popular. So we know, the Disney route on this. We got to Frozen Two Yes, we are gonna be getting a Moana Two sometime. Do you think they’re going to push for an Enancto Two?

Josué Cardona 33:50
I mean, only because I’m sure it’s made them a lot of money.

Ariel Landrum 33:54
Yeah. Yeah, it wasn’t a flop. So…

Stefanie Bautista 33:57
Yeah…

Ariel Landrum 33:57
They have to monetize it as much as they can.

Stefanie Bautista 34:00
Yeah. I did read some people say because when she rebuilt the house at the end of the movie, you see in its destruction, the mountain splits, right? So it opens up this valley. That never gets repaired. So it’s now open. People can visit the town now. Or the townspeople can go out and venture. So I wonder if this maybe sequel would be them going out or dealing with outsiders coming in? Hmm.

Josué Cardona 34:30
Again like Frozen surprised me when when they had a sequel. Like I couldn’t imagine what the sequel would be. And, and yeah, this I think they have the opportunity to do some cool stuff. That is kind of, there’ll be like hard to expect. Because I mean, we talked about it’s been 50 years. So the world like the outside world is very different. And we don’t know what kind of world they live in. That’s another part to like when we when we see Arendelle and then we kind of expand a little more in the second one, it’s like, “Oh, this world is full of fantasy, and magic.” And like, there’s all these people who’ve been trapped for 50 years, right? I mean, I don’t remember 50 years in Frozen Two right, but like, all these people who were out there, and there’s like all this other types of magic. So it’s possible that in the world of Encanto, they’re not necessarily, maybe they’re not as special. Right? Maybe there’s other families, there’s other miracles, right? There’s other families with powers and abilities nearby, you know, and like, there’s all these things you can explore. Now that they’ve grown, you know, do you introduce some kind of? I don’t know, like, what’s, what’s the we have generational trauma here? What do we do? What what could be next? What’s the challenge? Is it just now adapting? Actually, I think, okay, here’s my theory. Here’s my theory. Abeula dies.

Stefanie Bautista 36:01
Oh, I was just gonna say that.

Josué Cardona 36:03
Yeah.

Stefanie Bautista 36:04
I was just gonna say that.

Josué Cardona 36:05
That’s how it is, right?

Ariel Landrum 36:06
There’s too many Disney mom’s in this movie?

Josué Cardona 36:08
Yeah. Yeah. You deal with the loss of Abuela, and how are you? Like, because she had so much control. And now that she’s let go, how do you? What role does everyone else play? Who who becomes the new matriarch? Who becomes? What are our roles now? How does that power shift? There it is. Lin Manuel call me.

Stefanie Bautista 36:30
I know tight? Call Josué. Call him up.

Josué Cardona 36:33
There’s also the possibility that at the end, when because they don’t they don’t say this. They don’t show either way. But when Mirabel touches the door, the whole town kind of glows. It’s not just Casita, like everything, like, what if everybody else got powers to? You know, like?

Ariel Landrum 36:50
Like that little boy who drank all that coffee?

Josué Cardona 36:53
Yeah, yeah, like he’s a speedster, now.

Stefanie Bautista 36:55
He’s had a power. His little body just absorbing all the caffine.

Josué Cardona 37:01
Yeah, but I think I think that makes sense. I mean, right. And you can see all the same roles, like all the family dynamics, you can start to see them play out in that generational way. Right, but like they didn’t get to grow, they were stifled in the cocoon, right. And now that the cocoon has has broken, how do those, we can show how all of those roles play out?

Stefanie Bautista 37:24
Yeah.

Josué Cardona 37:25
Later on. As as you get older, just like in real life, you had these roles when you were younger, and then they can now then it can explain some of the issues you have as an adult.

Ariel Landrum 37:36
What a beautiful segue Josué to what I wanted to talk about, which was a dysfunctional family roles. So as some of you know, I’m a therapist, I’m specifically what’s called a marriage and family therapist, I was trained to think systemically. So when I treat an individual, I don’t just see them, I see, you know, the, how they have been affected by those around them, and specifically the way their family affects them. And there’s this sort of theory that when a, when there’s family dysfunction, we take on roles in the family. When we see family members struggle to self regulate themselves, we take on these roles and attempt to like create homeostasis, or rebalance the family so that we can get back to, you know, quote, unquote, being functional. And though I don’t really ascribe to dysfunctional and functional, I kind of think of it as these roles are very adaptive, they’re survivor roles. And once you’ve sort of left the family, you’ve created individuation, they’re no longer useful because you’re not in survival mode anymore. In the same way. I always use like with my clients, the example of if you’re swimming in water, you’re going to propel yourself forward with your arms, but you’re on dry land. Now. These are dysfunctional family roles as they’re called in the field. But you can also just think of them as like Survivor roles or roles that we take on to survive. And so I’m going to, I’m going to read them and I want you all to say who you think in the family, they are. The Caretaker/Peacemaker/Mediator, so these are any of the terms you can use. And this is the individual in the family who is constantly alert to addressing any family issue and conflict. They often go ahead of their own personal needs and take on the duties and responsibilities of others in the family. They are seen as the one keeping the family in balance.

So So I think I think there’s a couple that fit this one.

Yeah. Yeah.

Josué Cardona 39:35
Camilo is one because he he literally takes on the duties of other people in the family because he transforms into them and then and then steps in when other people can’t And I think Julieta.

Ariel Landrum 39:49
Okay, okay.

Josué Cardona 39:50
And Mirabel, and yeah, I think those.

Stefanie Bautista 39:55
I definitely thought Julieta first just because she is the most overly motherly type. And she’s preparing food right? So it’s not usually if you’re the person cooking you eat last. And that’s what I always akin that too. So because she’s busy making food for everyone else, she probably doesn’t have time for her own needs. Especially when she has Mirabel a girl who was you know, still lost in finding herself. She’s kind of like, “It’s okay. It’s okay. I’m just gonna give you a big kiss on your face. Everything’s better.”

Ariel Landrum 40:32
Yeah, I definitely agree with you all. I also thought of Luisa in the sense that she does take on a lot of responsibilities and duties. And we literally see her like on a balancing tightrope…

Josué Cardona 40:42
And she’s constantly addressing issues. She’s like fixing things. She’s a fixer. Yeah.

Stefanie Bautista 40:46
Yup.

Ariel Landrum 40:47
I think the part that makes me sort of think more Julieta is the fact that that this individual has to be alert. They’re always essentially on guard. And it seems like even in like the partner she chose, who always gets like stung by bees. She’s just like, ready?

Stefanie Bautista 41:07
Very mother, like you gotta have everything in your purse.

Ariel Landrum 41:10
This one is The Golden Child/Hero/Saint/or Super Kid. This individual’s a family who could do no wrong and is often described as perfect. They have intense pressure to continue to achieve and only no praise through achievement. They appear to be well balanced and unfazed by the family dysfunction. Appear being the strong word.

Josué Cardona 41:29
I mean, in Family Madrigal, Mirabel, actually calls Julieta, I mean, Isabel, and Luisa perfect. Both of them in their own ways. So they both fit that.

Ariel Landrum 41:41
Miss Perfecta Isabela.

Josué Cardona 41:43
Isabela obviously, right? She’s definitely The Golden Child. She’s also called the golden child in that first song, literally…

Stefanie Bautista 41:49
And they sing her name like she’s from the angels.

Josué Cardona 41:53
Yeah, yeah. Yeah. But but she also describes Luisa as perfect and that’s the thing about like her eye twitching right it’s like it’s she’s breaking that that image of perfection yeah.

Ariel Landrum 42:09
Yeah, yeah, I think that that like Super Kid in the title definitely makes me think Luisa.

Josué Cardona 42:13
You can be more than one of these by the way, you can have more than one dysfunctional family role.

Ariel Landrum 42:18
Oh, yeah. You like I said, this is a role you you is either ascribe to you or you take yourself for someone both so you may shift it up depending on what balance needs to be had in the family. So the next one is The Scapegoat/Troublemaker/ or Black Sheep. This individual in the family who speaks the truth about the family’s dysfunction. Attention is only given to them when they cause a problem or a scene and they are usually assigned this role at a young age. They identify with feeling rejected, unloved and isolated. And they are often placed in situations where they’re pinned up against The Golden Child or compared to.

Camilo and Bruno.

I definitely thought Bruno and I definitely thought Mirabel and that the being pinned up against The Golden Child. But what about Camilo?

Josué Cardona 43:05
Speaks the truth about family’s dysfunction, and that is just generally, when he’s doing when he’s playing his role correctly. He’s good, but the moment he starts messing around and imitating people that’s like, “Oh like just stop it.”

Stefanie Bautista 43:20
Yeah.

Josué Cardona 43:21
“Stop messing around!”

Stefanie Bautista 43:21
Yeah.

Josué Cardona 43:21
You know?

Ariel Landrum 43:22
Okay. Okay. Okay.

Stefanie Bautista 43:24
And a lot of that has to do with you know, because he could be everybody else, you, you might get the sense that he could also get lost in who he actually is because he’s busy shape shifting. And I feel like a lot of kids who identify as the class clown usually are hiding something or they’re using humor, to, you know, cover up something that they might not want to talk about or might not want to address themselves within themselves. So they put more attention on other people so that they can that’s like their comic relief.

Ariel Landrum 43:52
So interesting that you say that because the next one is The Clown or The Mascot. This individual lightens the mood in the home, especially when tensions rise or could boil over. They appear to always be ready defuse tension with humor, and when this is successful, it perpetuates their desire to avoid conflict and conflict resolution by using amusing behavior.

Josué Cardona 44:14
Camilo.

Stefanie Bautista 44:15
Camilo.

Ariel Landrum 44:16
Finally, we have The Lost Child. This individual will do their best to blend into the background they often identify with feelings of being ignored, neglected, and fear drawing attention to themselves. They yearn for love and approval but are often withdrawn and isolated.

Josué Cardona 44:32
Bruno, Dolores, and Mirabel.

Ariel Landrum 44:35
Yes, I definitely think Bruno because he literally blends with the background, but I also think Dolores because she only speaks when she’s told to, like identify news. She’s like…

Stefanie Bautista 44:46
Yeah…

Ariel Landrum 44:47
Like a weather girl.

Josué Cardona 44:48
Also, again, her ability like it makes it so like, in many ways she has to she has to be quiet. Like she can’t even say what she knows because she knows too much.

Ariel Landrum 44:58
Yeah, I think it’s good to have some of these roles in mind, in, in therapy or when we’re doing our own work, because we can see them come out when we are trying to relate with others.We’ll and we feel tension or discomfort rise, we will take on these different roles that may not actually fit or match the needs that have to be met.

Stefanie Bautista 45:21
I noticed that we didn’t mention the husbands.

Ariel Landrum 45:23
I think Felix is the The Clown or The Mascot.

Stefanie Bautista 45:27
Yeah, I was thinking that too.

Josué Cardona 45:29
I was thinking he’s a Mediator/Peacemaker.

Stefanie Bautista 45:31
Oh, yeah that also. For sure.

Ariel Landrum 45:36
So he’s told to calm Pepa down.

Stefanie Bautista 45:38
Yeah. Augustine could be kind of the scape.. maybe not the scape… Maybe The Clown because he’s always getting stung by bees?

Josué Cardona 45:48
I don’t know… I couldn’t. I couldn’t think of one for him. I don’t think he has. I don’t think he he’s the only one that’s not dysfunctional.

Ariel Landrum 45:59
And he’s the only one.

Stefanie Bautista 46:01
Yeah. I mean, he could also be seen as The Peacemaker, or The Mediator because he loves his kids so much. And he loves his wife so much that, you know, he’s, he’s just the go to guy.

Josué Cardona 46:12
Ope like when he hides. Yeah, like when he hides the prophesy stone and stuff. It’s like no, no, yes, I think they both. I mean, yeah, they’re both playing partially that role, more more like The Peacemaker/Mediator kind of thing. Because there’s a lot of drama in that family.

Ariel Landrum 46:36
So in the book, how to do the work by Dr. Nicole LaPera, she has the Seven Inner Child Archetypes, I definitely shout out this book. And I would suggest a lot of clients get it, especially if they’re thinking of going into therapy. This is a good stepping stone if you are still not comfortable with the idea of being in the room with an individual, maybe seeing if you align with these archetypes. And so you want to think of these as internal roles. We model assign, assume and play out unconsciously again to survive. And often our responses from unmet emotional needs or broken connections. And so what I’m going to note on these roles is how, how these internal roles have us believe what love is or how we get love. So The Caretaker, this is the part of us that gains a sense of identity and self worth through neglecting our own needs. Will believe that the only way that we can resolve love, or we can receive love is by caring for others and ignoring ourselves.

Josué Cardona 47:40
That’s me. Uh-huh. Keep going.

Stefanie Bautista 47:43
Yeah. I was like “I see myself in this picture.”

Josué Cardona 47:44
Yup yup yup. Keep going.

Stefanie Bautista 47:46
Go on.

Ariel Landrum 47:47
“Shots fired. I feel called out.”

Josué Cardona 47:49
“How dare you!”

Stefanie Bautista 47:51
“How. Dare. You.”

Ariel Landrum 47:52
So in goes to the family Madrigal and not the Geek Therapy Network Family.

Josué Cardona 47:57
Oh sorry.

Stefanie Bautista 47:58
Oh, are we identifying with character? Oh, sorry. It got a little real there so.

Josué Cardona 48:01
Stef we misunderstood the assignment.

Stefanie Bautista 48:01
Yeah. Opps.

Ariel Landrum 48:07
Who do you think of the family’s a Caretaker? I definitely thought Luisa in the being self sacrificial. Or believing that the only way that she can serve the family is if she never serves herself.

Josué Cardona 48:17
Yeah. 100%.

Stefanie Bautista 48:18
Yeah.

Ariel Landrum 48:19
It’s interesting, the very different way this caretaker is presented than it is like the family role.

Josué Cardona 48:25
Hmhmm.

Stefanie Bautista 48:25
Yeah.

Josué Cardona 48:26
Yeah.

Stefanie Bautista 48:26
I mean, Mirabel because she speaks to Casita, she, I feel like she’s the only one who speaks the Casita and, like, interacts with Casita that way. It’s like she’s taking care of the house. And we see that manifest in a more larger way. But you know, she’s the one, putting stuff back, making sure everyone’s good and making sure all the tiles are in the right place.

Josué Cardona 48:45
She’s literally in the nursery, right, she can make that she has to do a deal with a lot of stuff for for, for the sake of the others.

Ariel Landrum 48:55
She don’t get no room. Okay, the next one is the Overachiever, the part of us that feel seen, heard and valued through success and achievement. This is the part that uses external validation as a way to cope with love, self worth and value. And we see love as only received through achievement.

Josué Cardona 49:17
I mean, it sounds like it’s Isabela, but I feel like you saw a lot doesn’t work hard. Like, I don’t think she’s just valued.

Stefanie Bautista 49:25
Because she is…

Josué Cardona 49:27
Because she’s the most beautiful one because she makes beautiful things. But she does that effortlessly.

Stefanie Bautista 49:33
Yeah, I think all of Julieta’s kids, those that the three of them Mirabel, Luisa and Isabela. They’re all Overachievers in some way or another, because one is trying to overcompensate for what she doesn’t have. One just trying to be, you know, the poster child and the other one who’s just trying to be strong for everyone. So, in comparison to the other two cousins, three cousins they’re way more at the forefront of, I need to be this person.

Ariel Landrum 50:04
Okay? Okay. Because if you think of like Dolores and Camilo, they could literally hide in the background and their achievement is not to be as seen as these other three their cousins.

Josué Cardona 50:14
And nobody’s praising what they’re doing.

Stefanie Bautista 50:16
Yeah.

Ariel Landrum 50:17
Yeah.

Josué Cardona 50:17
And I feel Yeah, probably Luisa is the most. Right. Like she she, what is it? Dammit, she says it. I forgot what she says in the song buti t’s like, “My worth is like, I have to have to be useful. Like I have to have to do things. And if I can’t do that, then like, what good am I?”

Ariel Landrum 50:36
The next one is the opposite of The Overachiever it is The Underachiever and this is the part that stays small, unseen, and beneath our true potential due to fear of criticism, shame, or failure. This is a part that we take when we don’t want to play the emotional game. And we believe that invisibility is the only way to get love.

Stefanie Bautista 51:00
This one might be a long shot, but I feel like because Pepa is always just trying to stop herself from crying and having big emotions. She has to feel smaller, she has to act small. Because if she lashes out or something bad happens, everyone’s gonna have consequences for it.

Ariel Landrum 51:22
Yeah. And that is beneath her true potential. Like she literally controls the weather.

Josué Cardona 51:26
She made a hurricane on her wedding day, right? She said.

Stefanie Bautista 51:29
She did.

Josué Cardona 51:29
Yeah. And I forgot all about Pepa. I’m glad you brought her up because we did not mention her in the last exercise.

Stefanie Bautista 51:36
We did not. And she’s the one with the power that can truly destroy or make everyone’s day great.

Josué Cardona 51:45
She’s always subduing right? Her ability. Yeah. I think Dolores in a way also, does that. Like she can’t talk about the fact that, you know, she knows. I think Bruno too.

Ariel Landrum 51:59
Yeah…

Josué Cardona 52:00
In a way, but a much more literal way here, right? Because, because he did speak up and was criticized. And then he literally, you know, got himself invisible. Not necessarily as the only way to get love, but like the only way to avoid….

Ariel Landrum 52:20
Rejection.

Josué Cardona 52:21
Yeah, rejection yeah.

Ariel Landrum 52:23
The Rescuer or The Protector. This is the part of us that attempts to rescue those around us in an attempt to hear from our own vulnerability and attempt to get away from our own vulnerability. So we can view others as helpless, incapable and dependent. And we derive love from them and a feeling of self worth by putting ourselves in a position of power. And this part of us believes that love is received when focusing on others wants and needs and helping them to solve those problems. Even I will highlight if if they don’t think it’s a problem. So we feel the compulsion to resolve it for them. Even though they might not have said that this was the thing that bothers me.

Josué Cardona 53:10
It’s absolutely Abuela.

Stefanie Bautista 53:13
Yep.

Josué Cardona 53:13
Ferociously.

Stefanie Bautista 53:15
Ferociously.

Josué Cardona 53:16
Attempts to rescue those around them. Yup.

Stefanie Bautista 53:18
In that grandmotherly way. “I know you guys didn’t ask for my opinion. But here it is.”

Ariel Landrum 53:25
“Here’s my unsolicited advice. You’re welcome.”

Stefanie Bautista 53:30
“About your life choices.”

Ariel Landrum 53:32
We’re down to the final three. The Life of The Party. This is the part that is always happy, cheerful or comedic, and that always wants to be perceived this way. This is the part that believes that we can make others around us happy. That’s how we’ll receive love.

Josué Cardona 53:48
Camilo.

Stefanie Bautista 53:49
Felix.

Ariel Landrum 53:51
The interesting thing about this one is some people online said that this was Pepa. And the example that they said is sometimes The Life of The Party isn’t always doing good, but because their emotions affect everybody else, they have to be good.

Stefanie Bautista 54:06
Which is why she looks so tormented. Poor girl.

Josué Cardona 54:11
Yeah, I guess in that case, right. If she, by some doing her own powers, she’s, she’s making sure that other people around her are, are better off.

Ariel Landrum 54:24
“And if they’re happy then they love me.”

Stefanie Bautista 54:25
Yeah.

Josué Cardona 54:26
Yeah. Yeah.

Stefanie Bautista 54:27
I can see that. Because if she always just says, “I need to be sunny, so it can always be sunny.”

Josué Cardona 54:33
Yeah, the pressure of I mean, she can literally control the weather. Right? So she can she can if it’s raining, she can she can fix that. That’s uh, yeah…

Ariel Landrum 54:42
We have The Yes Person. This one drops everything and neglects all their needs in the service of others. This was most likely modeled to them when they were a child modeled self sacrifice, and they believe love is given when one is good to others. This is slightly different than The Caretaker ’cause it isn’t that they’re neglecting their own needs. It’s that they see someone else need something, so they’re going to stop what they’re doing to assist, but they don’t go out of their way to ignore their needs. And some people sort of said, online that they thought The Yes Person was Camilo. Because he literally turns into the to you like, “You go girl.”

Stefanie Bautista 55:25
Yeah!

Josué Cardona 55:25
in the opening scene, he’s just like, he walks by the mom taking care of the baby. And he immediately turns into the mom takes the baby and lets her take a nap. Right? Just immediately, “There’s someone needs something. I got you.”

Ariel Landrum 55:40
And I think that in modeled in childhood, I think that that he saw that from his father Felix in taking care of Pepa.

Josué Cardona 55:47
Yeah. Could be. Yeah.

Stefanie Bautista 55:49
Yeah.

Josué Cardona 55:49
Final one is The Hero Worshiper, there’s the part of us that wants to follow a person or a guru. We believe the only way we will receive love is if we reject ourselves and view others as a model to learn how to live.

Stefanie Bautista 56:03
Mirabel? ‘Cause she literally worships and loves everyone. And because she doesn’t have a power herself, she just says, “I’m part of this magical family look at what they all can do.”

Josué Cardona 56:17
We talked about like, in the in the waiting for a miracle. She’s, she’s thinking of how, you know, she could use their abilities instead of what she can do.

Stefanie Bautista 56:27
Hmhmm.

Yeah.

Josué Cardona 56:29
No… The needs to follow a person like that part. Like, I feel, I don’t know that she feels like she needs to. That part feels a little.

Stefanie Bautista 56:38
Maybe it’s manifested in her need to please Abuela in one way or the another. Not really following her but needing to please her because she doesn’t know how to do that without a power.

Josué Cardona 56:52
Yeah, yeah.

Ariel Landrum 56:53
Yeah, yeah, I definitely the way that The Hero Worshiper is essentially described in like parts work of a part of yourself, it’s like you don’t see yourself reflected around you. So you must assume that that part of you is essentially bad. And you need to hone a skill of something else that is reflected of others like, like, again, worshipping, in the sense of, “They have what I’ll never have, or I don’t have, and I need to reject different parts of myself, or how I live my life in order to be loved.” In order to be able to live it up, quote, unquote, appropriately, societally, appropriately, I don’t know.

Josué Cardona 57:33
Yeah, yeah. No.

Stefanie Bautista 57:36
I like that. I like a deep dive guys. Deep dive.

Ariel Landrum 57:41
Yeah. Okay, thank you for indulging in my family systems. Hopefully, that helps some fellow clinicians out there and talking about these characters and how they might represent family roles or parts of ourselves. I think that having something to go off of makes that conversation a little bit safer, and less scary. Because you just don’t want to be like, you know, calling out your client, right there like, “Yo, here’s your dysfunctional role.”

Josué Cardona 58:11
So whenever there’s a movie or a story with families like this, I mean, this is also why I was like, like, Inside Out, right? Oh, it was really helpful. It’s like, “Okay, you have all these examples, like, do you possibly relate to any of them? Maybe? Like, which one? Which one made you feel a certain way?” Or like, where if you have a lot of family members, you’re like, “Oh, like, help me understand how things are at home? Like who acts like, like, like, who?” You know, it’s great, because we have like that, that wide range? And it does cover these two theories really well. Like there’s a lot of videos online about that. People addressing that yeah.

Ariel Landrum 58:51
Yeah. Or to get it in a Geek Therapy mindset. “Who did you resonate with? And ah did you feel an intense repulsion towards any of the behaviors, or the individuals?”

Josué Cardona 59:02
Absolutely.

Ariel Landrum 59:02
Repulsion.

Josué Cardona 59:07
I mean, and the way that that’s, like, effective I find is you’re like, “Oh, do you feel? Do you feel like you’re like, like Camilo? Like, “No, absolutely not!” “Why?’ And then and then that’s when you go into it. And you’re like, “No, because of Ah-buh-buh-buh.” And “Ah there’s the insight.”

Ariel Landrum 59:24
“If I had the power to turn in anything, I ain’t gonna turn in other people. I serve myself.”

Stefanie Bautista 59:29
There’s so many people like talking about that, especially on like the Encanto/Reddit, like, “If I were Luisa, I would have duh duh duh all this stuff.” A lot of opinions on that one. But there was a funny one that I just saw right now. And because we were talking about Encanto 2. And what do you want to mostly if there’s an incanto sequels, somebody said, “A. backstory of the triplets getting their gifts. B. brother sister movie of Camilo doing pranks and Dolores dishing out the gossip. C. Abuela and a silver fox love interest.”

Josué Cardona 1:00:05
Oh my.

Stefanie Bautista 1:00:05
Oh.

“D. A brother-in-law buddy comedy of Felix and Augustine hanging out at the tavern. E. Bruno getting on the dating scene maybe with the woman with the dead fish? What if they got together? Or just two hours of Luisa dancing because she’s living her best life.”

Ariel Landrum 1:00:24
Cosign. Add to Cart.

Stefanie Bautista 1:00:29
I like all of those. Let’s just do a Disney+ thing.

Josué Cardona 1:00:33
We just need a series now.

Ariel Landrum 1:00:35
Some shorts.

Josué Cardona 1:00:36
Shorts. Yeah, just a series of shorts.

Stefanie Bautista 1:00:39
Oh, and if you enjoyed the art of Encanto you can get the art book for free digitally, they’ve made it available to the public. All you have to do is search up ‘Art of Encanto Disney’ and they made it available because it is award season and you may want to promote the art of the movie. And not just our intense emotions and feelings about it. It is visually beautiful.

Ariel Landrum 1:01:01
Well, thank you Josué joining us again for this reprise.

Josué Cardona 1:01:05
Yeah, absolutely.

Stefanie Bautista 1:01:07
Yeah. I love that we were able to unpack even further. This never ending suitcase.

Josué Cardona 1:01:13
I don’t know how much deeper I can go into this movie. I’m afraid of what I’ll find.

Ariel Landrum 1:01:17
This is like Mary Poppins’ bag. There ain’t no bottom.

Josué Cardona 1:01:20
No. Oh no.

Ariel Landrum 1:01:23
Well again, if you want to hear even more Encanto and you want to talk to us about it, please tweet at us or DM us @HappiestPodGT for both Instagram and Twitter. Alright Good night, everybody.

Stefanie Bautista 1:01:38
Good night.

Josué Cardona 1:01:39
Bye!

Media/Characters Mentioned
  • Encanto
  • Abuela Alma Madrigal
  • Mirabel Madrigal
  • Luisa Madrigal
  • Isabela Madrigal
  • Bruno Madrigal
  • Pepa Madrigal
  • Julieta Madrigal
  • Antonio Madrigal
  • Camilo Madrigal
  • Agutin Madrigal
  • Dolores Madrigal
  • Felix Madrigal
  • Frozen
  • Beauty and the Beast
  • Wreck In Ralph
  • Disney
  • Pixar
  • Karoke
Topics/Themes Mentioned
  • Family
  • Family roles
  • Family systems
  • Dysfunctional family roles
  • Coping skills
  • Survival traits
  • The caretaker
  • The peacemaker
  • The mediator
  • The golden child
  • The hero
  • The saint
  • The superkid
  • The scapegoat
  • The troublemaker
  • The black sheep
  • The clown
  • The mascot
  • The lost child
  • the overachiever
  • The underachiever
  • The rescuer
  • The protector
  • The life of the party
  • The yes-person
  • The hero-worshipper

Questions? Comments? Discuss this episode on the GT Forum.

—

 Website: happy.geektherapy.com
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 | Josué on Twitter: @JosueACardona

Geek Therapy is a 501(c)(3) non-profit with the mission of advocating for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
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Welcome to The Happiest Pod on Earth! On the Geek Therapy Network we believe that the best way to understand each other, and ourselves, is through the media we care about. On this show, we focus exclusively on Disney!

Hosted by Stefanie Bautista and Ariel Landrum!

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