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Disney park

Queer Cheer: Disney Dreams & Rainbow Realness

June 19, 2024 · Discuss on the GT Forum

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Join Ariel, Stef, and their guests Jodie Anders and Shalom (aka Boy Venus) for an honest, colorful, and insightful episode that celebrates queer identity through the magic (and mess) of Disney. The conversation spans nostalgic awakenings, media analysis, cultural critique, and the affirming power of telling your story—your way.

Jodie, author of Queer Cheer, shares how travel and diverse narratives helped her discover her own queerness. Shalom, a young activist and indie musician, reflects on the power of subtext in media like Luca and Frozen, and how art has been central to their self-exploration. Together, this group celebrates Pride, critiques tokenism, and envisions a future where queer stories aren’t subplots—they’re the main event.

Summary

Summary of HPOE 45:

  • 00:00 Hosts and Guests Introduction
  • 00:50 Pride Month focus and framing queer media through Disney
  • 02:00 Progress or performative? Disney’s track record on LGBTQ+ representation
  • 06:00 Nostalgic queer awakenings: crushes, princesses, and games
  • 10:00 Queer coding in villains: Ursula, Jafar, and beyond
  • 13:30 Explaining the Hays Code and its legacy in queer subtext
  • 15:00 Highlights from Disney’s official Pride Night
  • 18:00 Emotional weight of safe spaces at theme parks
  • 20:00 Critiques of Disney’s capitalist allyship
  • 22:00 Centering joy: queer characters beyond coming-out stories
  • 24:30 Luca and fan interpretations as liberation
  • 28:30 Elsa, headcanons, and intersectional readings
  • 31:00 The power of dynamic identities in evolving characters
  • 33:00 Queering Spider-Man and self-discovery through metaphor
  • 36:00 Labels, fluidity, and growing into new identities
  • 38:00 Demisexuality and the importance of representation
  • 40:00 Jodie on travel, storytelling, and affirming queer youth
  • 43:00 Affirmations that actually work
  • 46:00 Shalom on community building and queer history
  • 50:00 Spotlighting queer media: Punks, Watermelon Woman, indie music
  • 54:00 Real allyship: more than rainbows—listen, uplift, include
  • 59:00 Final thoughts and where to find Queer Cheer and Boy Venus’s music
Transcription

00:00:00:00 – 00:00:08:18

00:00:08:18 – 00:00:35:00

Unknown

Hello, everyone. Welcome to the happiest pot on Earth. I’m Steph. I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them. And I’m Ariel, a licensed therapist who uses clients passions and fandom to help them grow and heal from trauma and mental and wellness. Hey everyone, I’m Jodi Anders, I am a Jewish bisexual creator and I focus on creating diversity and promoting youth empowerment.

00:00:35:02 – 00:01:01:01

Unknown

I currently serve as the publicity and communications director for a youth nonprofit in California, and I’ve spent over two decades mentoring teens in confidence and leadership skills. I’m the coauthor author of Queer Cheer Activities Advice and Affirmations for LGBTQ Plus Teens, and I also produce a podcast. Let’s talk about leadership, service, and Sisterhood, which is a podcast for teens by teens.

00:01:01:01 – 00:01:25:12

Unknown

Hi. My name is Shalom. As a student, I’ve been involved in many campaigns and community organizing organizations, working with youth organizers in the San Fernando Valley to fight for the rights of Filipino migrant workers, justice and visibility for displaced ethnic communities abroad, and have worked to create, support and educate members of the Residents of Color community through the creation of my ever growing coalition.

00:01:25:14 – 00:01:51:16

Unknown

California State University, Northridge is Queer Students of Color Club. I’m also a queer indie musician, producing music under the name Boy Venus. Check me out on SoundCloud if you’re interested. Specifically working within the electronic genre to make music reminiscent of games like Pokemon Legends of Zelda, Undertale, while also using techniques from artists like Rebecca Sugar, Ivy Tran and Stephen Filemon.

00:01:52:00 – 00:02:08:14

Unknown

beautiful. And here at Happiest Pod, we dissect Disney Medium. So the critical lens. Why? Because we are more than just fans and we expect more from the mediums we consume. So, what are we talking about today? As you both heard these wonderful introductions from our exceptional guests today we have Jodi and Shalom.

00:02:08:15 – 00:02:38:08

Unknown

Welcome to the happiest Pod on Earth. We are so thrilled that you are here to talk about all things LGBTQ representation. In honor of Pride Month and we’re really excited to really dive in, and, see the world and see the Disney World from Euro Isles lens. So yeah, welcome to the podcast. So to be here, I’m curious, you know, we have heard about representation in general in the media.

00:02:38:08 – 00:02:59:20

Unknown

And when it comes to Disney, do you feel or believe that they’re increasing LGBTQ plus representation, and if so, when do you think they’ve done it? And are there opportunities they missed or were they just like completely missed the mark? I feel like it’s kind of like an ebb and flow situation. I mean, it’s definitely had some more, you know, representation.

00:02:59:20 – 00:03:24:23

Unknown

And actually this discussion can get so nuanced, right? Because are we talking about like, original animation? Are we talking about like the entire Disney, universe, you know, within Marvel and Star Wars? So, at this point, apparently Hulu’s in there too. So if there’s some horror movies, or other anime animation you want to include that counts.

00:03:25:01 – 00:04:11:02

Unknown

Yeah, I think like in the more like traditional sense of Disney Pixar. It’s it’s slowly increasing, like strictly within like movies and TV. Like in movies, I feel like we’re still not other than maybe like Strange World getting those main characters. That would be great. But, it’s really nice to see at least, you know, some nuances through the community, like having a non-binary character in elementals or, just, you know, at least some representation.

00:04:11:02 – 00:04:57:15

Unknown

Which is better than that. But, there’s also just questionable things that they’ve done in the sense of like pulling from different markets or, you know, like, I know, so, like when they did Lightyear, I, I loved that they had a Lisa like, that his sidekick was such a big representation. And then it was so incredibly heartbreaking to have this, reaction to what was not even a minute of their relationship, the lesbian relationship she had, which was this beautiful little heartwarming family and, seeing at the time, like them, like pulling it from market to things like that.

00:04:57:17 – 00:05:01:20

Unknown

But at the same time, like, if we kind of pull back the lens a little bit,

00:05:01:20 – 00:05:25:22

Unknown

at the same time, there’s like getting the, the monthly emails, not even just the LGBTQ, pieces. They will highlight a monthly email, but like other minority communities and, even, like, abilities, I think they’re doing better on, although sometimes embarrassing when they maybe only have 1 or 2.

00:05:26:00 – 00:05:49:16

Unknown

And I mean, I went to Pride Night. I just do that last night, which, you know, they now officially have their official one. And how many years do we have our unofficial. You know, we we still do have kids at Disneyland, but like, it’s nice that they’re officially hosting that. So. Getting better. But riding a wave and still carrying a little too much.

00:05:49:16 – 00:06:15:06

Unknown

Maybe about what some people think. Sheila, any thoughts on your in? Yeah. I totally agree. And I think when thinking about representation at Disney, it’s when you look at it as like a conglomerate. I do think that they’ve missed the mark in a lot of ways. But I do think if you look at individual stories and individual narratives, then, you know, there’s some great representation.

00:06:15:08 – 00:06:31:16

Unknown

At Disney for queer people, like just recently, in fact, they did a remake of the goosebumps books, and Myles McKenna, who’s a trans, activist, trans activist, actor and musician, is one of the leads in the show. And so, like,

00:06:31:16 – 00:06:45:16

Unknown

individual properties, you know, they do have great representation. And even ones that, like, aren’t necessarily inherently queer, like frozen, you know what I mean?

00:06:45:16 – 00:07:10:02

Unknown

Or like, not well, turning red too. But then also, Luca, you know, those are movies that weren’t intended to be queer, but they’re autobiographical stories that, you know, queer people can relate to. You know, like having those is great and that it makes you feel more seen. But I think as a, like a conglomeration, I think that’s really the way.

00:07:10:04 – 00:07:39:18

Unknown

And I love when you said that there are stories that have been out there that queer people can relate to. So thinking back when you were younger, did you have any specific Disney characters that you were drawn to? Or like you were you just felt this special connection to real? Yeah. I, Todd, Jody and Eric, actually that, the way that I found out that I was queer is through watching The Little Mermaid.

00:07:39:20 – 00:08:06:04

Unknown

Because I had a crush on both Eric and area. Yes. And that was really my first, like, understanding of queerness, you know, even before I could put words to it. Disney kind of opened up my mind for queerness, and I think a large part of that was like, I grew up, for a while in a very, like, predominantly woman like community.

00:08:06:04 – 00:08:34:06

Unknown

I don’t know how to say that, but I grew up with a lot of women, basically. My best friend for like a long time was my cousin, and, like, she taught me how to braid. She taught me how to, like, dress dolls and things. Like, I learned how to paint nails and, we would watch, like, Disney princess movies and play the little like, there used to be a switch game where you just got, like, a toggle and you just slid like, I don’t know, not switch.

00:08:34:08 – 00:08:54:08

Unknown

We like, tendo we Disney princess game. Yeah. Where you just, like, would toggle and, like, do little mini games for each Disney princess. And I was like, my favorite game. And so like, yeah, I think Disney in a lot of ways as, like a child was my first avenue of queerness even before I knew what it meant.

00:08:54:10 – 00:09:35:08

Unknown

So. Yeah. Yeah. How about you, Jody? Oh my gosh. You know, I think that I like to be 1,000% honest. Like, until I got older, like, I missed a lot of, like, the queer coding that happened in Disney. And it’s incredible. Like, even, you know, when I was pregnant, last night, like, seeing quotes and seeing things that are pulled out of, like, movies that I watched as a teenager, that I’m like, oh my gosh, like, how did I miss, like given that, like we just talked about a Little Mermaid, you know, and like, the entire, like, part of their world on, you know, and how so many people have

00:09:35:08 – 00:10:08:02

Unknown

taken that on as like a, an anthem. Otherness in a way, you know, like, and now like, kind of thinking back to, you know, how much like I was obsessed at the time with like, beauty and the beast and, just kind of thinking that I, I felt that like, I saw it like I saw, characters that were, that were othered and that were, like, outcast and that I was drawn to them without, like, really understanding what was happening to me.

00:10:08:04 – 00:10:34:12

Unknown

Yeah. Something so beautiful, especially about The Little Mermaid two that you reminded me of Jodi is like, I think the guy who wrote it was queer. And like his writing of The Little Mermaid story was about, like, his experience with unrequited love as a queer person. Which is why when the prince rejects her, she, like, turns into seafoam at the end.

00:10:34:14 – 00:10:51:06

Unknown

And the original, Hans Christian Andersen, like. Yeah. Yeah, yeah. So I don’t know, it’s like there’s beauty even in that. Just like exposing people to queer stories, even if they aren’t like queer when you’re exposed to that. Yeah. You know what I mean?

00:10:51:07 – 00:11:18:18

Unknown

and for our listeners, our episode 24 Disney Villains, where we had chance on, he explained what queer coding is, which is an attribution of queer traits to a fictional character, sometimes stereotypical, sometimes, hidden, where they create a expression of gender identity or sexual orientation that, could be projected onto them for people who have a queer experience.

00:11:18:20 – 00:11:49:05

Unknown

And the reason we talked about that in the Dylan the Villains episode is because a lot of villains are quite coded. And speaking of villains, the inspiration for Ursula herself was a drag queen named divine. So it was right there in front of our faces for a very long time. And that it posed as inspiration. And she isn’t such an iconic villain that, you know, Ursula in herself, the way Disney portrayed her was very tied to queerness.

00:11:49:07 – 00:12:09:00

Unknown

It was so funny, actually, when I was talking with a friend of mine about, which characters are queer coded in Disney? There was like kind of a piece of me that was like, why are they villains? And I was like, rejecting something. And like, one of them came up. Jafar. Right. And and I was like, Jafar.

00:12:09:01 – 00:12:50:17

Unknown

What? Why are there so many people? It’s ever, like looking into it and actually, the creator who was gay said, yes, I created him after, like. And I’m like, I’m wrong. I’m wrong. You know, like. Yeah, yeah. It’s especially interesting to think about things like that, like with, the impacts of the Hays Code and, you know, film and television, you know, like having to queer code characters, so that people can have representation and see themselves and like the idea of Devo worshiping and things like that come from the Hays Code and like, not having proper representation.

00:12:50:17 – 00:13:26:14

Unknown

So you cling to like, female characters who go through similar things as you and like, I don’t know, it’s like even when they try to stop us, we’ll find a way. And I just love that, you know what I mean? Are you able to explain to our audience with the Hays Code? Is, yes. So the Hays Code was a list of rules, and guidelines for television and film that were created and enforced, from, I think, the 1930s to the 1960s, 1934 to 1968.

00:13:26:16 – 00:13:57:07

Unknown

Yes. Yes. Yeah. And so, it prohibited things like, like conversations about menstruation. I’m pretty sure, as well as birth, like just real. Yeah. Birth. Anything that was considered, like, sexually promiscuous, or like perverted, which includes queer people. I think conversations about, like, wrongdoings of the military as well were in there.

00:13:57:07 – 00:14:20:07

Unknown

Yes. So, yeah. Yeah, a lot of censoring. A lot of things. Yes. Yeah. Yes. And and we know it ended in, the 60s because of the civil rights movement and the push towards appropriate representation and questioning some of the things that we were seeing on screen, specifically the, the rule that was respect for the law and that law could not be ridiculed.

00:14:20:07 – 00:14:30:03

Unknown

And there should be, sympathy towards, those who might violate it if they are within uniform. Yeah. In that progression for sure.

00:14:30:03 – 00:14:58:08

Unknown

Jody, could you tell us about Pride Night? Is there one thing you really loved and one thing that you would change? So. Right. Night. They had their first night last night, and, Guys. Okay. I just remember, like, first thing that happened last night, so we we there’s, like, a lot of really cute things, like, there’s an overabundance of rainbow food, which is, like, overwhelming.

00:14:58:10 – 00:15:26:13

Unknown

And there’s, like, lots of really cute, like, backdrops that you can take your picture with and quotes that they’ve taken from, like, different movies they perceive to, you know, being inspirational and related to pride. But I love my favorite things are, one that they take the characters and they dress them in cool like pride, rainbow clothes that like, make you like, sorry.

00:15:26:14 – 00:15:51:05

Unknown

No, it was Donald. No, I said Mickey. Donald’s like, my favorite. Donald had. That’s like, beanie hat thing on with a cute little rainbow. Is it like a beret? Glitter? Or would you call it rhinestone? You know, they really. Because it was like a beanie hat with, like, rhinestone heart in rainbow hat, and he’s, like, pointing it out to me.

00:15:51:05 – 00:16:09:15

Unknown

It was the cutest thing. And then, like, Clarabelle had this, like, rainbow pleated dress on, Oh, my gosh, there’s so many highlights, guys. And then Melissa and Cruella literally did like a,

00:16:09:15 – 00:16:21:09

Unknown

a runway. They did like, they were like they were voguing. Yes, they were, they were they were holding hands. I would have loved to see that.

00:16:21:11 – 00:16:51:22

Unknown

Wow. I was so yeah, I hope there’s a recording that I, there’s got to be I know that people were okay. We got there like, just in time, to see it. And I was dying. I was dying just talking about how they’re also queer coded and. That they were they were amazing. They were amazing. But okay, literally the best thing, honestly, to be is,

00:16:52:00 – 00:17:18:20

Unknown

Guys, like, anywhere I, anywhere I go, like, sometimes there’s a question of like, am I going into the space where it’s safe? Like, is it okay for me to wear something pride related or, you know, and it was just so beautiful. Like I was telling my friend last night, when I’m in a space and I see something like rainbow or I see something pride, my eye like zooms to it like, oh, that’s somebody from my community or that’s Covid, you know, whatever.

00:17:18:22 – 00:17:47:05

Unknown

And everybody last night, like every single person is way sometimes like, oh my gosh, this is like this, this is my place. And we’re dancing with like Lilo and Stitch and I’m looking at I’m like, oh my gosh, there’s every like person from every background, every ability. And we’re all dancing together and like, we don’t care, you know, can we we look like we’re we’re like, say, do we like how silly we look like we’re just happy.

00:17:47:05 – 00:18:11:03

Unknown

Like we’re accepted. We’re here. Like, this is gorgeous. Like that. Like, to me, the beauty of any pride space, really. And it was nice for Disneyland to give that to us. Beautiful. Wonderful. Oh, that’s so lovely. It sounds way better than what happened to me. And stuff was like, so I’m so. Oh, yeah, yeah, listen to that song if you want to hear about it.

00:18:11:03 – 00:18:39:12

Unknown

But yeah, all the drama about that. I mean, there’s certainly like misses and the marks that they make, you know, and there’s so much like merchandizing and you know, there’s things you could dissect from it. But like having having that space though, like it definitely means something to me as I mean, I’m I will relate. When I was younger and I went for gay days, like with a friend, we took a picture with Cinderella.

00:18:39:14 – 00:19:04:20

Unknown

And I was telling my friend last night, like, it’s such a world of difference that, like, we have these characters now that are dressed up in rainbow and we’re having fun and there’s like jokey and doing like, very clear coded like things where as when I went when I was younger, two unofficial gay days and I like went to take a picture with Cinderella.

00:19:04:22 – 00:19:34:23

Unknown

She literally cringed at this. So difference, Night and day difference. And and you are talking about and we’ve talked about this on the podcast when it comes to the, Disneyland community. I don’t know about Disney World. We have unofficial theme days, that have started to slowly become more official in this case, like actually taken on by the, organization.

00:19:35:01 – 00:19:59:03

Unknown

Because I know, like, our friend Tania goes on bats day, for, like, all the emo, goth and, like a metal community. And sometimes the characters will wear, like, dark clothing, but that one isn’t official yet. So as we start to have more voices, that kind of makes Disneyland want to do more things.

00:19:59:05 – 00:20:20:14

Unknown

Maybe for capitalism, but that’s fine. Yeah, sometimes. Yeah. You know, you get to, like, exploit their capitalism, I guess. I don’t know, it’s a very weird line. It’s a weird line. Yeah, yeah. But I’m glad you had a really great experience. And, you know, hopefully in the future that they make these after Dark events more, more inclusive.

00:20:20:14 – 00:20:42:23

Unknown

And also just like reserving that space, that public space, I think is what I’m hearing was most important. And recognizing that public space for your community, I think that that that was my biggest takeaway from that. And, you know, hopefully they continue to do it in the future because as we know, some After Dark events have been canceled and they haven’t been brought back.

00:20:43:04 – 00:21:11:11

Unknown

I hope you all get how many days are they doing? Right now? Is it was it just one or. It’s multiple, right. I think two is. I know they’re doing it tomorrow. Great. Good. Okay. Yeah. 18th and the 20th. Yes. And and something that we’ve also talked about on the podcast is if you’re doing any of the night events, the second day is usually a little different than the first day because they’ve learned something like organization wise.

00:21:11:13 – 00:21:31:05

Unknown

And so sometimes that makes it a little bit easier to navigate. Sometimes it adds its own little barrier to it. So, you can’t you can’t even compare the same event. I would love to get like, the participants from every single different event and then have like, this roundtable discussion of what worked, what didn’t work. Did you get to eat?

00:21:31:07 – 00:21:49:17

Unknown

Did you get to like, drink the thing you wanted to drink? Did you get to take a picture with that character? Because I want to know these these stories. But anyway, I digress. But yeah. Anything else? Ariel? Yeah. Was the food actually good or was it just slapped a rainbow? A lot of it seems to be like slap rainbow on it.

00:21:49:18 – 00:22:10:09

Unknown

We did not try. I really I think there was okay. There was a Rice Krispie that was kind of calling my name, and I was like, it just looks pretty. I know what that Rice Krispie taste like. I don’t need, yeah. Also that much sugar after dark. It is a lot. And, you know, it’s not like during the day when you’re burning calories.

00:22:10:09 – 00:22:27:15

Unknown

It’s you’re you’re consuming all of this and then you’re going to like, pass out, wherever you are at the end of the night, there was, I think instead of the gray stuff, they had the rainbow stuff from beauty and the beast. It’s delicious. Like, okay.

00:22:27:15 – 00:22:43:14

Unknown

And thinking about Disney’s role in advocacy and inclusion, what are both of y’all’s thoughts on how Disney can continue to be a positive force for inclusion and representation within the LGBTQ plus community? Because I know there is a lot of work to do still.

00:22:43:15 – 00:23:06:06

Unknown

But you know, keeping as we are trying to think of it in a positive light because, you know, we really we, we know that there’s work to be done, like I said. But what do you think? What do you think that you’re doing. Right. And what can they expand on that basically? I mean, I think positive queer characters in main roles.

00:23:06:08 – 00:23:33:04

Unknown

Absolutely. Absolutely. Yes. Yes. And not pitting them as sidekicks or not just being a B line story. Because these stories and deserve to be highlighted, right? Yeah. And, you know, not just doing the traditional, like coming out or having a place in trauma, you know, showing us in the light, succeeding and thriving. And that’s not our entire identity.

00:23:33:06 – 00:23:58:09

Unknown

But like, yeah, like highlighting and showing normalcy basically. Yeah. I do think, though, that an issue that Disney has been facing with their mainstream stuff is the fact that they’re trying to be like, yes, gay people are normal, so we won’t bring attention to it. They’re gay. Right? But you know, because it’s normal. It’s like, yeah, we’ll have like two seconds of them with a little pride flag in the background.

00:23:58:11 – 00:24:19:15

Unknown

Which I feel like Disney hasn’t earned the right to be there yet. Low key. Like we have to go through the, like, conversations about being queer before we can get to the point where it’s normal. And Disney is kind of like a homophobic parent right now. It’s like, yeah, I’m so glad that you’re like, you came out to me.

00:24:19:18 – 00:24:58:12

Unknown

Let’s hide it from the family that you know what I mean? Great point. Yeah. And so accurate. Yeah. Yes, yes. Yeah, I, I think when it comes to the inclusion, how did any of you see the, the Pixar short out. Yes. Oh yeah. Yeah. It came out in May 2020. So the way the pandemic and it features two prominent gay men and one of them is just coming out to his parent for like the first time.

00:24:58:14 – 00:25:22:17

Unknown

And the kiss and and it’s a Pixar short. So, you know, of course it’s Pixar of when it comes to like, I feel more diversity and inclusion. Pixar is doing it way more than the Disney, although the news has come out that there might roll that back, which will be very sad. However, I was really happy to see it was an entire short and he was scared, but there wasn’t a traumatic experience.

00:25:22:17 – 00:25:42:17

Unknown

Like, I think one of the things that I hear from a lot of my queer friends is like, can I have a gay character that doesn’t get murdered after they’ve fallen in love? Like, that’s what we see in mainstream. And like, you know, I had a lot of them say, if Disney puts more queer people in, they’re going to they’re going to be a parent that gets murdered because that’s like Disney, that model.

00:25:42:19 – 00:26:03:06

Unknown

So it’s like, is that in a line with Disney, or is it like just feeding this narrative of trauma within the community versus celebration? And so that the short is the only one that I can think of where it’s prominent? There’s main characters. It’s not, assumed they’re not in the background. There’s not a lot of conversation happening.

00:26:03:06 – 00:26:25:01

Unknown

I think, but we understand the essence of just, like, wanting to, be in a relationship, feeling a little bit of butterflies and then kind of sharing that experience with your parent, and it being okay. I think that was the other thing. There was no, rejection. There was, confusion from the parents of, like, what exactly are you hiding from me?

00:26:25:03 – 00:26:55:03

Unknown

And I thought it was a really beautiful short, but it’s the only one that comes to my mind where I’m not imprinting. Otherwise, it’s like Luca to me is it’s like queer representation of not only potentially bi or pan people, but even queer romance, right? That isn’t just monogamous or heteronormative in that sense. Yeah, like Luca is so amazing because the creator of Luca was like, I didn’t intend for this to be gay, but real, you know what I mean?

00:26:55:03 – 00:27:20:02

Unknown

Like, if that’s how you all see it, then that’s how you all see it. And I’m glad. But when I watched Luca, I was I don’t remember the names of the characters, but the target boy or the tall not gave away the taller gay boy. I was like, he’s gay. I yeah, I don’t know. Yeah. Luca, Alberto and Julia.

00:27:20:02 – 00:27:48:03

Unknown

Julia. Yeah. Okay. Yeah. Alberto. I thought Alberto was so queer. Just even by, I don’t know, I think, like, I just saw so much of myself and Alberto. I’ve had experiences like that as a kid, you know what I mean? Like having an identity that you have to keep hidden, and that you share with someone close to you and you’re like, OMG, we have the same identity.

00:27:48:03 – 00:28:15:17

Unknown

This is crazy. But then when it comes to expressing that in public, you know, there’s fear of rejection. Especially from, you know, a place of wanting to feel at home and being afraid that by losing, you know, that connection with these people that you’ve just met, you know, you’ll never have community again. Which is what I could tell was going through Lucas mind when he was like, ill get that.

00:28:15:18 – 00:28:45:00

Unknown

He wants to get away from me. So, yeah, I don’t know. It’s just it’s such a good, like, encapsulation of, like, an early queer experience that it’s crazy that it wasn’t meant to be that way. But it’s also amazing that, you know, like, identity is multifaceted and it’s so intersectional that, like, you can exist within, like, different identities and still be able to see yourself through the same story.

00:28:45:02 – 00:29:05:18

Unknown

And yeah, Bangor movie is just so good. I love that, I love Luca like it immediately became one of my favorite like Disney movies. And yeah, there was no way. I mean, I know, like all my friends at the time were just like, this movie has to be the gay like, there’s just no way that it’s not.

00:29:05:22 – 00:29:35:10

Unknown

But I also think it’s like kind of beautiful. That it’s not explicitly because it’s maybe but we, that we can be like hey look at this story. Look at this experience so that you can have some understanding. Yeah, yeah, yeah I think that’s really interesting that you note that because I have heard people say that, the Ace community has hoped that Elsa is ace because it doesn’t seem like she has a desire for a romance or a desire for sexual attraction.

00:29:35:12 – 00:29:56:12

Unknown

And then I’ve seen, the, lesbian community hope that she gets a woman partner or, a same sex partner because she could be lesbian. And if we if we pick a route, then that kind of excludes somebody else. But if we don’t pick her out, everyone can project on. But then we didn’t pick her out, which makes it look like excluding everybody.

00:29:56:14 – 00:30:28:12

Unknown

But she could also be lesbian and bisexual, you know what I mean? Like, these identities are intersectional. They’re not like, yeah, one or the other. And I don’t know, like, I think real, I think real, I think also in a way which I don’t know, maybe you should edit this out, but I think in a way, a lot of Disney characters are asexual, just because it’s not really possible for them to express themselves on film outside, just romantically.

00:30:28:14 – 00:30:50:04

Unknown

Yeah. So but then again, like, that’s not really proper representation for anyone who is asexual because there’s nuance in that. Yes. You know what I mean. You see, one of the characters that, we were talking about kind of being like, attributed as a queer coded character was the Meredith from brave and we were sort of like thinking about it.

00:30:50:04 – 00:31:25:04

Unknown

And essentially the entire kind of reason that she’s queer coded is that, oh, she’s this strong woman who, like, doesn’t have a romantic, character or lead that I’m like, wait a minute, is that really a reason for her to be, like, attributed as a lesbian? As simply like it seems? Yeah. A little sassy. Yeah, I’ve heard that about Moana, too, just because she is just so hyper focused on, you know, just saving her village and nothing else to her matters.

00:31:25:06 – 00:31:47:16

Unknown

But I’m. I felt the same way. I’m like, are we are we really looking at her multifaceted ness, or are we just attributing it to the way that she’s approaching her situation? I, I really love that, you know? Shalom. You were saying that people are so multifaceted, and when we’re looking at them in a story, so many people want to see them as just like one or the other.

00:31:47:18 – 00:32:18:01

Unknown

Whereas when you’re looking at them as a human being, you know that they exist in different ways at different times all the time, because it is it’s dynamic us, our existence is dynamic. And not to get super existential about it, but, you know, it’s it’s very hard to in capsule8 that in a film. But at the same time, I think with stories like Luca, because it the story itself was so rich and the message was told very clearly without explicit instruction.

00:32:18:03 – 00:32:48:02

Unknown

That’s the power of storytelling. And I think if we do more of that kind of storytelling, it isn’t a debate anymore. It’s just how are you impacted by the story and what made you feel the way you felt? Yeah. You know, and I think also even with characters that are like in heteronormative relationships, you know, characters can still be headcanon and different things like, I know, for the trans masculine community, Spider-Man is a big you know, there’s a lot of headcanon set.

00:32:48:02 – 00:33:21:11

Unknown

Peter Parker is trans fat, you know what I mean? Just because of his experience with, like, being bit or, you know, the effects of an external force and changing your body and, you know, some extenuating ways, and then you being seen as more masculine, you know, and being, I don’t know, just perceived as so many different things than you were before or, you know, people a lot of people have compared Peter Parker’s experience before getting bit to gender dysphoria.

00:33:21:13 – 00:33:50:14

Unknown

You know what I mean? And yeah, like even characters who have been written as straight men who have, relationships with women, only and things like that, they’re still, you know, there’s still room for queerness and, yeah. Because these things, you know, like, they’re fluid. Yes. There’s no, like, rigid wall or barrier for, well, for the way that these things can be,

00:33:51:01 – 00:34:23:19

Unknown

No, it makes me think of, one of the things that’s sort of mentioned in the book, and is that, you have all the time in the world to keep discovering yourself like there’s one moment maybe like who you are in this moment. That doesn’t mean like your future self is not. And when we’re talking about essentially trying to find representation, when there when was very limited, in challenging heteronormativity, two people of opposite sex may not be straight.

00:34:23:19 – 00:34:43:09

Unknown

They could both be by people. One of them could be, pan. One of them could be. So I think that is part of looking that intersectionality is if we just automatically assume that they’re both straight people, where’s that assumption coming from and where, where, why is that being normalized in our head about, who these individuals are?

00:34:43:10 – 00:34:59:21

Unknown

Because nobody’s going on film going. I am a straight man, right? I like that is just not happening. So we could say any one of these characters in straight presenting relationships may still be in a very clear relationship.

00:34:59:21 – 00:35:16:17

Unknown

and you can have wear encounters and still identify as straight you know what I mean. Like these labels are self imposed. You know they’re not like while there are communal definitions for these things you know they’re self-imposed labels and you define your identity for yourself.

00:35:16:17 – 00:35:39:06

Unknown

No one else defines it for you. You know what I mean? Not to say that like whatever, like conversion therapy, it’s real or anything. But, you know, you can identify as straight and have dated men in the past and just realize, like, that’s just not my thing. Or you can love dating men and still identify as straight, you know what I mean?

00:35:39:08 – 00:36:04:21

Unknown

Like, I don’t know, they’re self-imposed labels that it’s just like, yeah, you know, you’re making me thinking of like, Lee Shang Lee Shang in a Mulan, right? Because he really, he really enjoyed playing. He really loved Mulan. Like the if we said that, he has to say whether he is straight or bi or gay. That doesn’t show the fact that he was just attracted to this person who he loved all their being.

00:36:04:21 – 00:36:46:01

Unknown

Yeah, well, and I think like one of the things people don’t think about in reality with like, queer labels are being queer is in the same way that you grow and understand yourself throughout life. You know, like how many times, you know, throughout life do you go like, oh, you know, just discovering something about yourself, right? It’s the same, you know, I, I think it was five years ago, maybe a little bit more that I discovered that I was demi sexual and I had no idea, like, what that meant or, you know, anything about it until a friend had mentioned it to me and it literally set off light bulbs like, oh my gosh, like

00:36:46:01 – 00:37:11:06

Unknown

how this affected my youth, how this affected everything. So there’s so much that you can grow and change and understand about yourself that can affect what your label or you know, how you identify. That’s like, why are we allowed to change how we describe ourselves, you know? Yeah. Would you be willing to educate our audience in case they have never heard of the term demi sexual?

00:37:11:08 – 00:37:45:11

Unknown

Yeah. Basically, I don’t want to give a strict definition for everyone. Because there’s obviously, a, I would say an arc of how people, identify as Demi when you come to Demi because it’s way, you know, but for in general, it means, you have to have a romantic or like, a personal connection, in order to have any sort of intimate activity.

00:37:45:13 – 00:38:08:14

Unknown

I think, you know, on that note, let’s kind of move and pivot a little bit into your personal journeys. Jodie, this is a great way to kind of foray into that because, we know your bio mentions that you found your true self through diverse stories and travels. How are these experiences, if there’s one that kind of comes to your mind first, shape your writing and advocacy work?

00:38:08:14 – 00:38:32:19

Unknown

And, on that note, what advice would you give to young LGBTQ plus individuals who are struggling with that self acceptance? So as far as, discovering myself, I grew up in a, like, conservative suburb of Los Angeles, and I went to a high school that, as far as I knew, there were only two other openly gay people there.

00:38:32:21 – 00:39:09:22

Unknown

So it’s not very like misunderstood in a lot of ways. I didn’t even really have a relationship with those people. Like, I kind of knew who they were, but, I never got to sit down and have a conversation with someone else who was clearly probably mid-twenties, maybe. So when I started traveling, not so much that I met people within my community, but that I could see what it was like in different communities, that I could see people who are different within their communities or different from my own community.

00:39:10:00 – 00:39:34:13

Unknown

It just really opened up, juxtaposed with books, by the way, like, you know, seeing that same thing in books that it was okay to be different, like it was okay and beautiful to be different, really. Like, you know, when I would travel somewhere, I would see these different, like, cultures or traditions or, you know, you name it and just think they were really cool.

00:39:34:13 – 00:39:56:01

Unknown

And that was cool that something else was different. Like it was okay to be different and know. What is your favorite place that you visited? The top three. Maybe if you can’t narrow it down to one place, like, like ever in my life. Yeah. I mean, what’s coming? What’s coming to mind now? You can always change your mind.

00:39:56:01 – 00:40:24:21

Unknown

And this is not definitive. Oh, no rush, I mean, I love I love traveling so much. I really loved going to Turkey. It was so different and so beautiful. Like, it was one of the first places, but I, like, fell in love with the food, like, because I’m, I’m always, like, scared because I’m allergic to a bunch of different things.

00:40:24:21 – 00:40:56:00

Unknown

But for some reason, everything was just right there. But, like, everybody was really nice there, and I don’t know, everything, like, just the culture and. Yeah, I also really loved Scotland. Gorgeous, really kind people, really intriguing. Like how they sort of mix, like old world cut culture and things. And, probably Japan, I really just loved.

00:40:56:00 – 00:41:23:13

Unknown

Oh, no, maybe China, I don’t know. Yeah. I’ve been to 30 countries. Got that over 30 snaps. Yeah. That’s so, but like, like seeing the Great Wall was like one of the most incredible experiences and seeing how, people in China, like, lived. That was like, different than how we lived and getting to witness those customs. And again, like, there’s, so many ancient buildings.

00:41:23:13 – 00:42:15:03

Unknown

And this juxtaposes and, like an ancient culture, with the modern culture and I don’t know, guys like, you know, so, so my answer is going to be different. Okay. That’s okay. As far as, advice that I would give, I would say, honestly, really getting to know yourself, like if you can explore yourself, like outside the noise and, basically explore the ways that, you know, you are you journal, you know, go to support groups if you have to or find like, good supportive friends and just really, like, find out who you are.

00:42:15:05 – 00:42:45:04

Unknown

Like, I think that would be my first, like, piece of advice. And then like affirmations and affirming that like basically then, you know, making sure that, you know, that that’s valuable, that that’s something that’s unique and beautiful and a gift and that you have a completely different way of viewing the world and a completely beautiful way of viewing the world and contributing to the world, and like finding everything around that to affirm yourself every day.

00:42:45:04 – 00:43:19:17

Unknown

Because we we all have moments of doubt. We all have moments of like questioning our our perfection and things like that. You know that. Like, you just have to, like, build this bubble of affirming yourself around yourself, framing yourself around yourself. Yeah, yeah, yeah, yeah. Because in your book you have rainbow affirmations after each section, that are specifically designed for queer teens to be able to celebrate themselves and, are specifically targeted to affirming that part of your identity, as well as how it intersects with your honor, other identities.

00:43:19:19 – 00:43:45:08

Unknown

And the interesting thing about affirmations is, like we tend to see them as very surface level. And so when you read them in the book, they are so impactful. They’re so intimate and internal. It really challenge is this idea that you’re just just talking noise or like, like faking it til you make it. It’s, really deep inside look, and it aligns with this belief that you’re sharing where it’s like, get to know yourself.

00:43:45:08 – 00:44:07:04

Unknown

It is okay to get to know yourself. It is okay to explore more of you if you have an affirmation, for instance, that you read that says, I, I’m trying to think of like something very I mean, even if it’s just like I live, laugh, love. Yeah. If it’s if it’s something like, you know, I am sparkly, right?

00:44:07:04 – 00:44:46:22

Unknown

And you’re not a smart person or I don’t that’s not like a real strong affirmation, but, it’s not going to resonate with you. Right? So like, that’s part of, you know, why we did like the sections and how we did the book, you know, and having voices from teens that you can look at and see, I identify with that or I relate to that, because then you can look at the affirmations that really speak to you, because you have to believe at least a small part of that affirmation, you know, to, to make it really work, you know, to really, get into your brain and be like, okay, this is going to

00:44:46:22 – 00:45:20:01

Unknown

have power with me. Yes, yes. Research has shown that, we as humans innately feel discomforted by lying to ourselves. And, and we have a negative bias. So we tend to. Which is weird because usually the negativity is a lie to ourselves. So it’s like these two opposing forces. And so when we speak in affirmation, it’s a lot easier to connect to it if we’re projecting on to a future self, if we don’t feel it right now, or if we add a buffer to it that makes it feel right now.

00:45:20:03 – 00:45:50:19

Unknown

And the wonderful thing about the affirmations in the books is there’s a variety of them. So you can choose and, and you’ve given the reader’s permission to adapt them. They don’t have to just stick to the language that was given. And I find in therapy sessions, when we’re trying to create affirmations, it really needs to be individualistic and has to be felt somewhere that this could be right or maybe right, versus it being spoken into right now if I don’t feel it, because I will reject that with all of my soul.

00:45:50:23 – 00:46:08:02

Unknown

Right. And whenever in the classroom you do an about me, if you say, how do you feel right now? More than likely, the kids are going to be like, I’m tired, I’m sleepy, I’m hungry. But if you say, you know how, how do you want to feel in a week? Or how do you want to feel when you’re in the next grade level?

00:46:08:02 – 00:46:30:23

Unknown

So it’s like, oh, I want to feel smarter or I want to feel more stronger, or I want to get better at kickball or something. So, you know, I mean, it is all true. Whenever you’re thinking of yourself in that present moment, it usually is pretty negative. But if you are thinking about yourself in the future, more than likely it’ll be a positive outcome of, yeah, one day those timelines will intersect.

00:46:31:01 – 00:46:56:22

Unknown

As we’ve seen from Loki, who I hear is also a queer icon. So there you go. Yes, one of my favorite. Shalom. Let’s move on to you. Tell us how you became connected with Jodi. I know that as we have been talking, I don’t know if it’s obvious to our readers, but, Sholem is quite younger than most of us here on the podcast, so, they have a very special, an interest in, you know, everything.

00:46:56:22 – 00:47:19:09

Unknown

And so, I just want to say, as I’m hearing you talk, I have so much hope because you are so insightful. And so, you know, just the way that you’re articulating things. Kudos to you. Because I just saw a lot of my middle schoolers in eighth grade graduate on. And I’ve known these kids since they were like in second, first grade.

00:47:19:09 – 00:47:28:09

Unknown

And I’m like, are you going to be okay? I think you’re going to be okay. But I don’t know if you’re going to be okay. But, you know, I, I have loved your input so far. So thank you.

00:47:28:09 – 00:47:37:07

Unknown

But anyway, going back to the subject matter, how did you and Jodi get connected?

00:47:37:09 – 00:48:05:08

Unknown

Well, my mom is also an author. And they’re both good friends, and, my mom has been, like, super cool with me being queer. And she’s always, like, known. I’m a I’m the type of person I kind of just do things. So I’ll be like, mom, I’m joining a coalition. He’s like, okay, cool. Like mom, I’m at a protest right now.

00:48:05:10 – 00:48:40:01

Unknown

She’s like, oh, okay, cool. And that’s just kind of how I am. But because, my mom knew that Jodi and Eric were writing Queer Cheer. She was like, hey, maybe it would be good to connect to you guys because, like, I’ve done a lot of work, just within the queer community. As a queer person, a lot of my understanding of, like, my identity has come from, like, researching queer theory, reading Judith Butler and Audre Lorde and, you know, learning about queer history and just getting involved in those communities.

00:48:40:03 – 00:49:09:22

Unknown

And my mom thought it would be a great opportunity, and it really I loved, meeting Jodi for the first time and having conversations about my experience as a queer person. And yeah, I’m just so grateful for this opportunity. So thank you again to, I’ve read some of your stories so far. So the way that the book is sort of designed, there’s snippets from different, teens of a variety of ages talking about their experience.

00:49:10:00 – 00:49:23:08

Unknown

I haven’t finished the book. I’m still reading it. I have used some sections with my clients already. And when I mentioned that you’d be on the podcast, they are very excited to hear you. So, you you have some hidden fans

00:49:23:08 – 00:49:38:14

Unknown

Yeah, it’s so I mean, when we, set out to find all of our teams, we basically, you know, we went through some of the people that we knew and then some of the like calling out between social media, between, you know, our community.

00:49:38:16 – 00:50:15:12

Unknown

And we had like, this goal to, find everyone from, you know, as many different identities as many different cultures, you know, like just trying to get as wide of a net as we could so that we could include as many voices as we could. And I mean, going into what you were saying, like every one of my conversations with these teens was like, I was crying, but it’s like it was just they’re all like, so much hope for the future and so insightful and incredible and, I mean, we were blown away.

00:50:15:14 – 00:50:46:05

Unknown

Yeah. They’re so smart. They’re so compassionate. So like beautiful, beautiful people. Like, it was incredible being like, that’s my favorite part of all of this is, is having met. Yeah. And I mean, I don’t remember being that wise sounding when I was that age. I think I was still trying to figure out how to pair, like a pair of jeans with, like, a top that would be appropriate for some kind of interview at like Jamba Juice or something.

00:50:46:05 – 00:51:11:06

Unknown

Like that’s where my mind was like, not, you know, this all encompassing, you know, how do we how do we look at ourselves? How do we, you know, give ourselves love? How do we project that with the circles that we have? How do we create change in the world using the power that we have? I think, you know, because the world has changed in the last 20 years, or maybe even the last 15 to 20 years.

00:51:11:08 – 00:51:34:21

Unknown

The the resources are endless. And I think it takes a certain amount of, smartness is not a word. It takes a certain amount of intelligence to navigate all of that with your devices, with, you know, what you can access, the people you can access. And, you know, just juggling all of that, you know, you guys really have the skills that we couldn’t even have imagined.

00:51:34:21 – 00:51:58:15

Unknown

If we had that at our fingertips at our age. Well, thank you, but it really does mean a lot. And yeah, I do think a large part of just my the things that I know and the things that I’m passionate about is just having access, to like, history, you know what I mean? Especially queer media. I talk about this in the book.

00:51:58:17 – 00:52:23:08

Unknown

I do, but, one of my favorite movies is this movie called punk, which came out in, I think, like 2001, and it’s one of the only, like, queer black blockbuster films. It’s like a B-list movie, but it’s one of my favorite movies ever because it shows queer blackness in a way that I had never seen before on film.

00:52:23:10 – 00:52:47:21

Unknown

And other movies like The Watermelon Woman by Cheryl Zanier amazing movie, but it also was one of the first times I ever saw, like, a black lesbian at the center of a movie. And the movie is about her experience as a black lesbian and the experiences of other black lesbians. And like, I don’t know, going back to, like the topic of Disney, an autobiographical stories.

00:52:47:23 – 00:53:08:04

Unknown

You know, sometimes we need a movie just about being gay, you know what I mean? I’d love a Disney movie just about being gay because, like, my life, like I am a person, you know, I do exist, as you know, someone who I don’t know, I love making music. I’m trying to write like a screenplay right now. Like I love doing things like that.

00:53:08:09 – 00:53:29:23

Unknown

But I’m also gay, you know what I mean? And being gay impacts every facet of my life and will for the rest of my time being alive. You know what I mean? And so does being black, and so does being a man. And like, you know, you can’t really separate those specific parts of my identity from my view of the world because I’ve been that way since the beginning.

00:53:30:01 – 00:53:33:20

Unknown

So I don’t know. Yeah. Yeah.

00:53:33:20 – 00:53:57:06

Unknown

shout out to the organizations in SFB, Filipino youth organizations like Pica, doing a lot of great work right now and occupy and SFB, they just started you’re doing some great work like, yeah, you know, the those communities also taught me a lot about myself and the importance of solidarity, and allyship.

00:53:57:06 – 00:54:27:17

Unknown

Yes. And like going back to Multifaith that identities but like how important solidarity and, and allyship are, when it comes to interacting with people who are multifaceted. And so, yeah, thank you Filipinos. Well, and speaking of like, allyship and, being an advocate, how would you describe being an ally, an advocate for the queer community? Like what would you need to see, from us to know that you this is a safe space.

00:54:27:17 – 00:54:54:11

Unknown

So this is an intentional, safe space. Well, I recently Margaret Cho, she’s, Yeah. You guys know Margaret, so. Yeah, she recently came to my school, and I had the opportunity to speak with her briefly. And. Yeah, she’s. And I love Margaret Cho. I have seen Fire Island. Yeah, I’ve seen Fire Island seven times.

00:54:54:11 – 00:55:13:19

Unknown

That’s one of your movies. You think of Fire Island, whereas for me, she had a show on, like ABC where it was like a family comedy of all Asians. And I was just like, oh my gosh, just a bunch of Asians on TV. Like, that’s crazy to me. But yes, she played a pivotal role in Fire Island as well.

00:55:13:21 – 00:55:33:19

Unknown

Yeah. But we talked about, you know, just like when you see, upcoming artists and storytellers within the queer community, make sure that you give them attention and make sure that you spotlight them, even though even if they’re not, like, the biggest thing, you know what I mean? Like chaperon, like a chaperon. I think that’s how you see her name.

00:55:33:21 – 00:56:01:06

Unknown

But, she’s upcoming queer artist. Amazing music. She’s so cool. Right? If you see this, shout out, you know, hey, you know, I’d love to produce something for you if you’re interested. You know what I mean? But. Yeah, but she’s great. I love her, and spotlighting queer artists. You know, queer storytellers is so important.

00:56:01:06 – 00:56:19:12

Unknown

Especially if they’re indie. Especially if they’re, you know, just starting out. Because we all deserve the chance to and the opportunity to share our voices. And I think that is the best way to be an ally is just try to uplift as many voices as you can, just like Jody is doing her book. So yeah.

00:56:19:12 – 00:56:45:00

Unknown

to be honest, I think the first, first thing is to listen, you know, like, just having people that are willing to hear, to listen to, you know, instead of trying to step for and do like, like, can I sit down with the Disney Disney CEO and like, be like, okay, let me let me explain what this means.

00:56:45:00 – 00:57:09:01

Unknown

You know, like, having like there’s, there’s corporations, for instance, that during pride, they slap a rainbow on something and they sell it, you know, and that there’s corporations that like, they hire queer artists and they, they put out, you know what? What is ours, you know, and and they I mean, pretty much Michel, said amplify our voices.

00:57:09:01 – 00:57:37:12

Unknown

You know, they they instead of trying to speak for us, they listen and they are just out there essentially, so that people can hear our stories so they can understand. And, get a little like a little bit of comprehension and maybe also some of that fear, like find, you know, those stories maybe, like Luca, where we can find some intersection of relatability.

00:57:37:14 – 00:58:00:12

Unknown

Yeah. What I’m hearing is, you know, not just not just listening, but actively listening, like listening with the purpose. Because if you’re just listening and you’re hearing it, it goes in and the actions don’t match that, that’s not actually listening. Like, just kind of like how, we have multiple cultural representations that are wanting to be more seen in Disney.

00:58:00:14 – 00:58:27:11

Unknown

Platforms. The same thing with queer stories. If you’re going to tell a queer stories, have a queer person tell those stories, have a queer person write those stories, have a queer person put pen to the animation on these stories, because all of those things will shine through. And looping back to what we were talking about earlier, there’s so many things that are more powerful when unsaid and just shown, because people will feel that when they’re watching a Disney movie.

00:58:27:11 – 00:58:40:09

Unknown

And I think we can all agree that at any point in our time when we watch a Disney movie, and we felt very strongly about something, that’s when the storytelling is at its best, because we feel it. We’re not being told,

00:58:40:09 – 00:58:47:18

Unknown

Yeah. I think that’s like that embodiment of the phrase not about us without us and more than one in the room.

00:58:47:20 – 00:59:05:18

Unknown

Right. We don’t want someone to be the token representation of a community. So you need more than one in a room and you don’t want to tell a story that isn’t your story. Because when you are viewing a story from an outside perspective, unfortunately, you’re going to project a stereotype. You’re going to get nuance wrong.

00:59:05:19 – 00:59:08:02

Unknown

You’re going to missed so many things.

00:59:08:02 – 00:59:38:23

Unknown

There’s going to be so many ways in which the depth is lost. And so that’s why you have to have someone in the room. But it can’t be that one. Someone. It has to be more of them. And the person who’s leading and helming the project, we’ve talked about this before on the podcast, but it’s it can’t just be the people on the camera, the people working behind the scenes, the people animating, the people who are on set, the costume designers, all of these individuals are pivotal in the storytelling.

00:59:39:01 – 01:00:05:00

Unknown

And when you don’t have them in those multiple spaces, what we have is, a very flat, onerous, unwell, received project, that’s going to be more harmful than helpful. And that’s why Mulan, the live action movie, was not okay. I’m sorry, I’ll say it, but that’s why. Yes, bad. There weren’t enough Asian people behind the scenes writing the story.

01:00:05:02 – 01:00:22:23

Unknown

And yeah, you know, it just it didn’t do well. Yeah, it had the facade of being something that like you would see in Chinese cinema, but when you watched it, it was the highlights were all in the preview. And I’m like, what I yeah, yeah. Yes.

01:00:22:23 – 01:00:36:21

Unknown

that’s like when we were we haven’t talked about on the podcast because it was very disappointing. But Raya, the last Dragon, is about 18 different countries. You’re going to have that many diverse communities shoved into one movie.

01:00:36:21 – 01:00:57:22

Unknown

You’re not going to have the right representation. Like, and it was it was sad. It was sad to be like, this could have been a Filipino character, but also not all that to say, Jodie, can you tell us where to find your book? So for our listeners who are wanting to read it, I know we’ve talked a lot about it probably piqued a lot of folks interest in it.

01:00:57:22 – 01:01:37:21

Unknown

Where can we find it? Yeah, sure. So you can find it anywhere. In any major book retailer such as Amazon, Barnes Noble, your local indie bookstore, hopefully your library. We have a, like, a request. If you don’t find it at your library, please request it. Because one of the things that’s really important to us is that anyone who cannot afford this book, that they have the opportunity, the chance to get it any way that they can, but if you’re looking for a quick, easy reference, w w w we’re chair book.com.

01:01:37:23 – 01:01:56:16

Unknown

There’s lots of easy, quick buy links and reviews and all kinds of, cool resources as well. For any teens that are looking for parents or guardians between that are looking for, resources in just about anything in your life. Awesome. And shalom,

01:01:56:16 – 01:01:57:03

Unknown

Yeah.

01:01:57:03 – 01:02:28:14

Unknown

So I have a SoundCloud. I go by Voi Venus on SoundCloud. I make electronic music. Any of you listeners, if you are looking to make any indie video games or any film projects, I would love to score for you. I yeah, I love doing game scoring as well as film scoring. And also, I’m looking to finish a screenplay that I’m writing this summer, about three kids.

01:02:28:14 – 01:02:49:01

Unknown

So superpowers from space. And they’re an indie band together. It’s very Scott Pilgrim meets Steven Universe. Ask so yeah, again, boy violence on SoundCloud. I’m going to put my email on there in case any of you want to hit me up, but yeah. Yeah, that’s me

01:02:49:01 – 01:03:00:18

Unknown

All right. Okay, well, if you want to, DM us and let us know what you will be doing for this pride, go ahead at happiest Pod GT.

01:03:00:20 – 01:03:12:18

Unknown

You can find us both on IG and X. We want to thank our guests for joining us today. This was a wonderful conversation. And please support queer artists and queer work and let Disney know that

Media/Characters Mentioned
  • Ariel and Eric (The Little Mermaid)
  • Ursula
  • Elsa (Frozen)
  • Luca & Alberto
  • Merida (Brave)
  • Moana
  • Lee Shang (Mulan)
  • Peter Parker (Spider-Man)
  • Clarabelle & Donald (Pride Night looks)
  • Fire Island, Out (Pixar), Queer Cheer (book)
Topics/Themes Mentioned
  • Queer coding
  • Identity formation
  • Affirmations
  • Intersectionality
  • Disney villains
  • Chosen family
  • Representation vs tokenism
  • Allyship & advocacy
  • Pride events
  • Cultural storytelling
  • Diaspora & queerness
  • Disney’s capitalism/activism tightrope

🎤 Jodie Anders — Co-author of Queer Cheer, youth mentor, podcast host
👉 Learn more and access resources at: www.QueerCheerBook.com
🎤 Shalom (Boy Venus) — Queer student leader, activist, musician, electronic artist
🎧 Music by Shalom (Boy Venus): SoundCloud

Website: happy.geektherapy.com
| Instagram: @HappiestPodGT | X: @HappiestPodGT | Facebook: @HappiestPodGT |
| Stef on X: @stefa_kneee | Ariel on Instagram: @airyell3000 |

Geek Therapy is a 501(c)(3) non-profit that advocates for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
Website: www.geektherapy.org
| GT Facebook: @GeekTherapy | GT Facebook Group: @GeekTherapyCommunity
| GT X: @GeekTherapy | GT Discord: geektherapy.com/discord |
| GT Forum: forum.geektherapy.com |

Feasting on Fandom: Disney Food Chronicles Part 1

March 26, 2024 · Discuss on the GT Forum

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37: Hosts Ariel and Stefanie embark on a journey through Disney’s culinary delights, from the treats at the Food and Wine Festival at California Adventure, unexpected finds at Disney Channel Nite, to the surprising food merchandise. They navigate the rising prices, sustainability efforts, and the art of indulging at Disney parks. This episode invites listeners to a broader conversation on food and fandom.

Summary

Summary of HPOE37

  1. Introduction (0:11): Stef and Ariel set the stage for a delicious discussion on Disney food, touching on its cultural and social impact.
  2. Disney’s Food and Wine Festival (2:03): They dive into the Food and Wine Festival at California Adventure, expressing surprise over the lack of avocado-themed dishes despite the event’s theme.
  3. Favorite Festival Foods (6:04): The hosts share their top picks and experiences from the festival, including standout dishes.
  4. Merchandise and Marketing (43:46): Discussion shifts to Disney’s strategic merchandising of food-themed products, highlighting the new “Disney Eats” monthly release strategy.
  5. Educational and Therapeutic Use of Food (32:13): They explore how food can be integrated into educational settings and therapy to foster learning, healing, and a deeper understanding of cultural identity.
  6. Closing Thoughts (45:49): The episode wraps up with details on an upcoming panel discussion at WonderCon and an invitation for listeners to share their favorite Disney foods and food fandoms.
Transcription

00:11 – 00:17
Hello, everyone. Welcome to the Happiest Pod On Earth. I’m Stef. I’m an educator who uses passions and fandoms to help my

00:17 – 00:20
students grow and learn about themselves and the world around them.

00:20 – 00:27
And I’m Ariel, a licensed therapist who uses clients’ passions and fandoms to help them grow and heal from trauma and mental illness.

00:27 – 00:31
Here at Happiest Pod, we dissect Disney mediums with a critical lens.

00:31 – 00:37
Why? Because we’re more than just Stefanie, and we expect more from the mediums we consume. Speaking of consuming, what are

00:37 – 00:38
we discussing today, Steph?

00:38 – 00:46
What a perfect word to describe what we are talking about today. We are talking about food, specifically Disney food, obviously.

00:46 – 00:52
But I feel like this is a long time coming. We have not touched upon this. Despite the fact that we’ve done multiple panels

00:52 – 01:02
at Comic Con about food and its impact culturally, socially, mentally, physically, I mean, everything. Food is life. Right?

01:02 – 01:03
That’s the saying. Yes.

01:03 – 01:10
And then we did a presentation at Geek Therapy’s tags on using food in the classroom and using food in the therapy and talking

01:10 – 01:18
about ways to address individuals who might have various forms of eating disorders or individuals who want to embrace the

01:18 – 01:19
culture of their food, but they don’t know how.

01:19 – 01:27
Mhmm. Food itself has many different dimensions. I mean, people love it. They make livings around it. We love to consume it.

01:27 – 01:35
It brings people together. I mean, as you said, I talked about how food in the classroom and food when it comes to translating

01:35 – 01:41
what it means for kids is so important as they grow and develop, and their relationship with food too. So I think it is fitting

01:41 – 01:47
as we are coming into the spring season now here in California, and specifically

01:54 – 02:03
in in as, like, something to drive people to get to the parks, which has definitely worked on me. Yes. Okay. So starting with

02:03 – 02:10
the park specifically, right now we are during the middle or just starting food and wine festival, which I don’t think we’ve

02:10 – 02:12
talked about on the show before. Correct?

02:12 – 02:19
No. We haven’t. We’ve done many different events that are very similar to Food and Wine, but correct me if I’m wrong, everyone

02:19 – 02:26
out there, and, you know, my to my cohost as well. I feel like food and wine festival was kind of like the genesis of people

02:26 – 02:33
coming to the park specifically to have specialty foods, specialty wine and beverage, especially since California Adventure

02:33 – 02:40
in itself. I think going with the theme of California and how we are, what, the largest in the United States of America, and

02:40 – 02:46
that we have such a large culinary scene. We have many celebrity chefs who live out here and make a living out here. They

02:46 – 02:52
really wanted to capitalize that with the California theme. So, you know, you see there’s a winery in the middle of the park.

02:52 – 03:00
You can drink alcohol in the park. There’s specialty restaurants like the Trattoria, which is Italian inspired. You have different

03:00 – 03:05
areas of the park where you can get different sorts of regional foods that you wouldn’t otherwise find at Disneyland.

03:05 – 03:14
And this year’s theme is it’s avocado time, avocado shaped like clock. Interestingly, though, there are not many avocado items

03:14 – 03:21
or that that’s not the main ingredient in most of the dishes, at least what we saw on the menu and what we tried. I don’t

03:21 – 03:27
remember, like, avocado being so featured, and yet that is the theme and that is the merchandise. Which yeah.

03:27 – 03:32
I think this is the first time they had a hard theme for Food and Wine Festival. Normally, it’s just, here, come try regional

03:32 – 03:37
foods. It’s happening. And for all of you who don’t know about the Food food and wine festival, basically, every single year,

03:37 – 03:44
they line the main veranda, the main street of California Adventure Park. They line them up with these little booths that

03:44 – 03:50
you can purchase small kind of tapas like items, very small. You can share them if you want. But, yeah, the food and wine

03:50 – 03:57
festival gets you certain dishes that you can use the little tabs to redeem. It does exclude alcohol, and it does exclude

03:58 – 04:04
some other dishes that you would have to go to the restaurant to get. So it’s not just the little booths that have themed

04:04 – 04:11
items, but also the restaurants that already serve things like in San Fransokyo or the plaza in the back, the garden plaza,

04:11 – 04:16
I think, but not necessarily with the little sip and saver pests. A lot of rules.

04:16 – 04:33
Yeah. Which I think is a a little the marketing, is I feel like this year, it’s expanded even more in more tiny booths. I

04:33 – 04:39
think last year, I don’t remember as many booths. You can correct me if I’m wrong, but I just feel like it it’s grown in the

04:39 – 04:46
amount of options. It’s that you don’t have to go up to the booth to order your, like, each individual item. You can just

04:46 – 04:52
find 1 booth, order them all there, take your tickets, and go retrieve them, which is such a time saver. Because when I first

04:52 – 04:57
did food and wine fast with you, I remember waiting in each line to try and get our food.

04:57 – 05:03
Yeah. Like, you would basically be hungry by the time you got to the next thing. And you would keep just getting hungry and

05:03 – 05:10
then being satiated and then hungry again. But that comes with a disclaimer too because as I learned during lunar new year,

05:10 – 05:18
you can only get certain things pre ordered. And some things are excluded from that, which I unfortunately had not the best

05:18 – 05:23
interaction with a cast member when it came to that. I think because it was so busy, this was during lunar new year, and I

05:23 – 05:30
did not know the rules. And the little booklet that they give you kind of explains it, but I think they did a better job explaining

05:30 – 05:35
it this time for food and wine festival. But, yeah, you have to look for the little there’s like an icon that says where you

05:35 – 05:42
can pre order things. And if that item doesn’t have an icon, you’re most likely gonna have to stand in line. But I think it

05:42 – 05:51
is a, a step forward in trying to save people money and time. Because not only are you foregoing writing things and foregoing

05:52 – 05:59
other experiences to do this, but you are also, you know, if you have a park hopper, this is like the majority of your time

05:59 – 06:04
just trying to figure out what you’re gonna eat and where you’re gonna eat it at. Mhmm.

06:04 – 06:11
So in the Food and Wine Fest, maybe, like, in the past now, what comes up to your mind as, like, the top eats that you’ve

06:11 – 06:14
had or maybe, like, the different kiosks or booths that you prefer to

06:16 – 06:22
stop at? So I think they have organized it, like, consistently over the years. I always know there’s a spicy booth, which

06:22 – 06:29
I avoid at all costs. I know that there is one that’s dedicated to like a beer flight and a wine flight, which back then I’d

06:29 – 06:36
be like, let’s get it all. But now I’m like, okay, I’m gonna choose between the 2. But there’s also one that always has, like,

06:36 – 06:43
the most savory dishes. I think before they’ve had, like, Filipino pork belly over garlic rice. That’s one of my favorites.

06:43 – 06:50
Only because I was so surprised that they were doing cultural foods in addition to just, you know, California cuisine, which

06:50 – 06:57
I can never define myself being from California. They always California cuisine. Okay. But that’s one of my favorites. I know

06:57 – 07:04
they’ve also had a, I’ve also had, like, a burrito. I think it’s also pork belly. Clearly eat a lot of pork. My favorite dishes

07:04 – 07:10
are the ones that you get the most bang for your buck, which comes with, you know, like, a good protein and, like, a good

07:10 – 07:12
side. How about you?

07:13 – 07:18
I always like anything with the mac and cheese. I’ve so far, I’ve never not enjoyed a mac and cheese. Well, that’s what we

07:18 – 07:25
tried in this most recent Food and Wine Fest. And then, usually, the desserts are good, but there’s always, like, a cream

07:25 – 07:32
type dessert. There’s always a, I would say, like, a cookie type dessert. I remember, like, the macaroons being, like, the

07:32 – 07:38
things that I enjoy the most, and they’re huge. They’re always huge Mickey shaped macaroons. However, I think we tried a dessert

07:38 – 07:46
this year that was just sub par. So when we go back for dapper day, we’re gonna have to reclaim the dessert section, go through

07:46 – 07:51
it. I think there was like a passion fruit one that someone said that they liked, so we might try that, I think, this year.

07:51 – 07:58
Yeah. Definitely. And if you would like to know what that was, if you are going to Food and Wine Festival, we did try the

07:58 – 08:07
lemon olive oil cake. It was lemony. It wasn’t very olive oily. It was kinda dry, to be honest. And it pales in comparisons

08:07 – 08:09
to all the other Disney desserts that we’ve had. And I think that’s

08:10 – 08:15
Can you explain, like, what an olive oil cake is? Because I don’t know if some people might know what that is. They might

08:15 – 08:17
think olive oil only with cooking.

08:17 – 08:23
Right. Yeah. So olive oil cake is something specifically in Italian cooking because they use olive oil so much in their baking

08:23 – 08:30
and cooking that they add olive oil to a traditional cake mix to make it more moist. So if you imagine, like, the most moist

08:30 – 08:36
cake you’ve ever had. Even the like, if it’s like a birthday cake or even, you know, like a small layered cake. Imagine that,

08:36 – 08:44
but more savory because it has the olive oil in it. So I’ve had olive oil cake in Italian re delectable, and every bite is

08:44 – 08:52
just it’s full. It’s like very rich. And normally, I see it in chocolate cakes. I’ve never really had an olive oil cake that

08:52 – 08:58
wasn’t chocolate. I’ve seen them, but I’ve haven’t had them personally. But it brings out so many more notes of the chocolate

08:58 – 09:03
because chocolate is so multidimensional. But, yeah, I thought that I was gonna get the same experience with this lemon olive

09:03 – 09:11
oil cake, and I was thirsty after the first bite. I’m like, what is going on? It was cute, though. It was cute.

09:11 – 09:18
It was very photogenic, very worthy. And I think that was I think, like, back to other food and wine fests that we’ve had

09:18 – 09:24
or other events at the park that had food featured in them, there’s always, like, a hit or a miss. Right? And I remember the

09:24 – 09:28
last food and wine fest, a bread thing that had hot dogs in it was not it.

09:28 – 09:32
I was thinking I wanna say it was the Chinese sausage one, but I’m not sure.

09:32 – 09:39
Yes. Yes. That was it. That was it. It was okay. Yeah. I just I remember not liking that. And then it’s new in the park now,

09:39 – 09:46
but we tried it at Disney Channel night. It was the Mickey shaped pretzel pepperoni thing. I don’t know if the pepperoni pretzel.

09:46 – 10:02
It’s cute. It’s not it didn’t taste, like, amazing or wonderful. I I I you’re supposed for me. But on Disney Channel night,

10:02 – 10:07
we definitely tried unreal, really good item. That was a surprise that we didn’t even expect.

10:07 – 10:14
Delicious things I’ve ever had in my history of going to Disneyland. So much so that I am determined now to make it myself.

10:14 – 10:19
So I know we’re gonna talk about Disney Channel night on another episode, but I do have to mention this because it was just

10:19 – 10:21
it blew us all away.

10:21 – 10:21
Yes.

10:21 – 10:28
So everything that night had a nineties theme to it. So like Ariel said, the pepperoni pizza kind of like eating pizza bagels

10:28 – 10:31
after school. Yeah. That’s what I likened it to. Yeah.

10:31 – 10:37
And they had a cosmic brownie, you know, adult cosmic brownie, which does not mean there’s cannabis in

10:38 – 10:45
it. It’s not what made it a little. I think it is, because okay. So that’s really funny that you mentioned that. Because Cosmic

10:45 – 10:51
Brownie is a little Debbie Brownie and but because it was Disney Channel night and everything’s basically like late nineties

10:51 – 10:58
early 2 the y two k thing. So no. It did not have fun stuff in it and I don’t think Disney’s ever gonna do that for us. But

10:58 – 11:04
No. They had that. They had a version of TV dinners. Things that you would basically watch if you were watching Disney Channel

11:04 – 11:08
after school. Yeah. Things you would eat. They yeah. Things you would eat. And then they would theme some of them after some

11:08 – 11:16
of the movies. And because not every movie was represented, either with like a backdrop or with, you know, an, like an experience,

11:17 – 11:24
they made some of the food themes. So what we had was the Johnny Tsunami hot dog. And basically, what it was, was it was Hawaiian

11:24 – 11:32
rolls as the bread. It was Portuguese sausage, which is very popular and very common to find in Hawaii. And it also had chopped

11:32 – 11:40
up macaroni salad, which is a very Hawaiian thing, and chopped up pineapples. And I’m gonna refrain from any but it was so

11:40 – 11:43
delicious. I think we all looked at each other like, what? What?

11:43 – 11:49
We were shocked. And it was not something that we were thinking of getting originally because all the top items were at the

11:49 – 11:55
Hungry Hungry Bear, restaurant, and everyone was ordering on the app. That was pretty much the only way you were gonna get

11:55 – 12:02
your food. And so I wanted to try and find something, and I saw that the refreshments cafe had the Johnny tsunami sandwich,

12:02 – 12:09
and I was like, that sounds cool. So it wasn’t even on our list and it of, like, high items to get. It on the when I was looking

12:09 – 12:14
at the map that we were given, it wasn’t pictured. There were, like, food items they were highlighting. It wasn’t one that

12:14 – 12:19
they were highlighting. But I was just like, okay. This will be for us to all have something different when we sit down and

12:19 – 12:23
eat. And I’m so glad we got it because it was the best thing.

12:23 – 12:30
It was the best thing. And, I mean, we were just hungry at this point because we had been lighting up for all sorts of, like,

12:30 – 12:36
photo ops and nonsense. It was already, like, getting into the night, and we were there watching Perry the Platypus just,

12:36 – 12:41
like, rile up this crowd, and we’re just like we need to eat. And we’re all just on our apps, the 4 of us, and we’re just

12:41 – 12:48
like what can we order like right now? And then so Ariel split up and went over to the refreshment corner. We got stuff from the Tomorrowland Terrace.

12:48 – 12:49
Galactic Grill?

12:49 – 12:54
And Galactic Grill. Yep. Yep. Yep. And, yeah, like, when we all put all of our food together, that was literally, like, I

12:54 – 12:57
could have fought somebody for that. Yes.

12:57 – 13:00
Yes. That’s so good. Totally. Be a staple.

13:00 – 13:07
Absolutely. And Johnny Tsunami is one of my favorite Disney Channel movies of all time and underrated, obviously, but they

13:07 – 13:11
really redeemed it at Disney Channel night with this hot dog. It was so good.

13:11 – 13:18
Well, and speaking of, like, the park foods, what I mean, there are popular snacks that people go to get regularly. So when

13:18 – 13:22
you go to Disneyland, what do you immediately think I have to eat?

13:22 – 13:30
I mean, I have to have a corn dog. And now I know that you and I get corn dogs at different places. We do. We do. So, Ariel,

13:30 – 13:33
where do you get your corn dogs? Because I know you’re a corn dog fan.

13:33 – 13:41
Oh, I get it at the stage door. Yes. Yes. Yes. I get it at the stage door, and I don’t sit in I used to sit inside and watch

13:41 – 13:47
the show. Now I’m just, like, at their mobile pickup area, and I’m grabbing it and going. I and I honestly thought that was

13:47 – 13:50
the only place that you could get a corn dog and then I talked to you.

13:50 – 13:56
So I get mine from the little red cart before it was called the little red cart. It was just literally the corn dog cart because

13:56 – 14:03
they have the best breading and it’s always fresh, but there’s always a line. Now there used to not be a line back when I

14:03 – 14:10
would get it as a kid. But, yeah, it’s literally they only have corn dogs. And I also get the fried chicken right behind it.

14:10 – 14:17
Because that fried chicken is so good, and it’s like the best meal for, like, when you’re probably more than halfway through

14:17 – 14:25
your day at the park, and you just need the most hearty thing. And you get 2 pieces of fried chicken with a side of veggies,

14:25 – 14:32
mashed potatoes. And it is so good for families because you can share. And in the morning, I think is a buffet, but later

14:32 – 14:39
on you can walk up cafeteria style. And those are like my two favorite things to eat at the park for like the morning and

14:39 – 14:46
the afternoon time. But the clam chowder is also one of my staples. I have to get clam chowder if I can hack it. Even if it’s

14:46 – 14:53
a hot day. I’ll wait until, like, midnight to right before they close to get clam chowder over at the Royal Street Veranda

14:53 – 14:55
right next to Pirates of the Caribbean.

14:56 – 15:04
Okay. I’m less meal oriented and more, like, snack oriented, so I always get a mint julep and beignets. And I’ll try the seasonal

15:04 – 15:12
ones, but I really always just like a regular beignet and a mint julep. And always pop corn. Sometimes sometimes I’m buying

15:12 – 15:18
the popcorn buckets. Right? And that’s an extension of, like, food fandom is buying, like, themed popcorn buckets, but I’m

15:18 – 15:25
pretty much always eating a popcorn. Used to always eat a churro. Now I really like more of the salty flavor. And if I get

15:25 – 15:27
a churro, it’s because someone’s splitting with me. Mhmm.

15:27 – 15:36
Yeah. I have a good friend. He is the churro connoisseur. Every time he goes to Disneyland, I think we had to it was either

15:36 – 15:42
a challenge that that he was gonna eat, like, all the churros, but I think it was at the time where they were raising churro

15:42 – 15:45
prices. Because once upon a time, churros used to only be 3.75.

15:46 – 15:47
And now it’s what?

15:47 – 15:55
Up to $7 now, I think. Is that right? Mhmm. Mhmm. That is wild to me. And I think because now they have themed churros. Right?

15:55 – 16:02
Well and I I think with the corn dog and the churros, something that you have shared with me is that your sister-in-law talks

16:02 – 16:08
about sustainability at the parks. And so if you are somebody who doesn’t want to have, like, high waste, that would those

16:08 – 16:14
would be good items to get because the corn dog is just on a stick and the churro is just in a little flimsy paper. Right?

16:14 – 16:21
Yeah. Definitely. And they’re portable, so you’re really, like, consuming these things as you’re waiting in line for a ride

16:21 – 16:28
or if you’re waiting for the parade, or, you know, some sort of attraction that requires you just standing around, it’s very

16:28 – 16:35
convenient. So I think Stefanie with managing expectations, as we’ve talked about before, you really wanna put that in the

16:35 – 16:41
forefront of your mind before you figure out your food route. I would just reserve days to just eat and not do anything else.

16:41 – 16:48
I would just have Disney food days, where, like, we would go over to Trader Sam’s over at the Disneyland Hotel, and we would

16:48 – 16:57
get a reservation there. And Trader Sam’s is a really cool tiki bar that’s interactive and you can get not just, you know,

16:57 – 17:05
very good alcoholic drinks, but they do have a lot of Polynesian food that you can get only there and not at the park. So

17:05 – 17:10
I would go over there, and then we would just go up and down main street and just try food. But I know if you are just going

17:10 – 17:16
for like a 3 day trip or maybe just a one day trip, it’s really hard to do all of that stuff. You really have to be mindful

17:16 – 17:18
of where you’re going.

17:18 – 17:24
And I think that portability you talked about is important because it also depends on the type of theme park attendee you

17:24 – 17:31
are. If you are not an annual pass holder and this is about the only time you’re gonna make it to the park or if you are flying

17:31 – 17:38
in, you may not want to do a reservation. It might be good if you wanna take a break, but if you’re trying to get on as many

17:38 – 17:44
rides as you can, you might want to bring your own snacks or get some of the snacks that you can walk around with, or split

17:44 – 17:50
up your party depending on how big it is and have some sit down and have some wait in line and do a switch.

17:50 – 17:56
Yeah. And I do like how you mentioned that because, yes, the food prices have changed drastically in the past couple years.

17:56 – 18:04
So if you are on a budget, which I have been, I remember going to Disneyland with just $20 to spend, grabbing snacks and,

18:04 – 18:12
you know, packing your own meal. That’s totally doable. I’ve seen many people on social media even bring their own rice to

18:12 – 18:19
a company with their food because some food just tastes better with rice and even condiments, their own tortillas, fried chick

18:19 – 18:25
yeah. All of that stuff. I think, you know, Disney is not a big stickler for bringing in snacks, obviously, because there

18:25 – 18:31
are lots of kids that go to the park and, you know, they would like specific snacks that you might not find. And also milk

18:31 – 18:37
and juice is very expensive at the park. So I always bring my own for my kids and, you know, little things for them to snack

18:37 – 18:43
on while they’re waiting for a ride or a parade or something. You know, really being mindful of how much you wanna spend at

18:43 – 18:51
the park, knowing that a churro is 6 to $7 now. If you’re getting a meal and you are spending at least $20 for yourself for

18:51 – 19:00
a meal. And if you are so lucky to get a dinner reservation at the Blue Bayou or, you know, somewhere really fancy like Carthay

19:00 – 19:07
Circle, you would need to factor that into your culinary day. Not to say that none of it is worth it because it’s all worth

19:07 – 19:12
it. But, you know, just just so that you know what you’re getting into is the biggest thing.

19:12 – 19:19
Yeah. I I think when it comes to specifically planning the parks and making sure that you have both the time, but also the

19:19 – 19:26
energy. One of the things that was is always surprising to me is how much I can eat when I’m at Disneyland compared to at

19:26 – 19:32
home. Because of all the walking I’m doing, I need to sort of make sure that I’m always putting something in my system to

19:32 – 19:38
be able to have the energy to do all of the park things. The thing is if you go on the app and you look at the reservations,

19:38 – 19:46
it will list vegetarian or vegan options. It will list allergy friendly options, but it’ll also list the, restaurants that

19:46 – 19:53
have cross contamination. So if your allergy is very severe, that’s another reason why people will also bring in their own

19:53 – 19:59
food to ensure safety, and why Disney isn’t going to say, like, no to other people bringing in their own snacks and food.

19:59 – 20:05
So you could pretty much bring your own. I know that Steph, you have brought, like, a cooler and put it into with ice in it

20:05 – 20:12
and put it into the lockers before, keep, like, licking drinks cold, and then had, like, a designated time to go and grab

20:12 – 20:13
the food and picnic.

20:13 – 20:20
Yeah. Way back when I was younger. Obviously, Disneyland was cheaper. But, you know, as, you know, my mom was very frugal,

20:20 – 20:26
she would pack us lunch and we would keep it in a locker. And right next to Disneyland entrance and the lockers is a picnic

20:26 – 20:33
area. And we would bring like, you know, any sorts of food. I remember one time we brought even El Pollo Loco to the parks.

20:33 – 20:38
And, we would take it out and then we would eat it for lunch so that we didn’t have to buy food there at the park and then

20:38 – 20:44
we would just reenter. I was no stranger to that other when I was younger. I still see people do it now, especially if they’re

20:44 – 20:50
going on like a school group or, you know, like a like a small organization where, like, the kids are going for, like, a certain

20:50 – 20:55
thing. Girl scouts, boy scouts, I’ve seen them all use that picnic area. And, you know, you don’t need to reserve it. It’s

20:55 – 21:00
just kinda like a park, like an actual park. And you you could just chill there and then eat and then just put your stuff

21:00 – 21:06
right back in the locker. And they won’t ask you for, you know, any sort of time limit or anything like that. They still have

21:06 – 21:08
it to this day, which is really cool.

21:08 – 21:14
Yeah. So we’ve talked about food in the park. It’s bringing your own and then special foods. We’ve talked about food events

21:14 – 21:21
in the park. And as we mentioned that food is more than, like, fandom wise, more than just the food. There’s also the food

21:21 – 21:29
that is themed and food that we wanna try that is in our favorite shows and movies. Mhmm. So I’m curious for you. In the parks,

21:29 – 21:35
when there are themed foods based off of stuff, like, what comes to your mind when you think of that? Because I think of,

21:35 – 21:38
like, going into the the the pizza place in

21:38 – 21:39
What is it called? It

21:39 – 21:46
called? Yeah. Pizza Planet. Yeah. I think of Pizza Planet when I think of, like, a food that was from a movie or show that

21:46 – 21:54
now I might have access to or the shawarma cart in Avengers. In Avengers campus over at California Adventure. Like, those

21:54 – 21:57
are are, like, places that now I’m getting to actually visit.

21:57 – 22:05
Mhmm. I immediately think of the blue bantha milk. That’s the first thing that comes to mind. Because, I mean, when they made

22:05 – 22:12
Galaxy’s Edge, it was so immersive and that was so different from everything. Because when I went to, you know, my idea of

22:12 – 22:17
going to Disneyland is going to different regions of the world. So if I were in New Orleans Square, I knew I was gonna get

22:17 – 22:23
like gumbo or jambalaya or something beignets that I don’t normally get here in LA. Or even if I went to like adventure land,

22:23 – 22:31
I’ll get like, you know, Dole whip because I don’t normally have Dole whip back home. So when blue bantha milk came up at

22:31 – 22:38
Galaxy’s Edge, I was like, this is like a Star Wars food that is now in my hand. Like, that’s wild. Like, it’s crazy to me.

22:38 – 22:45
And I was like, what is it even made of? Do I even care at this point? I don’t care. It’s golden. It tastes delicious. I Tastes

22:45 – 22:50
like a Jolly Rancher. Looks like. It tastes like a Jolly Rancher. And I love that it has, like, almond milk options. Like,

22:50 – 22:57
it’s nondairy. And it’s super refreshing because I remember it being so hot when Galaxy’s Edge opened that I was constantly

22:57 – 23:04
just, like, thirsty and sweaty. But, yeah, I think they did a really great job with not just the Bantha milk at Galaxy’s Edge,

23:04 – 23:11
but also the ronto wraps there, because it really takes you out out of you know, this is regular food that we find here, obviously,

23:11 – 23:17
because I can make it in a kitchen and the world that we live in. But I can think I’m eating something else, and I don’t attune

23:17 – 23:23
it to a specific culture. This is purely fantastical, and I thought that was really cool. Yes.

23:23 – 23:39
Yeah. I think fantastical for me would also spoon. It was hilarious. And, again, even though it was real food, it was the

23:39 – 23:43
thought that it might have been, like, expanded or shrunk down.

23:43 – 23:49
Yeah. Yeah. Yeah. I have a little bone to pick with that tiny, tiny egg. Being so hungry in the morning, I’m like, I want

23:49 – 23:55
breakfast. And of course, you’re going for the novelty of it. Right? But like when I got this quarter size of an egg, I’m

23:55 – 24:01
pretty sure it’s a quail egg because there is no way that you got that from a chicken. I was like, what is this? What how

24:01 – 24:08
much did I pay for this? But then you see the gigantic pretzel and how it’s like hanging off of like a hook and it’s like

24:08 – 24:11
the size of my torso. And you’re like, alright. This is worth

24:11 – 24:12
it. Yeah.

24:12 – 24:13
Yeah. There’s a lot of pretzels.

24:13 – 24:17
And the ridiculously large chicken patty. That was my best.

24:17 – 24:22
I think yeah. It’s as big as your head. I’m pretty sure whatever chicken that came from was like the largest chicken in the

24:22 – 24:29
country. But, yeah, you’re right. PIMS test get I think they got really creative with that. And, I mean, the novelty of it,

24:29 – 24:36
it just it stuck because it was so cool. I know that there’s the Pizza Planet’s really good too, but I wish they had an arcade

24:36 – 24:43
in there because Pizza Planet in my mind was like a Chuck E. Cheese almost or, you know, an amusement center. So I think if

24:43 – 24:47
they had that, that would definitely, like, create the whole entire scenario for myself.

24:47 – 24:55
I still and maybe this is over in Paris Disney, but I wish that they had a Remy’s kitchen of some kind for, like, French cuisine

24:55 – 24:58
from rats at doing in in our park.

25:00 – 25:01
No. They do in Paris.

25:01 – 25:10
I think of Disney and food, that’s that Tiana and Remy are what come up in my mind as, like, the movies for Disney and food. Yes.

25:10 – 25:16
I have had the privilege to go to land Paris and yes, they do have a restaurant that you have to reserve for. It’s at the

25:16 – 25:24
end of the Ratatouille ride. But I haven’t been, but I will try to go this time when I go to Disney World. But now that they

25:24 – 25:30
have the ratatouille ride in the Paris part of Epcot, I know that they have food as well right next to it because they’ve

25:30 – 25:36
always had Parisian food there, and I’ve had it there. But I just don’t know if they do Tatooi or, like, something from the

25:36 – 25:43
movie. But I will find out, and I will report back to you. Yes. But, yes, Tiana’s Kitchen. Okay. I’m gonna get a little I’m

25:43 – 25:46
gonna get a little critical now because

25:46 – 25:49
Oh, well, we did say we examined with a critical lens.

25:49 – 25:58
Yes. I was so excited for Tiana’s kitchen. I mean, it just made sense to make that area in front of haunted mansion into her

25:58 – 26:05
place. And now that they’re doing Tiana’s Bayou ride, which is formally Splash Mountain, I was so excited for the food. However,

26:05 – 26:07
I took a trip to New Orleans earlier

26:08 – 26:08
at the

26:08 – 26:09
end of last year.

26:09 – 26:10
A bad move.

26:11 – 26:17
Bad move. But I’ve always wanted to visit New Orleans, and it is a beautiful city. If you ever get to go, oh my gosh. It is

26:17 – 26:24
full of culture, full of life. The food is out of this world. Just everything that you imagine that you saw while you were

26:24 – 26:31
watching princess and the frog, that’s literally what it comes with with the music and the spices and just their use of seafood

26:31 – 26:40
and everything. It was so good. And then I tried Tiana’s kitchen. And man, I was like, this is not as good as what I wanted

26:40 – 26:47
it to be. I know that Disney tries its best to represent regional food and they’ve done that very successfully. In many ways,

26:47 – 26:54
we just mentioned the Polynesian Johnny tsunami dog, which hit it out of the park. But I think to pay homage to New Orleans,

26:54 – 27:00
which is such a huge culinary city, I think they definitely need to step it up a little bit. I get it. There’s demand out

27:00 – 27:07
there. It’s always busy. You can only churn out so many beignets and so much gumbo and so much shrimp and grits at once. But

27:07 – 27:13
Yeah. Because they’ve done such a good job at California Food and Wine Festival, I definitely think that they can do a little

27:13 – 27:21
bit more improvement because my shrimp and grits were okay. I ate it, but it was lacking seasoning. It was lacking depth.

27:21 – 27:27
It was, you you know, the portion was good. But I think the one thing that I the only thing that I liked was probably the

27:27 – 27:36
vegetable gumbo because kinda can’t go wrong with that. And I know, Ariel, you had this was the lemon icebox beignet, which

27:36 – 27:43
ended up being kinda sloppy and wet by the end of it because of all of the, you know, icing. But I know you had it. So Yes.

27:44 – 27:45
What was your opinion on it?

27:45 – 27:50
It tasted good, but you would have to eat it right away. I would say that’s something that you should order second, like,

27:50 – 27:57
go back and get it versus ordering it with your meal unless your meal is that dessert or you eat fast. A beignet is just as

27:57 – 28:03
good as warm as it can be. Like, that that’s pretty much it. And then when you have a liquid, like, if it’s stuffed with something

28:03 – 28:10
or has a cream of some kind, that’s going to detract from, like, the fried part of the beignet. I would say Tiana’s place

28:10 – 28:18
is where you want to go if you want to meet a princess and you cannot wait in line. So it’s a great for accommodations, especially

28:18 – 28:24
if you’re, like, a wheelchair user or if you are a walker user. That’s gonna be a place where you can sit down because Tiana

28:24 – 28:30
comes to your table, and she comes to every table. She will talk to you. She will take pictures with you. And if she asks

28:30 – 28:36
you about the food, she’ll joke with you. Like, that’s the immersive part of that environment. The food and I have seen, some

28:36 – 28:44
cast members who are, who work in the kitchens, who are chefs or sous chefs or, cooks in the kitchen, and they have said that

28:44 – 28:51
they cannot make the buy spicy simply because they get so many complaints about it. So if you’re looking for, like, authentic

28:51 – 28:58
Creole New Orleans cuisine, don’t go to Disneyland. Like, that’s the fantasy. If you are looking for just something that will

28:59 – 29:04
satiate you, that tastes fine, it’s not bad, and you can meet a Disney princess without having to leave your seat, that’s

29:04 – 29:10
what you’re gonna wanna do with Tiana’s place. And and you talked about, like, the spicy cart over. I think the other thing

29:10 – 29:17
what, people have said online is because more people, if they have to choose to visit a park, will choose Disneyland only,

29:17 – 29:23
that they cater to a general audience. Whereas the California Adventure does have the opportunity to cater really towards

29:23 – 29:31
California natives and people in the West Coast, which means that their food gets to be more expansive. And when you have

29:31 – 29:37
when you have an event of some kind, like you said, it’s limited in how much they’re gonna make. Whereas a kitchen that is

29:37 – 29:43
going to stay has to keep churning out the same thing, and it has to taste the same every single time. So Absolutely. It’s

29:43 – 29:49
a worthwhile criticism. If you’ve never been to New Orleans, you’re not gonna know the difference. If you have been to New

29:49 – 29:51
Orleans, you’re gonna know the difference.

29:51 – 30:05
Right. You are definitely right. I think the experience of meeting Tiana there, unfortunately, started coming down and like

30:05 – 30:10
many normally when rain happens, many of the characters, many of those experiences just go away. And so we really wanted to

30:10 – 30:17
try it because last time when we were to try it, which is funny enough before I went to New Orleans, I missed the closing

30:17 – 30:23
of the restaurant because it was still new. And it closed at 8, and we had gotten over there at, like, 9. And I’m like, oh,

30:23 – 30:30
dang. It’s closed now. So, I mean, that would have definitely been a different experience. But at the same time, I think that

30:30 – 30:36
you’re right. Disneyland catering to a general audience is what they’re there for, because they are the ones this is the original.

30:36 – 30:42
There’s only so much that Disneyland can do, which is why they have specialty places like California Adventure or mainly even

30:42 – 30:50
EPCOT. I know that I’ve had such great regional food over at EPCOT at Disney World because they have chefs from that specific

30:50 – 30:56
country. They have people who work there from that specific country that are on, like, a Disney college program or, you know,

30:56 – 31:03
through Disney so that they can share their culture with the world. So there are different ways that Disney is trying to represent

31:03 – 31:11
different countries in very respectable ways. But I think Stefanie this would probably be a gateway into, let me see what

31:11 – 31:18
creole food is actually like. But I think that little voice in the back of my head knowing that Tiana was a chef and that

31:18 – 31:25
she was very proud of her food and the whole movie was her trying to achieve her dreams of making that restaurant. If I knew

31:25 – 31:28
Tiana, maybe she wouldn’t have approved some of these dishes.

31:29 – 31:35
Yes. Yeah. I think if we’re talking about bringing the movie to life, that was not it, and that’s that’s fair.

31:35 – 31:41
The outside is gorgeous, though. The outside is absolutely gorgeous, especially at night. It’s so pretty.

31:41 – 31:45
Yes. We can agree on that. And there’s room for improvement. Right? It’s still technically new.

31:45 – 31:45
Absolutely. Yes.

31:45 – 31:52
That’s I think that’s gonna be the saving graces. We’ll probably see the food evolve and get hopefully better. And I I do

31:52 – 31:58
think you also highlight, like, even though the foods at the parks are expensive, even if you go to, you know, Epcot in Walt

31:58 – 32:04
Disney World, like, you may not have the money to travel to another country. This may be the only time you get to experience

32:04 – 32:09
other cultures. So even if it isn’t quote unquote authentic, which really hard to be if you’re not if you don’t even have

32:09 – 32:11
access to the food that your region would

32:11 – 32:13
have. Absolutely.

32:13 – 32:19
For the most part, this is a great way to introduce, like, students, to introduce people to different cultures and different

32:19 – 32:26
cultural cuisines and talk about, you know, acceptance and diversity. I know that we’ve talked about this on the panel. Can

32:26 – 32:32
you share, like, your experience in the classroom and with students when it comes to diverse foods or trying to celebrate

32:32 – 32:35
different cultures and through their cuisine? Cuisine.

32:35 – 32:42
Yeah. Definitely. I know that whenever you introduce food that is not school lunch into your classroom And really, like for

32:42 – 32:50
the campus, it’s always a special occasion. I’m so lucky that I work for a school that highlights diversity, inclusion, and

32:50 – 32:58
just, embracing the different cultures that make up Los Angeles. And I did want to note that too, because California is such

32:58 – 33:05
a great place to its populations of cultures that have enclaves that have been here for decades, 100 of years, that, you know,

33:05 – 33:14
we can get authentic Oaxacan food just down the street. So I always tell my students that, you know, food is a part of not

33:14 – 33:21
just everyday life, but a part of your identity. So whenever we have cultural events, we normally have festivals that highlight

33:21 – 33:29
Asian American foods, traditionally black foods. We do a good job, I think, in making that effort. So, yeah, I think that

33:29 – 33:36
introducing students to that is really important. And any sort of way that I can do that, whether it be making guacamole in

33:36 – 33:42
the classroom or trying out different types of bread, incorporating that into, like, a history or social science lesson, because

33:42 – 33:48
food is just a part of history. And if we’re, you know, if we’re losing some of those history lessons, at least we get to

33:48 – 33:54
do it in the everyday things that we eat. So, yeah, I mean, I’m pretty thankful that I get to do that. I know not other schools,

33:54 – 34:00
some of them don’t get to do that. But, I mean, for you and your practice, do you ever get to talk about what food means to

34:00 – 34:04
them and the relationship that people have with food in regards to their mental health?

34:04 – 34:11
Yes. So, I know that a lot of my clients have experienced, like, grief and loss. And one of the ways that they will reconnect

34:11 – 34:18
with the individual that has passed is they will make favorite dishes that either were significant to that person or significant

34:18 – 34:25
to, like, the family and their tradition and passing down recipes. I have some clients who have some difficult experiences.

34:25 – 34:32
And so trying to reclaim, like, a positive relationship with the food is not only highlighting how it does connect to your

34:32 – 34:41
culture, but making it, like, fun, play based. Kitchen where my coffee area is, I have a funko of Deadpool as a barista. Like,

34:41 – 34:47
that’s how I’ve, like, made the kitchen fun and silly. And then I used to watch Gilmore Girls, so I have a funko of Suki.

34:47 – 34:56
And I have, a toadstool as a chef. And so they’re over by my by my stove. They’re helping me cook. And so I do that with my

34:56 – 35:01
my clients. It’s, like, we talk about ways to, like, a little bit more exciting. We talk about, you know I don’t give nutritional

35:01 – 35:07
advice. It’s not within my scope, but we talk about how they can enjoy, like, the food that they’re eating. Maybe it’s, like,

35:07 – 35:14
put more colors on the plate. Maybe it’s I think the common phrasing nutritionalists use is have what you like, add what you

35:14 – 35:20
need. So we you know, I’ll have them talk to their nutritionalists and see, like, what could we say that we like and then

35:20 – 35:26
add what we need. And maybe some of the things we like is, like, I will change the peanut butter and jelly sandwich to the

35:26 – 35:35
shape of, like, a Mario star or, like, the the, castle at Disneyland so that I’m still eating enough protein with the peanut

35:35 – 35:40
butter, but I don’t want the crust. And it’s like, okay. You don’t have to have the crust. And I’ve noticed that that is the

35:40 – 36:06
best way to reincorporate food as not just nutritional you actually appreciate it and not just the fact that it is something

36:06 – 36:11
you put, like, in your body, and it’s just the something you check off the box of, like, how you stay alive. But instead,

36:11 – 36:17
like, you are looking forward to it. You’re savoring it. A lot of the work we do is also mindfulness based. I don’t know how

36:17 – 36:23
many times I’ve, like, had clients, like, stop and pause and, like, really smell their coffee, hold the warmth in their hand,

36:23 – 36:30
like, hold the flavor in their mouth, see if they can describe it. Those are the ways in which slowing down and accessing

36:30 – 36:36
more language makes it easier in the long run when it comes to healing and and working through trauma and talk therapy.

36:36 – 36:43
Yeah. I love that you mentioned slowing down and enjoying your food just to enjoy it, because not many people do that. I know

36:43 – 36:50
for me as a mom, I I stopped sitting down to eat. I I eat standing up all the time. And many other moms can relate because

36:50 – 36:55
you just the minute you sit down, somebody will ask you for something, somebody needs someone someone starts crying or somebody

36:55 – 37:02
gets hurt. So I it’s been a while since I’ve done that. And lucky for me, when I go to Disneyland, because it’s either I’m

37:02 – 37:09
with friends or with other people. I mean, when my husband’s there with me, I can enjoy my food. And it’s fun for me because

37:09 – 37:16
these are foods that make me happy. Whether, you know, it’s eating a themed food or eating something that’s very nostalgic

37:16 – 37:23
for myself, I can stop and enjoy it because that’s really what being at the theme park is about. Right? It’s just enjoying

37:23 – 37:28
yourself in anything that you do. No matter the stress that comes along with getting there, or ordering the food, or waiting

37:28 – 37:36
in line for food, you’re still enjoying something that has happiness and joy in it. And so that is all a part of the park

37:36 – 37:43
experience with, you know, the theme food and the types of food that they have at Disneyland. It’s there to make us generally just happy.

37:43 – 37:52
Yeah. And I I think even, like, expanding that, joy of food, like, we know that now there’s merchandising and lining just

37:52 – 38:01
for food. You talked about Right. The munchlings, and I bought a pizza backpack, headband like Mickey ears, and a shirt from

38:01 – 38:03
their Disney Eats collection. So let’s talk

38:03 – 38:10
let’s talk a little bit about the merchandising and the marketing that is now absolutely a thing at Disneyland. Because in

38:10 – 38:17
the past years, there were no influencers. There were no theme nights. There were it was just going to the park and enjoying

38:17 – 38:25
the park as a theme park. Now there’s an element of niche fandoms within the park. And obviously, food is one of those niches.

38:25 – 38:32
And I don’t know about you, but this whole munchlings, like, little plushies that are Disney characters mashed up with food

38:32 – 38:38
items. I feel like it came out of nowhere. Like absolute it’s like that meme that says no one, absolutely no one. Disney parks,

38:38 – 38:43
let’s come out with, you know, a blind of plushies that look like food. That’s kind of how it happened in my

38:43 – 38:49
Yes. Perception of it. And, like, that just shows you about, like, food and fandom taking over because I didn’t know that

38:49 – 38:57
I needed a Donald Duck cupcake plushie until they showed me that I could have a Donald Duck cupcake plushie. And then I’m like, yeah. Oh

38:57 – 39:03
my gosh. I saw all of the stitch related ones. There’s like a stitch Dole Whip. There’s a stitch macarot. I’m like still at

39:03 – 39:09
that point in denial that I need it. I’m like spongebob or like, I don’t need it. I don’t need it. I don’t need it. I don’t

39:09 – 39:14
need it. If I’m gonna get it, I’m gonna get the actual thing and I’m gonna consume it so that I can get something out of it.

39:14 – 39:22
But they are so cute. And yes, spirit jerseys, ears. Ariel, you just bought the most beautiful set. This is so cute. And I

39:22 – 39:27
think I remember when we were at the park, you were like, I’m getting it. There was just like no questions asked. Right?

39:27 – 39:36
No. No. Yeah. So Disney Eats is a merchandising line that Disney is releasing every month a new food themed item. And the,

39:37 – 39:45
February was pizza. And I saw it and I was like, yes. I cannot not live without this. I will buy it before the end of this

39:45 – 39:51
convention. And I did. I bought the ears. I bought the jersey. I bought the lounge fly backpack. You know? I’m walking away

39:51 – 39:58
with pure joy. Like, I looked up when it was international pizza day, so I could, like, wear this again. I really love pizza

39:58 – 40:04
as a food. And then just to see the hidden Mickey’s, like, pepperonis as hidden Mickey’s, was it was clever. They got me.

40:04 – 40:09
They really got me with the merchandising. I looked at some of the other foods. I may do s’mores. Like, they have that in

40:09 – 40:16
December as one of the food items. That may be one that I also like as well. And and it’s interesting. If you go on the website,

40:16 – 40:24
it’ll list the food items, and they are in, like, a tan, image. And then when they release the item, they actually replace

40:24 – 40:31
that image with the actual item. So we’ll we’ll start to I see. Yeah. They’re they’re doing drops. They’re doing drops of

40:31 – 40:38
their line. And it’s merchandising that involves kitchenware, it’s merchandising that involves clothing, sipper cups, like,

40:38 – 40:42
it’s the whole gamut of ways to, like, engage with the food as a product

40:42 – 40:43
and not just as a consumable, but, like, a product.

40:43 – 40:46
It’s as if they thought, oh, consumable, but, like, a product.

40:46 – 40:54
It’s as if they thought, oh, these millennials that now have kitchens and have incomes, let me see what they like. And let

40:54 – 41:01
me just make this huge line about it so that every month in the year of 20 we get them in one way or another. Do they have

41:01 – 41:06
a preview of the type of food it’s gonna be, or is it just like a silhouette of an image or something?

41:06 – 41:15
Oh, it is a preview, but Okay. Even the preview is just a, like, a cartooned image of that food item. It isn’t of, like, the

41:15 – 41:22
merchandise. So if you go on our Instagram, you will see the most recent drop with the pizza ears. But if you swipe swipe

41:22 – 41:27
all the way to the end, you’ll see what it looked like before. We have the whole list for the whole month, so you can or or

41:27 – 41:30
for every month this year, so you can see what those drops will look like.

41:30 – 41:33
So when is coffee month? Because they have to do that. Right?

41:34 – 41:43
Oh, that is a good question. This January was just Disney Eats collection, so That was introducing the collection. February

41:43 – 41:50
was pizza. March is macaron. April is lollipop. May is ice cream. So some of these matching sort of what you would eat in

41:50 – 41:58
those those months. June is doughnuts. July is shaved ice. August is pineapple swirl. September is caramel apple. October

41:58 – 42:04
is churro. Umbers is gingerbread, and December is s’mores. So all foods, no drinks.

42:04 – 42:07
So they’re all they’re all desserts except for pizza.

42:07 – 42:10
Wait a minute. Except for pizza. Let’s pizza put them in the laundry detergent.

42:10 – 42:16
They’re all desserts except for pizza. Okay. So the theme is they’re going for handheld. They’re going for childlike items

42:17 – 42:23
that kids can also partake in, which is probably why they don’t have coffee. And I feel like I’ve seen I mean, before we’ve

42:23 – 42:29
seen Disney donut ears, and some of the munchlings have been s’mores and, you know, macarons and other things. So I think

42:29 – 42:34
they’re just now maybe expanding upon what the merchandising has worked for them in the past.

42:34 – 42:42
Yes. Yes. And all the imagery is Mickey shaped items with the exception of the pineapple swirl, unless there’s a hidden mickey

42:42 – 42:58
that I can’t see. But I think you’re hitting on like some of the way that food is being merchandised, Find a food you can

42:58 – 43:04
eat with your hands. A messy food like spaghetti or food that you’re used to eating in your hands like pizza or fries. Because

43:04 – 43:10
that’s that is one of the first ways we, like, explore our body is touching our mouth and putting things in our mouth. You

43:10 – 43:14
have an infant. I’m pretty sure she puts everything in her mouth. Right? All the things.

43:14 – 43:15
So Every of the things.

43:15 – 43:23
When we’re talking about, like, nostalgia marketing, having handheld foods, wonderful. Having it be sweet, go to treats, having

43:23 – 43:31
it sort of match the theme of the month. I think that Disney’s on brand with this marketing. And I think really shows why

43:31 – 43:39
our panel, when we first did our food panel, why it was accepted at Comic Con. That was the first panel that we had ever accepted

43:39 – 43:46
at Comic Con. It was and it’s because food is a niche culture of fandom in so many different ways.

43:46 – 43:53
Mhmm. And just as you’re listing all of those foods, you could essentially say there’s a fandom for every type of food that

43:53 – 43:59
you just listed. Mhmm. We have pizza lovers, macaron lovers. I was surprised they didn’t have cookies. Just like regular cookies?

43:59 – 44:00
No chocolate chip cookies?

44:00 – 44:06
Just gingerbread, but definitely Just gingerbread. I think the other thing is that these are also foods you can access in

44:06 – 44:13
the park. So they’re, like, doubling down on the fact that these are favorite foods that are to go Mhmm. That are park foods as well. Right?

44:13 – 44:19
Yeah. But yeah. Absolutely. People are fans of these food. I know that we didn’t really dive too deep into it, but there are

44:19 – 44:24
fans of the different types of cold brew in the parks. Because now that they’ve realized that cold brew is a thing that people

44:24 – 44:30
need at the parks, whether you’re a parent, whether you’re just, like, trying to get through the day. There’s different variations

44:30 – 44:36
of cold brew that you can get in the parks, just like how you can get different variations of churros. So when you have followings

44:36 – 44:42
of people who will, like, repost any sort of video that has to do with that food item, that is essentially creating a fandom

44:42 – 44:50
of that item. That Disney now is looking at that as, hey, you know, we not only have Disney fans, but we have Disney foodies.

44:50 – 44:56
We have food fans and for specific things. So it was very smart on their part to hone in on that.

44:56 – 45:04
Yeah. I think this will be our our part 1 in a series of food as a subtopic on our Disney fandom, podcast.

45:05 – 45:07
We have lots to say about it. So, you know.

45:07 – 45:17
Now if you are going to be at WonderCon this year, we will have our panel on March 31st. That’s a Sunday from 4 to 5 PM. It’ll

45:17 – 45:24
be in room 2. And I do understand this is also Easter, so if we don’t see you, that is totally fine. But if we do, you know,

45:24 – 45:33
say hi, ask a question. We will have a variety of people on our panel, an actor, a producer, a restaurant owner, chef, a sous

45:33 – 45:40
chef. So come and learn about food and fandom. It won’t just be Disney related. It will be the whole gamut of food and fandom

45:40 – 45:48
and the experience. And, you know, if you have any questions, please follow us and message, like, and follow at happiestpodgt

45:49 – 45:56
for Instagram and happiestpodgt for and, yeah. Like, let us know. What do you eat at the parks? What are your favorite foods?

45:56 – 46:04
Yes. And what foods are you fans of? Because as we are going to be diving into that topic at the panel, we always love hearing

46:04 – 46:11
stories of people and their relationship to their favorite foods. It’s always so great to hear because we’ve all had that

46:11 – 46:19
experience of loving food and getting joy from it that is unmatched when you eat something that brings you so much happiness

46:19 – 46:26
that you just have to stop everything and realize that. So we’re very excited, the panel. But if not, we will see you on the next episode.

46:26 – 46:27
Alright. Bye, everybody.

46:28 – 46:29
Bye.

Media/Characters Mentioned
  • Tiana
  • Princess and the Frog
  • Remy
  • Ratatouille
  • Deadpool
  • Suki
  • Gilmore Girls
  • Toadstool
  • Funko Figures
Topics/Themes Mentioned
  • Disney Food Culture
  • Food and Wine Festival at California Adventure
  • Disney Merchandising and Marketing Strategies
  • Using Food in Education and Therapy
  • Disney Eats Collection
  • Panel Discussion on Food and Fandom

Website: happy.geektherapy.com
 | Instagram: @HappiestPodGT | Twitter: @HappiestPodGT | Facebook: @HappiestPodGT |
 | Stef on Twitter: @stefa_kneee | Ariel on Instagram: @airyell3000 |

Geek Therapy is a 501(c)(3) non-profit with the mission of advocating for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
| GT Facebook: @GeekTherapy | GT Twitter: @GeekTherapy |
| GT Forum: forum.geektherapy.com  | GT Discord: geektherapy.com/discord |

Styling for Dapper Day

April 22, 2023 · Discuss on the GT Forum

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#32: Join cohosts Ariel and Stefanie on their journey for Dapper Day outfits. Immerse yourself in the world of Dapper Day at Disneyland as they explore everything from dressing tips and theme ideas to personal experiences and the pursuit of the perfect outfit pieces. Dive into discussions on vintage fashion, body acceptance, and privilege as they talk about stepping out in style.

Read the blog post for this episode for additional references and resources.

Become a member of Geek Therapy on Patreon: http://www.patreon.com/geektherapy

Summary

HPOE32
Summary

  • What is Dapper Day? 0:10
    • Dapper Day at Disneyland.
    • Step out in style.
    • Disneyland Dapper Day Expo

  • Dressing for Dapper Day 5:23
    • Disney Bounding is when they use color blocking.
    • Choosing a theme.
    • The value of being complimented on Dapper Day.
    • Different elements of a Dapper Day outfit.
    • Think good and hard about footwear.

  • Ariel and Stef’s Dapper Days of the Past 8:42
    • Ariel bought socks to wear with her heels due to the pain of walking all day.
    • Different park preparation from 20-year-old years to 30-year-old years.
    • Flamingo-themed dress, floral-themed dress, tiki-themed dress, and Moana-themed dress.
    • Tips for where to take pictures in the park.
    • A short girl solution to short girl problems.
    • The many theme ideas for Dapper Day.

  • Ideas for Dapper Day 14:46
    • The Disney Dress Shop in Downtown Disneyland.
    • The difference between making costumes and curating an outfit.
    • Flexibility and intentionality are needed when deciding to go vintage or retro.
    • Embracing culture.
    • Filipino formal wear of The Barong Tagalog, The Terno, and The Maria Clara.

  • On A Mission for Dapper Day Outfit Pieces 22:26
    • Searching Amazon for Dapper Day themed outfit ideas.
    • On a mission for the perfect pair of white boots.
    • Trying to attain that perfect look, even when it hurts.
  • Ariel Does a Star Wars Disneybound for Spring Dapper Day 2023 30:09
    • The fine line between replica and upgraded outfit.
    • Wait, are they getting married?
  • Dress To Your Comfort Level 34:58
    • Acknowledging the element of privilege in participating in Dapper Day.
Accepting the changes to your body.
    • Stepping out or staying in your comfort zone.
    • Attending the Expo instead of the Park to enjoy Dapper Day.
    • Catch Stef and Ariel at San Diego Comic-Con for three different panels.

Transcription

Ariel Landrum 0:10
Hello, everyone, welcome to the Happiest Pod on Earth. I’m Ariel. I’m a licensed therapist who uses my clients passions and fandoms to help them grow and heal from trauma.

Stefanie Bautista 0:20
And I’m Stef, I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them.

Ariel Landrum 0:26
And Happiest Pod is where we dissect Disney mediums with a critical lens.

Stefanie Bautista 0:32
Why do we do this? Because we’re more than just fans, we expect more from the mediums that we consume, especially from Disney. So Ariel, what Disney experience are we discussing today?

Ariel Landrum 0:42
We’re gonna talk about Dapper Day.

Stefanie Bautista 0:47
It has been a minute since we’ve talked about anything. And right before we started recording this, I was 100% shocked that we haven’t talked about tougher day before, because it’s one of our annual traditions, I guess biannual because it happens twice a year, right? Yeah. And it’s one of the things that me and Ariel love doing at the parks. It’s one of the things that brought us together as best friends. And so I’m just like, “Why haven’t we talked about this befire?”

Ariel Landrum 1:14
Exactly! Stef, what is Dapper Day?

Stefanie Bautista 1:17
So Dapper Day. And this is open to interpretation, right? Everybody who’s listening, I know you guys have probably heard seen, or maybe even had friends who participated in Dapper Day, it’s a chance for everybody to come dressed at the park in their best outfits. So as you all know, Disneyland opened in 1955. And in 1955, the fashion was completely different. Everybody was in dresses, men wearing in suits. Even little kids didn’t wear athletic wear. They basically wore really cute things to the park, it was as if they were going out to a special event.

Ariel Landrum 1:51
And the park was more like a park, right? The rides were not as extreme as they are now.

Stefanie Bautista 1:58
It was more like going to a park that had amusement rides, much like a carousel at Griffith Park or pony ride or something like that. So basically, Dapper Day is a way for retro enthusiast, fashion enthusiast, and Disney fashion enthusiast to come together. It dressed up and their best in the park and basically takes a million pictures. Because you when you’re dressed up to the nines like that you’re not really wanting to you know, mess up your hair on Splash Mountain RIP. But you want to just show out and step out and I think the official theme is ‘Step Out in Style,’ right? So that is basically Dapper Day. It happens twice a year, once in the spring and once in the fall. And since then it’s expanded to different events either at museums or local gardens and they also now have Dapper Day at Epcot in Disney World and they also have it in Disneyland Paris as well.

Ariel Landrum 2:50
So started by the fans and now when we say if is it is it actually officially recognized by Disney or is it like unofficially officially because I remember when you introduced me to it this was back in like 2017 I believe it was like unofficially recognized by Disney in that Mickey would come out and like his like best dress and like his dapper wear on that day. So it was like a nod that they knew was Dapper Day, but it wasn’t featured on their website. It wasn’t acknowledged in the sense that it was an event sponsored, covered or approved by Disney.

Stefanie Bautista 3:23
Right. So here’s the thing. They hold the Dapper Day Expo, which is basically like they’re Dapper Day at Comic Con, have you, in the Disneyland Hotel and they have all these vendors and they sell dapper where they still have they get they do your hair, they sell shoes, all the things that you need to make up an outfit. They have performances, all that stuff, everything that’s like very retro. And they hold that at the Disneyland Hotel and they sell merchandise that says Disneyland Dapper Day or Disney Parks Dapper Day. When I visited Epcot last year. They even had a booth that was in Epcot right in front of I think where the America section was, and that booth had Dapper Day merchandise although we don’t see it on the parks and tickets. It’s not a ticketed event. So it’s not like it would be on the website as a ticketed event like Oogie Boogie Bash would be I feel like it’s recognized by the parks but I don’t think it’s owned by the parks if that makes sense.

Ariel Landrum 4:17
Okay.

Stefanie Bautista 4:18
Yeah, correct me if I’m wrong everyone but I thought these are just my observations.

Ariel Landrum 4:22
Yes. And I haven’t seen anything like on the website I feel like we follow enough Disney influencers that if it became like an officially recognized like announced thing by Disney, we would have seen it all over Instagram as like “Breaking news!”

Stefanie Bautista 4:39
And to be quite honest with you, I don’t feel like that’s necessary because it is such a casual, casual but you’re not looking casual event where people just come dressed to the park. It’s not like you have character meet and greets. You don’t have like special theme food like they’re not going to serve your hot dog from the 1950s. But they have been incorporating some of those elements into everyday Park life. For example, you find the retro popcorn bucket in different places at the park in California Adventure, they have performances by a swing band, and they have, you know, things that called back to that era, but not necessarily needing to section out the whole day in order to have the event because it is so casual.

Ariel Landrum 5:24
Yes. And when it comes to dapper, it’s really what you define as dapper. So some people will pick an era like the 1950s, or 1960s, or 1970s. Some people will do a Disneybound. I talked about this in episode before. But if you don’t remember Disneybounding is when you use colorblocking to denote that you are representing a Disney character without actually having a costume. And so we’ll see a lot of people were like very fancy dresses that are red and blue and wait and be there Snow White, and sometimes the theme is just whatever you want. So my first like Dapper Day that I did matching a partner was I was lemons. And that was that was the theme was I had this dress that I bought from Unique Vintage that I’d owned for like two and a half years that I never worn. So and it had lemons on it.

Stefanie Bautista 6:13
And it was a hit. It was a whole hit. How many compliments did you get? I couldn’t even remember, you got so many everybody loved lemons, and they loved just the way you and your partner coordinated. It was very cute and very summery. And I think it was the spring one. So it was very well put together. Bravo, bravo.

Ariel Landrum 6:34
Thank you. Thank you.

Stefanie Bautista 6:35
And another thing you always kind of know, and this is like a side note that you did a good job when people compliment you at the park.

Ariel Landrum 6:42
Yes.

Stefanie Bautista 6:43
It gives you a sense of like that you’re like, “Oh, yes, I did it.” If somebody recognize you as a character if you’re Disneybounding. Or if they say, “Oh my gosh, I love your hair or your shoes,” or whatever. People talk to each other at the parks all the time. But when they give specific compliments like that, I think that’s what’s special about Dapper Day is because you know you made an effort and for people recognizing that effort, it brings that sense of community to the event.

Ariel Landrum 7:04
Even with the Disney Bounding this Dapper Day, we met up with our friend who is a psychologist, Dr. Elizabeth Han and, and her husband, Benji Han, and they were Aladdin and Jasmine. And it was awesome, because all of the other crew that you would see in that movie. So we saw Jafar, we saw The Genie, they would run up to them and be like, “Can we take a picture with you?” And because they knew who you were, and you knew who they were.

Stefanie Bautista 7:32
Yeah. And shout out to Liz and Benji, they did such a great job on that Disneybound. Oh my gosh, perfect. And they look great throughout the day,

Ariel Landrum 7:40
Some people will just buy things and put things together. Some people will like go through their closet, Elizabeth, she dyed her gloves and like her scarf to match the specific color of Jasmine’s outfits. So go all out, go big. You know, keep it tiny, keep it close to your closet, whatever it is, ends up being just a lot of fun to step into Dapper Day.

Stefanie Bautista 8:01
Yeah, there’s different elements of putting your outfit together. And that is one of the parts of preparing for the parks that is a little bit different when it comes to Dapper Day. Of course, like as Ariel mentioned, it’s either you’re gonna go down the Disneybound route, or you’re just gonna go down the vintage route. Either one is fine. One of the lessons early on that both me and her found out was to really think good and hard about your footwear. Because if you’re planning to stay at the parks all day, if you don’t have the leisure of having a hotel nearby, you’re basically commuting over there and you’re gonna stay there the whole day until you feel like you’ve gotten the most out of your park day. But if you’re wearing heels, it will cut your day short as we have found out in the past, right?

Ariel Landrum 8:42
Yes, yes. I think this was the Dapper Day in 2018 maybe?

Stefanie Bautista 8:47
Yeah.

Ariel Landrum 8:48
Oh, no wait, maybe it was 2016. Maybe we started going in 2016, not 17?

Stefanie Bautista 8:52
It was the first one that you and I have done together because I have done one before with my husband. But…

Ariel Landrum 8:57
He was deployed!

Stefanie Bautista 8:57
Yeah, he was deployed at the time. So I picked a very simple dress. I think it just had flowers on I did my hair. But you had a beautiful green dress on.

Ariel Landrum 9:05
Yeah teal green. And it had little flowers around the waist and had a parasol.

Yes, yes. And you also I think there was elements of tulle? Tulle?

Yes, yes, there’s tulle on top and I even had like a tulle, tiny hat. But we took it off after a while because it was it was getting in the way. And then I wore these heeled shoes with like buttons on them. And three hours into the day my feet were hurting, but we were just we just kept going. We just kept going and then by the time it hit like actual dark because we got there at 10 I believe my feet were bleeding basically. And we had no band aids and we ended up going to the Disney store and I bought Ariel the mermaid socks because I happen to be similar color theme. And they were tall socks. And it looked like I was wearing stockings. So it was fine and that like really helped with my feet for the rest of the evening. But man, I don’t know who I thought I was I don’t ever wear heels like ever. So the fact that I thought I could flouts around for again Disneyland!

Stefanie Bautista 10:08
I think they were like Mary Janes. So the heel was maybe no more than two inches I think?

Ariel Landrum 10:14
Yeah, they were short.

Stefanie Bautista 10:15
However the terrain of Disneyland is still concrete. It’s like wood, it is stone. It is not pillows. So if you don’t have like an insole, or if you don’t have an extra pair of flats or like slippers or something, which now in our 30s, we have because we were in our 20s. And again, who did we think we were? Because I had shoes, and I stuck it out. I don’t know how I did that. And not only does the clover anything.

Ariel Landrum 10:49
You did really good.

Stefanie Bautista 10:50
I did. But I remember having blisters, like really bad blisters. And of course, this was 2016 or whatever. I was much lighter. I was probably a little bit more fit. So I could hold my strength a little longer, but…

Ariel Landrum 11:03
Pre pre kiddos.

Stefanie Bautista 11:04
Pre kiddos, all of that stuff. Now. Even if I have sneakers, my feet are dying. But yeah, like I think that’s one of the learning lessons. And even though we went through that experience, I think it made us want to improve the next time because the next time do you remember what your outfit was?

Ariel Landrum 11:24
I believe this next outfit was flamingos. My theme was flamingos. And I had flamingos all over my dress and a flamingo purse. Yes, yes. I don’t remember the shoes at all. But I don’t remember any pain that year. So they must not have been they must have been flats. I think this is I think from the room after that all of my shoes have been flats with the exception of this year.

Stefanie Bautista 11:46
I think I did flats too. That was the one where I did a tiki theme.

Yes. And I shoved you in a bush.

Yes, she shoved me in a bush. She actually likes doing it. You do show me the bush the first time also, but you shoved me in another bush this time.

Ariel Landrum 11:58
Yes. Yes. Yes.

Stefanie Bautista 11:59
And it’s always the same bush. It’s the one right outside the Tiki.

Ariel Landrum 12:02
Yes. Yes, it is. Yes, it is. And this was before they expanded it with that outdoor eating area.

Stefanie Bautista 12:07
Yeah, yeah. So as we’re waiting for the Enchanted Tiki Room, which we always tend to do during Dapper Day. I don’t think we did that this past time. But yeah, like that bush is always like really good for pictures if you ever want to take really cool tropical pictures. That was a day that I think I wore flats too. And I think we came out on top that day.

Ariel Landrum 12:25
I even remember I had flip flops with me. So I remember because I can I can see in my mind’s eye now that they were these brown ones that I’ve gotten since rid of, but the dress was so long, you really couldn’t see my feet. It didn’t really matter what shoes I work.

Stefanie Bautista 12:38
You know what? That’s not Short Girl Problems. That’s Short Girl…

Ariel Landrum 12:42
Solutions!

Stefanie Bautista 12:43
Solutions! Exactly. Exactly.

Ariel Landrum 12:46
And your dress it was it was black. And it had floral theme, correct?

Stefanie Bautista 12:51
No, this one was actually the the other version of it. It was green and it had like tiki print on it. It was a skirt. And then I had a like cream colored blouse. And then we’re really big flower in my hair.

Ariel Landrum 13:04
You were you were Moana?

Stefanie Bautista 13:05
Not that year. That was a different year.

Ariel Landrum 13:08
That was another year?

Stefanie Bautista 13:09
That year AJ came back.

Ariel Landrum 13:10
Okay.

Stefanie Bautista 13:10
So my husband came back from deployment. And then we were Moana and Maui. But this one was just like a tiki theme. It was the one that had like these 50s sunglasses, and then you shoved me in another bush. I’ll show you a picture later. But we will also in attachment to this when we post about this episode, we will have pictures of all of our Dapper Days of past because we’ve had quite a collection now.

Ariel Landrum 13:31
And because it happens twice a year, that’s the other component is it’s like “Oh, was this spring or fall?”

Stefanie Bautista 13:39
As like, “Did I bring a jacket or did I not bring a jacket?” In spring, it gets pretty hot. Like I know we’ve had a very late winter this year. So it did get pretty cold like both in the morning and in the evening. But before it used to get really hot and so you’d be sweating, your hair would be melting. And you always just admire the ladies who just like have helmets on like they basically hairspray the crap out of your head. And it just stays perfect until like the end. I don’t know how they do that.

Ariel Landrum 14:10
I’ve seen the most elaborate hats. One specifically sticks out one year where somebody’s theme was they were the tiki room. And their hat was a headpiece that had one of the birds inside a cage. And I was just like, what, how do you do this and it all handmade. And this is around the time where you introduced me the actual Expo that they were having. And I started going there and you could buy pieces at the Expo. And a lot. It seems like a lot of people who are vendors or have relationship with the vendors, they tend to make more of their outfits. They aren’t piecing things together that they found they’re creating things.

Stefanie Bautista 14:46
When you’re thinking about putting your outfits together you are thinking like “Am I going to theme this?” If you are Disneybounding you’re going to theme it after movie. You can theme it after a ride you can theme it after the whole Disneyland park you can be with after California Adventure if you want and I think people who have been putting these outfits together have done such a great job. And with the help of social media Dapper Day, the hashtag of Dapper Day, if you just look it up, it has a million ideas. Now Disney has caught on with the idea of not just letting the fans find these pieces, but actually marketing and making these pieces. Hence the opening of the dress shop that you see in Downtown Disney. When you go inside the parks, you’re gonna see 50s 60s themed clothes, whole dresses that have different elements of them popping up. I remember the first time that they tried doing this was the tiki room.

Ariel Landrum 14:48
Yeah.

Stefanie Bautista 15:11
And like legit, everybody has this damn dress.

Ariel Landrum 15:38
Everyone was wearing this Tiki Room dress made by a Disney officially sold and made by Disney.

Stefanie Bautista 15:43
Great effort Disney in trying to relate. But when it becomes sort of a uniform, it kind of loses its pizzazz a little bit. So I feel like now they’ve like offered different like varieties of what they have at the dress shop. It is at a higher price point. I know if you like just go vintage shopping or if you you know do the extra work kind of like when you’re doing cosplay, right? There’s a difference between getting a costume that’s made for Halloween and using that for Comic Con or whatever, comic book convention. And there’s a difference between putting everything together curating it, finding those pieces and then kind of making it your own. So depends on whichever route you want to take. But there is flexibility but also know that Disney is trying to capitalize a little bit on it.

Ariel Landrum 16:26
Yes, yes. And then if you’re trying to instead replicate like an era and do something more vintage or even retro, that is a little bit trickier if you are buying replicated pieces because you already know the replicated and if you are trying to go actual vintage, there’s the expense portion but there’s also will it last?

Stefanie Bautista 16:48
Or really fit? women’s bodies now are so different from they were before when I used to have illegal vintage shopping I had to really consciously think about my body and how women’s bodies were thought of back then and how they fit into me now so it wasn’t like if I found a piece that was like a large it’s not like saying I was had gained weight or whatever because I normally wear a medium. It’s really because the idea and the concept of size was so different decades ago.

Ariel Landrum 17:15
I’ve noticed even with the size I’m top heavy, there’s just like not a lot of vintage outfits that I can buy that will fit me up where my chest is. So I tend to more buy vintage pieces like earrings, hats, bracelets, necklaces, glasses, things that are an accessory purses a lot a lot of purses. Unless something that I’m gonna wear that might wear out or that I might want to cherish later that might wear out.

Stefanie Bautista 17:43
I’m telling you Ariel one of these days we’re just going to buy those like Tiki momos and it’s gonna be like the most comfortable Dapper Day ever.

Ariel Landrum 17:50
Yeah!

Stefanie Bautista 17:51
They’re coming back into style and they are gorgeous.

Ariel Landrum 17:56
We could definitely buy some authentic ones. So…

Stefanie Bautista 17:58
Yeah. Oh yeah. I feel like…

Ariel Landrum 18:00
Filipino ones.

Stefanie Bautista 18:00
Yeah, for sure. And yeah, there’s that cultural element to it too. As…

Ariel Landrum 18:05
Yeah! Share your your cultural piece that was a huge hit the shocked you!

Stefanie Bautista 18:09
Oh my gosh, super shocked me so we so I am my heritage my I identify as Filipino American. And so in the Philippines there. Instead of wearing suits and dresses, we have two different kinds of outfits that you would wear to either a formal event or to a someone who’s a business event really just any kind of formal event. For the men’s it’s called the Barong Tagalog which is basically a bamboo woven blouse. And it’s very breathable, you normally wear just like a white shirt inside. And it is like a high collar you can even you can either have like Chinese style collar where the it doesn’t like come out on the sides or like a Western style collar that kind of comes out on the sides like you would normally see a dress shirt as. And it has very intricate patterns on it that are woven in. Very beautiful. We will show of course examples on this when we post about it, but my husband has one for every formal event that we go to. And then for women, you have a couple of different options, but they all are very similar to each other. One of them is called the terno, which is basically a blouse that has really big butterfly sleeves on the sides. Not puffy, kind of like Alice in Wonderland but more structured. So it’s very high, very flat on each side, but it has a low neck. And it also could either be a dress, which is called a Maria Clara, and there’s different versions of it. But lately over the years, people have been selling them more because people Filipino Americans and people who are you know getting married to Filipinos they are wanting to incorporate more cultural wear into their formal events. So I thought to myself, I might as well buy one because you know why? I have had like an event coming up my grandma’s 80th birthday. And so we all decided to wear our Filipino outfits. And I had bought a little bronc that I loved for my son at the time. And so we’re like, let’s just wear this a Dapper Day, because it’s coming up, I have major FOMO if I miss a day, every day, I’m like, “Oh my God, I wish I was there.”

Ariel Landrum 20:16
And you didn’t have a lot of time to get the pieces together. So this was part of like, looking at what you have, and just anything that might be missing versus starting from scratch.

Stefanie Bautista 20:24
Exactly. And it was a spring Dapper Day, so I knew it was gonna be hot. And we normally do the California Food and Wine Festival at California Adventure. So I knew it was gonna be walking around. And my shirt came with a just kind of like a silk wraparound skirt. And I was postpartum a little bit still. And I needed something that I could be comfortable in. So I wore that I think it were flats that year, too. And we went into the park, and oh my god, the amount of people are like, “Oh my God, we love your outfits. And we love your Barong Tagalog like, I can’t believe you have a small one for your son.” And even though it wasn’t like anything tied to Disney, or it wasn’t tied to, like an era, because this is something that you can modernly wear, like any sort of formal event either here in the Philippines, you caught the attention of Filipinos who worked at the park. Number one, they were like, “I don’t even think of that.” And also you caught the attention of other people who didn’t know what you were wearing, they asked questions about and they’re like, “Oh, you know, like, is this, like from your culture? Is this from a specific thing?” But really, like, I forgot how many Filipinos actually worked at the park? But that day I was holy reminded about, you know, the demographic of Garden Grove, Fountain Valley, and the surrounding areas of Anaheim. Because yes, there are a lot of us around here. I think the next year afterwards, I saw more people embracing their cultural heritage. For example, I saw this beautiful Vietnamese couple wearing the like a bright red, like just I don’t know the name of it. I’ll look it up in a little bit. But with the really large, beautiful hat, oh, my God, they look gorgeous. And so I think people are starting to lean towards their culture a little bit. And I’m glad that I kind of decided to do that. And it wasn’t even intentional. But I have been wearing that outfit again for more dapper days. And I think I would probably expand upon that maybe and try to Disneybound with it. So I encourage you guys to do that as well.

Ariel Landrum 22:26
And the most recent Dapper Day that we had the theme of was a Disneybound and it was going to be Star Wars and the only reason I did that was because Dapper Day has become more and more popular and you can follow the hashtags. I typed in Dapper Day in Amazon. I just typed that. And then there were all these individuals who were I guess you’d call them Amazon influencers? I’m not I’m not 100% sure, because they have their own little like influencer website on Amazon. But they all posted images of their outfits and what pieces they bought on Amazon to make those outfits and there was one that you can get in white or black. And I was trying to decide if it Star Wars do I want to be Princess Leia or do I want to be Vader? Like “What do I want to do with this?” This outfit had these long sleeves that emulated like a cape. And so that’s that’s why it could have been either or, and in talking with my partner who knew that he was going to be able to attend Dapper Day this year, we decided I’ll be Leia and he’ll be Han. Now I remember. I need to wear good footwear. But I also wanted something that might be like kinda fun and make the outfit edgy. And I was talking to Stef about it. And I was like, “I’ve been looking for white boots and for like three days straight.” I’m going to the mall looking for white boots because I thought you know, “Go go boots are back, I should be able to find them.” Could not find white boots. There were cream boots. There were boots that were white and black, but nothing that was just white boots.

Stefanie Bautista 23:50
And that set me on a mission, “Girl, I’m gonna find you these white boots.” And I think, um it was again a coincidence that I had seen this because I think me and my husband just got out of the theater ever had it been what we watched. We watched John Wick, which by the way, amazing movie and then we went downstairs and they had just opened up a Nordstrom Rack and I was like, “Oh yeah, Nordstrom Rack!” Like, I love me a Nordstrom Rack so I go inside. And then I think Ariel you had texted me like, “I still can’t find the boots!” And I was just like “Bitch I’mma find them!| Sorry, pardon my language, but I go in there and because everything is all new, they just had like, so much selection. So luckily, because Ariel is such a petite size. Not a lot of people get things in that size, which kind of works out because you are able to find really good quality things if you aren’t besides that normally more or regular people are I’m a size seven, seven and a half and my section is always sold out like it’s really irritating. So I go over there. And then I see the most perfect pair of white Doc Martens like they could not be more perfect for Princess Leia. They were edgy. They were not laced. So they were just pull ons and they were her size. I have a couple Doc Martens and the only caveat to having them is you got to break them in. So I’m like, “Okay, I’m gonna get these for you.” They were the perfect size like the heavens shown above me just opened up like pathway for her to do this Disneybound. And I’m like, “I’m gonna get them, but you kind of break them in some way somehow.”

Ariel Landrum 25:21
So we could never meet up to pick up these shoes from each other so I had to wear them day of. We met at the Dapper Day Expo the day before the official Dapper Day event. Dapper Day Expo is essentially three days and the actual Dapper Day at the park is Sunday. So when you’re going to dress up at the park, it’s Sunday, however, some people will dress up the whole weekend. So we met on Saturday at the Expo. Here I am being gifted these boots that I haven’t even tried them on. And so we’re in the middle of the floor of the Dapper Day Expo…

Stefanie Bautista 25:54
There’s litterally vendors going like around those. There’s link a beautiful like swing band, big band, everyone’s dancing…

Ariel Landrum 26:01
And so we’re sitting on the floor. And I cannot put these boots on for the life of me. And it took a lot of wiggling my feet around like these are my perfect size. I don’t understand maybe maybe I’m just a different size Doc Martens. Again, I’m on and they fit comfortably now that I’ve actually slipped my foot in, they fit comfortably.

Stefanie Bautista 26:20
Slip is a very like, general term, we kind of had to ganker in there to the point where I think one of the Dapper Day workers were like, “Do you want me to get you a chair?” She was so sweet. And then like me and your partner were just like trying to like hoist them into link your foot into there. It was quite a scene.

Ariel Landrum 26:38
It was. And then it was even worse of a scene to take them off. It got to the point where I was afraid we were gonna have to cut these off of my feet. I was pulling and tugging and twisting and another like vendor came by and they’re like, “Do you need some help? Do you want do you need…” Like the everyone was it was worried about me. They were they were concerned about these boots.

Stefanie Bautista 27:00
There were two categories of people one category that was concerned about your health and safety in these shoes. And the other was “Where did you get them? Did you buy them here?”

Ariel Landrum 27:10
Yes, I kept getting asked, I asked “Where did you get these boots,” as I’m trying to like take them off or put them on. The problem was I had just been at Disney all day. And I was wearing sandals I had no socks on and my feet were essentially a little bit more swollen from the fact that I’ve been walking around. So we went and looked around and bought socks. I put the socks on the boots fit beautifully. Once I had socks, I was like, “Okay, I’m gonna have to find a way to wear socks tomorrow with these boots.” I was gonna have hideaway socks is what I thought I was going to do. But even in trying to get them up my my leg I need tall socks, we bought some extra ones at the Dapper Day Exo to make it happen.

Stefanie Bautista 27:49
That were like probably a little bit more than I know you were comfortable with paying but at that point you were like, “Eff it,. I just need this to work!” Because we know the potential of what it was gonna look like and we knew it was going to be perfect. So in trying to attain that perfect look, we were willing to do anything. And like you know, buy, whatever it took for you to get into those boots. I don’t know why we thought it was a good idea for you to slip them on without socks. I always wear socks with mine.

Ariel Landrum 28:18
The excitement?

Stefanie Bautista 28:19
I think it was the excitement. I truly think you’re just so hype on these boots because A. found them B. I got them at a deal. Even when I wear them with dresses, I wear stockings, or I wear some sort of like leggings or something. So I don’t know why I thought that was gonna work without all of that. And especially after you were walking at the park all day.

Ariel Landrum 28:34
It was hilarious and humbling. The next day, I have the socks on I fold them a little bit. I wear the boots all day, I feel great, my feet, my legs, everything feels great. The boots are a little heavy. So that’s the only thing is I had to get used to the weight of them. But we were pretty much there till dark, I get home and I take the boots and socks off. And wow, I had so many cuts and blisters and bruises up and down my leg where different parts of the boot was pressing. And it was about two months before like all of those scabs had essentially fully healed. And so even though I didn’t repeat the wearing of the heels I still got very blistered up and that’s because these were brand new shoes. So lesson learned there I don’t know. Again I don’t know who I think I am but I thought that this was going to be possible I should have just come over in the middle of the night and had you leave the boots on the door and like me grab ’em.

It’s not like we live that far from me.

No, no.

Stefanie Bautista 28:37
I think if you wear them now they will be the most comfortable things ever you could dance or whatever have you in them and they will be true to you. So what I love about getting a piece like that for costume or a cosplay is you can wear it over and over again. So it’s not something that was just specific to your Princess Leia outfit you can wear them just as a fashion piece and I think if you are looking to maximize what you wear, because you know, you don’t want to just throw away an outfit. That’s one of those things where you find pieces that you can reuse over and over again.

Ariel Landrum 30:09
The outfit we got for my partner Han is basically you know, a vest and white shirt. I couldn’t find any pants with red stripes on them. So he just wore pants. And then he decided to tie a belt around that kind of was supposed to look like the holster and we were going back and forth on the different pieces he was starting to add to his outfit because it was getting more towards cosplay. That is the component of Dapper Day where there’s a fine line between you replicating an outfit and you trying to upgrade that outfit in dapper s stylish, fanciful, whatever you want to put it, where it’s a nod to that character. It isn’t an exact replica. And so I think it was a good thing that we didn’t end up finding pants with the red stripe or it would have started looking more like a costume. That being said, even though the we went to boot to and took a picture with literally the Millennium Falcon behind us, I don’t know how much more like evident it was. People saw me posing with my partner in a white dress and thought we had eloped. And so I consistently kept getting messages of “Married question mark?” “When did you get married Question mark?” “Such a beautiful wedding photo!”

Stefanie Bautista 31:23
This is news to me. I did not know this. I am dying.

Ariel Landrum 31:26
It was nonstop for like two or three days even from like his family where they’re like, “Oh, is this a wedding photo? Is this a sneak peek? Is this an engagement photo?”

Stefanie Bautista 31:38
I think it’s because it’s so on, brand for you to do something like that. And I think the universe just wants it for you?

Ariel Landrum 31:45
I guess. And like everyone saw a white dress with like a flowy cape.

Stefanie Bautista 31:52
They did not, “Oh, no Princess Leia at Dapper Day. She’s gotten married.”

Ariel Landrum 31:57
And a part of it was I saw this picture on Amazon if someone else who did a Dapper Day of Princess Leia where they were their hair down. And then they wore actual ears that they made with buns on them. So the buns were on the ears. And I was like, “Oh, that is so adorable. I’m gonna do that.”

Stefanie Bautista 32:13
Because really, it is hard to do just buns and you’ve done it before. And to make them last is like there’s a science to it.

Ariel Landrum 32:19
It was gonna fall I knew that it was going to fall. So I was like, I will do that. So I was even wearing Mickey ears. But I think what people saw was a bow and my hair down. And so if they didn’t understand that it was Dapper Day and that I was Disneybounding it had to mean that we had somehow eloped at Disneyland.

Stefanie Bautista 32:38
Which you know, that is okay. I subscribe to this.

Ariel Landrum 32:45
Add to cart.

Stefanie Bautista 32:47
Add to cart and hey if it ever happens, you already have a dress sis.

Ariel Landrum 32:51
Yo, I have watched those Disney weddings on the Disney+ that ish is expensive.

Stefanie Bautista 32:58
It is unattainable. That’s how you do it in times like this. And they just called eloping at Disneyland in the open without them knowing. We are talking about budgeting at Disneyland not just for Dapper Day outfits, but also for life events. So I think that’s really funny how people interpret just by what you were

Ariel Landrum 33:19
I was surprised I was genuinely truly surprised that that was the reaction. And maybe it was like because on Instagram you can put up the 10 photos. But the first one is usually what people see and people hadn’t swiped through and seen like all of us together hadn’t seen other people in they’re dapper.

Stefanie Bautista 33:35
And you looked gorgeous.

Ariel Landrum 33:36
Thank you. It was the boots the boots made it. I think when it comes to trying to find the appropriate outfit for you, you know whether you are going cultural, whether you’re picking a specific theme, whether you’re picking a specific character do this more often, you start to get used to how you want to conceptualize your outfit. I had taken a little bit of a risk with this outfit because it was shorter than I normally go I usually do a long dress and it was a little bit tighter than what I normally do. So I was wanting to step out into something different. And a part of it had to be again, that body piece that we talked about. I want my body’s changed a lot it’s gotten a lot bigger in various areas and I wanted to embrace that and not try and like hide it or shame it and it was fine. Like I don’t know what it was what worry I thought I would have in this dress. I didn’t think people think I was my marriage dress but it it really felt good to have people at the park recognize me as Leia people wanting to take pictures with me that were other Star Wars characters. There was a lot of Rays I saw and lots of Kylo Rens. Another way to be able to embrace the like the park experience and connect with your fellow Park attendees because people who don’t even know about Dapper Day they’re just like, “What is going on? Why is everybody’s like so dressed up and it’s fun to be able to like share that with them and hope that inspires them to join like the next year.

Stefanie Bautista 34:58
Yeah, and it’s not even an element of like, “Oh, I know about this and you don’t.” It’s more of like, “Hey, I will explain to you and I’m more than happy to share with you what this is, so that you can participate next time.” Because I think on the other side, there’s some people who, you know, aren’t a huge fan of the event just because it’s like, there’s an element of privilege because you knew about the event. And, you know, you were able to put this outfit together. But I think over the years, it hasn’t been like that, or, I remember in the early years, there was a little bit of that, but as its expanded to, you know, include Disneybounding, and including, you know, families and things like that. It’s an overall really positive experience for you know, dressing up without actually wearing a costume. I didn’t really have an outfit, but I had, you know, a dress that I was gonna wear for my baby shower that I didn’t. And it ended up having had like, really big, puffy sleeves, and I knew that that was in and it’s very, you know, Disneyland like, it was blue and I knew that my daughter had a really cute Alice outfit. Kids can get away with almost wearing the costume because you know, who’s gonna knock on a kid for like, dressing exactly like. It was an official Disney, you know, bought Alice in Wonderland outfit, so she wore that. And I wore my dress, which was a very similar blue, and I tried to kind of be like a bigger version of Alice, but because I didn’t have an apron, everyone thought it was Wendy. And I’m like, “Do you see Peter Pan around me anywhere?” Like, “I’m not Wendy me but okay.” But again, I wear that dress because it was comfortable. I felt confident in it. My body has changed after two kids. And so I just wanted to, I knew I was gonna be pushing a stroller around. It’s like it was to be carrying just the purse. My purse has expanded now to a large stroller with you know many intricate pieces. And, you know, knowing it was gonna be hot, I wanted something flowy. And yeah, it really worked out. I do love that you stepped out of your comfort zone, because I think the form fitting dress really complimented your curves. And also, yeah, I mean, it was great. It made me want to be like, “I should wear something like that.” And not something so large, because that’s kind of what, that’s what we default to most days. But it really worked out especially for your concept. So I encourage everybody, if it’s your first time, this is your second time, if you’ve had friends participate, like do what’s comfortable for you. And you know, I think don’t be so hard on yourself if you don’t find the right elements, because I don’t think this is an event that’s going to go away anytime soon. If anything, it’s going to just continue and grow because like I said, they have these Dapper Day events at LACMA. They have them at the Huntington Library in Pasadena. More and more events where it’s not just restricted to the vintage community, because this is going to be for another podcast, I’m sure but there are people who feel some sort of way about, you know, being in the vintage community. And that goes for, you know, other fandoms.They don’t feel necessarily as comfortable. And I think this is one of the ways that for me and Ariel as vintage enthusiast but not like really serious about it, to be able to participate in it in a way that’s comfortable for us.

Ariel Landrum 38:11
as inclusive for us as possible. Because like we mentioned, there’s no way that we would be able to fit any actual vintage outfits. Given our curvy size and even height. I think being shorter Filipino women as you start to do Dapper Day more, it is a lot more comfortable and more accepting and that you get more joy out of experimenting. That’s when you can take you know a few risks. Like I wasn’t gonna get snares. I wasn’t gonna get people looking at me sideways. The things that I feared that I would get when I thought that I wouldn’t make an outfit look, you know, right, so to speak. There is a layer of privilege if you are going into the park because you’re spending a lot of the day taking pictures. If you are making an outfit that isn’t going to last a ride, you might feel like you’ve wasted a day if you’re not an annual Park holder. So this could be a component where you go to The Expo. So maybe you’re not in the park but there are a lot of people who actually just spend their whole day in The Expo.

Stefanie Bautista 39:06
And I’ve done that before and it makes me feel like I’m participating without actually being in the park.

Ariel Landrum 39:11
Like you said they have a swing bands so you can dance. They have raffles you can get to know the vendors it means that you wouldn’t be buying a park ticket which may not be feasible but you could still participate in the event.

Stefanie Bautista 39:23
Over the years it’s grown so much where you know it’s a multi day event so you don’t necessarily have to go into the park to appreciate it. And then you can explore the hotel you can explore like the places to eat there. I know last time when we went we ate at Tangaroa terrace, which is right next to Trader Sam’s and it was it’s great like. You could also take beautiful pictures around the hotel floor that if you haven’t you know been able to the hotel grounds are open even though you are not a you know a guest to the hotel. I think that’s a really good way if you don’t have the capacity to get into the parks because we all know that the prices are going up. That’s a great way to just get introduced to it or attend one of the off site events. And you know, see how you like it there.

Ariel Landrum 40:06
So if you are going to be attending the fall Dapper Day that’s in November, let us know, tweet us or message us DM us on Instagram. And let us know if you’re gonna go, what you’re going to wear. And if you want to meet up and take some pictures together, our Twitter is @HappiestPodGT, and our Instagram is @HappiestPodGT.

Stefanie Bautista 40:30
And we do have a lot of really exciting things coming up this summer. So in addition to planning for our Dapper Day outfits, which I feel like that seems like a lifetime away right now, we will be attending other events. So I’ll be hopefully we will see you all there very soon.

Ariel Landrum 40:43
Including San Diego Comic-Con where we will be hosting three different panels. So come check those out. We will give you more information about that. So make sure that you follow us on Twitter and on Instagram.

Stefanie Bautista 40:55
As always, thank you so much for listening in and we will see you all next time.

Ariel Landrum 40:59
Bye!

Stefanie Bautista 40:59
Bye!

Media/Characters Mentioned
  • Princess Leia
  • Moana and Maui
  • Kylo Ren
  • Ray
  • Jasmine
  • Aladdin
  • Snow White
Topics/Themes Mentioned
  • Expectations
  • HAES (Healthy At Every Size)
  • Vintage
  • Retro
  • Fashion
  • Dapper Day
  • Disneybounding
  • Dapper Day Expo
  • Disneyland Hotel
  • Self Acceptance
  • Comfort Zone

Questions? Comments? Discuss this episode on the GT Forum.

—

 Website: happy.geektherapy.com
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 | Stef on Twitter: @stefa_kneee | Ariel on Instagram: @airyell3000 |

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Behind the Magic: Up Close with Lady Tremaine

July 15, 2022 · Discuss on the GT Forum

https://media.blubrry.com/happypod/media.transistor.fm/47215077/f474de4b.mp3

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#29: Ariel and Stef had the honor of interviewing the terrifying and regal Jessica who played Lady Tremaine at Walt Disney World. In this episode, we learn the joys, the frustrations, and the horrors of being a face character at the happiest place on earth.

Read the blog post for this episode for additional references and resources.

Become a member of Geek Therapy on Patreon: http://www.patreon.com/geektherapy

Transcription

Ariel Landrum 0:11
Hello, everyone, welcome to the Happiest Pod on Earth. I’m Ariel, I’m a licensed therapist who uses clients passions and fandoms to help them grow and heal from trauma and mental unwellness.

Stefanie Bautista 0:21
And I’m Stef, and I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them.

Jessica Lady Tremaine 0:28
And I’m Jessica, also known as TramaineTok, I am a TikToker, Instagrammer and former Disney performer for several years.

Ariel Landrum 0:39
And at Happiest Pod, it’s a place where we dissect Disney mediums with a critical lens.

Stefanie Bautista 0:44
Why do we do that? Because just like we’re more than just fans, we expect more from the mediums we consume.

Ariel Landrum 0:50
So everybody, what are we discussing today?

Stefanie Bautista 0:53
Well, we have a special guest!

Ariel Landrum 0:56
She’s so special.

Stefanie Bautista 0:57
Thank you, Jessica, for joining us today. What an honor it is to have you and thank you for taking the time. And we are so excited to hopefully pick your brain a little bit about your experiences and you know, just another side of Disney that we personally do not have any idea about so.

Ariel Landrum 1:18
Yes, yes. Okay, so for our audience members, as Jessica mentioned, she is a TokToker. She is also a former face character at Walt Disney World Resort in Florida. She’s also an actress and dancer for Universal Orlando Resort, and was a character performer even at SeaWorld in Orlando. So she’s going to share with us what it’s like to be a character at the parks and some of the do’s and don’ts in regards to character interaction.

Jessica Lady Tremaine 1:49
Awesome.

Ariel Landrum 1:50
So starting off the character you played with Lady Tremaine, who, for some of our audience members, in our villains episode, we talked about Lady Tremaine’s a very scary villain because she’s a realistic villain. Like I could see me walking up and actually interacting with somebody who has a very similar tendencies. Did you mean to be a Disney villain and specifically her? How does that sort of process go?

Jessica Lady Tremaine 2:14
No, essentially, the audition process is very generic. It’s what us in the entertainment industry would call a cattle call. So you go, there’s hundreds and if not 1000s of people at one audition, and they’re looking for kind of everything, or they’re not specific about what they’re looking for. And Disney is very good about being very ambiguous with what they’re asking for. So So I went to a general audition. So I was not setting out to be a villain. I didn’t even know that like, I kind of fit that type.

Stefanie Bautista 2:49
I guess that’s something you don’t really think about, like, which one? Do my features represent? I would. Now it got me thinking.

Ariel Landrum 2:58
Well, and even like that word, like type, like, how did they present to you like, “Hey, we think this is who you fit the best, or what you should be doing.”

Jessica Lady Tremaine 3:06
Well, I found out over the course of not only my audition process, but my callback process with which is what they call a face fitting. Essentially, I am you haven’t seen me in person, but I’m five foot 10. So I’m, I’m pretty tall. Um, they had me measured a little bit shorter. So I could do more fur characters, which we can talk about later. But so I’m very tall. I have a very long face with a lot of angles. So I have very strong jawline, very narrow cheeks. And I also have just like very long features. They were very particular about my eyes, my eyes are very large in relation to the rest of my features. And they really noticed me in the audition based on my facial expressions, I very extreme facial expressions, just naturally talking not even when I’m really turning it on. So that was kind of what I found out later was what they were looking at.

Stefanie Bautista 4:09
Interesting.

Ariel Landrum 4:10
I I’m like I’m hearing you describe your facial features and how detailed it is. And I’m I don’t even think I could describe myself in such detail, does it? I mean, I guess that’s part of being an actress. Like you have to kind of be able to really describe yourself and be able to understand what you might fit.

Jessica Lady Tremaine 4:31
Yeah, absolutely. And I will say that a lot of it comes from I mean, you’re therapist, it comes from a place of being criticized. So one of the most criticized industries is the entertainment industry. You know, I wasn’t just an actress, I was also a dancer. So I spent my entire life being told you’re too tall or you’re not thin enough or your proportions aren’t right. You know, all those said in polite ways are not really great to hear, but it resonates with you when you’ve heard it for so many years, so it’s easy for you to point it out.

Ariel Landrum 5:08
Okay. Okay. I think that’s really interesting to note that you have to sort of pivot your mind around what criticism is going to be because you’re stepping into a profession where it is part of the profession. There’s no real like, gentle way to say things. And I can see that being a level of self awareness, but also so like, do you feel like you have to have like a tough skin to be able to enter entertainment?

Jessica Lady Tremaine 5:35
Yeah. And actually, it it actually is helped with now being on social media. But when you especially are a villain, you are heckled from the moment you walk out onto set until the moment you walk back/

Stefanie Bautista 5:48
For sure.

Jessica Lady Tremaine 5:49
And it would happen to my face. Like I’ve told this story on my Tik Tok, where a dad told me, I was a size four at the time. And I’m 5’10”. So it’s pretty tiny. So I am, I was a size four, and a dad told me that I was fat and ugly, to my face in front of his wife and children, and a hashtag came out of it on a video that trended for a while, called “Cinderella is Savage,” Because my friend was Cinderella, my friend was Cinderella for at the time, and I told her, and she went over and said something to him. And I don’t know what she said to him. But he came over and apologized to me. So I don’t know what she said.

Stefanie Bautista 6:33
She said something.

Jessica Lady Tremaine 6:34
Yeah. So so. So so in order to cope, you have to either disassociate or something like almost have like an out of body experience? Because if you don’t, you’ll you’ll go crazy.

Stefanie Bautista 6:49
I mean, it seems like you use that as a strength for you. I mean, and that carries in your social media, because I mean, a lot of your followers do say, you know, you’re really brave for speaking up and speaking out on behalf of cast members. And I think that’s the most I mean, you can say that for any profession, but especially in a profession where you’re being scrutinized from every single angle, to be honest like that. I mean, I really appreciate it. I know all your followers do. And I mean, did that did those stories inspire you to share your experiences as a cast member just to kind of get it out in the open? Or what really was the spark to say, “Hey, I’m going to just give a little bit of truth to this.”

Ariel Landrum 7:30
Yeah, make it really public, because a lot of the things that you’ve shared on your Tiktok, they were like, shocking to me. But then it made sense. Like, okay, you’re a public, you’re in the public. I should have, I shouldn’t be shocked to yet I am shocked.

Jessica Lady Tremaine 7:45
Yeah, so I actually started to share my story on accident. So I created my Tiktok. Honestly, I had a friend of mine who wanted to send me videos, and she was like, “Oh, I can just send them through the app easier.” So I wasn’t really making content. And so I did end up making my first real video, back in April, like April 29 of last year. So it’s fairly recent, where I told the story about my first time going viral as a character. So I was the character that went viral on YouTube, to the tune of like 18 or 19 million views. And that was several years ago. So a long time ago, but um, I essentially talked about that interaction. And from there, it sparked like that went viral in a matter of two or three days. And I all of a sudden had all these questions that I didn’t know anybody ever wanted answers to. And so I just started answering them. I know it’s silly, but I just started answering them. And then as I kind of went through, I was able to process things that had happened to me that were really, really damaging in a way that my therapist hadn’t really been able to walk me through them, because he just didn’t really it’s not that he wasn’t able to understand because he was doing his best, but he had never been in that position. So the coping strategies are not. They don’t fit in with a lot of other issues that people would have like unless you have experience treating people who are in the entertainment industry, it’s very hard to understand.

Ariel Landrum 9:39
No, I think that’s important that you point that out. I work with a lot of actors because I am here in Los Angeles and a lot of the boundary setting techniques we have to go over aren’t ones they can use. There’s a certain level of expectation in regards to professionalism and performance that is very different than just traditional customer service. Because your, your your name and your ability to present, whatever the brand is that you’re presenting, is your resume is your docket, and particularly for, for women or female presenting individuals, there’s even more scrutiny, because if you’re considered hard to work with, that becomes your label.

Stefanie Bautista 10:26
Yeah, you’re X out. Yeah. And I mean, I’ve worked in schools that are a little more affluent here in LA. So I work with a lot of parents who are in the industry, whether it’s, you know, script writers, or actors, actresses themselves, and this whole kind of the switch being turned on all the time, kind of carries into their real life and to their kids. So it’s very interesting to see, you know, just the world that, you know, they build around themselves, and, you know, having dealing with that in real life, and kind of like, learning how to draw those boundaries to you know, protect their mental health. So….

Ariel Landrum 11:02
And you mentioned, like sometimes needing to dissociate, it’s like, really like, “When is my mask get to take off? Like, when do I actually get to take it off?” And I would say that, it seems like at least for your responses to the questions and the videos that you’ve made, you’ve been able to be very authentic and genuine probably in a way that is, is different than trying to remember and process like going backwards and then actually having answers now very different.

Jessica Lady Tremaine 11:31
Well, that but also, when you’re in it, when you’re doing it, like there were weeks where I’d work like a 60 or 70 hour week was the same character. So as Lady Tremaine so think. Now granted, we have offset time, we have breaks. But you know, you’re still in the wig and makeup, you’re still, you know, largely on because it’s all improvised. I tried to explain it to people. It’s like you are method acting for 70 hours a week for years at a time. And I say that, because when you are doing a script for a movie, because I’ve done I’ve done, you know, some indie film stuff, I’ve done commercials like local, I’ve done small things. But you’re and I’ve done a lot of musical theater, when you’re performing a script and you step into that character, there is a time where you are no longer that character for the night, because you are following a script. But when you’re improvising as a character, and you’re not sure what people are going to ask you, what they’re going to want to talk to you about, you have to cross that method boundary to becoming that character. And if you are in I found that I was having a hard time after I finally left the company like fully letting her go, if that makes sense. And and I came to find out through the process of doing my Tiktok that I I had let her go. But I hadn’t like really processed what I put myself through in order to cope if that had made any sense.

Ariel Landrum 13:07
Yes.

Stefanie Bautista 13:08
Absolutely. Yes.

Ariel Landrum 13:10
I think that it really makes me think of like, nerdy, but like d&d bleed. Where are you, where you have some of your character become you are some of you become your character and finding where the the distinction in the end is, is very difficult, because it’s so now integrated in part of your daily experience. And even with that, like you said, there’s at least you know, there’s going to be an end to the game for you, like, you have this part of your job is how you have to make money. And the scrutiny that that you’ve mentioned in your videos of if someone thinks you did it wrong, even though you’re the one playing the character.

Jessica Lady Tremaine 13:49
Yeah. And it happens. There’s, you’re regularly observed by performance specialists. And you are never told ahead of time when that’s going to happen. So you’ll just be out on set one day, and they’re there. With their little notebook.

Stefanie Bautista 14:07
Yeah.

Ariel Landrum 14:08
Can you clock em?

Stefanie Bautista 14:09
Yeah, can you tell like who they are?

Jessica Lady Tremaine 14:12
Oh, yeah, they’re the same people over and over again. But at the same time, you see them out of the corner of your eye, and you’re supposed to ignore them. But it’s impossible.

Stefanie Bautista 14:20
That reminds you of a lot of teacher observations where like your administration would just pop into your classroom at like, the absolute worst time. And you’re just trying to like, keep it together and make sure no one’s like stabbing each other hurting each other. But also, I was thinking about what you mentioned, all of the questions that you may or may not get, you have no idea where this is coming from, or you have no idea like what’s in like a guest mind. And I can really relate because it’s like when kids ask me questions about something I’m trying to teach. I don’t know what they’re gonna say what’s going to come out of their mouth. So have you gotten a very interesting question or a very just left field question that sticks out in your mind that you We’re just like, “Hmm, interesting. Okay.”

Jessica Lady Tremaine 15:04
So, um, the weirdest one actually was asked of me, but it was not about me. So I was leading Tremaine and I got asked a question because somebody got the kid got me mixed up with the Queen from Snow White. And we in Disney, we call her The Snow Queen. That is not her name as just what we call her. But her name is just The Queen. So somebody’s, like, their wires were crossed. And so they looked at me, and they’re just like, “I thought you died at the end.” And I’m like, and then and then I said, I said something to that. “Oh, you must be mistaken. It certainly wasn’t me.” And then they were like, “No, you were that old lady who fell off the cliff and died at the end I saw.” And like yelled at me, but they are nasty. Right. So like, like, taking me to task that I was dead. But, and I do know from people who have played that character, that is a very common thing for people to say, I have played the hag version of that character, which is a fur character costume, but nobody ever asked because she doesn’t talk. So like, nobody ever asked me that.

Stefanie Bautista 16:27
She kind of just hobbles along.

Jessica Lady Tremaine 16:31
They were this child was very aggressively asking, like or not asking, yelling at me. “You died at the end, didn’t you?” Like I was on cross examination. I was being interrogated by the FBI. |You died at the end!” Exactly. So that’s like the weirdest one I’ve ever been asked because like, what do you say to that?

Stefanie Bautista 16:59
“Yes, child. You are right. I am deceased. I am here talking to you now.”

Jessica Lady Tremaine 17:02
“I’m dead. But I didn’t actually die.”

Stefanie Bautista 17:04
Yeah. In the multiverse of Lady Tremaine.

Jessica Lady Tremaine 17:09
People think that Lady Tremaine actually dies at the end. But she obviously doesn’t. But it’s just because they get the movies mixed up. That’s very common.

Ariel Landrum 17:16
Yeah, sure.

Jessica Lady Tremaine 17:19
They get Lady Tremaine and Maleficent mixed up all the time.

Ariel Landrum 17:21
Just for some audience members who don’t know what is the difference between like a face character, a cast member, and then a fur character.

Jessica Lady Tremaine 17:29
So cast member is like the general term for anybody who works at the Disney parks, or works really, for the Walt Disney Company, I think it technically encompasses all of them. But fur character performer, or just a character performer is somebody who performs in for character costumes. So you’re thinking of like Mickey, Minnie Pluto, and the like. And a face character is within the character, performer, family. So everybody who’s a face character is also a fur character, but not every fur character is a face character if that makes sense. Like all rectangles or squares are rectangles kind of thing. So it’s a very specific example.

Stefanie Bautista 18:12
No, I got it right away. I was like, yes.

Jessica Lady Tremaine 18:16
You’re an educator, you get it so. So face characters is like a specialized trained role within the character department.

Ariel Landrum 18:26
Okay, and what sort of like training do you go through.

Jessica Lady Tremaine 18:30
So you go through your standard character training, this is a four character training, it’s a five day training. You know, how to animate quote, unquote, the costume, so how to move in it, how to sign your autographs, things like that, essentially, how to move your characters eye focus, make sure your character’s eyes are looking at the camera, things like that. And then the face character training is an additional week. So an additional five days where the first day or two you are watching the movie, you are working indoors with your trainer, again, learning the signature learning the makeup learning, all the things that go along with that, and then days three through five are in park meet and greets. So you are put out into the park and you are doing meet and greets with guests and your trainer is there watching taking notes and you are getting feedback after every set.

Stefanie Bautista 19:26
Yeah, I mean, that’s all stuff. I’m like just trying to processess on like okay in my brain like drawing this chart of like the family and you know, the different types of cast members. I was really intrigued by your Disney College Program videos. I applied and did not get in because I want law. I think it was because when they asked like have you ever lied or something like that? I honestly said yes, of course. I’ve lied before. And they were like, “I’m sorry, you don’t fit the mold of what we are looking for at Disney”, and I’m like, “All right. So Oh, there’s that.” And I was just so curious to hear you talk about how it’s kind of like, it’s kind of like an apprenticeship that people are severely underpaid for, and that they are basically thrown to the wolves. And it’s like having your first job, but on this grand scale at the Disney resorts in Orlando, so there’s like millions of different jobs you can have. And it’s basically and it makes sense a way to capitalize on that labor, but keeping costs down. So thinking about all of that, and thinking about the way that I guess labor is moving now. Because, you know, there’s lots of, of course, unionizing and all that stuff, but also, for young kids and youth who are starting in the workforce, they’re pushing for a lot more opportunities and fair opportunities for them. So in your opinion, do you think that might change in the next couple of years? Because they are trying to get people back into the park and keeping up appearances and things like that? Or do you think it’s just going to kind of stay the same?

Jessica Lady Tremaine 21:03
I think it’s going to stay the same as long as the college program is as competitive to get into as it is. Now, when I applied for the college program, it was not as competitive to get in, as a general college program to get into entertainment. Yes, it’s just as competitive. But back then, like 2009, was when I applied and I got in January 2010, much less competitive. So that that was that. As far as conditions improving within the college program, I really don’t see that happening. Because there is still going to be a steady stream of kids, young people who want to do a college program, regardless of all of that.

Stefanie Bautista 21:52
I mean, I always, like when I talked to some of my middle schoolers, and these are like, the oldest kids that I deal with. And I love giving them options, because you know, you don’t always have to go the traditional, like, be a teacher, be a doctor, all these routes, I’m like, there’s so many different jobs out there. It’s just what are you willing to put up with? Having worked so many jobs, and I and of course, like working for Disney, like, that’s such a like big dream, and you know, they can’t even like imagine working for like, you know, such a big company like that. So I always try to keep it real with them and say, “Hey, you know, you’re gonna go through the same BS, essentially, wherever you go. It just depends on you know, your willingness to put up with that in order to achieve whatever you want to achieve.” So I think, yeah, I mean, your experiences, would you say, majority was it like worth it?

Jessica Lady Tremaine 22:43
I actually just did a video about this, I, I really do believe that it was worth everything that I went through. I just was recently speaking with someone about it. Honestly, it set me up for so many opportunities that I otherwise would never have had. And it really gave me a lot to teach my students because I’m still a dance teacher, I still work with students. So honestly, it really set me up with a lot of real world advice that I could give to them. And really, a lot of stories like, I can’t tell you how many times I get DMs, from people who are saying like, “I’ve always wanted to be a Disney performer. And they’re like, you’re making me have second thoughts.” And I always encourage them, they really want to do it to still do it. The purpose of what I do and my content is to share the realities, because I think what was the most harmful for me and a lot of other face characters who are on TikTok is that we were sold a fantasy, which is what Disney does, yeah, we were sold a fantasy as a job. Instead of these are the problems that you will face, this is what you’re actually getting into. So that is that is what I see my space in the world as.

Ariel Landrum 24:11
With the training that you received, because it just seems like like five to 10 days just doesn’t seem like enough is do they talk about you know how to address interactions with the community that aren’t favorable or what your have a like what rights you have as a cast member?

Jessica Lady Tremaine 24:35
Can I ask a clarifying question or so do you mean within like, interacting with guests or interacting with other cast members?

Ariel Landrum 24:46
With guests.

Jessica Lady Tremaine 24:47
Okay. Yes, they do go over things like that. And that is a part of your training that you’re doing behind the scenes with with those, those trainers. A lot of times they will say things like, “Okay, what would you do if a guest came up and tried to touch you.” And they’ll give you an example. So I’ve had it happen a lot to me, where a lot of male guests have have assaulted me and in different ways. The problem is, is that it happens so fast, that a lot of times you cannot control. It’s not You’re not meet, doing a meet and greet in a bubble, right? There are factors, there are children running around, there are people taking pictures, there are autographs being done. And they do teach you how to get out of it. But getting out of it assumes that all other factors are not involved, right. So if a man comes up and tries to grab you, you would then offer your arm, you would move you what your attendant would say something, but they don’t tell you or really, there’s really no way to teach you how to do that, while you have two children’s teeth talking to you, and you’re signing an autograph book while this person is doing this to you. So it’s there’s a lot of extra factors that they don’t, they can’t prepare you for even as much as they would want to. It’s just really not possible.

Ariel Landrum 26:17
As, as a clinician, I have to do this thing called informed consent, where I have to know let my clients know what they’re going to expect out of therapy, even so much so that I will tell them that you may not feel good right away. In fact, we’re unpacking so much stuff, you might feel worse, you might change and the people around you may not like it, the it may not always be good. Do you feel like you got full informed consent on what what the interactions would be? Or what it would be like?

Jessica Lady Tremaine 26:48
No, they they did not. And I will say that back when I started, that was not a thing that people really discussed. I have since learned in my many years in therapy, that a lot of a lot of things were really done that that that could have caused more issues than even just the job itself. So for example, not only the informed consent, but ongoing support from management just was not there. Some you would experience sexual assault, and then largely either be blamed for it blamed for not controlling the interaction. Or umm told you still had to get back out there and complete your set or you would be receiving a discussion or reprimand. So there theoretically, even if there was not informed consent, there should have been systems in place to fix that. And they’re largely weren’t.

Ariel Landrum 27:59
Do you see that changing now? Well, like do you know, people who are active characters now that have more preparation or more support from management? And I also do want to highlight that also, it’s kind of a society thing, right? Like here, I’m telling you that I need support because I’ve been assaulted, and I’m not getting it.

Jessica Lady Tremaine 28:19
Well, I think that people take sexual assault more seriously now than they did. Um, so I will say that, but I I think that the rise of character vlogging and character interactions on social media has actually made the problem worse because it has caused a lot of internet personalities who don’t know the characters really don’t understand what their life is like to go and get sensationalized viral content from the character which can cause a lot of mental distress and can cause potentially job loss. And management largely has not caught up with supporting the cast members in that way. And I get DMs from performers on a weekly basis saying that they are still getting discussions and reprimands for viral videos of them.

Ariel Landrum 29:14
Which is not within your control. And so do you think that former cast members like yourself, advocating on behalf of the community does that create some sort of change or pretty much upper management and higher ups are not looking at that stuff and probably don’t care?

Jessica Lady Tremaine 29:36
I don’t think they’re looking at it but what it has done and I’m sure you’ve seen I get a lot of flack for this. It has made it much less socially acceptable. So a lot of these vloggers will post a character video and people are now starting to if not, not watching the video, they’re flooding the comments saying, “This is inappropriate. You should not be sharing this.” But I was seeing some vloggers recently their character content is content is just not doing well, like it’s comparatively since you know, in the last few months they have really kind of taken a nosedive in views and engagement. And I hope that me speaking out is making it and others speaking out, not just me is making it less socially acceptable.

Ariel Landrum 30:24
I’m, I’m curious because there’s an intentionality to get views, right? Are there interactions that you just see with characters that people post or that isn’t a objective and happens to be a good interaction, or as a general rule that if it’s a video, it’s probably going to be scrutinized either way, so kind of avoid that.

Jessica Lady Tremaine 30:46
So it’s a gray area, and my philosophy Ariel is that if it’s a gray area, don’t post it. That is just my, because Tiktok has made it so easy to go viral, even if you’re not intending to go viral. And it is causing issues, but it’s not people necessarily doing it on purpose. Because, as you know, you know, as a as a therapist and clinician intention does not, it doesn’t really matter, because the implications are what matter. And so the intention of the poster is not the thing that I am concerned with, it’s the implications of this being posted. So the implications.

Ariel Landrum 31:32
Not intent but impact.

Jessica Lady Tremaine 31:34
Right, so the impact is, more people are going to performers trying to get viral content, they are posting characters more and more, they’re bombarding them with cameras on a regular basis, which is stressful, which is stressful for the performers. As cute as it is, um, it can be very stressful to have a camera on you all day, in addition to the job being as difficult as it is.

Stefanie Bautista 32:01
I mean, I can only imagine it’s just like a different set of eyes. And you never know where and I feel like it almost infringes on your privacy almost. And even knowing that you are a performer, you are entertainer, you are putting yourself out there. But you would think that there would be still a layer of protection. I mean, I’m wondering, because during the pandemic, we saw a lot of the characters very far away. They were like, you know, in that, like Winnie the Pooh was like in the forest, or like in a clearing or things like that. Do you know of anybody who has played those characters very far away that? Do they like that a little bit better? Or do they kind of wish it like stayed that way? Or do they miss that face to face interaction?

Jessica Lady Tremaine 32:46
I do know a few people who have done that. And I would say it’s, it’s it. On one hand, they do like the freedom of wandering and for knowing that they’re not really going to be knocked over, they’re not going to experience some of the physical problems that come with interacting with guests. I will say, though, that a big part of the enjoyment for the actual performer is interacting with children, it’s fun for us at the end of the day, like all of the issues surrounding it, are what they are, but at the end of the day, it’s still fun for us. So I would say that they are enjoying that. They were enjoying that, like new type of interaction. But I think some of them are anxious to get back to some modified form of meet and greet.

Stefanie Bautista 33:38
I mean, I guess moving into sort of like the same topic. I know that you talked about weird Disney adults, I mean, like the super super fans, when, you know, if somebody asked like, do you and your fellow characters go to the break room and be like, “Girl, I got to tell you about this, you know, person, that person or whatever.” Because, you know, in every job I’ve worked, you know, we do that. I mean, as educators, we do do that as well. So, do you have a memorable interaction with somebody who really loved you as a villain who just like adored you, and like, kind of was just like, in awe of you like whether it was an adult or a child and like how did that make you feel knowing that you know, you are playing a villain? And like you said, Because you are a villain you’re automatically viewed as something but did you get like the opposite effect at any point?

Jessica Lady Tremaine 34:30
So first, I want to I want to that’s that’s got a couple levels. Let’s start at the beginning. So um, I would not say that the Disney adults even like the really fanatical ones get talked about because characters are so preoccupied with talking about like, the weird guests and I say that like, like you’ve worked in a in a place where you’ve interacted with someone who just made it weird. Those are the things that we would talk about, either are treating us strangely, or just like, those are the ones that we talk about, but not necessarily in a malicious way, just like, “Hey, did you see that?” Like, like that kind of thing? Um, the ones that get talked about in a malicious way are the ones who are either just mean or honestly, a lot of the vloggers that are not very kind, and they get talked about a lot. But on that, so second half of that, yes. So I will tell you a quick story. So when I would often be at Mickey’s not so scary Halloween party. The two remains were a big part of that. There was a family where the there was a mom and an Aunt, Aunt aunt. And they were dressed as the stepsisters. And they’re like nine or 10 year old, one of their daughters was dressed as Lady Tremaine. Now, she was not only dressed as Lady Tremaine, I mean, she was in her blue dress that she wears to the ball. So if you go back, watch the movie. It’s like that bluish gray dress that she wears to the ball…

Ariel Landrum 36:22
Deep cut.

Jessica Lady Tremaine 36:22
She had her hair slicked back and rolled up like in those those victory rolls and a bun the back and had her hair sprayed gray. And she had a stuffed Lucifer with her. And she was fully made up like, looks like a little baby drag queen. It was super cute. And I still have a picture with them. Actually, I have it. It’s great. But so that interaction was fantastic. Because the mom and the aunt who were the stepsisters, they just like so leaned into the step sister vibe. And love and the little girl did not know what to say what to say to me. Like she was just like, “Okay, I’m going to take a picture now I’m gonna hold this cat.” She did not know what to say to me. But the mom and the aunt were having so much fun that it just like, it just took it to another level. I also loved for the Not So Scary when I would get a drag queen Lady Tremaine that would come see me that happened a couple of times, those were always the best, because they always wanted to talk forever. So I was absolutely happy living in that space, for sure.

Stefanie Bautista 37:40
I love it when parents dress up their kids, as you know, these complex characters, they really fully understand, like, who they’re playing. And so when they meet that character, they’re just like, they don’t know what to do. They don’t know what to say. And I see that a lot in cosplay conventions, and you know, comic book conventions, where, you know, you have a kid and like the coolest costume ever, but then it’s like, they’re just hobbling, walking around like a little kid like normal. So it’s very interesting to see the different avenues. And of course, when adults around them hype them up, it just creates that magic.

Jessica Lady Tremaine 38:17
It’s adorable. It’s it honestly, is one of my best memories is all of those, those fun ones.

Ariel Landrum 38:24
Kiddos.

Stefanie Bautista 38:27
I know that for myself growing up, I wasn’t the one to go up to a character, it was very hard for me to you know, know what to ask. I wasn’t when I would take a picture with them. But I wouldn’t like know how to interact. Would you use different strategies to help a kid kind of interact with you a little bit more if they were reluctant? Or was it just more so like, I’m not going to force this on a kid if they if they just don’t want to engage.

Jessica Lady Tremaine 38:51
So it’s two sided. I, if a child was clearly uncomfortable, I did not want to interact, but then the parents would often force me to interact like they were not willing to accept like me walking away. So I would often just start narrating which I do with my son now who is Autistic. And like, I would just essentially do some sort of like narration so I would sit like just talk and answer a question that I asked as if they had answered it. So for example, “Are you doing well? Are you having a wonderful day? I’m having a wonderful day as well. Thank you so much for asking.” Like I would just keep the conversation going as though they had answered. And I think it disarmed them a little bit, because if they didn’t feel like I was standing there waiting for an answer. They just were like, okay, like they just kind of dealt with it. I also I didn’t speak very loudly as my character the stepsisters have a harder time with that. But I, I was already largely quiet. But the problem with Lady Tremaine is if she’s too quiet, then she becomes terrifying. So I tried to live terrify. So if I wanted to be terrifying, I just stopped talking. That was like a thing. You just stop talking and people are terrified of you. Because there’s nothing scarier than something that you see as scary. That is not making noise or moving.

Stefanie Bautista 40:31
That’s a total mom move. That’s a teacher move.

Jessica Lady Tremaine 40:34
And I was 21 years old, like I was 20 to 24. So like, you know, I was very young when I was doing it.

Stefanie Bautista 40:42
Yeah. Actually, I did want to ask you about that. How was it playing a mother with two adult children? As the age that you were? Did you really have to, like, study a little bit or even pull from your own experiences? Because, you know, she’s she’s, she’s a mom with a lot of baggage.

Jessica Lady Tremaine 41:03
She’s a mom, but she’s not a mom. So she’s a mom in the biological sense, right? But she’s not nurturing. So that was easy. She’s not nurturing. She’s not motherly in any of her interactions. Really. She’s not patient. She’s not kind she’s not compassionate. So she’s not any of these things we associate with mother’s. So honestly, her her short temper, her kind of stoic nature, her sarcasm, her quick wit are things actually associated with a lot of younger people a lot of times, and, and since I was a trained actor at the time, I just leaned into the funny parts of her. I know I’ve talked about this before, but I played her. Almost like, like Dorothy from Golden Girls, or, or Jessica Walters character in Arrested Development, Lucille Bluth. Like I kind of played it like that just like very, like, Country Club, old lady. And that’s kind of like what I leaned into, if that makes sense.

Ariel Landrum 42:23
No, totally makes sense. I actually like Dorothy.

Jessica Lady Tremaine 42:28
I do too. I vibe with her very well. But that’s kind of like the character that I like leaned into.

Ariel Landrum 42:34
I think that’s really important that you highlight the that she isn’t the like the mother archetype. Because if we’re talking about the mother archetype, that is usually seen as like this intrinsic feminine ancient energy of Safe Space nurturing, and protection, and creativity. And she really wasn’t those things, there was a lot of just hardness there was a lot of what we would call the shadow part of that mother archetype. Where there there isn’t there isn’t nurture, there isn’t presence, there isn’t willing to problem solve, oh, no collaboration.

Jessica Lady Tremaine 43:17
I will say that there is a certain part of her character, though, that I did find a lot of compassion for and that is, like, you have to imagine, they gloss over it in the films, but they, you have to imagine a woman in France in that time period. Having lost two husbands within a few years, really. Her entire livelihood is based on being married to a person of wealth, she’s lost her first husband, who presumably she was very, we are closer with right has two children had two children with and her second husband I know they touched on this in the live action film was clearly a marriage for security and wealth and, and things like that, which was common back then. But um, you have to imagine the amount of fear number one that is instilled in in a woman of that time period, who is losing her ability to feed herself and her daughters. And then the reality that you mean, you may become destitute and not marry again, and so you your entire survival is wrapped up in your daughter’s marrying someone of that caliber. So you can see where her level of obsession grew at that point. So that is essentially where I found a lot of compassion for her. Because a lot of people are the victims of their own circumstances, you know, victims of things that happen to them in their lives. And I think that that can be said for most villains is they are all the aftermath of a lot of negative happenings.

Ariel Landrum 45:07
Yeah, yeah. Aftermath of the patriarchy.

Jessica Lady Tremaine 45:10
Exactly. Exactly.

Stefanie Bautista 45:13
For sure, and you know, all of those things are very important to consider and I’m glad that you know you, you do take time period into consideration even though you’re playing her in real life, you still have to be consciously living in that time period when you do play her. I know that one of the things that I I was thinking about watching your your Tik Tok videos was when you were talking about the costumes, and how there were like, the costumes of before, like when Disney first started, like the really scary Mickey heads and you know, like terrifying like, Donald like, Who would want to, you know, I mean, having a gown evolve, even though it is set in a certain time period. Did they make adjustments to make it comfortable for you, since you are working these crazy hours and in the heat, and you know, what the elements of Orlando, I mean, did you really have to think I need to play this, you know, French woman in, you know, the 1700s and kind of live with that, or was there like a reprieve?

Jessica Lady Tremaine 46:21
So honestly, the dress is very uncomfortable, it is very thick satin, and it’s long sleeved and comes up to the neck, it goes down to the ankles, there was a hipcage element that is not film accurate. That they added just for silhouette reasons. But I will say it did pull the bottom half of the dress away from your body. But you do have to wear all of the corresponding undergarments bloomers tights, and the like. And it is Orlando, and it is often 95 degrees with 100% humidity and you are doing a parade route. But I will say that the discomfort of the costume and the makeup and the wig and everything else made it very easy to be unpleasant. I would say the princesses probably have a harder time because they have to be pleasant. I was able to lean into the time. Yeah, I was able to allow myself to be annoyed. Because clearly I was uncomfortable. Like I mean, you can like I know that people listening can’t see this. But I have a picture behind me of a painting somebody did of Lady Termaine of me as Lady Termaine. And you can just see, if you go back and look at photos of me. On my Instagram, you’ll see like the costume just looks unyielding. And it is.

Stefanie Bautista 47:49
Yeah, I mean, you had the RBF on and it was part of your character. And it worked for you. And I love that that was a silver lining, because I feel for those princesses every single time they are just standing and waving and pretending everything is great. But ooh sweat, I cannot.

Jessica Lady Tremaine 48:08
Absolutely.

Ariel Landrum 48:09
And I’m curious for all the parks. Is the training the same? Like even just internationally? Or is there a difference in the way that the cast members and particularly the characters are supposed to interact? Or is it very formulaic?

Jessica Lady Tremaine 48:26
It is very different. So it’s not like in the American parks, it’s fairly similar because it’s, there’s similar social norms in the US. When you go to Hong Kong Disneyland, or Tokyo or Disneyland Paris, there are other social customs that they need to make you aware of now, I’ve not gone through the training myself, but I have heard about it secondhand, they do have to talk about certain things that are considered inappropriate in those countries. Like, you know, like, in some countries, like a peace sign is inappropriate, depending on how you have it. You know, I mean, there’s like a lot of local social and cultural things that you have to learn.

Ariel Landrum 49:05
Did Stef when you went international did you notice a difference?

Stefanie Bautista 49:09
I mean, I remember them not being around so much when I was in Tokyo and in Paris, but at the same time, I always traveled there in the winter. So I could only imagine how difficult it would be to be standing out there in like, almost snowy weather, and you know, being in character, but I mean, I did appreciate that when I did see them like in a parade or something they would be, you know, fully rubbed up. And you know, Jasmine wasn’t looking like Jasmine, she has like a bull like coat on. And it was nice, but I think that was the reason why I didn’t interact with those characters because I was in another country so I wasn’t exactly sure what to expect for myself. And the language barrier was kind of like I couldn’t put myself in, you know, Disneyland mode here because we have customs and norms that are okay, and we can you know, strike up a conversation. I I didn’t know if that was okay over there. So I never really went to venture. But if I ever go back there, I’ll definitely see if you know, there, there is a difference, because I know that a lot of cast members here do travel over there to to get work, especially if they have the right. Look.

Ariel Landrum 50:18
I know Jessica, you mentioned earlier a little bit that, that you’re in therapy that you are working in processing through some of your experiences. I’m curious if you want to share a little bit about your mental health history and what you would want to say to like the audience members, especially people in the entertainment industry.

Jessica Lady Tremaine 50:35
Yeah, absolutely. I’m very open even on my TikTok about the mental health implications of my time in entertainment. And, and I like to take the experiences that I’ve had and try and educate you know, people coming up in the industry now, especially my students. I had was diagnosed with body dysmorphia, and I also have PTSD. And my body dysmorphia is associated with my time not only at Disney, but my time as a dancer. So growing up in a lot of dance, a lot of physical scrutiny, essentially my, my image of my body and the way that I look not matching up with with reality, which is hard, because when you’re in an industry that’s constantly asking you to lose or gain or do this or do that it’s very, very hard. And so that has been quite a difficult journey. But I will say that the PTSD part is directly from my time at the parks, it does surround I’ve had some claustrophobia, that’s, that’s stemmed from that in large crowds. Because there is a lot of unconsented, grabbing from guests, that is largely uncontrolled. And like I said, the management is not really super supportive, if you do say, “Hey, this happened to me.” So a lot of times you just internalize it, and it’s now become, I have a lot of very crazy physical triggers. And it kind of can come out of nowhere. It, it doesn’t come out of nowhere, but it feels like it comes out of nowhere. And that’s something that I try to talk about people, largely, trolls in my comment section are like, “Well, you if you can’t handle it, you should never have the job.” Well, no, that’s not how that works, really, the job should be a healthy job. And people shouldn’t have to expect to experience trauma or mental illness or eating disorders from a job. Because and largely these people who are saying these things have no idea what it’s like to be in an industry, they don’t have, they’ve never grown up in that they don’t know what it takes to be a performer, all of the scrutiny, all of the auditions, all of the rejection. So it’s very easy to speak from the other side of your keyboard. But in reality, there is a lot of mental health damage that stems directly from the unhealthy processes that they do have set up there. And they still have to this day. And I really feel like there is a lot of room for growth. And I hope that you know, one of my suggestions or my videos reaches Disney, and they begin to really take it seriously and say, Hey, maybe we need to look at ourselves.

Ariel Landrum 53:43
Yeah, I’m curious for for the benefits were there is there like an employee assistance program where you got access to like a therapist or anything like that, that, you know, might have been implemented now.

Jessica Lady Tremaine 53:56
Um, they had insurance for part time and full time cast members, but at the time, largely, a lot of us were seasonal. And we didn’t have access to that. I think that it would be great if they had therapists. They have physical therapists available for all performers throughout the day, but they do not have they do not have anybody for mental health, which I think would really be a huge deal on days when when really traumatic events happen.

Ariel Landrum 54:27
That’s a job I need to make. Well, I’ll just pin that.

Stefanie Bautista 54:30
Write that one down. Oh, yeah.

Jessica Lady Tremaine 54:32
Put it on the vision board.

Ariel Landrum 54:34
Right on the vision board.

Stefanie Bautista 54:35
Yeah for sure.

Ariel Landrum 54:36
It makes me think of when a sports psychologists who are accessible to the Yeah, I was gonna say the supporters close enough to the to the athletes. I follow. She is the sports psychologist for like Cirque du Soleil, and really talking about the experience of being a performer of when you’ve injured yourself and what that could mean for your career, having to talk about dynamics between performers, between like team members and groups, and it has really made longevity in the career for some of the performers that previously you didn’t have access to that.

Jessica Lady Tremaine 55:18
Yeah, absolutely. I think that people don’t see actors and dancers in the same light that they see acrobats and football players and the like. So I’m hoping that we’re moving towards better mental health in the theatre community. But it’s, it’s hard because people in theater community are great actors. So you don’t always know when there’s a problem. It’s not clear. So

Stefanie Bautista 55:48
Good point.

Jessica Lady Tremaine 55:49
Which I you know, Ariel, you probably know, it’s sometimes hard to, to pull out honest and genuine statements from somebody who’s an actor, because they are inclined to put on a performance. And it’s, it’s hard for us to let our guard down and just be, be authentically ourselves.

Ariel Landrum 56:12
Yeah, this is where there’s a difference between individual change and systemic change. Because individually, if you, there’s a fear that if they put their guard down, I’m still stepping into the same environment. But now am I going to is it going to be harder for me to put it back up, it’s just a lot easier to keep it.

Jessica Lady Tremaine 56:28
Exactly.

Stefanie Bautista 56:29
That’s something that naturally comes after a while. So that’s like your go to, but I mean, I think you’re doing a great job, you’re reaching so many people. And, you know, these stories are, you know, absolutely essential for, you know, past members past, you know, even just Disney goers in general, and, you know, looking into the future and seeing the ways that we now interact as adults, and how we’re interacting with our children, and you know, the different perspectives that we never really thought of before coming to light, so that we’re a little more mindful when we are, you know, trying to enjoy ourselves, because us enjoying ourselves may not be enjoyable for somebody else. And it comes sometimes at the expense of not just your wallet, but also you know, people and you know, their experiences, I think the whole, you know, well roundedness of participating in something like that is I feel essential for anybody who is putting themselves in that environment on either side. So the information out there is just, you know, so invaluable to have it’s just, you cannot replace those things like you cannot make this issue up. So yeah, you know, it’s it’s good to open your eyes and listen, and you know, it totally gives me a different perspective. And I’m actually going to be visiting Disney World in about a month or two. So it’s been quite a while and now I’m visiting with my son who, before I did not have a child in tow. So we’ll see how that goes. Definitely less drinking at Epcot. That’s the only thing on my mind.

Jessica Lady Tremaine 58:07
Yeah, I’ve been there, I have two children. So I completely understand

Ariel Landrum 58:12
Any any do’s and don’ts, you want to give a Stef for her experience with her little one toe?

Jessica Lady Tremaine 58:19
Um, give him a lot of breaks. And that is not just for you. But that is a thing that I’ve noticed is a problem with a lot of people who come to Disney and Universal and really all the parks is that they they don’t allow themselves any room to breathe. And it’s because they’ve spent so much money and because it is they want to do everything and I get that worth the dollar. I get that however, when your child at three o’clock in the afternoon is having a gigantic meltdown because they haven’t had a break. Without any stimulation or without too much stimulation, it is a nightmare. Because then you can’t bring them back then you can’t do anything else. Because then they’re done for the day. So my best suggestion is the hottest part of the day, go somewhere else either go back to your resort, get a late lunch like a three o’clock lunch. And I say that because I have been that parent who’s want to do a full day and it never works out especially with young children. Just give them the space to recover because they are experiencing so much sensory wise. The sounds the sights, the people like it’s just a lot for them. And they get overloaded super easily. So yeah, that would be my suggestion.

Stefanie Bautista 59:46
Thank you. I think that’s something to keep in mind because we’re coming from just two parks here across the way to like five parks and you got to take a bus in between all of them or drive or.

Jessica Lady Tremaine 59:59
Oh Honestly, I can’t speak highly enough of resort hopping for your break. So you don’t have to do the same one every day. But if you just go and you sit at the Polynesian in the lobby, or whatever, that one’s my favorite. So I’m partial to or if you go to the Grand Floridian and you listen to the pianist, or you just kind of walk around and do something a lot more low key like, yeah, it’s, it’s a great option.

Stefanie Bautista 1:00:30
Yeah, for sure. I love that. Thank you so much. I’m definitely gonna take that to heart all the way. And I’m so excited now with this new perspective on you know, just, I feel like the differences between Disney Land and Disney World really are not that much. It’s just the perspectives are so much different when you’re looking at it on a grand scale. So, I mean, being an avid Disneyland goer, and I always have a different experience when I go to Disney World. And, you know, it’s just given a lot of different just different points, points of view and things to consider every time you go there. It’ll you know, now having this perspective will definitely help make you know my experience and hopefully the experiences of the cast members who are working so so hard to keep the parks open and also have their own jobs.

Ariel Landrum 1:01:20
So, audience members if you have learned anything today please DM us at G…

Stefanie Bautista 1:01:30
@HappiestPodGT.

Ariel Landrum 1:01:31
What Stef said, @HappiestPodGT or tweet at us @HappiestPodGT. A please please follow Jessica on TikTok for TremaineTok, on Instagram TremaineTokJessica, or YouTube Tremaine Tok in order to learn more on how to interact with cast members, and how to be an advocate for their mental health and wellness. Jessica, is there anything else you want to add before we end?

Jessica Lady Tremaine 1:01:57
No, that’s it. Thank you so much for having me. It’s really been a pleasure. And yeah, I’m excited to hear the episode when it comes out.

Stefanie Bautista 1:02:05
We loved having you. Thank you.

Ariel Landrum 1:02:09
Bye, everybody.

Stefanie Bautista 1:02:10
Bye.

Media/Characters Mentioned
  • Lady Tremaine
  • Evil Step Sisters
  • Anastasia
  • Drizella
  • Snow Queen
  • The Evil Queen
Topics/Themes Mentioned
  • DND Bleed
  • Dissociation
  • PTSD
  • Panic attacks
  • Assault
  • Sexual assault
  • Healthy work environment
  • Access to mental health
  • Working with the public
  • Therapy

Questions? Comments? Discuss this episode on the GT Forum.

—

 Website: happy.geektherapy.com
 | Instagram: @HappiestPodGT | Twitter: @HappiestPodGT | Facebook: @HappiestPodGT |
 | Stef on Twitter: @stefa_kneee | Ariel on Instagram: @airyell3000 |
 | Jessica on Instagram: @TremaineTokJessica | on TikTok: @TremaineTok | on YouTube: @TremaineTok

Geek Therapy is a 501(c)(3) non-profit with the mission of advocating for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
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Welcome to The Happiest Pod on Earth! On the Geek Therapy Network we believe that the best way to understand each other, and ourselves, is through the media we care about. On this show, we focus exclusively on Disney!

Hosted by Stefanie Bautista and Ariel Landrum!

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