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Unlocking The Healing Powers of Play

February 16, 2024 · Discuss on the GT Forum

https://media.blubrry.com/happypod/media.transistor.fm/f9d8a35c/7f454722.mp3

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#35: Step into a world where play and healing intertwine in Episode 35 of HPOE. Ariel, Stefanie, and special guest Maria delve into the transformative power of play therapy. Discover how Disney villains can become tools for empathy in therapy and how engaging with our favorite stories and characters can foster healing and growth. This episode is a heartwarming journey into embracing our inner child through the magic of play, offering insights for therapists, educators, and Disney lovers alike.

Register for the “Play Therapy: To Infinity and Beyond Conference” taking place at Disneyland and the Dinseyland Hotel from March 5-10th, 2024 here: https://www.anewhopetc.org/playatdisneyland

Summary

Summary of HPOE35: Unlocking The Healing Powers of Play

  1. Introduction (0:03): Ariel, Stefanie, and special guest Maria introduce the episode’s theme, focusing on integrating play in therapy and education.
  2. What is Play Therapy? (0:52): Maria explains the concept and application of play therapy, emphasizing its role in expressing and processing experiences beyond words.
  3. Play vs. Traditional Learning (2:34): Stefanie discusses the importance of play in education, challenging the conventional separation between play and learning.
  4. Play Therapy for Adults (3:17): Maria highlights the effectiveness of play therapy not just for children but for adults as well, particularly in couples counseling.
  5. Villains in Therapy (4:08): Maria shares her niche in using Disney villains as therapeutic tools, fostering empathy and understanding rather than pathologizing.
  6. Integrating Play in Therapy (5:15): Discussion on the diverse methods of incorporating play in therapy, including video games and expressive arts.
  7. Career Path to Play Therapy (6:58): Maria recounts her journey from aspiring to be a math teacher to becoming a play therapist.
  8. The Power of Play (13:03): The hosts and Maria discuss the universal and transformative power of play across different settings and ages.
  9. Disney’s Role in Therapy (16:56): The conversation turns to how Disney media can be utilized in therapeutic settings to facilitate discussion and healing.
  10. To Infinity and Beyond Conference (30:24): Maria talks about her upcoming conference at Disneyland, blending play therapy with the joy of Disney parks.
  11. Reflections on Play (36:29): The group reflects on the importance of play for both therapists and clients, encouraging listeners to find their own ways to play.
Transcription

Ariel Landrum 0:03
Hello, everyone, welcome to the Happiest Pod On Earth. I’m Ariel, I’m licensed therapist who uses clients’ passions and fandoms to help them grow and heal from trauma and mental unwellness.

Stefanie Bautista 0:13
And I’m Stef, I’m an educator who uses passions and fandoms to help my students grow and learn more about themselves and the world around them.

Maria Laquerre-Diego 0:20
And I’m Maria, I’m a licensed marriage and family therapist and registered play therapist who tries to find Disney and pop cultural references in everything for therapy.

Stefanie Bautista 0:29
And here at Happiest Pod, we dissect Disney mediums with a critical lens.

Ariel Landrum 0:33
Why? Because we’re more than just fans, we expect more from the mediums that you consume. So what Disney experience are we talking about today, everybody?

Stefanie Bautista 0:41
Well, we do have a special guest the welcome Maria, thank you so much for being on the podcast with us today. Maria, do you want to share a little bit about what you do as a play therapist? If no one knows what a play therapist is?

Maria Laquerre-Diego 0:52
Sure, sure. So as a registered play therapist with the Association for Play, which is based on in California, I incorporate the powers of play. And often what it comes down to is those moments that we don’t have the words to articulate what we’ve gone through, regardless of age. Play allows us to process and share those experiences with someone who’s trained to interpret play as communication.

Ariel Landrum 1:20
That’s really interesting, because I know, and I’m curious for you, I’m an art therapist, and we have very specific way in which we view art that’s different than using art therapeutically. So how do you use play as a play therapist versus a therapist who plays with their client?

Maria Laquerre-Diego 1:35
A great question, because we don’t just play with our clients. So play therapy is a model that goes on top of and includes your theory of change. So play therapy is a large umbrella, someone might be a narrative play therapist really focusing on storytelling and the powers of story, doing narrative work, but inner weaving their use of play techniques. Or they could be a solution focused play therapist or ecosystemic play therapist, right. So your theory of change will remain in play therapy is just a model that helps make the interventions more fun. And it removes the requirement to be in our brain and in our vocal space. So often, it can be really hard to talk about the hard things. And so having someone trained on the other side of the couch for you, who doesn’t need you to say the words but can give you alternate ways to express those things. That is that’s play therapy.

Stefanie Bautista 2:34
I love that in education play is a big part. But as teachers, it’s always like, “You have to stop playing now. Because we have to learn.” And it’s just like, the kids perspective is always like, “When are we allowed to play when are we going to play?” And I think this way, it’s kind of flipping the narrative a little bit and saying that, you know, we are learning through our play, but not necessarily saying you know, play as like a reward or whatever. Like it’s a way to express yourself in a way to communicate through play, because everybody talks about how body language is so important. That’s very important when it comes to play to because you are then using how you react to certain situations, how you’re interacting with other people, and how you’re doing decision making, as you know, a kid through play. It’s it’s really cool. I really love that.

Maria Laquerre-Diego 3:17
Yeah, great. Yeah. And yeah, play is learning, right? We are learning through play we have from the very I mean, when we think about infants, what what do we do we play peekaboo, right? We talk and sing songy voices that doesn’t need to go away. And so I’m, I’m excited also to talk about like using play with adults because it’s, it’s very much geared and marketed that play therapy is for children. But I use it with adults, I do it in couples counseling. It’s really helpful anytime. You don’t have the words necessarily or it’s too hard to vocalize.

Ariel Landrum 3:50
Well and for any of our listeners who have been listening to our episodes for a while episode 24 When we talked about Disney Villains we actually mentioned Maria and her talking and training on how to use villains and therapy as something that’s affirming as opposed to pathologizing.

Maria Laquerre-Diego 4:08
Love. Thank you so much. Was that from the TAGGS? That has really been my Yeah, no, that is my niche. So while I am very much a play therapist, and I’m very much a Disney fan, my my tend my fandoms tend to be Star Wars, Disney and Marvel except for when it comes to villains and then it’s DC. They’ve got bad guys done right. But yeah, being able to embrace the the power and the authenticity that comes from villains because typically, people who come to my care are not the heroes of their story. They’re usually labeled as the bad guy and are coming to meet for help. And that helps sometimes just turn it into let’s embrace this, you know, sometimes it’s okay to not go with the flow or question what’s always been done and to do things in a different way. Let’s embrace that. And let’s have a lot of fun with it.

Ariel Landrum 5:05
Yeah, I think that’s a really unique way to engage in, you know, play. Are there other new unique ways that you engage in play in your therapy sessions? Or that you think of play therapy?

Maria Laquerre-Diego 5:15
Yeah, I Well, I would say, again, play their visa, a wide variety of things. So here at our center, we do play from everything from expressive arts, to sand tray and sand play, right, using miniatures, and a sand tray setup. But we also, we have two different switch and PS setups in our office, because we do a lot of video game and play. Play can be whatever they’re comfortable with. And we just invite that into our therapy room. That is their language, especially more and more these days, right? Online gaming has gotten such a bad rap for such a long time. I’m old enough to say like, you know, when the internet started, you know, we were all told, like, you know, those aren’t your real friends. You don’t know them, right? Like those relationships aren’t real. And now we have the science to say, “Sorry, Mom and Dad, you’re wrong. Those are real relationships, and they hold real meaning and power in my life.” So yeah, if they’re if their favorite way of gaming is something that we can include, then we absolutely want to invite that in because it tells us so much. Right? This is where they’re spending their time and energy. I want to know about that.

Stefanie Bautista 6:26
Yeah, totally. I know that. Speaking of, you know, going back to when the internet started, and you know, when we were all forming our, you know, what are we going to do? Or what are we gonna do?

Ariel Landrum 6:37
Back in my day the Internet made sounds when you’re logged on?

Stefanie Bautista 6:41
It sure did. And, you know, at that time, I’m sure you know, we were all thinking of what careers we wanted to be when we grow, we grew up. Did you always think play therapy? Or were you just like, “Oh, I interested in therapists?” And play kind of came along as it evolved. Like, how did that journey work for you?

Maria Laquerre-Diego 6:58
I love that, because absolutely not. No. So I mean, up until like, my last year in high school, I thought I was gonna be a math teacher. I married one instead and so.

Ariel Landrum 7:10
Check check check.

And you and you incorporate play with with the math right?

Stefanie Bautista 7:18
Math is everywhere.

Maria Laquerre-Diego 7:19
So can play right play can be everywhere, too.

Stefanie Bautista 7:22
Yup absolutely.

Maria Laquerre-Diego 7:23
So then I went to undergrad and I was like psychology, “I’m interested in people. I like helping people.” And they were like, “It’s all research based.” I was like, “No, I don’t want to do that part.” So I ended up getting my master’s in marriage and family therapy and thought, like, “Yeah, I’m, I’m going to do family work, I’m going to do couples work, I’m going to be able to help, you know, adults be better adults.” You know, because the trickle down effect, right? In my mind, that’s where it was gonna go. I started private practice. And the woman who owned the group was like, “You are fantastic. You should work with kids.” And I was like, “No, thank you. No, thanks. No, I like I like, like the moody teen girls and like adults.” And she was like, “No, no, no, you need to come to a couple plates or trainings with me, and you really don’t like it, then fine, I’ll leave it alone.” That turned into being all in on Play. I’ve served on my like local state board as the president and past president for play therapy. I am now a provider for the Association for play therapy trainings. So I’m like “I’m all in.” But that was not my ideal job when I was like, but now I get to say I play for, like, my job. My job is to talk about villains and Disney and Marvel, and help people heal. I couldn’t have even imagined a job like this existing back before dial up was like old school.

Stefanie Bautista 8:48
I think that’s amazing. And I think that’s just the evolution of education now, and you know, knowing that you can start off wanting one thing, but as life, you know, grows us and gives us new opportunities. All it takes is one person to say, “Hey, I think you’d be really good at this.” And that opens up so many doors, and I love to tell you know, middle schoolers and high schoolers just because you say you want to do one thing and just because you said you wanted to be something when you’re younger, doesn’t mean that you can, you know, not either not achieve it or that’s not what you’re gonna you know, go to but other things will happen in your life. So I think you’re a great example of that.

Ariel Landrum 9:25
Yes, it can be really fear inducing to like change your mind, especially when it comes to like a career path or a decision of like, sustainability in your life. It feels unsustainable to to go off the track that you thought was meant for you. And it sounds like for you, it was really rewarding to have somebody say “Well just experiment, just get get a little try.”

Maria Laquerre-Diego 9:46
Like “No, there’s no lifelong commitment to it, right? Like take a couple of trainings and see if it lands,” and some of the early ones did not land and I was like, “This is crazy talk like this is not for me.” And then you know, being able to live We’re in like, really the base is in the the foundations for play. And then weave my own piece to it right? Like, that’s what we do we take those foundations and then we make them personal to us because that’s that’s where the magic is right? If I don’t believe it, if it’s not coming from my heart, the work that I’m doing is not going to be meaningful and helpful to anybody else. But it can also be really scary because the world is changing so fast. Does everyone want to see a therapist who talks about villains? No, I’m not everyone’s cup of tea, that’s okay. But it’s taken me a long time in my career to be like, “It’s okay, that I’m not the right person.” Because especially in those heat, helping fields, we are so primed to be like, “Help everybody, you need to help everybody be so thankful that everyone that shows up is there to see you.” And it’s like, “I mean, it can be thankful. But if I’m not the right person, this isn’t gonna work.” And then if you are the right person, and you want to come in, and you want to talk about Iron Man having panic attacks, and how that is so applicable to how you are experiencing panic attacks, I’m the girl for that.

Ariel Landrum 11:03
So I’m hearing also, part of the way that you engage in your work is I’m hearing some authenticity. And the other thing that I’m hearing is that that acceptance of the client, even if they’re not your client, right? There isn’t a projecting onto them this expectation. And so this makes me want to ask, does this mean you’re more of a non directive play therapist? And can you explain for the audience with the difference between a directive and non directive one is?

Maria Laquerre-Diego 11:32
But yeah, so play therapy kind of falls into two camps, depending on your theory, non directive is child centered, or person centered. So if you think of Rogerian therapy, right, like the therapy, the client gets to lead the session, and the therapist bears witness, but doesn’t really question or direct the therapy in any way. Then directive would be where they come in, and like, “Hey, we’re gonna do this thing together today. I am leading the session, based on our goals, based on your interests based on where we’re headed, I have worked on what we’re going to do in between, and I’m going to tell you, we’re going to spend some of our time doing this.” I do both.

Ariel Landrum 12:14
Okay okay hybrid.

Maria Laquerre-Diego 12:14
Because I think they’re especially when it’s new, whether it’s play therapy is new to them, or just therapy in general is new, it can be really scary to be like “Here, here’s my giant playroom, you can do whatever you want to do in these rooms.” And I’ll just have people go. Just freeze, right. And like, “This is too much. This is too much.” So we’ll do some initial like information gathering right? First couple of sessions is really kind of set and scripted of like, “I need to gather all this information I want to get to know you.” And then in the in the meat of it. It can be you know, “I had an idea for today. But did you have an idea for today? Because I’m going to defer to where you are because you’ve lived your life in the last week since I’ve seen you. So my idea of where we need to start may not match.”

Stefanie Bautista 13:03
Right.

Maria Laquerre-Diego 13:03
“But if it does cool, I’ve got this path that we can try out. And you can tell me if you like and if it’s fitting or you, tell me what you would like to do today.”

Ariel Landrum 13:11
I know for me, I’m also both in the way that I have my theories are in the way that I practice is that because I have cognitive behavioral therapy as a theory, because insurance will cover it. There’s a lot of direction, lots of worksheets, lots of homework, so that that is me directing. And then in our sessions as a narrative therapist, that’s where my client is more directing, because they’re crafting their story, not me. Stef for you, because you’re an educator, how directive do you have to be with the way that you are running programs? Or is there room for like your students to just kind of run amok?

Stefanie Bautista 13:48
Teachers run on schedules and agendas and things like that, I think it’s more sectioned out a little bit differently. I wish I could dedicate one day to be like, “Hey, you know, you guys are leaving today.” And that would be called Holding Centers for the kids. So you’d be like, “These are math centers. So you know, I have these games for you to play. We’re going to rotate so and so we’re going to do reading centers and literacy centers. So you guys will be you know, reading this one chapter books, you guys will be writing about that.” So it comes in different forms. And as you guys were talking, I’m like, “Oh, we do the same thing. It’s just called something different.”

Yeah, holding centers. That’s beautiful.

Ariel Landrum 14:25
Holding centers. Yeah. So you know, it’s kind of just because it’s us. And you know, our ratios are very different from therapy. It’s a one to like 20 or 27 depending on the school system that you work for. So I think as teachers, you know, an educators you have to be creative about how you hold your spaces, because the ratios are just so massive, you know. And when you do hold spaces for one on one that happens during the larger group doing something else, and then you would be like, “Okay, we’re going to be doing a reading, you know, test today or we’re going to be like assessing you in this certain way.” Um, so yeah, it comes in different ways, but very similar to what you guys do just not exactly. Same, same but different.

No, I love that. I love that sharing of language because now I have I have something that I can ask you more about that. I like that, that that terminology. Because we’re saying like person centered, that’s one person that sounds very student centered still.

Maria Laquerre-Diego 15:24
Talk about systems, right? Like, that’s all the people in whatever system, depending on if you’re going really micro or macro.

Ariel Landrum 15:32
LMFT is an LCSW are very systemic thinking right? Who’se invovled in this child’s life?

Maria Laquerre-Diego 15:37
We want to know all the goods and who has access to this kiddo. But it is that shared language, right? Like, just as we’re experiencing this, this is what play can do. If I can learn the language of their play. I’ve cracked the code, and they don’t have to decipher it for me.

Stefanie Bautista 15:53
It’s very interesting that you said that, because I was just thinking that, you know, when you see your clients, you’re trying to figure things out, right? You’re trying to see, you know, what systems in their life, or, you know, making these outcomes happen. For us, it happens already in front of us. And we have to like go the other way, and figure it out. So if I see, you know, little Sally outside, just hitting every kid that she can possibly. So there’s the behavior. So now that tells me X, Y, and Z. And now I have to backtrack and figure that out to where as you guys kind of already might have known the behavior and are now trying to you know, make those certain connections. So it’s it’s very interesting, different perspectives. And yeah, it’s really cool.

Ariel Landrum 16:34
So what I’m hearing is therapists and educators are engineers.

Stefanie Bautista 16:40
We do it all.

Maria Laquerre-Diego 16:42
Yes.

Ariel Landrum 16:42
And we need are flowers.

Maria Laquerre-Diego 16:43
In you know, the version of cash instead of flowers.

Oh I didn’t know we were going there for this podcast. Yes please.

Stefanie Bautista 16:56
Anyway, as this is a Disney, you know, podcast, and you know, you’re a big fan of Disney just like, oh, we are, how did you feel when you were like, “Oh, my gosh, I can use what I love. In my job.” Was that just kind of like a mind blowing moment for you? Where you were like, “I can make this connection? And it makes sense. And I don’t have to like, stretch for it.”

Maria Laquerre-Diego 17:17
Yes. So I’ll tell you, there was a couple of moments, there was one that I was like, “I already was not a real word already. therapies, everything I watch and consume, right?” Like this natural setting in my brain. Much to the dismay of my family, we always have to do things twice once for the family to enjoy it and then once so that Mommy can like therapy and the crap out of it, right? Yes,

Ariel Landrum 17:38
Are that are you that meme where it was like that? That fictitional therapist is doing something unethical.

Maria Laquerre-Diego 17:46
Yeah, I have all training on fictitious therapists and now the damage that they’re doing? Absolutely.

Ariel Landrum 17:52
That’s another episode we would like t have actually.

Maria Laquerre-Diego 17:57
Yeah, so I was like, Well, I kind of with kids, it’s easy. It’s an easy step, right? Because they’re into like spider man or the Avengers or Ninja Turtles. So it’s easy for me to kind of like weave the storytelling in for kids, because they’re already talking about that. And instead of be going, we’re not talking about Paw Patrol. Today, we’re going to talk about your feelings. We can talk about feelings using Paw Patrol so that they’re still interested in engaged in the get the connection. Right. So that was one moment of like, “Oh, I can I can do this.” And then I had a couple of identify self identify geek adult clients that I was seeing. And I was like, let’s try. Let’s try this. And that went well. And then one other moment was like, “I’m gonna I would put out a training on like, the villain stuff,” right? Because if you’re in the world of, of kind of Geek Therapy, pop culture and superheroes. Sophie Ansari is like my goddess, and I go to her for all things. superheroes and pop culture. Did my own kind of like version of that, and then really was like, oh, people like this. I wonder I wonder if I could get them to like, like villains like I like villains. It is not gonna land for everybody. And I get that and that’s okay. But what if, what if, like two therapists heard me talk about using villains? And we’re like, “Ooh, that sounds interesting.” And I’ve been now doing villain talks for probably two years. And it’s just that I like I seriously I pinch myself and I’m like, I get to spend the day talking about villains and making lightsabers with people like this is my job and I love it.

Ariel Landrum 19:42
Calling back to the earlier conversation. There’s another path that you didn’t expect you would take which is training and then training specifically on a topic and a subject that excites you and training on what I think before your trainings was seen as taboo, like if a child or an adult loves the villain there that gets pathologized are seen as like, “Oh, they’re manifesting this like dark part of themselves.” And you really turn the light on, on the fact that that automatic assumption or automatic belief was not only not helpful, it was not client centered. It was really looking at it through this like very narrow lens, like the Satanic Panic back in the days, right? Like the, and you found more nuance in the subject matter.

Maria Laquerre-Diego 20:26
Yeah, yeah, I think it’s still one of my first three slides is like liking a villain is not pathologizing. And it’s not a diagnosis. You know, and, you know, Marvel doesn’t know, but they’ve come and backed me up. And when we had a whole Loki series, right, like, all based around, and because it’s not because I’m the only person who finds villains interesting, Disney would not just do that, for me. There has to be enough of an interest. And I think that there really is a really, you know, these are stories I’ve been told and consumed, because they’re interesting. And they’re interesting, because they speak to us.

Stefanie Bautista 21:00
Yeah.

Maria Laquerre-Diego 21:01
You know, and so being able to just encourage people to, like, lean in and learn more, instead of being scared and hold these, you know, misbeliefs, or these old ideologies that, you know, villains are the bad guys, I was like, well, it’s all about perspective.

Stefanie Bautista 21:14
And it’s really, you know, focusing on a person as a whole, right, instead of putting them as like, you know, a binary system zero or one like, you know, you’re either good or bad. Like that, in itself is so harmful. And I think, you know, Loki is a great example, because I love that series up and oh my gosh, it’s like my favorite, I could talk about it all day.

Ariel Landrum 21:31
And again, if any of you are just new to our podcasts, or have been listening, in Episode 14, we had another clinician Rachel who talked about trauma adoption and the experience of being an adoptee and a foster care system. And that was Leaning Into Loki’s Journey. So if you want to see that with a new perspective, check out that episode.

Stefanie Bautista 21:53
And now knowing that the series is pretty much, you know, come full circle, and he’s, you know, finished his arc, I think, looking back at that, and those conversations that we had about, you know, his origin and what he’s gone through, is really important to see villains not just as the bad guys, and that there are people who have their own experiences and the decisions that they make. It just contributes to the whole story as a whole human are a whole host superhuman, I guess, a demigod in the sense. But still a person who feels who goes through things who has struggles, and is trying to just figure themselves out just like everybody else.

Maria Laquerre-Diego 22:28
It’s really easy to kind of view it as when someone comes in for help, right? They have one version of their story. And people have been putting assumptions and views on them without having the rest of the information. As therapists we get to sit back and go, “Okay, tell me the rest of the information.” Right. And we know that this is important, right? Like movies like Maleficent and Cruella. Right? Like, those are villain origin stories, it’s the why to why they were behaving that way later on in the storyline, or later on in life, all behavior have an explanation. Being able to embrace the villain side goes, tell me tell me why this is serving you because it’s serving you in some way. Rather than being like stop.

Ariel Landrum 23:14
And talking from that systemic lens and thinking of those villains. It’s the examples of the lack of intervention through pivotal moments, right? Whereas like, we are an example of interventionist interventionist in an individual’s life. If you have an educator that’s caring, if you have a counselor that’s caring, if you have a therapist that’s caring all of these opportunities that can help someone gain essentially growth and understanding or if they’ve experienced trauma, post traumatic growth. And in the cases with some of our villains they have they didn’t have people intervening, they didn’t have the support network or the caring helper.

Maria Laquerre-Diego 23:50
Yeah, well, in so many of them, you know, the other thing we can talk about is like those redemption arcs, are those shifts, right? The you’ve been the villain in the story for so long? Do you want to keep going? Or do you want to share with others the reasoning behind and no longer have that lens? Right? And, you know, I was bringing up Civil War as an example, the MCU Civil War, because those were two groups of heroes battling, you know, so how do you pick a villainous side? And it’s like, well, it was it was really about perspective. And what was important to either of them felt like they were the bad guy, and no, we had two groups of superheroes battling it out.

Ariel Landrum 24:24
And it definitely makes me think of like, with Moana, how we had to Te-Ka and we turned out she was Te Fiti right this whole time. And even though the story wasn’t primarily about her, the redemption was this, like villainizing of this deity and stealing and taking and pillaging like, what ends up happening, and what needs to be created to have repair. And I can’t think of many stories that at least Disney narratives that have a like big baddie not end does a big baddie.

Stefanie Bautista 25:01
I mean, to an extent, like even in Frozen they villainized Elsa. And she was not the villain. She is very much the main character. But they were so threatened by her and her power that that became the villain. And I think that’s what one of the early times that people are like, “Okay, the narrative has shifted a little bit, and we’re not seeing, you know, just like a monster that they have to defeat. It’s really, you know, the perspective again.

Maria Laquerre-Diego 25:26
Yeah no, I love that. And like Moana can easily be used, as you know, as an example of an interventionist, right? She doesn’t need someone to see her for who she was, and be able go, “We we can fix that we can heal that part of you so that you’re no longer raging and destroying.” But that can’t happen until they’re seen, right? Until Mallanna. was able to look you know her in her rage form and say, “Oh, I see you see you and I’m not scared.”

Stefanie Bautista 25:56
Yeah.

Ariel Landrum 25:56
I want to note on something that I think I think for you, there’s some intentionality. And I’m making a big assumption, make a big assumption, but from seeing on the outside, and now that I have you trapped in my podcasts I can ask, I think you you title things intentionally because I think of both your counseling center and I think now of the CE program that’s coming up that I even signed up for. So could you tell me what are this this titling that you do? And what comes into that?

Maria Laquerre-Diego 26:26
Yes, it’s a little tongue in cheek. So my parents would probably tell you that while I was a very bright and very social child, I also had a love for the sarcasm. That didn’t go away with age, I think I just got like more rooted and permanent with age. So when we bought the group practice, it was named after the previous owner, and I was like, “We need a new name. I don’t want my name because my name is long and convoluted, depending on which system I’m in.” And so I actually sat with my husband, and I was like, “I want something that’s like nerdy for those that get it, get it. But it’s also like, if you didn’t know it was the counseling name like that would also..”

Ariel Landrum 27:04
If you know, you know,

Stefanie Bautista 27:05
If you know, you know, yep, yep, yep. Yep.

Maria Laquerre-Diego 27:08
So we played around and like, I’m also a very, very big fan of Firefly, but Serenity Counseling is like overly saturated in the market. And I didn’t want that. And so he was like, “What about A New Hope?” “Oh, done, done, done, done, done. Let me find the registration name. The domain name is mine now. Yes, yes. Let’s play with that.” You know, and paying homage but not stealing, because it’s not my information. But yeah, if you look on our website, there’s lots of love to all things fandom from our blogs. You know, some of our logo work, to even like our headshot pictures. If you go through, pick out a therapist, they all have their fandoms like displayed in their photo with them. I have really fun headshots with my lightsaber in my dual bladed dark gray lightsaber. And then yeah, and then so my next thing was like, “I wonder if I could get away with doing some learning and training and some playing at Disney? How do I make these few things work? Legitimately. And also, because I would like to go to Disney with a bunch of other like nerdy therapists and like, just have fun.”

Ariel Landrum 28:28
And for our SoCal audience, she does mean Disney Land, not Disney World. So there’s a big divide between the Disney’s, so this is the Disneyland not the Disney World. Within the community. It’s drama. It’s drama every.

Maria Laquerre-Diego 28:44
Love to both love.

Stefanie Bautista 28:46
Right love to both.

Maria Laquerre-Diego 28:47
Disneyand was just an easier navigation for this first time out of like, “How do you do parks and learning and not like run people ragged or lose them to the parks?” Because…

Ariel Landrum 29:00
When you have to take a boat into your park. Yeah I get it.

Stefanie Bautista 29:03
You will lose them. It’s a world not a land.

Maria Laquerre-Diego 29:05
I can’t have a conference happening at Disney and “Go but you cannot go to the parks. You must stay here and listen to me talk.” I mean, that’s just crazy talk. So yeah, so this Play Therapy: To Infinity and Beyond conference happening at Disneyland is my attempt to blend the play and the learning through play with the lecture that is required by all of our licensing boards. Pre COVID con going to conferences used to be super fun. Like I remember just having so much fun while learning and getting to network and connect with people and feeling that energy in the room. And I haven’t been to anything like that since COVID happened so even returning to in person it’s just like we’re trying to pack in so much in the short amount of time. That I was like I want dedicated time to play in the parks like go play. If you’re a rope dropper, awesome. If you’re there for the night scene cool. Go go play, do one little piece of learning while you’re in there that will use the next day during lecture. But one you can’t go to Disney and not play like that just seems super silly. But two learning it should be fun.

Ariel Landrum 30:24
Yes.

Maria Laquerre-Diego 30:24
Learning should be fun. Yes, that’s required for our licensing boards. And yes, it’s required for professional development in the better of what we’re doing with our brains. But I want to have fun doing. And so yeah, I was like, I’m just gonna, I’m just gonna throw this together and put it out there and see if there’s anybody else who wants to like claim a Disney conference for work. And come and have fun with me.

Stefanie Bautista 30:48
That is the best.

Ariel Landrum 30:50
And how many attendees Do you have signed up right now?

Maria Laquerre-Diego 30:52

  1. We’ve got a nice group of 30 people coming.

Stefanie Bautista 30:56
That’s amazing. I mean, the first time Ariel told me about this, I was like, “What? Wait a minute. So you’re saying that I work with children. And in order for me to be successful in that I should also be a child for a day.” That makes too much sense. I wish more education conferences happened at Disneyland. I’m just putting it out there for anybody who’s listening that’s in charge of these things, but the therapists are doing it right. So we should take notes.

Ariel Landrum 31:24
We are doing some play in the park. One of the things that we were curious, because I don’t think you’ve been to Disneyland since it’s been revamped. Since it’s been renovated, correct?

Maria Laquerre-Diego 31:34
I was there in March

Ariel Landrum 31:36
Of last year?

Maria Laquerre-Diego 31:37
Yeah.

Ariel Landrum 31:38
So I don’t think Toontown would have been renovated then did it?

Maria Laquerre-Diego 31:40
Yeah, I was there just like right after opening weekend, so I get did get to visit Toontown and do the runaway railcar.

Stefanie Bautista 31:48
Okay, okay. So what are your thoughts specifically because I and I want Stef to share because she has littles Toontown is more expansive now. I think it is very catered towards getting your wiggles out. So for you, is there a thought of that in for the conference or consideration and then Stef? I’m curious for you, how has it been for you with the kids and having that more expansive space?

Yeah, I mean, for me, having littles at the park, I was like, “Oh, my gosh, if I need my little one to run around, where do they do that?” And I was trying to find specific pockets in the park to have them just run loose. And I found this like little indent where I think the characters come out in Cars Land, where I could just corral my child and let him run around. But it was so small, it was literally an employee entrance. And I was like, “This is safe. This is not you know, anything where I’m going to lose them. They can go one way or the other. I have like full vision of them.” And I was like, “Why don’t we have more of these spaces?” And I think that was right, as Toontown was getting renovated, and then they opened it up and I was like, “Oh my gosh, a play area. Why didn’t they have this before that’s what was missing an actual playground because, you know, we go to the parks, we you know, go to a playground, they have a play structure, all that stuff. Disneyland didn’t quite have something like that Toontown was just very much like the other lands where you know, they have the open space for you to walk through park stroller, but you go into whatever attraction are going to but knowing that attraction is probably full has a waitlist, you have to be on Disney, you know, Genie+ all that stuff. It’s just not ideal to just have your kid run around. So I was very happy with the expansion because I remember being a kid when Toontown first opened they did have those play places but they weren’t really too friendly for like the little littles which I had, I’d have a one and a three year old so definitely need to get their wiggles out so that we can get on the ride later on.

Maria Laquerre-Diego 33:43
I love that yeah, it think you know Disney is great at doing like their immersive experience, right? So Galaxy’s Edge for me it was one of the first times that I was like, “We are not in California anymore like right?” And they do they do that wonderfully but they they’ve done that so much catered towards adults. Right. I think Toontown now is really what what that is but for children where it started right like Disney was was meant for children there you know, there’s no shame in being a Disney Adult but like, originally it was it was a place for families to bring their kids to play. But it was very became very quickly became like stand in this line. Do this ride. Stand in this line do this ride. But things would like Galaxy’s Edge, Avengers you know Avengers Campus and now Toontown I think it’s more of like really immersive you can play while not being in line while being in line. You know, can I even think about like the long lines for like the Indiana Jones Right? Like it’s interactive in pieces. But this I think was really helpful for them to go. “What do the little ones need? Right? Because we got the Disney Adults on hook. They’re the ones footing the bill to come? Well, like how do we How’d you let these little ones whose attention spans are much smaller still really enjoy being here? Because we want them to come back?” And I think that was their answer to that.

Stefanie Bautista 35:10
Yeah, I’m definitely thinking that these Imagineers are now our age have kids of their own. I was like, Something’s missing here because I am too stressed out to be at the parks.”

Maria Laquerre-Diego 35:22
If you think about, like, you know, taking a little one from like, one ride line to another line line to another, like you don’t get to, like, enjoy, whereas the you can walk around Galaxy’s Edge and just like enjoy the ambiance and the walkthroughs. And so being able to see that expand, you know, and they’ve got Avengers Campus now, right where you can do similar things. But, ya know, in terms of like the conference, I mean, one of my hopes and directives is like getting them to go to Toontown as an adult, and play in that giant, you know, play structure and take some pictures, I’ve been trying to lift the weights or break out of the window bars. Because it can still be easy to be an adult at Disney. And the whole point of this is like, we’re gonna go back and like capture our, our, our child’s heart and let that play at Disney. Because yes, you can be an adult at Disney and do all of the adult things and have a great time. And I’m hoping that they tap into like their child’s heart and go look at this for the first time and just experience the wonder and play and like, what is that doing for you?

Stefanie Bautista 36:29
And that vulnerability to just have fun. I think my favorite thing is when I’m at Toontown and they have that slide where it’s a bunch of little rolly pins or like like rolly things, every adult that I’ve seen that goes on there goes into it with such glee and then they come out of it like my back my butt oh my god every and then some people go ahead and do it for a second time. And it’s really hilarious because you you let that go you actually give yourself space to enjoy and you know, be a Disneyland to play.

Maria Laquerre-Diego 37:01
Well and play can look so different. Right? So I mean, my my friends listening to this now go Maria is the one who’s like, “Here’s our agenda. I’ve got our lightning leads, I’ve got our Genie+,” like I am, but that is my playful side like I will do that and that brings me joy and then I will drop everything when Maleficent walks by or Kylo Ren and like I am all in. And so maybe your play is thrill seeking and you’re trying to get all of those lightning lanes and you know doing Guardians and doing Incredicoaster. Maybe your play is just being aware of your surroundings and realizing and enjoying the fact that you’re not answering emails, you’re not in your office, you’re able to watch other people right like who’s not a people watcher at Disney. You’re able to watch other families you know, have fun and maybe that connects to something that you’re trying to heal still or that you’ve forgotten. Yeah, so I love you know, Disney. There’s so many ways to play at Disney, not just the rides. That I love that they’re kind of expanding that with Toontown and I hope hope it continues in that way.

Stefanie Bautista 38:07
I mean, you were just mentioning different ways to play what’s your favorite way to play at Disneyland? Like what’s your thing?

Maria Laquerre-Diego 38:12
I’m very much a rides thrill seeker I love the Guardians love the in Incredicoaster. When I’m not at Disney I’m still like Disney Dreamlight Valleying on my thing. I am the one who is like doing cosplay or Disneybounding with my ears unabashedly I’ve ever really gotten comfortable on like plays important and it’s okay if I look silly doing it. But yeah, I would say probably those those thrill seekers and then like grabbing those lightning lanes and Genie+ things like that I get such a like little giggle when I’m like we got it.

Ariel Landrum 38:53
Like a lottery win.

Stefanie Bautista 38:56
It is it is a game sometimes a cruel game because you’re like, “The schedule just didn’t go in my favor,” but but if you is such a delight when you get all the ones that you want, because you’re just like, “Dang what a win.”

Ariel Landrum 39:09
Stef, what’s your favorite way to play at the park?

Stefanie Bautista 39:12
I mean, different phases of my life. Right? Like I’ve been going to Disneyland like regularly since I was probably you know, a little one. I was. Yeah, true blue Angeleno. I mean Toontown when it was just open I remember going there and it looking wildly different so when it was much more affordable Of course, you know, just to play at the parks just have that time with my family that’s not in you know the house and just me being a kid. But I think you know, as a teenager I want a lot with my now husband and we experienced different ways to play at the park one day we would just people watch one day we just spent on Main Street just like going into the little shops and like looking at all the little details because you could just do that and not have like a ride heavy day. Um Being a foodie at the parks, that’s definitely my thing, trying all the new things because now they’ve they’ve heard us because we spend the money for all of the things. So definitely being a foodie dressing up at the parks, that’s one of my favorite. I think now in the season of having children, I think it’s just, you know, giving them opportunities with my expanse of knowledge. That is a learning curve in itself. Because you know, you want to do all these things. But the limitations be like, you know, what I could just focus on one thing we could just focus on, It’s A Small World, and just have them write it over and over and over again, so that they have that wonder, and that’s okay. And that was something that I had to learn for myself that I don’t have to do a full, you know, rope drop to park close to both parks at the same time, we could just focus on one area and just let them explore that. And I think that’s rediscovering Disney as you know, not just an adult, but a parent, too, is definitely you know, a way to play as well. It’s a game.

Ariel Landrum 41:00
Stef is the one who got me to start going to Disney fairly regularly. Because before then the only time I had gone was like twice when I was a kid. And as military brat is because I was not even in this continent. I was not here. So my favorite way because it’s from the perspective, I think of like an adult is I either try to get my money’s worth, which, you know, I’ve learned like you’ve already spent the money there’s no way to get your money’s worth. But psychologically I feel like there is trying to pack things up, or it’s food oriented, and it’s so much food oriented now that I’ve like gotten into niche Disney fandom communities where they like mix different foods from different carts. And it’s like, I want to get the bread from a Maurices. And like fill it with the the meat from this cart and like make my own sandwich. Like it is now the Yeah, I think it’s food related and then seeing how I can individualize the experience as as if no one else has done it before even though I learned it from a Tiktok.

Maria Laquerre-Diego 42:07
I love that and you know, finding like the hidden gems like you know, I we went to The Beast’s Library for the first time this this past March, and we had been like four times in the last four years. But that was the first time I was like, God, I’m not, I’m not just chasing down the rides like I want the experiences to so doing like Crush Talk, and then the library are super fun. But Ariel, you must be delighted that the conference is happening during the Food and Wine Fest.

Ariel Landrum 42:32
I’m so excited, I will be getting the Sipper Pass. Now as some of the audience members who’ve listened, no, I’m allergic to alcohol. So I will just be doing the food part. But if my partner is able to come one of the days, I’ll probably get both and he can try the wine and I’ll try the food.

Stefanie Bautista 42:49
If not, I mean I can volunteer as tribute and just drink all your thing. It’s not like I’m pregnant. Anyway.

Ariel Landrum 42:55
Speaking of the conference, so our audience members are aware. Again, it is the Play Therapy: To Infinity and Beyond. And it is taking place at Disneyland from March 5 through the 10th 2024. So if you’re listening to this another year, you missed it sorry. It includes an immersive journey to play therapy, training on innovative techniques and tools and includes virtual reality and digital play. And the conference is designed with just a wide range of therapists. So they’re going to focus on positive psychology, on tools for telehealth, and of course, include cultural considerations and family play. And there will be days that occur in the park as well as convention days at the Disneyland Hotel.

Maria Laquerre-Diego 43:38
It’s gonna be so fun. And if you are listening to this, and it’s past our March dates, just know we are looking at 2026 for another one.

Ariel Landrum 43:50
Okay!

Stefanie Bautista 43:50
Love that. Yeah, we are planning ahead, y’all!

Ariel Landrum 43:53
But if this is before March, you can sign up at ANewHopeTC.org/PlayAt Disneyland. So one more time, ANewHopeTC.org/PlayAt Disneyland. This was wonderful. Thank you, everybody.

Maria Laquerre-Diego 44:12
Thank You. Thanks for having me. This was so fun.

Ariel Landrum 44:14
Absolutely. When we will definitely be tapping you on future podcasts because I feel like we have so much more to talk about.

Where can our audience follow and find you?

Maria Laquerre-Diego 44:22
Yeah, so our website is ANewHopeTC.org We’re on Facebook, Instagram @ANewHopeTC.

Ariel Landrum 44:32
Beautiful, and as always, you can follow Happiest Pod on Instagram and I still call it Twitter. But apparently it’s x. And it is @HappiestPodGT. Again, @HappiestPodGT. And you can go to GeekTherapy.org to follow all of our episodes and blog posts.

Stefanie Bautista 44:51
And I encourage in the spirit of play everybody try to find their way to play this week, wherever you are. All right. Thank you everyone.

Ariel Landrum 44:57
Thanks everyone. Bye bye

Media/Characters Mentioned
  • Disney Villains
  • Spider-Man (Marvel)
  • Avengers (Marvel)
  • Ninja Turtles
  • Paw Patrol
  • Loki (Marvel)
  • Maleficent (Disney)
  • Cruella (Disney)
  • Moana (Disney)
  • Elsa (Frozen, Disney)
Topics/Themes Mentioned
  • Play Therapy
  • Education Through Play
  • Disney and Therapy
  • Villains as Therapy Tools
  • Adult Play Therapy
  • Career Change to Play Therapy
  • Integrating Play and Learning
  • Disney Parks as Therapeutic Spaces
  • Cultural Impact of Disney Characters

Website: happy.geektherapy.com
 | Instagram: @HappiestPodGT | Twitter: @HappiestPodGT | Facebook: @HappiestPodGT |
 | Stef on Twitter: @stefa_kneee | Ariel on Instagram: @airyell3000 |

Geek Therapy is a 501(c)(3) non-profit with the mission of advocating for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
| GT Facebook: @GeekTherapy | GT Twitter: @GeekTherapy |
| GT Forum: forum.geektherapy.com  | GT Discord: geektherapy.com/discord |
| A New Hope on Instagram: @ANewHopeTC | Facebook: ANewHopeTC | Website: https://www.anewhopetc.org/

Disney Animation Studios The Concert

August 17, 2023 · Discuss on the GT Forum

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#34: Join Ariel and Stefanie in a magical evening under the stars for Episode 34 of HPOE. Relive their enchanting experience at the Disney Animation Studios The Concert at the Hollywood Bowl, celebrating Disney’s 100th anniversary. From the melodies of the LA Philharmonic to the emotional resonance of Disney classics, immerse yourself in their journey through this musical extravaganza. This episode is a blend of nostalgia, joy, and insights into creating inclusive experiences for all Disney enthusiasts.

Read the blog post for this episode for additional references and resources.

Become a member of Geek Therapy on Patreon: http://www.patreon.com/geektherapy

Summary

HPOE34

  1. Introduction (0:10): Stefanie and Ariel introduce the episode, focusing on their experience at the Disney Animation Concert at the Hollywood Bowl for Disney’s 100th anniversary.
  2. Personal Experiences (2:07): The hosts share their personal stories from the concert, including the effects of the SAG-AFTRA strikes and making it a special girls’ night out.
  3. Disneybounding (3:07): Discussion about dressing up in Disney-themed outfits for the event.
  4. Concert Atmosphere (6:08): The hosts talk about the magical ambiance at the Hollywood Bowl, including the attendees’ Disney-themed attire.
  5. Transportation and Accessibility (7:02): Tips and experiences regarding transportation to the Hollywood Bowl, emphasizing convenience and accessibility.
  6. Picnic at the Bowl (8:06): Insights on the unique picnic experience at the concert venue.
  7. Concert Highlights (14:30): Impressions of the LA Philharmonic’s performance, featuring songs from Disney movies.
  8. Sensitivity and Inclusion (18:04): Reflections on the cultural sensitivity of the music presentation, avoiding problematic scenes.
  9. Emotional Moments (20:34): Discussion on the performances that were particularly moving and emotional.
  10. Community Engagement (24:10): Observations on audience behavior and the importance of inclusivity for all attendees.
  11. Accessibility and Accommodations (29:31): The significance of utilizing available accommodations for an enhanced experience.
  12. Managing Stimuli at Public Events (34:25): Insights into attending large events with children and managing various stimuli.
  13. Audience Behavior (39:13): Thoughts on concertgoers’ expectations and creating an inclusive environment.
  14. Educational Value (45:10): Stefanie’s perspective as an educator on the educational benefits of such events.
  15. Closing Thoughts (50:21): Final remarks on the concert experience and an invitation for audience interaction.
Transcription

Stefanie Bautista 0:10
Hello, everyone, welcome to the Happiest Pod On Earth. I’m Stef . I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them.

Ariel Landrum 0:19
And I’m Ariel, I’m a licensed therapist who uses clients passions and fandoms to help them grow and heal from trauma and mental unwellness.

Stefanie Bautista 0:27
Here at happiest pod, we dissect Disney mediums with a critical lens. Why?

Ariel Landrum 0:31
Because we are more than just fans, we expect more from the mediums we consume. So what Disney experience are we dissect interface Stef?

Stefanie Bautista 0:39
So it’s definitely an experience and it’s a experience that’s kind of very specific. If you live in Los Angeles. I had the pleasure of actually being Ariel’s date to the Walt Disney Animation Concert at the Hollywood Bowl. It’s called Walt Disney Animation Studios, The Concert. I thought that this was just, you know, one off Disney event. But of course, why did I forget that it was Disney’s 100th anniversary. So they’ve been celebrating all year since last September or August. And of course, this is one of those promo events. Part of course, you know, they have concert series and everything like that, but this was very Disney 100-forward, which was great. Just to give you a little bit of background. The LA Philharmonic is the resident at the Hollywood Bowl for the summertime. They hold lots of different concerts, classical music concerts, pop music, concerts, reggae concert, hip hop concerts, but the LA Philharmonic they do, they’re scheduled there. And during the winter, they go to the Walt Disney Concert Hall. Even though they’re at the Walt Disney Concert Hall. They don’t specifically do Disney things. It just happens to be that way. But I thought that it was really interesting that we went to a Disney Concert, not at the Disney Hall, but at the Hollywood Bowl? You know? Fun times! It covered a wide range of just Disney animation movies. So we didn’t see any live action movies. We didn’t go into Star Wars. We didn’t go into Marvel. This was strictly old school animation. And a lot of people were really excited for that, right?

Ariel Landrum 2:07
Yes, yes, I was definitely excited. Originally, I had bought the tickets as a package deal with my partner and another couple as way to go on a couple of date, given the SAG-AFTRA strikes going on right now, my partner is not working because he works in transportation. And he’s a 399. So they aren’t striking, but they aren’t crossing any picket lines in solidarity. And he found a job and he had to take the job in order to you know, make any money.

Stefanie Bautista 2:37
Make a living.

Ariel Landrum 2:38
Make a living. And the job doesn’t again cross the picket line. But it did involve him going all the way to Texas and being gone for like a whole month. And as a result, I needed to find a new date. So of course, I asked Stef…

Stefanie Bautista 2:52
Thank you!

Ariel Landrum 2:52
And then her friend Liz, and her husband, Benji, he was like, “Well, if you know her partner isn’t going and you have a friend coming out of town. Her name’s Dawn, how about you make it a Girl’s Day?” So we all four of us went and saw Disney Animation and even dressed up?

Stefanie Bautista 3:07
Yes, we did. We all tried. Well, me I tried to Disneybound they had their wonderful Disneybound outfits planned out, because Ariel had bought these tickets months in advance. So Ariel if you want to go first because mine was very last minute.

Ariel Landrum 3:23
So I had bought a dress that had a purple scallop top, and a very green, light green bottom. So you know, Ariel The Mermaid, and long dress covered my feet. And halter tops so no straps. And the scalp shaped did look very much like the seashells and that’s that’s what I were. Yeah.

Stefanie Bautista 3:46
Yeah, it was beautiful. I love that. And it was such a steal. Right? You didn’t even spend a lot of money on it.

Ariel Landrum 3:52
No, it was like, you know, talk about fast fashion. It was about six or seven bucks. So I figured even if it’s not like that cute, maybe I could like put pins on it. Or I could put like a cardigan like maybe I could make it look better than $7 but it did not look like dollars.

Stefanie Bautista 4:07
Oh, not at all the quality was actually really good. And it was perfect Disneybound. The shade the hue all of it was perfect. She didn’t have to do anything. She just had to let her hair go. And boom. Ariel was Ariel. Yeah. And so Liz, she and her friend Dawn. They both dressed up. They both did Disneybounds as well. Liz reprised her Jasmine Disneybound which you were to Dapper Day I believe, right?

Ariel Landrum 4:32
Yes. And if you listen to our Dapper Day episode, and we described it in in great detail, it’s down to the point of the dyes that she used for her gloves. In this case she didn’t wear the gloves, but she did bring Abu along with her Genie backpack. Her Genie Loungefly backpack.

Stefanie Bautista 4:51
Yes, yes. And then Dawn, she was lucky enough that Liz put together a Disneybound for her and she was a Mulan with the pinks and the red and the blue colorblocking. And for me, I was sifting through my closet because I had nothing to wear. And I ended up wearing these black jogger kind of loose pants. My Doc Martin sandals and like a green olive green top and I was Ping. I ended up just tying my hair up in a bun. And I remember seeing somebody Disneybound as Ping and I was like, “I can absolutely do that.” And so we had a Mulan and we had a Ping, which was pretty cool.

Ariel Landrum 5:35
Yes. And in case you you’ve forgotten remember that Ping is Mulan alter ego in the Army.

Stefanie Bautista 5:42
Yes, her alter male ego. Was her alter male ego while Mulan was Mulan. And it all worked out. I think it was really fun seeing a lot of people Disneybound for the event. A lot of little kids dressing up in their Disney Princess and Prince outfits. I actually didn’t think that we were going to see that many but then even just getting onto the bus to get to the Hollywood Bowl we saw people Disneybounding and it was great..

Ariel Landrum 6:08
Or wearing at least beautiful dresses with Disney print. I saw a lot of that. Fantasia with Sorcerer Mickey being like a very common print I remember seeing. And then lots of as the evening went on and got darker flower crowns and like wands that lit up like…

Stefanie Bautista 6:27
Yeah.

Ariel Landrum 6:28
Little sparkly star wands.

Stefanie Bautista 6:30
I did see a lot of Disney ears, which was cool. I think at the Hollywood Bowl, it’s totally appropriate to wear something like that because it is a bowl it is looking down. So even if you wear ears, you’re not going to be blocking anybody’s view. So at the very least, people were wearing ears or even just things that they would wear to the parks. I feel.

Ariel Landrum 6:50
Yes, yes. I think I saw some people carrying their own popcorn buckets, like Disney popcorn buckets that they collect. So certainly a crowd of Disney aficionados.

Stefanie Bautista 7:02
Yeah, for sure. I mean, even on the bus right there. We just kind of felt like we were on the tram ride in ways. Just a bunch of Disney adults going to a concert. It definitely felt like right at home. For us, we there’s a couple of ways to get to the Hollywood Bowl. If you ever want to do anything like this, you could definitely drive there, when you park. Just kind of know that it’s stacked parking. So once you park in there, you can’t get out until the person behind you gets out. But because we live kind of close to the venue, we take a bus, we park and ride basically. And you can either park on the street or you can park to another parking lots, which is also stacked parking. And you can get to The Bowl that way through their bus or you can take public transportation, it drops in the middle of Hollywood and you have to take a little quick hike. So if you people want to experience hiking in LA, but also want to go to The Bowl, that’s your chance to do it. Won’t guarantee that you’ll look cute at at the top, but you’ll get there.

Ariel Landrum 8:06
We did We did take the bus and it dropped us up at the top, we got to also pack and bring our own food. With the Hollywood Bowl if it is a non leased event, which usually means if it’s not a big celebrity concert like like I think the Lumineers are coming to play at some point you can’t bring your own alcohol or food. And so with this event, you get to bring your own alcohol and food and so we packed a picnic for us four. We split it up. Stef and I brought the food and Liz and Dawn brought the drinks.

Stefanie Bautista 8:42
And also in planning to bring the food you can even you can either do what we did in that’s when we planned it, we packed it and we ate it at our seats. Or you can get there really early and basically do like a tailgate situation, which many many people do where you can drink your wine and have your beer and all your snacks and stuff outside of The Bowl before you go in. But we decided to just bring everything inside because we didn’t have time to be there all day.

Ariel Landrum 9:07
Well and there are restaurants nearby that you can actually order packaged meals that are called like Hollywood Bowl baskets. So if you have a sort of like favorite food bougie place, see if they if they have a meal pack that you can pick up that’s also an option as well.

Stefanie Bautista 9:24
Or if you just want to plan any of that you can buy it all there but you are going to be spending a lot of money because they overcharged everything there. So we had a couple of days to prepare for this. So I headed on over to our beloved Whole Foods to get some fruits, some cheeses, some charcuterie type things basically a charcuterie on wheels is what I was going for. So we had crackers we have different types of cheeses, grapes, blueberries, raspberries and the great thing about Whole Foods is that you can get all of these things already packaged for you and then you just have to put them in your cooler. Um, Ariel has a nifty little cooler and picnic basket that includes not paper plates, plastic plates, and silverware. And yeah, it’s just basically super convenient. Everything locks inside so I think you can get I did you get yours at Amazon?

Ariel Landrum 10:17
Yep, I got mine on Amazon.

Stefanie Bautista 10:19
Yeah. And yeah, basically we loved everything there because our friends were gonna bring the drinks. And we didn’t really pack too too crazy. I know some people do cooler backpacks. Some people bring like an actual cooler. But knowing that it is sort of a steep hill to go up there, you’ve got to be mindful of what you’re carrying. Because know that it will be on you until you sit down at your actual seat.

Ariel Landrum 10:44
Yep. And then I had packed some Pocky I had packed crackers to go with the cheese’s some dried fruit trail mix. And then we had a last minute contribution from your mom.

Stefanie Bautista 10:57
Yes, that’s right she made turon which is basically um, Filipino sweet lumpia. It doesn’t have any meaning. It’s saba, which is a type of banana. It’s a sweet banana that is rolled in sugar and then wrapped just like lumpia or egg rolls. And she made a ton of just coincidentally before we left, and so we grabbed like 20 of those suckers and put them in our bag.

Ariel Landrum 11:20
Ate some on the bus.

Stefanie Bautista 11:21
Ate some on the bus. Really great dessert or appetizer.

Ariel Landrum 11:27
And then Liz and Dawn, they brought was it red wine or white wine?

Stefanie Bautista 11:31
They brought red wine and also ginger ale, some sparkling water. And I think I’m I don’t even think we had regular water, I just drink the ginger ale because I was so thirsty. And me and Liz just destroyed that bottle of wine. So it was great.

Ariel Landrum 11:47
Having your own food there. You can eat it again before or even during the performance. During the performance it is very dark. And so if you cannot see your plate, that that could be a barrier. Also, if you’re eating when it’s light out, and you can see your food, people are still getting to their seats. So you’re often having to stop like what you’re eating to get up to let people get through. Because the seats are bleachers style where we were sitting at least.

Stefanie Bautista 12:15
Yeah, though the majority of those seats are bleachers style in the very back, it’s just green grass, and you just lay out a blanket, in the very front, if you are able to get tickets there, they have tables. And in the very, very front, they have like bigger tables. So you can get one of the box seats is what they call them. And you can split it with a group, I’ve done it many times, it does make a huge difference than putting everything on your lap, you feel very much privilege just having a table in front of you. But I mean, people have a lot of different ways that they enjoy their food at the Hollywood Bowl, if you ever want to do one of these events, but it’s non least events. Look it up on Google and a lot of people have tricks and tips that they use to have a great time themselves.

Ariel Landrum 13:01
Yes, people who go to the Hollywood Bowl, often I’ve learned are called Bowlers. I would say that it is a very affordable, fun, fancy date. So if you’re trying to find something to do with somebody you are wooing, I think going to these non lease events is a really good one, especially if you’ve packed your own food because you’re definitely saving money and doing that. And then if you get the bleacher seats or even the grass, you’re further away, yes, but live performances and music, being able to just enjoy each other’s company. Being outside. The those are things that I think are priceless. And these these tickets are within an affordable range, I would say.

Stefanie Bautista 13:44
Yeah. And I think they make it really accessible because the Hollywood Bowl is such a big venue. And I think in recent years, I want to say in the last like decade or so they’ve really been opening it up to more family friendly events and also kind of geeky inspired events. Before it used to just be the LA Phil which is great. The first couple times I ever went was to do assignments for college. And before that it was concerts that I would attend with my family. So I’ve seen like Earth Wind and Fire there. I’ve seen Chicago they’re like, you know, a lot of old school artists, but I think as more families are wanting to do these things together and it’s becoming more accessible for them. They have events just like this the Disney Animation concert.

Ariel Landrum 14:30
Yeah, yes. So the you have the La Phil the orchestra playing in front of you. You also have giant screens that are playing the animation that they are doing the music to. And then there were even singers there were Broadway singers that we’re singing the Disney Princess Songs, the villain songs, the songs that we sort of know and love. And one of them happened to also voice and sing a very specific character. And it was interesting to watch her sing the song and look at the animation that aligned to her voice. But she’s right there in front of me. But also, it’s the same person.

Stefanie Bautista 15:10
Isn’t it so magical? I think, the way they arranged many of these songs. So even though these Broadway artists aren’t the original ones, with that, with her as the exception, they did a wonderful job arranging these tracks and mixing them together so that they kind of held true to what they actually sound like. And I think it was very masterful that the way that they did it, just the whole program from start to finish. The conductor Thomas Wilkins, who was the conductor for the night, with was even really playful with the singers and they interacted a lot with each other. So I have the artists list in front of me, so I’m gonna kind of go down and list them: Adasa, who was in Encanto. She was one of the hosts along with Susan Egan, who we were talking about who played Meg in Hercules was also one of the hosts. James Monroe Iglehart. He was a special guests along with Adam J. Levy, Shoba Narayan, and Anneliese van der Pol, Cindy Winters, and the biggest guests were the students from the Orange County School of the Arts. I didn’t know that they played a huge role in this particular concert. And apparently a lot of alumni of Disney are also alumni of the Orange County School of Arts, but that also isn’t surprising seeing that Disneyland is an Orange County.

Ariel Landrum 16:29
Yes. And with the Orange County School of The Arts we had one of those songs they did was like a Peter Pan medley, and they had performers dancing, as if they were going getting ready to fly. And then they even did a Lion King performance. And it was “I Just Can’t Wait to be King” and orc, I mean, the choir, they were Simba. They were all singing Simba’s line versus having like one person be Simba and someone else be Zazu. They they were Simba and then one person Zazu. So you I thought that was really unique.

Stefanie Bautista 17:07
The soloist was Zazu. I was like, “Okay, a little b-side action like we never highlight Zazu.” But I mean, I think that’s wild. And they really took creative leaps in the arrangement of these songs. And I think it really paid off because it made these classic songs very fresh. And even though us as longtime Disney fans have heard these songs a million times, they were so dynamic in the way that they presented them.

Ariel Landrum 17:33
Yes and I they were also very mindful. So there was the “Everybody Wants to be a Cat,” by that the song in Aristocats. And there is a very racist scene with the Siamese cat playing the piano. And they didn’t include that. So they were very mindful of like updating what they were going to present so that we could honor like this legacy and enjoy this fun music without also having to be harmed by what then was a lot of stereotyping.

Stefanie Bautista 18:04
And I mean, that was part of the you know, the fact checking and all of this right, we wanted to make sure that Disney was aligned to how it’s been evolving in the years of late.

Ariel Landrum 18:13
One of the performances that really took me by surprise. Were the songs that were in The Hunchback of Notre Dame. I don’t remember that movie or the songs apparently because I was blown away!

Stefanie Bautista 18:28
Yeah, I mean, they sang “God Help the Outcast,” which I didn’t even know was like in the Disney repertoire at all. All I know, is the one that he sings while he’s swinging across Notre Dame. And I don’t even know what that’s called. And I was like, I think we need to rewatch this. And I still haven’t, but I will get there. It’s one of the forgotten ones. But seeing seeing the animation on the big screen and the orchestra play. It was so moving, how beautiful it was, it was as if we were in Paris, looking, you know, at Notre Dame and looking at all the stained glass inside the church. And it was it was very, very beautiful. And I was like, “Okay, I think this is a moment where a lot of people can rediscover Disney movies.” Because we all know the ones, you know, that have been recently, you know, in vogue, which is Frozen. And I mean, we’re always thinking stuff from Aladdin and Little Mermaid but Hunchback of Notre Dame has not been in anybody’s mind for a very long time.

Ariel Landrum 19:29
Yes, yes. I think that was another another reason to go to events like this to be reminded and be reintroduced to things that you’d forgotten that that should have should take space in your mind. I think that it was it was so beautiful. There were plenty of moments where I don’t know about you, but I was just like tearing up.

Stefanie Bautista 19:54
I cried many times, I’m already in my feels all the time. All the time. Any single little thing will make me cry. And I was crying from beginning, middle, and end. So many tears, so many emotions. I did not bring my kids this time because of course, this was a girls night. So it was my time to kind of relax and unwind with girlfriends. And I think when moms get that little time to themselves, all the emotions just come out and I was like, “Oh my God, Muana’s signing, I’m gonna cry now.” And yeah, I started crying. And then the princess medley happened then I started crying even more. So unless it was like a comedic thing, or like a villain thing. I was probably crying.

Ariel Landrum 20:34
Well, the comedic thing. You were really surprised and the villains medley that…Oh, who is this?

Stefanie Bautista 20:44
Anneliese van der Pol?

Ariel Landrum 20:45
Yeah, so yes.

Stefanie Bautista 20:46
I know her from that. So Raven, because she was ravens best friend. And I had no idea she was such a talented singer. And so just like all around amazing in her delivery, her humor, and she did not hold back. I feel like some of the singers, you know, they have a little bit of finesse when they sing. And especially if they’re doing a Disney princess song. They’re very elegant and graceful and that. Oh, no. When she went into the villains medley she went all out. I think it was the part where she was singing Ursula’s parts?

Ariel Landrum 21:22
Yes, her “Poor Unfortunate Souls,” that she she had sas, she had like conviction. It was. And we were, you know, we weren’t that far back. But we certainly weren’t seeing facial expressions. And yet I could see it on her from the way that it was. The music was coming out.

Stefanie Bautista 21:44
Yeah, she cackled. She cackled the biggest cackle ever. And I was like, “Wow!” It reminds me of back in the day in Fantasmic, you used to see Ursula come across the water, that she was a big animatronic, and I haven’t seen like, like Ursula come to life like that since then. And I thought that that was so impressive. And, you know, kudos to her and her partner. I think that’s Adam J. Levy, who was the male counterpart in the villains, little medley that they did. They were such a great duo. They played really well with each other, their voices were beautiful together. And it was my favorite medley of the whole night because it was so so intense.

Ariel Landrum 22:24
It was it was just lovely. Funny. The, you know, like you felt the villain energy. I was great. Then they did play off of each other well. There were a lot of times where, and particularly I think during the essentially the princess medleys, I want to say, we would see the performers be very strategic and where they’re walking and very intricate. This seemed like there might have been some ad lib and some play. It was very, or they just did a really great job of making look look like it was ad lib in play because it was just very light and fun. They did they started with Cruella, and then they had Scar’s song, a “Be Prepared.” They had Ursula song. Was there another one? Or was that it?

Stefanie Bautista 23:13
I think that was it. Because they didn’t sing. Jafar was on there for a minute.

Ariel Landrum 23:20
Yeah, he was he was Yeah, because it was singing the the part where he’s like basically dogging on Aladdin.

Stefanie Bautista 23:28
They also sang. The mom song from Tangled. Mother… “Mother Knows Best.” That was the song she also went ham on that song. Because that one is like a very Joan Crawford like, “No wire hangers!” Like, that’s what I remember if being.

Ariel Landrum 23:44
I think for me, and what I sort of like walked away from the event was one like, like that sense of camaraderie and community just seeing other people expressing, like their Disney selves, not at the park, right. And I think there’s just something about, like experiencing live music with other people that is just so touching and moving. And it’s like a synergy that it’s hard to describe.

Stefanie Bautista 24:10
It’s cathartic. Absolutely, I mean, it’s music, live music, for me is something that I do when I just need to let go mentally, because you can get so immersed in just listening to music, and then there’s the visuals in front of you. And of course, the animation is so beautiful. You get taken back to when ever whatever age you were when you saw any of those movies, so a lot of emotions come back, but you’re enjoying it also in the company of other people who not only enjoy, but also might have even worked on the film because we’re in Los Angeles. And I really liked that it was their little nod to the actors and writers strike and they did it a couple of times, right?

Ariel Landrum 24:50
Yeah, they had everyone stand up if they’d ever been if they’d ever participated in the Disney animation process, whether they were writers whether they wrote music, whether whether they were voice actors, and, you know, we all clapped for them. And I don’t know if they would have done that had the strike not been going on because this, this is a live performance, it’s not part of SAG-WGA and orchestra that that music part, I don’t think they’re part of it either. So this wasn’t a struck event for the singers who were happen also be actors and Broadway actors. But this event specifically wasn’t asking for those talents. So they were able to participate. But I think they were showing solidarity without, you know, overtly saying.

Stefanie Bautista 25:36
Absolutely. And, I mean, the Disney studios are historically located in Burbank, I mean, Buena Vista Street is just down the street from where we are. And also the main animation building is right off of the freeway that you take to get to downtown. And maybe they would have done it, but maybe in a different way. And I think honoring those people at the event was really great. The people who are next to us they have somebody who works for Disney animation, which is really great. Um, her husband stood for because she was in the restroom. And I, we all clap them as if it he was, and he was “No, no, it’s not me.” That was great for him for admitting it. Kudos to you, sir. You will have a long and happy marriage.

Ariel Landrum 26:17
Yes, yes. He she did come from back from the restroom, we found out that the work that she did was translations in multiple languages for the animations. And that apparently that is a very difficult thing to do, which I’m not surprised what also hadn’t been something that I conceptualized.

Stefanie Bautista 26:35
Yeah. Super sidenote. I know, last time I was at the parks there. I think it was the firework show that they have recently. It’s them singing “Let It Go,” or is it “How far I’ll Go..?” In different languages. It’s like a medley that they do, like during the fireworks are doing the projections. And it’s always like them in like Japanese in Spanish. And I was like, “Oh, they’re really incorporating this into the regular shows, which is I think awesome, because a lot of people are introduced to Disney films in other languages such as Spanish when they re aired them on regular channels here.

Ariel Landrum 27:08
If you go on Disney plus, and you click on Mulan, the animated not the live action. And you put it in Chinese the person who voices Shang is Jackie Chan, also sings the song.

Stefanie Bautista 27:20
Wow. Because as you all know, Jackie Chan is a C-Pop artist. He sings a lot of songs in Chinese. I believe it’s Mandarin that he sings in, right?

Ariel Landrum 27:30
Yes. And it says the, it says Chinese in two different options. And then that’s written in English. And then it’s in characters, which I’m assuming are Mandarin. And then the other characters might be Cantonese. But it’s the first option. Yeah, and then the my other my other very interesting hack is if you go to Ant Man, the first movie, and you go into extras, you can actually pull up Ant Man with a sign language interpreter who is do who has is interpreting ASL on the screen in real time, so…

Stefanie Bautista 28:06
That’s cool. They haven’t done that for any other Marvel movies. Just Ant Man?

Ariel Landrum 28:10
Not that I have seen. And I don’t know why Ant Man was the one. But yeah there’s there’s an interpreter. There they are. They’re making the facial expressions or they’re moving really fast. I haven’t had a chance to watch the whole thing to see if they switch. So if you go to a live event with an interpreter, they usually have more than one because you start to get tired. You do have to switch back and forth and they give each other breaks. But because this is recorded, I’m assuming it’s the same interpreter and the whole time that they’re able to do they’ll do the whole movie.

Stefanie Bautista 28:44
Yeah, so you’re telling me I can listen, I can watch an ASL interpreter. Do Michael Pena’s whole like yes, story is like prediction of how the heist is gonna go. I need to see this becase that is one of my favorite monologues of all time.

Ariel Landrum 28:59
Yes, yes, it is. It is awesome. And you can still put the subtitles up and you can still have sound out and so but it’s a real treat the interpreters just in the in the bottom right corner, just torso up just doing interpreting.

Stefanie Bautista 29:14
I think that’s really great. I hope Disney does that for a lot of films moving forward. Because that’s really helpful for the ASL community to see that. And I think that’s in post something super easy to impose on the screen that you’re watching. And I hope that more people catch on to that because I think that’s really cool.

Ariel Landrum 29:31
Yeah, it’s always beautiful to see and experience work in your your native language and ASL is a language.

Stefanie Bautista 29:39
Yeah, absolutely. And speaking of, you know, accommodating people with you know where they are, Ariel and I use a different way to get into The Bowl that day. Because me I’ve been going for a long time but I’ve been going with with the masses in mass. So I am usually the one trekking and I’ve done this many times. From the subway station, all the way up to my seat at the top of the bowl. Yes, I burn a couple calories. Is my hair messed up? Is my makeup messed up? Yeah, probably. So this time because you know, we are being kind to ourselves lately, and it is our Girl’s Day and we knew we were going to take a lot of pictures. She had a really cool way of getting in there. Without having to do all of that.

Ariel Landrum 30:24
Yes. So as I’ve mentioned, a couple of podcast episodes, I’m allergic to my own sweat. And I can break out in a rash. And hives on a good day, I can start to hyperventilate, my throat close on a bad day. And so anytime I can avoid sweating, I try to, and the Hollywood Bowl does have an ADA line, they have accommodations. And so we got in the ADA line, you take the elevator up, you walk around the stairs, and then you can take another elevator up to the higher seats or just take a smaller stair. And that’s it. You’re basically in and about maybe 10 to 20 minutes?

Stefanie Bautista 31:06
I’d say 8. It took us like less than 10 minutes, we were in the tunnel. And we did get there fairly on time, I’d say on time and on time is like having a minute to sit down, prepare all your food, not have to do a bunch of restroom breaks, even though you could if you really wanted to. So we got there. I feel like that was like the perfect time to get there. Not right on time not late, not super, super early, like everybody…

Ariel Landrum 31:33
The performance was at eight. And I think we got there at 6:30. And we probably got to our seats around what 6:45?

Stefanie Bautista 31:41
6:45… Seven, I’d say seven. Yeah, so we had time to chill and watch everybody roll in, people were finishing up their picnics, or even starting them. And like the big line to get in was just forming. If you don’t know, there’s like a big entrance with all the security monitors and all that in the front like right when you get to the top. And then there’s another section where the ADA parking is at the top top of the hill, that will get you to the upper most seats. And that has less people. But because it’s kind of narrow, a long line tends to form and like once the cars are there, the people are there people are queuing up, you kind of don’t know where any of the lines are, unless you just happen to be there. So it can be a little confusing. And it may take you longer to get up there. If you don’t really know exactly where you’re going.

Ariel Landrum 32:33
Yeah, it can take you about, what 30 minutes to even really bad times an hour to try and get inside because they have to also check your bags. And if you’ve packed your own food, you’re opening up all those pockets. So there’s like a wait that you have to go through. It’s not just getting in line and showing your ticket. And when it comes to accommodations, like the first thing is to be aware that they exist. And the second thing is to decide to use them. And I find that with my clients, a lot of the times there’s some feelings of shame around needing accommodations that we always have to work through. And I realize likem |Am I practicing what I tell my clients? Am I using accommodations when they’re available? Or am I saying no, I don’t need that someone else probably needs that, but not me.” Because then I’m I’m you know, that’s ableist thinking. And I’m downplaying like me having a good time by just an accommodation, which is reasonable. Like that’s the whole point is it’s a reasonable accommodation.

Stefanie Bautista 33:32
Yes. And even if you’re bringing young kids, I’m not saying like infants or anything, of course, like you’re pretty much slinging them on your back at that point. But if you have little kids who all of a sudden don’t want to walk anymore, which happens with all little kids, I think it’s really good to know that there are elevators there are, you know, not just the escalators that you can use so that you are in them are also having a good time you’re setting them up for a successful evening. Because you know, sometimes when you bring kids to these things, it’s their first foray into going to a big event sitting down watching live music. They might get that in small doses in the classroom. But the classroom is such a controlled environment, when you bring them out to concerts. This is kind of setting themselves up to when they’re a little bit older and of school age, when they see assemblies or when they see even performances at their school. These are small things to help them with that. And if you’re doing your best to make sure you’re sane they will have a really good time too.

Ariel Landrum 34:25
Well and you’re managing a lot of stimulation points. It’s not just watching the performers, not just the music, it’s not just the screens, but it’s the person sitting next to you that chewing it’s like the heat outside or all of a sudden gets really cold or it’s all the twinkling lights that people are wearing. Like all of those are multiple stimuli. It can it can be overwhelming for a little one.

Stefanie Bautista 34:47
Yeah, definitely. And, you know, we had a couple of instances of you know, of course, being at the Hollywood Bowl, it’s a group setting, right? You’re sitting very close with people they’re all on a bench with you and You know, me and Ariel, we’re very friendly. Like we engage with the people around us offer them food. I’m the person at the Dodger game giving Portos to everybody if I have a box. And you know, some people accept that and some people don’t, which is totally okay, people are there to enjoy the way they want to. But also, you do have to take into consideration the type of event that you’re in. So we’ve noticed a couple of things that we thought were very peculiar, very interesting for a Disney concert that was outside because you know, us we’re coming from a theme park mentality as well, where everyone is welcome.

Ariel Landrum 35:38
So one of the first things that that I overheard that I at intermission I talked to Stef about was the mom who works for Disney, who had to leave to go to the bathroom because she had to take her daughter to the bathroom. Because her daughter was becoming overstimulated and very scared. She just sounded so scared. I think the the music might have been very loud. And it was just she didn’t know how to filter it. She was scared. At a certain point, they were trying to calm her down. And then the couple directly behind me basically, like, yelled at them to just take the, Take your kid away, right? Why don’t you take that kid away?” And so out of embarrassment, that’s what the mother did. And like, Stef… I know that for probably Stef, she probably she didn’t hear that. But for me, I was like, “Well, you’re the adult, why don’t you just like tune it out and learn, like literally learn to calm yourself.” And then I know that Stef is aware, like, “Oh my fusses I do take them away to leave, try and calm them down, and then come back.” There’s like a back and forth or like, get the wiggles out, right? But by the second half, she was really trying to enjoy yourself. And they were really trying to calm her down. And I’d informed Stef of like what these people were saying, saying and then continued to say into the next half. And it was like irritating the both of us because we’re like, you’re in a group setting. You are listening to Disney music. You are also the adults who can be able to like manage your emotions. The lack of compassion, you’re getting to like your fellows, it was shocking.

Stefanie Bautista 37:12
Yeah, I think that I was probably singing so loud, either in my head or out loud that I didn’t hear this. But also, I knew that it was happening around me. But because I’m a mother, myself, and my kids have wild out in many situations, I was being the adult and I was tuning it out. And just focusing on the performance. And they were directly next to me. The the kid was actually next to me at one point. And she was really trying her best to deal with the really low light, it was dark outside, there’s a lot of different sounds that’s happening, people are clapping, people are singing. And she may not be experiencing those things every single day in her normal life, which is normal. And I think she was around three years old, which is the same age as my son, and he is a busy body like he needs to be up he needs to get around. They had multiple family members try to soothe her, asking, you know, trying to engage her because she knew some of the characters, and it was working. And I think you know, they just needed time. But I mean, knowing what that mom has been through and probably was going through at that time. It says if time doesn’t really matter, and you need a very immediate response from your child. But that is not really a realistic expectation of them. Because developmentally, they are trying to learn and process these things, too. You’re bringing a toddler into a big event like this, which should be a safe space, because it is a group setting. It’s a Disney Concert. These are characters that they are familiar with and getting to be familiar with. And I think you know, the musicality of it also is engaging. So even if you’re not a child, you’re also singing in your head. And I had some friends who were on the other side of The Bowl that I talked to after the event, we realized that we were at the same event, we didn’t even say hi to each other. We couldn’t even see each other because there’s a million people there.

Ariel Landrum 39:06
Like that’s how big The Bowl is.

Stefanie Bautista 39:07
That’s how big The Bowl is…

Ariel Landrum 39:09
You know, other people, you know, we’re there until after you check the stories.

Stefanie Bautista 39:13
Yes, until the Instagram Stories. Yep. And they are, you know, our age and they were all going out as girlfriends too. And they were simply just singing along and they were getting shushed and I’m like, I can’t believe that. You know, I think this is something that is engaging for both adults, kids. The orchestra, the kids who are performing any sort of participation, I don’t think would have diminished their performance. Because the speakers are so loud, the visuals are so big, and I think participating probably would have just contributed to the musical and the magical atmosphere of the entire concert.

Ariel Landrum 39:56
Yes, and I think it should be noted that this is very Very different than going to like a play. Like if you saw Beauty and the Beast in the play and you’re there to see the Broadway actors and you don’t want to hear the person next to you there’s a different decorum and expectation of being quiet being present. Not engaging like on your phone, not chewing or eating food, versus the Hollywood Bowl, being outside expansive, the many moments of like camaraderie and communication, the the fact that you’re supposed to feel immersed in the experience. And so yeah, just just shocking, I think again, more more odd odd behavior, I would expect that if I was like, at, at a concert hall, I and I would, I would expect a specific level of like professionalism or your outdoor face however you want to say it. And I think can really, really damper they experience I, I’m I not being a parent, but felt so bad that this like mother had to leave. Not only because she was not enjoying it, but also she freakin works for the company. Here there was a moment to like, celebrate her and her work. And it’s like, oh, no, you don’t get to do that. Because you’ll have a child that I bet if every one of you just let her take care of the daughter right away there, she wouldn’t have been scared. But because of the energy people were giving towards that child. I’m sure the mom felt it. And of course, her daughter felt it right. Your kids, your kids know, when you’re scared and frustrated.

Stefanie Bautista 41:31
A high level of anxiety, mean all around. It’s kind of like, you know, being on a plane and your kid is just dealing with the turbulence. And don’t get us wrong. If this was a solely LA Philharmonic concert with them playing Dvorak and you know, a specific symphony. The decorum is obviously different. Like this is a classical performance. This is akin to being at the Walt Disney Concert Hall, where no phones are allowed. You’re not you know, able to speak to somebody unless it’s intermission. Those things still hold true. If you’re at the Hollywood Bowl for that specific thing. However, you’re at a Disney Concert. We are watching cartoons. It is interactive, they even encourage you to sing along. I think that was you know, did they miss that? I’m not sure. But…

Ariel Landrum 42:20
I don’t know. Because then they asked the audience to sing along for the big Elsa number myself. I don’t I don’t I don’t know. I don’t get it. I don’t understand.

Stefanie Bautista 42:31
Yeah, I mean, again, these are things to, to look out for, if you are at a group event such as this. I think managing expectations is what we’re always talking about. But you know, some things are out of your control. And I think the least we could do is understand them from our perspective. I mean, Ariel even offered her goldfish if she wanted some. And she took them and, you know, she was able to enjoy the Sorcerer’s Apprentice a little bit, I think. And you know, she she was able to calm down. I think she just needed time. And unfortunately, some people around we’re not willing to give them that time, even though they could have probably given it and it would have been for the betterment of everybody around us.

Ariel Landrum 43:14
Yes. And I think the other thing is, there’s always more than one way you can like resolve a problem. If it was really disrupting your experience. I know the ushers would have accommodated you a different seat like that, that would have been an option. Had you taken it like, “Hey, it’s just really taking us out of the the mood, you know, everyone else seems to be fine, but we’re not what are other seats that could be available?” I honestly do not think that the Hollywood Bowl would have been like, “No, you got to stay right there.”

Stefanie Bautista 43:45
Or if they did, they probably would have set the precedent of, hey, everybody is trying to enjoy it, especially the children. So I mean, even people, let’s say who were there might have been somebody who had Autism, or had an auditory processing thing, and they’re trying to enjoy it to it might not even have been a child and you know, we would have would gladly have accommodated them as well. So maybe the staff would have been like, you know, unfortunately, these are the realities of having a public event. And, you know, try your best to be an adult and deal with it.

Ariel Landrum 44:17
Yeah, it’s, you know, people be peopleing…

Stefanie Bautista 44:24
People be peopling. It is true, my friend. But, I mean, at the end of the day, it was such a beautiful performance. And it was so fun. It did not feel like as long as it probably was because we were so engaged. I think it was great that they just focused on the animation. So even though there wasn’t any Pixar there wasn’t any Marvel or Star Wars. It made you hone in on the basics of what makes Disney so enjoyable, which is, you know, storytelling, and, you know, the emotions that are evoked by those stories and you reintroducing things that we haven’t seen in a really long time, refresh, it made everything so fresh. And, you know, it was it was just nostalgic and great.

Ariel Landrum 45:10
Now, before we end, I’m curious for you, as a teacher, what? What does this event like make you think of? Or like, how, how would you find yourself using something like this in the classroom or outside?

Stefanie Bautista 45:23
I mean, I think just teaching a lesson or even introducing the different ways that we enjoy music. Not everybody has a music program. I know that was one of the first things that got cut, when all the budget cuts happened long, long ago. So even as just like a regular general classroom teacher, if you have a little bit of time to introduce music, this is a great way to do it. It’s not necessarily just soundtracks, these are sing along songs, these are things that you can challenge their comprehension, you can challenge their reading, they’re really the processing of their emotions, this could be a social emotional thing. There’s so many great aspects to using music and animation in your everyday lessons. And encouraging families to go to events like this, I think is a really good way to tie in community as well, I would have loved to seen, you know, people from the same school going to something like this, or you know, going to outdoor concerts doing, you know, fundraising and things like that for kids who might not have the opportunity to go to these concerts and maybe fundraise for them to experience something special that they might not have. And I know we have a lot of people in Los Angeles who have kids that not only attend public schools, but they also work for places like Disney Warner Brothers Universal. So really, you can tackle it from a lot of different ways from connecting community connecting arts and creative performances. And also we had children on stage.

Ariel Landrum 46:53
Yeah.

Stefanie Bautista 46:54
So if you have kids who love to sing, who want to pursue performing arts, not only take them to things like this, but also say, “Hey, if you want to do this one day, you have absolutely can, you can use this and make a career out of this because that is absolutely possible.” Diversity is always needed. They highlighted diversity in a really great way, I think in the choices and music selections. And I think kids have so much more to learn from attending events like this, if you know they’re able to. And, again, going back to what that little girl experience, she might have taken something different from that had the environment been different. So really, you could use this as like a teachable moment for you know, a young person who wants to be more connected to the things that they listened and enjoy.

Ariel Landrum 47:46
Yes, yes. And I think for me, so some of you may know that, and we learned this, I guess from Wreck-It Ralph 2, that Disney princesses have an “I Want” song where they essentially pour their heart out to like the thing that they dream of and wish for the most. And an intervention that I’ve done in session with clients is we have made our own “I Want” songs. And what they have done is they’ve just listed out all the things that they sort of like hope for. And then we put it in a Chat-GPT and ask Chat-GPT to make an “I Want” song, that’s that’s a “Disney Princess I Want song.” And I know like AI is is big hot button issue, and it’s taking over the world or whatever nonsense, but in that case, they aren’t really making a song. It’s really more of like a poem. And it’s using the words of the things that they want. But I’ve had a lot of clients who’ve, like put that on their mirrors like they’re their aspirational goals. And it’s been a way to just incorporate Disney in a very unique way that is tailored to the individual versus like, you know, “Oh, that reminds me of this character, their experience.” It’s like, “Oh, no, you get to be sort of like the princess and you get to sing your I want song and see it come to fruition.”

Stefanie Bautista 48:59
That’s kind of like an auditory vision board. I like. That’s super cool. I really really liked that. I like middle schoolers can do that. I think that’s really cool. Although we have you know, middle schoolers High School, even fifth graders, I think that’d be something that I’m going to suggest to my friends. But I mean, I think all together this was such an enjoyable event. I hope they do it again in the future. Maybe even just a specific Pixar one would be really cool to hear a lot of their music because their music is so different from I think the animation, but also a special in their own way. That is it. We we went pretty deep into this. And we had a lot of feelings but you know as Disney movies do, they evoked a lot of emotion from us.

Ariel Landrum 49:44
So if you went to this experience or some other live performance for Disney music, go ahead and Tweet at us @happiestpodGT or DM us on Instagram @happiestpodGT.

Stefanie Bautista 49:56
Wait.. do we call it tweets still?

Ariel Landrum 49:58
Oh, I’m sorry… uhhh…

Stefanie Bautista 50:02
Don’t be sorry. That is not your fault. I don’t like that whatsoever.

Ariel Landrum 50:08
Yeah, I’m uh, I’m still sticking with tweet, because no one has given up an alternative. Ah, and I do not like the X. I don’t, whatever. So yeah, Tweet at us.

Stefanie Bautista 50:21
Tweet at us. And also, Ariel did a really great write up on our website as well. And she included all of our fun pictures. We had a jolly old time we really tried. Even though we were all humid and frizzy at the end of the night, it was all good. We took her cute pictures and it was fine. So if you had a great experience, go ahead and message us. We had a lot of fun and hopefully we’ll see you at the next event.

Ariel Landrum 50:46
Yeah, bye!

Stefanie Bautista 50:48
Bye everyone!

Media/Characters Mentioned
  • Mulan
  • Fantasia
  • Sorcerer Mickey
  • Encanto
  • Hercules
  • Meg
  • Tangled
  • Mother Gothel
  • Ursula
  • Ariel
  • Jafar
  • Scar
  • Simba
  • Peter Pan
Topics/Themes Mentioned
  • Mental Wellness
  • Americans with Disabilities Act
  • Disney’s 100th Anniversary
  • Disneybounding
  • Hollywood Bowl Experience
  • Accessibility and Accommodations
  • Emotional Impact of Music
  • Audience Behavior and Expectations
  • Educational Value of Disney Events
  • Community Engagement
  • Cultural Sensitivity and Inclusion
  • Family-Friendly Entertainment

Website: happy.geektherapy.com
 | Instagram: @HappiestPodGT | Twitter: @HappiestPodGT | Facebook: @HappiestPodGT |
 | Stef on Twitter: @stefa_kneee | Ariel on Instagram: @airyell3000 |

Geek Therapy is a 501(c)(3) non-profit with the mission of advocating for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
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Sidekicks! Disney’s Animal Aides

June 16, 2023 · Discuss on the GT Forum

https://media.blubrry.com/happypod/media.transistor.fm/75bf0208/fa00a83f.mp3

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#33: Explore the unique roles of Disney sidekicks as they dissect how these beloved characters from classics like ‘The Little Mermaid,’ ‘Cinderella,’ and ‘The Lion King’ relate to mental wellness. Engaging discussions reveal how these animated companions, could don the titles of emotional support animal or service animal. Unravel the therapeutic significance of these animal sidekicks, blending childhood nostalgia with a deeper understanding of mental health support.

Read the blog post for this episode for additional references and resources.

Become a member of Geek Therapy on Patreon: http://www.patreon.com/geektherapy

Summary

HPOE33

  • Introduction (0:11): Ariel and Stefanie introduce the topic of Disney sidekicks, examining their roles and categorizing them based on their functions and relationships with main characters.
  • Sidekick Definitions (1:47): The hosts discuss definitions of pets, working animals, and assistance animals, exploring how these relate to Disney sidekicks and mental wellness.
  • Analyzing Disney Sidekicks (10:38 – 21:18): Various Disney sidekicks like Meeko, Sven, Hay Hay, and Pascal are analyzed. Their roles range from pets to emotional support or service animals, considering their relationships with main characters and contributions to the story.
  • Zazu in The Lion King (29:58 – 35:24): Discussion on Zazu’s dual role as an advisor and pet-like figure, examining his loyalty and integration into the community.
  • Cinderella’s Mice and Other Disney Animals (35:47 – 41:14): Exploration of Gus Gus and Jaq in “Cinderella” as examples of service animals, and discussion of other animal characters in Disney movies.
  • Flounder and Sebastian in The Little Mermaid (40:48 – 44:54): Analysis of their roles as companions and advisors, aiding Ariel in her journey.
  • Mushu in Mulan (45:45 – 48:36): Discussion of Mushu as a potential emotional support animal for Mulan, reflecting on his role in her journey and personal growth.
  • Personal Experiences with Pets (48:36 – 53:04): Stefanie shares her personal experience with her dog Chance, discussing the emotional support and companionship provided by pets.
  • Conclusion (53:04 – 53:42): The hosts invite listeners to share their animal companions, as well as their thoughts on Disney sidekicks.
Transcription

Ariel Landrum 0:11
Hello, everyone, welcome to The Happiest Pod On Earth, I’m Ariel, a licensed therapist who uses clients passions and fandoms to help them grow and heal from trauma and mental unwellness.

Stefanie Bautista 0:21
And I’m Stef, I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them.

Ariel Landrum 0:28
And here at Happiest Pod, we dissect Disney mediums with a critical lens.

Stefanie Bautista 0:33
Why do we do that? Well, because we’re more than just fans, we expect more from the mediums that we consume. So what Disney experience or Disney topic are we discussing today, Ariel?

Ariel Landrum 0:44
We’re going to talk about the famous Disney sidekick animals

Stefanie Bautista 0:49
Sidekick animals!

Ariel Landrum 0:50
Usually, we see them accompanied with princesses. But now we’re just seeing them more and more in general, with a variety of characters.

Stefanie Bautista 0:59
And we all know we have our favorites, right? If you go off the top your head my the will obviously the first one that comes to mind is Flounder just because he’s cute. He was like, you know, the best friend that always got your back always was just like your number one fan. And you know, we identify a lot of these sidekicks so readily with whatever princess or whatever main character that they themselves have become main characters in their own right. Much like we love our pets, me and Ariel are big animal lovers, and we do have pets of our own. We wanted to talk about the relationship between the sidekicks, these animal sidekicks and their main character, their friend, or whoever, and categorize them in a way that’s a little bit more suited to the real world with Ariel’s help.

Ariel Landrum 1:47
Absolutely. So we’re gonna do some definitions first. And for some of you who may not know, part of one of the things that I do as a mental health clinician, is I can provide assessments to see if someone qualifies for an emotional support animal. That qualification needs to meet very specific criteria. And the first one being that the individual must have a mental health disability. The disability has to match the definition for a federal ADA, including that there are functional impairments. And it significantly limits at least one or more life functions. So I have to assess for all of those things. The other thing I have to assess is, if the emotional support animal has what’s called a Nexus that’s a legal term or a relationship, where their relationship with their owner mitigates or lowers the symptoms of that disability. So it’s a lot of assessing.

Stefanie Bautista 2:46
it really is something that I feel people have embraced a lot more in, you know, the past decade or so. And knowing through the pandemic, through all of these hard times that we’ve gone through, they really do make a difference in how we live our everyday lives, how we treat ourselves how we treat the world. Me as a mother, I know that having a pet around teaches my kids responsibility. And it also teaches them to care for, you know, animals and the things around them. So let’s get into it. We want to identify exactly what categories we’re working with, right?

Ariel Landrum 3:22
Absolutely. So we all know they’re sidekicks. But Stef and I were talking and it seemed like some of them serve more functions and purposes than the other. So with these definitions, keep these in mind as we’re we’re essentially rating and grading. The first one is a pet or companion animal. So this is an animal that provides leisurely companionship to its owner. They’re kept primarily for a person’s company, often an extroverted display, amusement or entertainment. They’re usually domesticated or have a domestic breed. And they have close daily relationships with humans, they are not considered an assisted animal. So in assisted animals an umbrella category. An assistant animals and animal that works, provides assistance or performs tasks for the benefit of an individual with a disability. So an assistant animal is not a pet. Very big distinction.

Stefanie Bautista 4:19
Yes.

Ariel Landrum 4:19
Is not there for just leisurely enjoyment. An assistant animal is technically a working animal. And the difference would be that some working animals or livestock, so if you think of an animal that is agricultural, for labor, it will produce like eggs or milk or a wool. An assistant animal is sort of doing like a job so they could technically be a working animal.

Stefanie Bautista 4:43
Okay, that would include like a sheep dog, right that like herd sheep and things like that.

Ariel Landrum 4:47
Yep. But an assisted animal specifically, its work involves an owner or a certain relationship around a disability. So far an emotional support animal that companionship and support alleviates at least one or more aspects of their handle disabilities. So that’s that nexus that I was talking about. Now, they haven’t been trained to do this. And the common examples that I’ve found for my clients who are ADHDers, having an emotional support animal creates a schedule of consistency for them, because you cannot ignore the cat crying like the cat will cry and cry and cry. And so the symptom that’s being mitigated is lack of structure, due to executive dysfunction that happens from being an ADHDer. Right? So that would be like an example.

Got it. Yeah, because the things got to eat. So you got to put them on a schedule to eat. And that helps them with routines, and just doing things that are over and over again, so that they can get used to it and help out with that gap. Got it.

And that consistency helps then mitigate the symptoms of ADHD that occur and thus creating more holistic lived experience for this individual. And remember, I said it just, it needs to adversely affect one or more life functioning, and the nexus of the emotional support animal to that disability needs to help alleviate at least one or more. So if the alleviation is simply like the ability to have a structured schedule something that you couldn’t do on your own because your brain doesn’t allow you to, then that’s it. Like I’ve done my my full assessment. Under assisted animal. There are three types of animals, there’s emotional support animal, there’s therapy, and all people tend to get emotional support animal therapy animal wrong, a therapy animal is used as a therapeutic aid by a Health or Human Services professional to support someone else. So an emotional support animal helps their handler that the therapy animal is told to do work by the handler to others, and oftentimes they get permission to go into like hospital settings, for example, you’ll see a lot of therapy animals in like, a children’s unit, helping or or in a senior center giving sort of like emotional aid to others.

Stefanie Bautista 7:09
Yep. When my dad was in care when he was receiving really intense kidney treatment, there was always a dog that came by UCLA and you know, greeted all of the patients and everybody loved him. He was like, the most beautiful golden retriever. And, like, of course, you know, my dad loves dogs, because I have one too. And, you know, he was just like, yeah, he really brought light and he brought a lot of happiness into the ward, because you know, other than that, they wouldn’t see something like that.

Ariel Landrum 7:39
Oh, that’s so cute.

Stefanie Bautista 7:40
Yeah.

Ariel Landrum 7:41
So an emotional support animal can be any animal therapy animal, even though it’s, it’s told therapy animals, almost always a dog. And then service animal. Legally federally is a dog.

Stefanie Bautista 7:55
Good to know.

Ariel Landrum 7:56
Unless some states allow a miniature horse and those are for individuals with like violent struggles. But yeah, so even though we’re saying service animal, it’s really a dog. However, other animals have been trained to provide services, they just might not have as many legal rights. And we’re only talking about the United States. So I don’t know, like definitions and laws, other places. But a service animal is an animal that has received specialized training to perform a specific task or set of tasks for a person with a disability. And so some of those common tasks would be opening a door grabbing medication, alerting individuals in the presence of allergens like barking, or helping to pull a wheelchair, assisting individuals who are blind or have low vision with navigation, providing physical support and assistance with balance. However, a service animal could also be a psychiatric service animal and help with situations like sensory relief and overload by link deep pressure application, or alerting a handler before they have a panic attack through like licking them or barking, or encouraging engagement by limiting selective solitude. So like, if someone’s getting overwhelmed by a crowd, they might circle for crowd control, or they might push the individual towards the corner to get a breather space. So those are our animals. And the thing about a service animal that sometimes people aren’t aware of is that there are official places where you can get a service animal trained, but technically and legally, a service animal can be trained by their handler. And so this is where our Disney princesses come in. Because, from what we know, or I mean, our Disney characters with side kicks, from what we know, none of these side kicks have had like an official training from somewhere.

Stefanie Bautista 9:38
No, they’re dealing with their own stuff in life, and I don’t think there was time for them to take a course.

Ariel Landrum 9:46
Remember that because disabilities are unique and individual, the way that individuals need assistance? Yeah, it would make sense that they might need very specific tailored tasks that aren’t part of like the regular regime of like a traditional training experience.

Stefanie Bautista 10:02
And I mean, there is an article that says, you know, why? Why do Disney princesses or Disney characters have animal sidekicks in the first place? And one of the main reasons is to give that character the emotional support that they need. You see that they’re, you know, riding on their shoulder or their, you know, they’re just for them to pet or they’re giving them some sort of advice. Like they’re normal. They’re normally always talking mainly, but they can act as their guardians as well, as you’re going to see as we go through some of these sidekicks. So, you know, in reality, if they were doing their job.

Ariel Landrum 10:38
And like we said, emotional support, animals don’t have to have any tasks that they’re trained. It’s just that relationship, that relationship that mitigates a specific disability. Now, this is where we’re things get a little tricky. I’m not diagnosing any of these characters, and saying that they do have a specific disability because it’s not canon. But we’re going to assume if we did give them a category…

Stefanie Bautista 11:01
What would we categorize them as?

Ariel Landrum 11:04
Yeah, yeah, if they were more than pet, we believe.

Stefanie Bautista 11:07
And we challenge you when you rewatch some of these movies to see if what we’re saying is true. Or if you have a differing opinion, because, you know, I’m sure that when these characters were written, they weren’t specifically “Oh, this one’s gonna be a therapy animal. This one’s gonna be a support animal.” It was really the relationship that the main character and this animal had and how they played in moving the story forward. So lots of things to think about, but I think it was a really cool thing for us to kind of look at these really important characters in a different lens to see how they played their part in moving the relationship forward with their main character. So are you guys ready?

Ariel Landrum 11:44
Yes.

Stefanie Bautista 11:44
Awesome. So we’re going to start with Meeko are wonderful raccoon. In Pocahontas, we see Meeko riding in the front of Pocahontas’ boat, always there whenever she needed whenever they were going through the wilderness. Whenever she was singing, he was around. And he was really funny. He had a lot of comic relief in the movie, from what I remember.

Ariel Landrum 12:08
I remember Meeko stealing a lot of things.

Stefanie Bautista 12:10
I remember him eating a lot. He was just always eating.

Ariel Landrum 12:14
Did he specifically aid Pocahontas. I remember him grabbing the compass and giving it to her. So he was aware that that was like something she she wanted and he retrieved it? Would you consider that like task oriented aid? Did she ever tell him what to do?

Stefanie Bautista 12:33
I felt like he was the sassy best friend that was like, “Are you sure you want to date this guy? Are you sure we want to do this?” Like he always kind of gave the side eye and was like, as he was eating, like, kind of brushing off John Smith. So I mean, I don’t think that he was necessarily trained to be her guardian. But I think he gave off a lot of best friend vibes to me.

Ariel Landrum 12:59
So then, so then we’re gonna rule out a service animal and we’re gonna rule out therapy animal because he wasn’t providing like emotional support to others.

No.

Would you consider him a pet or an emotional support animal because the only thing I can think of is he did comfort her when she was sad.

Stefanie Bautista 13:17
He did. He shared it, which is kind of why I kind of more categorized him as like, like almost like a human counterpart. But he wasn’t talking. He didn’t say anything. He just squeak. He was one of the characters that did not have any speaking roles. So…

Ariel Landrum 13:33
So pet?

Stefanie Bautista 13:34
I would say a pet. I will say a pet with a lot of attitude, which in real life, we have pets with a lot of attitude.

Ariel Landrum 13:41
All right. All right. All right. I concur. I think, from what I can remember, and anyone can of course, correct us. It seems more like he was a pet that was atune to his handler, his owner. And a very independent pet. I think I’m like an outdoor cat.

Stefanie Bautista 14:00
An outdoor cat. And also, I mean, he was mimicking the way she was like falling through the waterfall when she was like swimming. He he had a lot of character. So I think definitely a pet. And because Pocahontas was so in tune to nature and the animals around her. I think that drew a lot of similarities between his character and his emotions and her emotions, just because she already had that established connection with the world around her.

Ariel Landrum 14:27
Yeah, so culturally, she may not identify him as a pet could she may identify him like for kinship bonds.

Unknown Speaker 14:34
Kinship, yep.

Ariel Landrum 14:35
In the forms of the just this exercise. Yeah we’ll go with pet.

Stefanie Bautista 14:39
We’ll go with pet. All right, great. So we have Meeko as a pet. All right, we’re gonna fast forward a little bit and we’re going to talk about Sven our reindeer from Frozen.

Ariel Landrum 14:51
Okay, so in not talking about diagnoses, but just general awarenesses what we do know is that Kristoff was abandoned and raised through an adoptive family. And so therefore, there can be some very specific, unique struggles even as far as like trauma struggles, and he may have difficulty having, you know, a sense of belonging, questioning himself. And what we do know from the two movies, he isn’t really certain or secure about his place in the relationship has a whole song about it.

Stefanie Bautista 15:29
In the world, really, he’s not sure where he fits in, he’s just kind of like a snowflake flying in the wind.

Ariel Landrum 15:34
I won’t give him a diagnosis, but I would say that he probably has enough for me to further assess for potentially one that could result in additional support.

Stefanie Bautista 15:44
Yes, and we all know that Sven is working he has a working animal because he helps haul the ice up and down the mountain. He helps Kristoff make his money. So we know that he has a lot to do with the the way that Kristoff runs his life and makes a living. So I think definitely working animal is one of his titles. And you know, he he has a lot of us. He’s got a lot of sass. He’s kind of like his, you know, bro best friend his. They definitely have a bromance going on? Because Sven is very animated, and he does a lot of physical gestures that suggests that he wants Kristoff to do one thing or another.

Ariel Landrum 16:25
Definitely think because of how Kristoff talks to him uses. He actually uses him in social interactions pretending to like be Sven’s voice, right? Like Kristoff, like, does that mimic the voice and even in his song in the second movie to Anna like, it’s fun. He’s like singing to you. He’s like practicing his proposal. I feel like Sven’s leaning more towards emotional support animal that happens to be a working animal that’s been trained to do a lot of tasks.

Stefanie Bautista 16:52
Yeah, yeah. Because they do use them even in the Spring Frozen Short, he’s helping decorate the whole entire place for for the birthday party. They’re hanging things on his antlers. He’s, you know, helping set up like a party. So he’s definitely trained to do a lot of things that help people, not just Kristoff.

Ariel Landrum 17:14
Okay, okay. So because he’s not just helping Kristoff. He’s doing general work for humans. But he provides specific emotional aid to when Kristoff is the second guessing himself have low self esteem questioning himself unsure anxious when we’re gone with emotional support animal.

Stefanie Bautista 17:31
Yes. Oh, and he’s another one that does not talk.

Ariel Landrum 17:34
Does not talk. Yeah. I think that adds another layer to it. Because that pretty much is our experience with animals.

Stefanie Bautista 17:41
Yeah.

Ariel Landrum 17:41
We are not like Dr. Doolittle. There’s a good chance that we are having to develop relational understanding with our animals.

Stefanie Bautista 17:48
Yes, yes. Yes. Yes. Yes. All right. Great. Okay, next one is a fun one, because we kind of talked about this particular character and how they held their place in this universe. And that is Hay Hay from Moana. Our wonderful, clueless. Not really all there ever. And I wouldn’t even know if he was exactly Moana’s side kick, even though he was on the boat and just always happen to be there. Because when we think of Moana, we think Pua right?

Ariel Landrum 18:18
Yeah I do.

Stefanie Bautista 18:19
Because Pua is her pet Pua is you know her roaddog. Pua is the one that is helping her and rooting for her like I mentioned earlier. But Hay Hay, he’s kind of just there. But he plays an integral part to the story.

Ariel Landrum 18:32
Yeah. which is surprising. also voiced by Alan Tudyk, which is like it’s hilarious to think that somebody had to…

Stefanie Bautista 18:38
A had a voice…

Ariel Landrum 18:40
Acting role to this chicken. Rooster rooster.

Stefanie Bautista 18:44
And before we categorize him, he is known as the village idiot.

Ariel Landrum 18:49
He’s known as the village idiot. Yes, I I definitely think even though he he ate that stone.

Stefanie Bautista 18:56
The rock.

Ariel Landrum 18:58
Rocks, rock eating chicken. I think he was a pet. But I think he was a self domesticated pet.

Stefanie Bautista 19:05
Yes. Self domesticated because he is so independent in the wildest ways possible.

Ariel Landrum 19:12
Like…

Stefanie Bautista 19:12
He’s chaotic.

Ariel Landrum 19:13
He’s He’s chaotic. Neutral, maybe?

Stefanie Bautista 19:16
Yeah, I think chaotic neutral. I don’t think he has any intention of harm. And I don’t think he has any intention of good.

Ariel Landrum 19:21
Yeah, just is he just says, Yeah, even I, I watching the movie, I’m not even sure like when he coughed up the stone at the appropriate time, it’s still hard to tell if that was like sheer luck and fate, or if it was, like him, having an awareness that Moana needed some aid. So I’m gonna go with pure, pure pet, self domesticated. And we have that right. Like sometimes we have like squirrels in our yards.

Stefanie Bautista 19:49
I mean, we also have a lot of pets who are, you know, who have won awards for being chaotic like the ugliest dog award. And, you know, just these dogs that are just so lovable. Because you know that they’re just trying to live.

Ariel Landrum 20:03
Just living life.

Stefanie Bautista 20:04
They are the way they are, they look a little funky, and that’s okay. But you know, they’re still lovable. They still mean good. And I mean for Hay Hay himself, he almost gets killed multiple times.

Ariel Landrum 20:15
Is completely unaware of it.

Stefanie Bautista 20:17
Yeah, unaware that the world has kind of imploding around him. But, you know…

Ariel Landrum 20:20
And when I think of Moana, as she does uncover a lot of her her history, that she wasn’t aware of. Something similar to like many diaspora, or when people are leaving their homelands. However, her current motivation had to do with present stress, which was based off of like, essentially climate anxiety, if you think about it.

Stefanie Bautista 20:46
Yeah.

Ariel Landrum 20:46
So she could technically be diagnosed with that. But the thing when it comes to like climate, well, it would be anxiety, but we put for the climate. But when it comes to climate anxiety, and those who are indigenous, it’s not really considered a disorder, it’s considered a an appropriate response to seeing their homelands, like completely demolished and often comes with like grief and loss, fear for their future. So I think I think, pet, and I don’t think that she has anything that would denote to me that there would be a disability.

Stefanie Bautista 21:18
Yeah, because it’s a common effect. It’s a common struggle that a lot of people in the diaspora go through, especially with her people who have moved from place to place. And now in that move, in that, you know, reality of her village, her trying to find her place is something that she’s just naturally going through, it’s not necessarily an anomaly to anybody who’s living there.

Ariel Landrum 21:40
And the land going through like struggles with fishing and coconut like, essentially, like, I mean, we know it’s the goddess, but it’s like a blight. You know, like there’s there’s actual struggle going on with the the climate and the nature, again, appropriate responses. And so I would not consider, not the, I would not consider it a mental health disorder as a result of something like, organic could be environmental trauma, if it were to persist. But we saw in the movie, she kind of clean things up pretty quickly.

Stefanie Bautista 22:12
She did, she did, and you know, Hay Hay, kind of symbolizes a part of her village that you know, always is with her, because it’s something that just exists in her village that is very specific to her village. And that makes her think of home all the time, even though she has Pua with her even though she has the memories. And you know, her grandma with her all the time. Hay was a physical representation of that, and he just always showed up. So I think you know, that being a part of home is something that a pet gives to us, wherever we are, if you move with your pet, whether it’s city to city, state to state, it’s a little piece of home that you know, you always familiarize yourself with.

Ariel Landrum 22:51
Even in the way that you’re sharing that when I work with clients who have like pet grief and loss, one of the things that I highlight is we tend to get pets at pivotal moments of our life. Like when we first stepped out into the world on our own, when we were first living on our own or when we get children or preparing to start a family or as a couple trying to see if we could we that’s usually when we get a pet. So they marker like milestones, very specific moments of our lives. And that and that was Hay Hay, like he he ventured out with her in a moment where she just had a lot of uncertainty. And when it comes to the grief and loss of a pet, usually that’s marking like, if we’ve lived with them for a substantial amount of time that’s marking an end of like that milestone, and having to both realize that and grieve not only those changes and losses, but now have to grieve the act, the act of representation of that, which is our pet.

Stefanie Bautista 23:46
Yeah, and to move on with your life without that is a huge transition for people who get pets at pivotal moments. Like you said.

Ariel Landrum 23:54
Pets witnesses that are most vulnerable. We stand naked in front of them.

Stefanie Bautista 23:58
They’re kind of just there all the time.

Ariel Landrum 24:00
And that was Hay Hay, right?

Stefanie Bautista 24:01
Yeah.

Ariel Landrum 24:01
There all the time.

Stefanie Bautista 24:03
You really didn’t want him to be here. It was kind of a nuisance. He was just there with his googly eyes. Great. I love that. I didn’t think we’re gonna have that conversation with Hay Hay, but you know what, he took us there. He took us there. Wonderful. So that is Hay Hay our next free well actually this one’s not even really free because doesn’t have hair is Pascal from Tangled. Wonderful chameleon so lovable so cute. Rapunzel’s right hand’s man? I’m I think Pascal is a male name. So I’m I think he’s a boy.

Ariel Landrum 24:38
Yeah, I think I think she uses he he him with him.

Stefanie Bautista 24:42
Yeah, yeah. So Pascal is very loyal to her. He is her only friend when she’s imprisoned in the tower never leaves her side. So we know that there’s a lot of emotional bonding there because they’re the only two in the tower. He is her fierce protector. He is kind of like kind of like a sibling almost, that, you know really is rooting for her. And once Flynn Rider comes up, he has his side eye. I think he’s also a character that doesn’t talk.

Ariel Landrum 25:10
Yes, yes, I do know that Pascal grabs things for her like her paint brushes. I do believe he has been trained essentially, either actively she taught him or just from the general relationship of interaction. And given that she is in severe solitude and finds out later that she’s kidnapped, I could say that there may be some diagnoses that could occur. Given that he goes out with her into the world, it’s hard to tell if she trusts Flynn Rider, right or more because she has Pascal or like the like her own naivety or just willingness, or her spirit right to just explore on the world. And we do see her oscillate in a lot of pain for like, leaving her mom, right? Like that was a big thing was this their attachment together was her to be individualized to her to sort of like they were very what is in Bowen called enmeshed. So, again, because she was locked away. I think he could lean towards psychiatric service animal, I think there’s a possibility.

Stefanie Bautista 26:19
I definitely believe that. Yeah, I think that that’s huge, just because Rapunzel is going through so many extreme measures in her daily life. And when we see Rapunzel she’s coming out of that, and she’s having a lot of realizations, she’s at a pivotal moment in her life. So she is not only going through her process of discovering womanhood, but she’s also discovering that everything that she knew was basically not exactly what she thought it was. And Pascal is her constant throughout all of this.

Ariel Landrum 26:49
And like you mentioned, the only socialization she had besides her mother. So already, he plays an integral psychological role in that she, she creates dialogue with him. But very different than when Kristoff’s using Sven, like, essentially for emotional support. Because he’s, he’s kind of leaning on him, like during times of struggle. For her, like, Pascal is constantly with her. She’s constantly engaging with him. And she’s having essentially direct relationship and dialogue with him and, and plans her day with him. Like, I feel like he’s so integral to what her lived experience was before she left the tower, then there couldn’t, I couldn’t imagine him not being a psychiatric service animal.

Stefanie Bautista 27:36
Exactly. And I think the choice for him to be a chameleon was so smart, because he is basically her window to the outside world. He could be whatever she wanted him to be. And he has the ability to do that, because she didn’t have that perspective to the outside world, aside from her interactions with him. And, you know, I think if it was any other animal, I don’t think it would have had the same effect. Because what she was going through was really, really extreme.

Ariel Landrum 28:05
And I think also shows you where some of the advancement for disability laws for service animals needs to take place. Like I said, here in the US, it’s the service animal federally is a dog, and that tower was not going to fit a dog. I don’t think there’s no way that Mother Gothel would have allowed her to have a dog she had to be able to hide him right? And

Stefanie Bautista 28:29
He could camouflage whenever he needed to hide in her hair really because her hair could hide anything. Maybe her hair could have hit an emotional service dog. Now that I think about. I mean she’s swinging from tower to tower, she could hide a dog. She could hide a dog.

Ariel Landrum 28:43
She could hide a dog in there.

Stefanie Bautista 28:44
But anyway that’s beside the point.

Ariel Landrum 28:47
But yeah, I think that if there had been more if we have been embracing more animals in regards to like those laws, the we would find a lot more people getting assistance in ways that that we hadn’t considered and for for me when it comes to emotional support animals because the law doesn’t say that it has to be specifically a dog. I have assessed cats, dogs, and some lizards. I don’t know much about bird and human interaction. I’ve never received training for that. So that’s why I always refer out but with particularly when it comes to like bearded dragons seem to be the thing.

Stefanie Bautista 29:24
Yeah a lot of popularity around Bearded Dragons as emotional support animals.

Ariel Landrum 29:29
The reason they get into being the choice oftentimes has to do with the individual has severe allergies. So it’s like, oh, I don’t have the option of a dog or a cat. And I also need what an emotional support animal can provide to mitigate. You know, my mental health disability and bearded dragon ends up doing it.

Stefanie Bautista 29:47
Interesting.

Ariel Landrum 29:48
Yeah.

Stefanie Bautista 29:49
They’re cute though.

Ariel Landrum 29:50
They are.

Stefanie Bautista 29:50
Love Love Me a bearded dragon. I do want to shout out Flynn Rider’s horse Maximus…

Ariel Landrum 29:57
Yeah…

Stefanie Bautista 29:58
He plays…

Ariel Landrum 29:58
Well stolen horse or rehomed?

Stefanie Bautista 30:02
He rehomed himself? Oh, Because I think that he creates a counterpart to Rapunzel’s relationship with Pascal. And I think, because we see Flynn Rider have his own kind of character arc and his growth in the story as well, because he learns a lot of things about himself. I think it was really beautiful for both of them to go through those changes with their animal companions.

Ariel Landrum 30:25
And essentially him being challenged by like this authority figure of a horse and creating essentially respect towards it. Whereas, like, all previous versions of him had no respect for like authority.

Stefanie Bautista 30:36
Yeah, yeah, definitely. And this was more of like a mutual relationship, almost, because the horse was kind of forced into it, but then also was just kind of like, “Alright, this guy’s kind of pathetic, so let’s help him out.”

Ariel Landrum 30:47
“I feel pity.”

Stefanie Bautista 30:50
All right, awesome. So the next character that we’re going to talk about is a speaking character. And he has a very great role in this iconic movie. And we are going to be talking about Zazu from The Lion King.

Ariel Landrum 31:05
Ah!

Stefanie Bautista 31:06
So we are kind of pivoting now. And we were talking about a animal companion to a villain. So as you all know, Zazu in the original Lion King, the animated version, he is the royal advisor to well, he is Mufasa’s as advisor, but then he has to kind of pivot, because when Mufasa passes away, he has to now serve under Scar. So he kind of plays a dual role. And we can all say that he is a working animal because he is an advisor.

Ariel Landrum 31:34
Yeah, yes. And I think even more so when he was Scar’s advisor, he was even more of a working animal because he was he, he didn’t even get to give advice. It was like, “Sing for me!,” right? “Do do this task.” And that’s all that we don’t have a relationship. When it came to Mufasa, he had a relationship with Mufasa. They, they had dialogue together. And this is where it’s like, it starts to get murky, right? Because they can actually have a conversation and you’re having a conversation with your pets. But if we were thinking of Mufasa if Mufasa was a human and Zazu was still a bird. One of the things that I would notice of their interaction is that he is considering the needs of Zazu which starts to feel more like a pet. And we do consider the needs of working animals we do, you know, good ethical farms are gonna give them the medicine they need proper food, enrichment and nourishment. However, at the end of the day, they’re still a working animal. Where as in this case, Zazu seemed integrated with the community. So it’s with the family felt more pet like.

Stefanie Bautista 31:43
Yeah, definitely pet like but also a pet that could snitch on you because he was kind of a killjoy all the time especially through Simba’s eyes. Simba, Nala were like “Zazu get the heck away from us, we are just trying to live our lives. We’re trying to be kids.” And he was like the uncle the babysitter, who was just like, you know, “Don’t do that. You can’t go over there.” But he meant well, we know that he has good intentions for the kingdom good intentions for Mufasa’s family because he is so loyal. And not only is he a servant, but he is you know, trusted within their community.

Ariel Landrum 33:16
And because he’s so loyal even though he was a working animal, then later assigned, we could say like to Scar, the second that Simba came back, he allied with Simba like…

Stefanie Bautista 33:28
Yeah.

Ariel Landrum 33:29
Allied with his original, essentially what you’d say family or owners. And we, we do see that right when, when pets get re homed, or when working animals get moved to a different farm, they tend to remember their original family and have like a bond with them.

Stefanie Bautista 33:43
Yeah. Or even if they’re lost, and they get reunited, or if they deploy, and

Ariel Landrum 33:52
You have that story. We’ll say that in a bit. They remember

Stefanie Bautista 33:58
They remember and they show it in every single way, humanly or animal possible.

Ariel Landrum 34:03
Emotionally.

Stefanie Bautista 34:04
Emotionally. And we see that through Zazu because he immediately is like, “You know what, screw all that. I’m just gonna go back to my original pride,” even though he is not a lion himself. He has loyalty to the pride that Mufasa created.

Ariel Landrum 34:21
And remember, we said that pets, first and foremost have companionship. And there’s companionship there. Right when you’re thinking of family bonding, like Yeah, that’s it.

Stefanie Bautista 34:32
Yeah, exactly. So yeah. Zazu man, voice by Rowan Atkinson, which I was like, “Mr. Bean what?” When I was a kid, because, you know, Mr. Bean, he was he was pretty popular back then. And having him having that speaking role, I think really brought his character to life. And he did such a wonderful job of just playing that kind of snitch.

Ariel Landrum 34:58
Yes.

Stefanie Bautista 34:59
That snitcher but also you know, you really felt for him when he was under Scar’s control because you you didn’t want him to perish.

Ariel Landrum 35:07
And then in the live action it’s a it’s John Oliver right?

Stefanie Bautista 35:10
Yes, it’s a John Oliver.

Ariel Landrum 35:11
And I think he did. I mean this John Oliver!

Stefanie Bautista 35:13
Such a great job! Yeah John Oliver! Could have been just a reincarnation of Zazu himself. So smart. So as a matter of fact, very British.

Ariel Landrum 35:24
Also sassy.

Stefanie Bautista 35:25
Super sassy. And yeah, we we heard that Sass vocalized instead of just you know, like a side eye or their actions. It was all of that so. Yeah, great character. Okay, fantastic. So, the next one is we’re going to reach a little bit because this is a much much older movie. Gus and Jaq from Cinderella.

Ariel Landrum 35:47
Ahh Gus Gus!

Stefanie Bautista 35:48
Yes, Gus Gus and Jaq are wonderful sidekicks, little mice, that helps Cinderella they’re faithful mouse companions to her. And they love her. They truly just love her. They live with her. They see her struggles. They’re devoted to helping her sneaking her all the things that she needs in order for her to escape her situation.

Ariel Landrum 36:08
And she does go through severe amounts of trauma she loses she’s she loses the mom she loses the dad gains a wicked stepmother and we can sisters right? Becomes essentially, I’m not even gonna use the term like indentured servant like she’s abused into essentially slavery in her own home. Has no access to any of her own wealth, her own family property, her name, they they essentially try to erase her from the from existence except to just be I wouldn’t say maid but she’s not getting paid.

Stefanie Bautista 36:40
Yeah.

Ariel Landrum 36:41
And so lots of severe trauma. What we do know is she, herself relies personally on kindness, something that was instilled to her by her bio parents, and something that she’s able to hold on true. But given the amount of trauma that she’s experienced in the lack of socialization, the outside world, she definitely needed to socialize herself with the animals. And there are a variety of animals in that movie, but the mice specifically did her bidding, like Gus Gus and Jaq would do what she told them to they would retrieve things. And so I definitely consider them a service animal or psychiatric service animal that had, like function that they are aware of, and their direct relationship to her like they they enjoyed sort of like their own life, but for the most part, they were keeping an eye on her.

Stefanie Bautista 37:34
Yeah, they were keeping an eye on her. They were watching out for her. They’re the ones who got the key to the room, because Lady Tremaine locked her in there so that she couldn’t try on the glass slipper. If none of that happened. If they didn’t do that action, there would be no story. So I mean, I think definitely you’re spot on with that categorization. Because they’re they’re really the heroes in this story. They save her. It wasn’t Prince Charming. It was them.

Ariel Landrum 38:00
It was them. And I think they work with the other animals well.

Stefanie Bautista 38:05
They work with the birds.

Ariel Landrum 38:07
Okay, the she gets Bruno up there to scare away Lucifer, the cat. And even though like they are essentially, on the chopping block of, like hierarchy when it comes to engaging with the cat, they did what they were told. And when it comes to service animals and psychiatric service animals, we obviously want to take care in the situations we put them in. But some situations could be just naturally scary to them that they ignore that fear because they want to service their handler. So like, common examples would be like, noises at a construction site can be very scary and loud to a dog. But if they have to help guide their handler, they will do it. They will they will they will desensitize themselves and those mice knew they need to be afraid of the cat. They still try their best.

Stefanie Bautista 38:56
Still did it. And that cat was big. It was pissy. It who just did not want to do anything with anyone.

Ariel Landrum 39:02
Named after the devil.

Stefanie Bautista 39:03
Literally named the devil. And interesting enough Jaq, Jacque and Gus Gus don’t speak English. They speak kind of a broken version of it. So they’re kind of like they say Cinder- they Cinderelle they don’t really say her name so they they’re not totally humanized. But they’re not totally fully animal. They were close. They were shirts.

They make me think of Pokemon. Gus Gus.

Truly but it’s funny because Pokemon don’t even wear clothes like that it’s just Pikachu that does.

Ariel Landrum 39:40
Unless you’re playing Pokemon Go and it’s an event day.

Stefanie Bautista 39:42
Yes, yes, yes, yes, yeah, so anyway, we digress. But Jaq and Gus Gus are super lovable. I think they are unsung heroes. I mean, they are mice so we know that they are the underdogs. that we know that they are the ones that you know we’re rooting for. Without them Cinderella would not be saved. She She would still be in her crappy situation. So shout out to those two. We’ve gone through a lot of different animals. And I think it is fitting that we end, I want to end with a couple just because we didn’t hit these pretty big ones. Little Mermaid just came out, we all know and we have a lot of really great friends when it comes to the Little Mermaid. So we can kind of do a mash up of two? Because we can talk about Flounder. And we can talk about Sebastian, because they are two very important characters and friends to Ariel that help her in different ways. We did talk about Zazu. And when I think about Zazu, I think about how Sebastian plays a very similar role because they are both advisors to their king.

Ariel Landrum 40:48
So I definitely think that with the live action and the animated Flounder and Flounder was more of essentially a companion so a pet. And, you know, knew I would say tasks or tricks like could grab things. But But he had a relationship with Ariel. I think the second that she lost her fins, she gained a physical disability.

Stefanie Bautista 41:14
Yes.

Ariel Landrum 41:14
Like we’re thinking like gaining legs would not be. But remember, she is not human. She is not she’s not meant to have those legs, she literally essentially removed an entire appendage of her body. Yes. and is having to now completely relearn how her body is functioning without that appendage.

Stefanie Bautista 41:35
And she lost her voice.

Ariel Landrum 41:37
She lost her voice. So she also cannot communicate. So she has two forms of essentially what would be a physical disability. And I think after that because of her deep relationship with Flounder, he turned into somewhat of a service animal however, because of his limitations being in the water, it then transition to Sebastian, who was not her pet. And instead was maybe I would say like, if we’re gonna say companion or pet or dad’s pet, he like then rehome to her.

Stefanie Bautista 42:12
Yeah.

Ariel Landrum 42:13
Who learned to be a service animal because what we saw was he helped. We saw them helping her swim up, right. Both of them are under each of her arms. He’s like now having to translate things to her and communicate to her. He is running around the castle. Spoiler alert in the live action. He doesn’t get a kitchened. He doesn’t have the kitchen song.

Stefanie Bautista 42:35
Yeah, boo. But anyway.

Ariel Landrum 42:38
But he is sleeping in the bed with her. He is trying to help her achieve a very specific goal, which is to create a connection with Eric, which we can say that he becomes her voice.

Stefanie Bautista 42:48
Yeah.

Ariel Landrum 42:48
Right.

Stefanie Bautista 42:49
Yeah, he becomes the orchestrator, which is in the animated movie as well, because he starts the song he almost has them kiss. So he is definitely working all throughout this movie, because he is on task all the time. He just wants to get the job done to protect her.

Ariel Landrum 43:07
Yeah. And I don’t know how you even live action or the animated how Eric somehow magically understands him. But yeah, he becomes her voice. He literally is the one because he’s the one who speaks her name. Right?

Stefanie Bautista 43:20
Yeah, like says it behind like, trees. But then, I think Well, I think Eric somehow manifest that as like a voice in his head.

Ariel Landrum 43:30
Yeah.

Stefanie Bautista 43:31
He’s not necessarily saying “Oh, my God isn’t an animal talking to me?!” He’s just like, oh, maybe there’s something because he’s looking for intuition, right? He’s looking for something that’s going to give him a signal to find this girl. And he takes those signals, which are actually Sebastian, he doesn’t know that. But he’s thinking of it in his own way.

Ariel Landrum 43:47
Yeah, I think they both become that. And I will say, again, is something that can be common, because some of the things that we want to remember is that anyone, anyone and everyone is susceptible to gaining a disability, that is why it’s important to become a advocate for the disabled, because you could be part of that community. It unfortunately could just be one accident away. And and so in this case, with her having someone speak for her, that like essentially her interpreter as as well as could be. That was such a beautiful task and functional aid, though, was necessary and crucial.

Stefanie Bautista 43:47
Yeah, it was crucial to the whole thing. It’s crucial to the story to her development to her survival. And with without that, I think, you know, we we don’t necessarily think Ariel and Sebastian we think Ariel and Flounder, and you know, I feel like this perspective might have changed me to think you know, Sebastian did hold it down for Ariel even though he truly did not want to it was just a nuisance for him the whole entire time.

Ariel Landrum 44:54
Yeah. And he had the ability to go on land and in water.

Stefanie Bautista 44:58
Another smart choice. Yeah, because Flounder had those limitations.

Ariel Landrum 45:02
Yeah. And again, sometimes with a service animal, we realize like, we need a very specific thing that one can’t provide or the other. That’s why I mentioned earlier, miniature horses for balancing. They are, they’re just stocky and sturdier. There’s no way that I don’t care how big of a dog you have that if you have a difficulty with balance, that a dog’s not really going to provide that in the way that a horse can.

Stefanie Bautista 45:28
Got four sturdy legs. Well, we went through a lot of different animals and a lot of really beloved animals and characters. We do want to leave off, I don’t want to forget our magical character Mushu.

Ariel Landrum 45:45
All right!

Stefanie Bautista 45:45
Because he is not really a real animal. But he’s also not seen by everyone. So I feel like he’s a definite anomaly. To a lot of sidekicks. I think he is open to interpretation.

Ariel Landrum 45:59
Yeah. So I don’t know if you could call him a pet. Yeah, he might be a working animal he was assigned.

Stefanie Bautista 46:04
I mean, his official label is Guardian.

Ariel Landrum 46:07
Yeah okay.

Stefanie Bautista 46:08
So he is a deity. He is a guardian, even though he is a dragon. But also guys, dragons aren’t real. So he is definitely a sidekick. I feel like it’s, it’s good to note him. He’s an honorable mention in our list, because he’s, he’s there for Mulan, he talks to the ancestors, he’s there to protect her, no matter where she is. But he also has a physical ability to help her out whenever she needs to watch out for her when she’s taking a swim, or, you know, taking a bath, and lights fireworks like, not every animal could do that.

Ariel Landrum 46:45
I think if I were to categorize him more as a pet, I may categorize them as emotional support animal when Mulan because Because essentially, Mulan was committing a crime. But if we moved remove that component, she was engaging in, you know, gender fluidity of gender expression. And, you know, dressing like a man, if we were to even say that she was someone who was queer wanted to be more fluid in her presentation, he then might be an emotional support animal, not because that is a disability, but because of the way the outside world treats individuals who are gender fluid, and that she got support from him, like he was cooking her food, and he was fighting others for her. But also, he was, at first he was a little bit against it, but he was actively supporting her in a time when she could have had a lot of mental emotional struggle. So maybe.

Stefanie Bautista 47:37
That was, that was only her her only connection to, you know, keeping her from just giving up. Because he was there rooting her on and he was there being the voice of reason and saying, you know, “Hey, let’s take a step back and think about why you’re actually doing this.” But he also had an agenda of his own because he wanted to be a, you know, a full deity himself. So there’s a lot of layers to Mushu I think that warrants a whole episode in itself.

Ariel Landrum 48:03
And I think even you highlighting that, like when I work with clients who are trans and transitioning their emotional support, animals are oftentimes the direct reason why they can complete a transition. And it’s because, “If I’m happier, my pets happier, I’m happier, we have a better relationship. And because we have a better relationship, I no longer feel the symptoms of potentially depression or anxiety that have been put on me by the environment.” So in that case, I would say that because he was a direct motivator for her he, he could have been an emotional support animal like we’re leaning towards there.

Stefanie Bautista 48:36
I mean, he was my emotional support animal when Mulan was going through all of that stuff when I was watching the movie. So without him and his comical relief, and also his just undying loyalty to her. I think she wouldn’t have gone through what she had gone through and survived and saved all of China. Personally, I gained a pet when I needed it the most emotionally. When my husband deployed overseas for a whole year, I was living by myself in the apartment and we lost our dog that we had raised a couple years before that. And so I felt that it was time for me to find a dog or a dog to find me. So I adopted my pitbull mix Chance at one of the really big Best Friends Animal adoption events here in Los Angeles, shout out to them. He was fully trained. He was about three years old when I adopted him. And he was a really great companion for me when I was living alone in the apartment, because he gave me a sense of purpose and routine when you know, I didn’t really have those things not having my partner living with me. Other than going to work. It gave me something to look forward to like I walked them in the morning I walked them at night. We shared a lot of just outings together with friends. And you know, he he’s still with us to this day. Now that I have two kids. He’s, you know, my kids protector and I Um, yeah, the different times that my husband left to deploy or went on training, every single time he comes back, my dog goes insane. Like he jumps around, like claws, whoever he is pushing down, he’s about 75 pounds. So he is not a very small dog. So when he shows his emotions, he shows them in a big, big way. And that kind of goes back to what you were saying that, you know, all of these animals, they, they do recognize people, they do establish those relationships, they do have that loyalty, all of these things that, you know, we see in stories happen in real life. And so, you know, having Chance as a part of the family in a time where I was lonely, and I needed some companionship really carried throughout the different phases in our life. And now that we don’t, you know, we don’t experience that in the extreme that we did before, because now I have kids, he plays a different purpose now. And you know, as he’s getting older, as my kids are getting older, they’re forming that bond. And they’re establishing that mutual relationship of emotional need of security, of just a sense of community within, you know, they’re all siblings now, which is really great to see. And, you know, Ariel has seen firsthand the benefits of me adopting Chance at the pivotal time that I needed him.

Ariel Landrum 51:24
Yes. And when Stef was interested in trying to see if he could qualify as an emotional support animal, I gave her referrals to be able to get the evaluation. And what what some people aren’t aware of is emotional support animals have to be reevaluated every year. And there was a certain point where once AJ returned, and then you started to grow your family, he became just a pet. At that point, there was no need to do this assessment. There’s no need to do documentation. And I think that’s that’s also just crucial to let people know is that sometimes they think that their certification from a mental health providers like forever, and yeah, it lasts for a year. That’s because disabilities also change, right? When we have more accesses, when we start to, depending on on what we’re experiencing, like in a mental health related experience, maybe we’re doing more healing, maybe we’ve now switched to a different type of treatments and emotional support animal, we’ve added medication, now we’re able to do things more that we don’t rely on our emotional support animal for.

Stefanie Bautista 52:27
Yeah, and one of the reasons why I asked for diagnosis is because of my living situation. At the time, too. I was living in an apartment complex that didn’t necessarily welcome dogs, unless they were serving a purpose. So since then, my living situation has changed. I don’t have to, you know, report that to anybody. So even though it kind of worked out in my favor, it it was just it’s good to know that you know, you have to kind of abide by the cycles and the the ways that we all grow as well in relationship to our animals, whether they’re working or whether they’re not.

Ariel Landrum 53:04
So if you have any sidekicks that you think we should have talked about, or if you disagree with any of our decisions, please, please tweet at us @happiestpodGT, or send us a DM on Instagram, @happiestpodGT. If you have a service animal or emotional support animal or even a pet that you want to share and show. Go ahead and send that to we want all the animal photos.

Stefanie Bautista 53:30
Yes, all the animal photos always in forever. All right, it was great talking about our animal sidekicks. And you know what, I’m gonna go hug my dog now. Yeah. All right. See you next time, everyone.

Ariel Landrum 53:42
Bye!

Media/Characters Mentioned
  • Disney Sidekicks
  • Ariel (The Little Mermaid)
  • Miko (Pocahontas)
  • Kristoff and Sven (Frozen)
  • Hay Hay (Moana)
  • Rapunzel and Pascal (Tangled)
  • Zazu (The Lion King)
  • Gus and Jack (Cinderella)
  • Flounder and Sebastian (The Little Mermaid)
  • Mushu (Mulan)
  • Disney’s Rapunzel
  • Disney’s Cinderella
Topics/Themes Mentioned
  • Mental Wellness
  • Role of Disney Sidekicks in Emotional Support
  • Americans with Disabilities Act
  • Mental Health Assessments
  • Emotional Support Animals
  • Service Animals
  • Therapy Animals
  • Impact of Animal Companions
  • Disability and Disney Characters
  • Psychiatric Service Animals
  • Ethical Treatment of Working Animals
  • Heroic Animal Characters
  • Disability Representation in Disney Movies
  • Emotional Support
  • Coping Mechanisms
  • Reevaluation of Emotional Support Animals

Questions? Comments? Discuss this episode on the GT Forum.

—

 Website: happy.geektherapy.com
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 | Stef on Twitter: @stefa_kneee | Ariel on Instagram: @airyell3000 |

Geek Therapy is a 501(c)(3) non-profit with the mission of advocating for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
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Styling for Dapper Day

April 22, 2023 · Discuss on the GT Forum

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#32: Join cohosts Ariel and Stefanie on their journey for Dapper Day outfits. Immerse yourself in the world of Dapper Day at Disneyland as they explore everything from dressing tips and theme ideas to personal experiences and the pursuit of the perfect outfit pieces. Dive into discussions on vintage fashion, body acceptance, and privilege as they talk about stepping out in style.

Read the blog post for this episode for additional references and resources.

Become a member of Geek Therapy on Patreon: http://www.patreon.com/geektherapy

Summary

HPOE32
Summary

  • What is Dapper Day? 0:10
    • Dapper Day at Disneyland.
    • Step out in style.
    • Disneyland Dapper Day Expo

  • Dressing for Dapper Day 5:23
    • Disney Bounding is when they use color blocking.
    • Choosing a theme.
    • The value of being complimented on Dapper Day.
    • Different elements of a Dapper Day outfit.
    • Think good and hard about footwear.

  • Ariel and Stef’s Dapper Days of the Past 8:42
    • Ariel bought socks to wear with her heels due to the pain of walking all day.
    • Different park preparation from 20-year-old years to 30-year-old years.
    • Flamingo-themed dress, floral-themed dress, tiki-themed dress, and Moana-themed dress.
    • Tips for where to take pictures in the park.
    • A short girl solution to short girl problems.
    • The many theme ideas for Dapper Day.

  • Ideas for Dapper Day 14:46
    • The Disney Dress Shop in Downtown Disneyland.
    • The difference between making costumes and curating an outfit.
    • Flexibility and intentionality are needed when deciding to go vintage or retro.
    • Embracing culture.
    • Filipino formal wear of The Barong Tagalog, The Terno, and The Maria Clara.

  • On A Mission for Dapper Day Outfit Pieces 22:26
    • Searching Amazon for Dapper Day themed outfit ideas.
    • On a mission for the perfect pair of white boots.
    • Trying to attain that perfect look, even when it hurts.
  • Ariel Does a Star Wars Disneybound for Spring Dapper Day 2023 30:09
    • The fine line between replica and upgraded outfit.
    • Wait, are they getting married?
  • Dress To Your Comfort Level 34:58
    • Acknowledging the element of privilege in participating in Dapper Day.
Accepting the changes to your body.
    • Stepping out or staying in your comfort zone.
    • Attending the Expo instead of the Park to enjoy Dapper Day.
    • Catch Stef and Ariel at San Diego Comic-Con for three different panels.

Transcription

Ariel Landrum 0:10
Hello, everyone, welcome to the Happiest Pod on Earth. I’m Ariel. I’m a licensed therapist who uses my clients passions and fandoms to help them grow and heal from trauma.

Stefanie Bautista 0:20
And I’m Stef, I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them.

Ariel Landrum 0:26
And Happiest Pod is where we dissect Disney mediums with a critical lens.

Stefanie Bautista 0:32
Why do we do this? Because we’re more than just fans, we expect more from the mediums that we consume, especially from Disney. So Ariel, what Disney experience are we discussing today?

Ariel Landrum 0:42
We’re gonna talk about Dapper Day.

Stefanie Bautista 0:47
It has been a minute since we’ve talked about anything. And right before we started recording this, I was 100% shocked that we haven’t talked about tougher day before, because it’s one of our annual traditions, I guess biannual because it happens twice a year, right? Yeah. And it’s one of the things that me and Ariel love doing at the parks. It’s one of the things that brought us together as best friends. And so I’m just like, “Why haven’t we talked about this befire?”

Ariel Landrum 1:14
Exactly! Stef, what is Dapper Day?

Stefanie Bautista 1:17
So Dapper Day. And this is open to interpretation, right? Everybody who’s listening, I know you guys have probably heard seen, or maybe even had friends who participated in Dapper Day, it’s a chance for everybody to come dressed at the park in their best outfits. So as you all know, Disneyland opened in 1955. And in 1955, the fashion was completely different. Everybody was in dresses, men wearing in suits. Even little kids didn’t wear athletic wear. They basically wore really cute things to the park, it was as if they were going out to a special event.

Ariel Landrum 1:51
And the park was more like a park, right? The rides were not as extreme as they are now.

Stefanie Bautista 1:58
It was more like going to a park that had amusement rides, much like a carousel at Griffith Park or pony ride or something like that. So basically, Dapper Day is a way for retro enthusiast, fashion enthusiast, and Disney fashion enthusiast to come together. It dressed up and their best in the park and basically takes a million pictures. Because you when you’re dressed up to the nines like that you’re not really wanting to you know, mess up your hair on Splash Mountain RIP. But you want to just show out and step out and I think the official theme is ‘Step Out in Style,’ right? So that is basically Dapper Day. It happens twice a year, once in the spring and once in the fall. And since then it’s expanded to different events either at museums or local gardens and they also now have Dapper Day at Epcot in Disney World and they also have it in Disneyland Paris as well.

Ariel Landrum 2:50
So started by the fans and now when we say if is it is it actually officially recognized by Disney or is it like unofficially officially because I remember when you introduced me to it this was back in like 2017 I believe it was like unofficially recognized by Disney in that Mickey would come out and like his like best dress and like his dapper wear on that day. So it was like a nod that they knew was Dapper Day, but it wasn’t featured on their website. It wasn’t acknowledged in the sense that it was an event sponsored, covered or approved by Disney.

Stefanie Bautista 3:23
Right. So here’s the thing. They hold the Dapper Day Expo, which is basically like they’re Dapper Day at Comic Con, have you, in the Disneyland Hotel and they have all these vendors and they sell dapper where they still have they get they do your hair, they sell shoes, all the things that you need to make up an outfit. They have performances, all that stuff, everything that’s like very retro. And they hold that at the Disneyland Hotel and they sell merchandise that says Disneyland Dapper Day or Disney Parks Dapper Day. When I visited Epcot last year. They even had a booth that was in Epcot right in front of I think where the America section was, and that booth had Dapper Day merchandise although we don’t see it on the parks and tickets. It’s not a ticketed event. So it’s not like it would be on the website as a ticketed event like Oogie Boogie Bash would be I feel like it’s recognized by the parks but I don’t think it’s owned by the parks if that makes sense.

Ariel Landrum 4:17
Okay.

Stefanie Bautista 4:18
Yeah, correct me if I’m wrong everyone but I thought these are just my observations.

Ariel Landrum 4:22
Yes. And I haven’t seen anything like on the website I feel like we follow enough Disney influencers that if it became like an officially recognized like announced thing by Disney, we would have seen it all over Instagram as like “Breaking news!”

Stefanie Bautista 4:39
And to be quite honest with you, I don’t feel like that’s necessary because it is such a casual, casual but you’re not looking casual event where people just come dressed to the park. It’s not like you have character meet and greets. You don’t have like special theme food like they’re not going to serve your hot dog from the 1950s. But they have been incorporating some of those elements into everyday Park life. For example, you find the retro popcorn bucket in different places at the park in California Adventure, they have performances by a swing band, and they have, you know, things that called back to that era, but not necessarily needing to section out the whole day in order to have the event because it is so casual.

Ariel Landrum 5:24
Yes. And when it comes to dapper, it’s really what you define as dapper. So some people will pick an era like the 1950s, or 1960s, or 1970s. Some people will do a Disneybound. I talked about this in episode before. But if you don’t remember Disneybounding is when you use colorblocking to denote that you are representing a Disney character without actually having a costume. And so we’ll see a lot of people were like very fancy dresses that are red and blue and wait and be there Snow White, and sometimes the theme is just whatever you want. So my first like Dapper Day that I did matching a partner was I was lemons. And that was that was the theme was I had this dress that I bought from Unique Vintage that I’d owned for like two and a half years that I never worn. So and it had lemons on it.

Stefanie Bautista 6:13
And it was a hit. It was a whole hit. How many compliments did you get? I couldn’t even remember, you got so many everybody loved lemons, and they loved just the way you and your partner coordinated. It was very cute and very summery. And I think it was the spring one. So it was very well put together. Bravo, bravo.

Ariel Landrum 6:34
Thank you. Thank you.

Stefanie Bautista 6:35
And another thing you always kind of know, and this is like a side note that you did a good job when people compliment you at the park.

Ariel Landrum 6:42
Yes.

Stefanie Bautista 6:43
It gives you a sense of like that you’re like, “Oh, yes, I did it.” If somebody recognize you as a character if you’re Disneybounding. Or if they say, “Oh my gosh, I love your hair or your shoes,” or whatever. People talk to each other at the parks all the time. But when they give specific compliments like that, I think that’s what’s special about Dapper Day is because you know you made an effort and for people recognizing that effort, it brings that sense of community to the event.

Ariel Landrum 7:04
Even with the Disney Bounding this Dapper Day, we met up with our friend who is a psychologist, Dr. Elizabeth Han and, and her husband, Benji Han, and they were Aladdin and Jasmine. And it was awesome, because all of the other crew that you would see in that movie. So we saw Jafar, we saw The Genie, they would run up to them and be like, “Can we take a picture with you?” And because they knew who you were, and you knew who they were.

Stefanie Bautista 7:32
Yeah. And shout out to Liz and Benji, they did such a great job on that Disneybound. Oh my gosh, perfect. And they look great throughout the day,

Ariel Landrum 7:40
Some people will just buy things and put things together. Some people will like go through their closet, Elizabeth, she dyed her gloves and like her scarf to match the specific color of Jasmine’s outfits. So go all out, go big. You know, keep it tiny, keep it close to your closet, whatever it is, ends up being just a lot of fun to step into Dapper Day.

Stefanie Bautista 8:01
Yeah, there’s different elements of putting your outfit together. And that is one of the parts of preparing for the parks that is a little bit different when it comes to Dapper Day. Of course, like as Ariel mentioned, it’s either you’re gonna go down the Disneybound route, or you’re just gonna go down the vintage route. Either one is fine. One of the lessons early on that both me and her found out was to really think good and hard about your footwear. Because if you’re planning to stay at the parks all day, if you don’t have the leisure of having a hotel nearby, you’re basically commuting over there and you’re gonna stay there the whole day until you feel like you’ve gotten the most out of your park day. But if you’re wearing heels, it will cut your day short as we have found out in the past, right?

Ariel Landrum 8:42
Yes, yes. I think this was the Dapper Day in 2018 maybe?

Stefanie Bautista 8:47
Yeah.

Ariel Landrum 8:48
Oh, no wait, maybe it was 2016. Maybe we started going in 2016, not 17?

Stefanie Bautista 8:52
It was the first one that you and I have done together because I have done one before with my husband. But…

Ariel Landrum 8:57
He was deployed!

Stefanie Bautista 8:57
Yeah, he was deployed at the time. So I picked a very simple dress. I think it just had flowers on I did my hair. But you had a beautiful green dress on.

Ariel Landrum 9:05
Yeah teal green. And it had little flowers around the waist and had a parasol.

Yes, yes. And you also I think there was elements of tulle? Tulle?

Yes, yes, there’s tulle on top and I even had like a tulle, tiny hat. But we took it off after a while because it was it was getting in the way. And then I wore these heeled shoes with like buttons on them. And three hours into the day my feet were hurting, but we were just we just kept going. We just kept going and then by the time it hit like actual dark because we got there at 10 I believe my feet were bleeding basically. And we had no band aids and we ended up going to the Disney store and I bought Ariel the mermaid socks because I happen to be similar color theme. And they were tall socks. And it looked like I was wearing stockings. So it was fine and that like really helped with my feet for the rest of the evening. But man, I don’t know who I thought I was I don’t ever wear heels like ever. So the fact that I thought I could flouts around for again Disneyland!

Stefanie Bautista 10:08
I think they were like Mary Janes. So the heel was maybe no more than two inches I think?

Ariel Landrum 10:14
Yeah, they were short.

Stefanie Bautista 10:15
However the terrain of Disneyland is still concrete. It’s like wood, it is stone. It is not pillows. So if you don’t have like an insole, or if you don’t have an extra pair of flats or like slippers or something, which now in our 30s, we have because we were in our 20s. And again, who did we think we were? Because I had shoes, and I stuck it out. I don’t know how I did that. And not only does the clover anything.

Ariel Landrum 10:49
You did really good.

Stefanie Bautista 10:50
I did. But I remember having blisters, like really bad blisters. And of course, this was 2016 or whatever. I was much lighter. I was probably a little bit more fit. So I could hold my strength a little longer, but…

Ariel Landrum 11:03
Pre pre kiddos.

Stefanie Bautista 11:04
Pre kiddos, all of that stuff. Now. Even if I have sneakers, my feet are dying. But yeah, like I think that’s one of the learning lessons. And even though we went through that experience, I think it made us want to improve the next time because the next time do you remember what your outfit was?

Ariel Landrum 11:24
I believe this next outfit was flamingos. My theme was flamingos. And I had flamingos all over my dress and a flamingo purse. Yes, yes. I don’t remember the shoes at all. But I don’t remember any pain that year. So they must not have been they must have been flats. I think this is I think from the room after that all of my shoes have been flats with the exception of this year.

Stefanie Bautista 11:46
I think I did flats too. That was the one where I did a tiki theme.

Yes. And I shoved you in a bush.

Yes, she shoved me in a bush. She actually likes doing it. You do show me the bush the first time also, but you shoved me in another bush this time.

Ariel Landrum 11:58
Yes. Yes. Yes.

Stefanie Bautista 11:59
And it’s always the same bush. It’s the one right outside the Tiki.

Ariel Landrum 12:02
Yes. Yes, it is. Yes, it is. And this was before they expanded it with that outdoor eating area.

Stefanie Bautista 12:07
Yeah, yeah. So as we’re waiting for the Enchanted Tiki Room, which we always tend to do during Dapper Day. I don’t think we did that this past time. But yeah, like that bush is always like really good for pictures if you ever want to take really cool tropical pictures. That was a day that I think I wore flats too. And I think we came out on top that day.

Ariel Landrum 12:25
I even remember I had flip flops with me. So I remember because I can I can see in my mind’s eye now that they were these brown ones that I’ve gotten since rid of, but the dress was so long, you really couldn’t see my feet. It didn’t really matter what shoes I work.

Stefanie Bautista 12:38
You know what? That’s not Short Girl Problems. That’s Short Girl…

Ariel Landrum 12:42
Solutions!

Stefanie Bautista 12:43
Solutions! Exactly. Exactly.

Ariel Landrum 12:46
And your dress it was it was black. And it had floral theme, correct?

Stefanie Bautista 12:51
No, this one was actually the the other version of it. It was green and it had like tiki print on it. It was a skirt. And then I had a like cream colored blouse. And then we’re really big flower in my hair.

Ariel Landrum 13:04
You were you were Moana?

Stefanie Bautista 13:05
Not that year. That was a different year.

Ariel Landrum 13:08
That was another year?

Stefanie Bautista 13:09
That year AJ came back.

Ariel Landrum 13:10
Okay.

Stefanie Bautista 13:10
So my husband came back from deployment. And then we were Moana and Maui. But this one was just like a tiki theme. It was the one that had like these 50s sunglasses, and then you shoved me in another bush. I’ll show you a picture later. But we will also in attachment to this when we post about this episode, we will have pictures of all of our Dapper Days of past because we’ve had quite a collection now.

Ariel Landrum 13:31
And because it happens twice a year, that’s the other component is it’s like “Oh, was this spring or fall?”

Stefanie Bautista 13:39
As like, “Did I bring a jacket or did I not bring a jacket?” In spring, it gets pretty hot. Like I know we’ve had a very late winter this year. So it did get pretty cold like both in the morning and in the evening. But before it used to get really hot and so you’d be sweating, your hair would be melting. And you always just admire the ladies who just like have helmets on like they basically hairspray the crap out of your head. And it just stays perfect until like the end. I don’t know how they do that.

Ariel Landrum 14:10
I’ve seen the most elaborate hats. One specifically sticks out one year where somebody’s theme was they were the tiki room. And their hat was a headpiece that had one of the birds inside a cage. And I was just like, what, how do you do this and it all handmade. And this is around the time where you introduced me the actual Expo that they were having. And I started going there and you could buy pieces at the Expo. And a lot. It seems like a lot of people who are vendors or have relationship with the vendors, they tend to make more of their outfits. They aren’t piecing things together that they found they’re creating things.

Stefanie Bautista 14:46
When you’re thinking about putting your outfits together you are thinking like “Am I going to theme this?” If you are Disneybounding you’re going to theme it after movie. You can theme it after a ride you can theme it after the whole Disneyland park you can be with after California Adventure if you want and I think people who have been putting these outfits together have done such a great job. And with the help of social media Dapper Day, the hashtag of Dapper Day, if you just look it up, it has a million ideas. Now Disney has caught on with the idea of not just letting the fans find these pieces, but actually marketing and making these pieces. Hence the opening of the dress shop that you see in Downtown Disney. When you go inside the parks, you’re gonna see 50s 60s themed clothes, whole dresses that have different elements of them popping up. I remember the first time that they tried doing this was the tiki room.

Ariel Landrum 14:48
Yeah.

Stefanie Bautista 15:11
And like legit, everybody has this damn dress.

Ariel Landrum 15:38
Everyone was wearing this Tiki Room dress made by a Disney officially sold and made by Disney.

Stefanie Bautista 15:43
Great effort Disney in trying to relate. But when it becomes sort of a uniform, it kind of loses its pizzazz a little bit. So I feel like now they’ve like offered different like varieties of what they have at the dress shop. It is at a higher price point. I know if you like just go vintage shopping or if you you know do the extra work kind of like when you’re doing cosplay, right? There’s a difference between getting a costume that’s made for Halloween and using that for Comic Con or whatever, comic book convention. And there’s a difference between putting everything together curating it, finding those pieces and then kind of making it your own. So depends on whichever route you want to take. But there is flexibility but also know that Disney is trying to capitalize a little bit on it.

Ariel Landrum 16:26
Yes, yes. And then if you’re trying to instead replicate like an era and do something more vintage or even retro, that is a little bit trickier if you are buying replicated pieces because you already know the replicated and if you are trying to go actual vintage, there’s the expense portion but there’s also will it last?

Stefanie Bautista 16:48
Or really fit? women’s bodies now are so different from they were before when I used to have illegal vintage shopping I had to really consciously think about my body and how women’s bodies were thought of back then and how they fit into me now so it wasn’t like if I found a piece that was like a large it’s not like saying I was had gained weight or whatever because I normally wear a medium. It’s really because the idea and the concept of size was so different decades ago.

Ariel Landrum 17:15
I’ve noticed even with the size I’m top heavy, there’s just like not a lot of vintage outfits that I can buy that will fit me up where my chest is. So I tend to more buy vintage pieces like earrings, hats, bracelets, necklaces, glasses, things that are an accessory purses a lot a lot of purses. Unless something that I’m gonna wear that might wear out or that I might want to cherish later that might wear out.

Stefanie Bautista 17:43
I’m telling you Ariel one of these days we’re just going to buy those like Tiki momos and it’s gonna be like the most comfortable Dapper Day ever.

Ariel Landrum 17:50
Yeah!

Stefanie Bautista 17:51
They’re coming back into style and they are gorgeous.

Ariel Landrum 17:56
We could definitely buy some authentic ones. So…

Stefanie Bautista 17:58
Yeah. Oh yeah. I feel like…

Ariel Landrum 18:00
Filipino ones.

Stefanie Bautista 18:00
Yeah, for sure. And yeah, there’s that cultural element to it too. As…

Ariel Landrum 18:05
Yeah! Share your your cultural piece that was a huge hit the shocked you!

Stefanie Bautista 18:09
Oh my gosh, super shocked me so we so I am my heritage my I identify as Filipino American. And so in the Philippines there. Instead of wearing suits and dresses, we have two different kinds of outfits that you would wear to either a formal event or to a someone who’s a business event really just any kind of formal event. For the men’s it’s called the Barong Tagalog which is basically a bamboo woven blouse. And it’s very breathable, you normally wear just like a white shirt inside. And it is like a high collar you can even you can either have like Chinese style collar where the it doesn’t like come out on the sides or like a Western style collar that kind of comes out on the sides like you would normally see a dress shirt as. And it has very intricate patterns on it that are woven in. Very beautiful. We will show of course examples on this when we post about it, but my husband has one for every formal event that we go to. And then for women, you have a couple of different options, but they all are very similar to each other. One of them is called the terno, which is basically a blouse that has really big butterfly sleeves on the sides. Not puffy, kind of like Alice in Wonderland but more structured. So it’s very high, very flat on each side, but it has a low neck. And it also could either be a dress, which is called a Maria Clara, and there’s different versions of it. But lately over the years, people have been selling them more because people Filipino Americans and people who are you know getting married to Filipinos they are wanting to incorporate more cultural wear into their formal events. So I thought to myself, I might as well buy one because you know why? I have had like an event coming up my grandma’s 80th birthday. And so we all decided to wear our Filipino outfits. And I had bought a little bronc that I loved for my son at the time. And so we’re like, let’s just wear this a Dapper Day, because it’s coming up, I have major FOMO if I miss a day, every day, I’m like, “Oh my God, I wish I was there.”

Ariel Landrum 20:16
And you didn’t have a lot of time to get the pieces together. So this was part of like, looking at what you have, and just anything that might be missing versus starting from scratch.

Stefanie Bautista 20:24
Exactly. And it was a spring Dapper Day, so I knew it was gonna be hot. And we normally do the California Food and Wine Festival at California Adventure. So I knew it was gonna be walking around. And my shirt came with a just kind of like a silk wraparound skirt. And I was postpartum a little bit still. And I needed something that I could be comfortable in. So I wore that I think it were flats that year, too. And we went into the park, and oh my god, the amount of people are like, “Oh my God, we love your outfits. And we love your Barong Tagalog like, I can’t believe you have a small one for your son.” And even though it wasn’t like anything tied to Disney, or it wasn’t tied to, like an era, because this is something that you can modernly wear, like any sort of formal event either here in the Philippines, you caught the attention of Filipinos who worked at the park. Number one, they were like, “I don’t even think of that.” And also you caught the attention of other people who didn’t know what you were wearing, they asked questions about and they’re like, “Oh, you know, like, is this, like from your culture? Is this from a specific thing?” But really, like, I forgot how many Filipinos actually worked at the park? But that day I was holy reminded about, you know, the demographic of Garden Grove, Fountain Valley, and the surrounding areas of Anaheim. Because yes, there are a lot of us around here. I think the next year afterwards, I saw more people embracing their cultural heritage. For example, I saw this beautiful Vietnamese couple wearing the like a bright red, like just I don’t know the name of it. I’ll look it up in a little bit. But with the really large, beautiful hat, oh, my God, they look gorgeous. And so I think people are starting to lean towards their culture a little bit. And I’m glad that I kind of decided to do that. And it wasn’t even intentional. But I have been wearing that outfit again for more dapper days. And I think I would probably expand upon that maybe and try to Disneybound with it. So I encourage you guys to do that as well.

Ariel Landrum 22:26
And the most recent Dapper Day that we had the theme of was a Disneybound and it was going to be Star Wars and the only reason I did that was because Dapper Day has become more and more popular and you can follow the hashtags. I typed in Dapper Day in Amazon. I just typed that. And then there were all these individuals who were I guess you’d call them Amazon influencers? I’m not I’m not 100% sure, because they have their own little like influencer website on Amazon. But they all posted images of their outfits and what pieces they bought on Amazon to make those outfits and there was one that you can get in white or black. And I was trying to decide if it Star Wars do I want to be Princess Leia or do I want to be Vader? Like “What do I want to do with this?” This outfit had these long sleeves that emulated like a cape. And so that’s that’s why it could have been either or, and in talking with my partner who knew that he was going to be able to attend Dapper Day this year, we decided I’ll be Leia and he’ll be Han. Now I remember. I need to wear good footwear. But I also wanted something that might be like kinda fun and make the outfit edgy. And I was talking to Stef about it. And I was like, “I’ve been looking for white boots and for like three days straight.” I’m going to the mall looking for white boots because I thought you know, “Go go boots are back, I should be able to find them.” Could not find white boots. There were cream boots. There were boots that were white and black, but nothing that was just white boots.

Stefanie Bautista 23:50
And that set me on a mission, “Girl, I’m gonna find you these white boots.” And I think, um it was again a coincidence that I had seen this because I think me and my husband just got out of the theater ever had it been what we watched. We watched John Wick, which by the way, amazing movie and then we went downstairs and they had just opened up a Nordstrom Rack and I was like, “Oh yeah, Nordstrom Rack!” Like, I love me a Nordstrom Rack so I go inside. And then I think Ariel you had texted me like, “I still can’t find the boots!” And I was just like “Bitch I’mma find them!| Sorry, pardon my language, but I go in there and because everything is all new, they just had like, so much selection. So luckily, because Ariel is such a petite size. Not a lot of people get things in that size, which kind of works out because you are able to find really good quality things if you aren’t besides that normally more or regular people are I’m a size seven, seven and a half and my section is always sold out like it’s really irritating. So I go over there. And then I see the most perfect pair of white Doc Martens like they could not be more perfect for Princess Leia. They were edgy. They were not laced. So they were just pull ons and they were her size. I have a couple Doc Martens and the only caveat to having them is you got to break them in. So I’m like, “Okay, I’m gonna get these for you.” They were the perfect size like the heavens shown above me just opened up like pathway for her to do this Disneybound. And I’m like, “I’m gonna get them, but you kind of break them in some way somehow.”

Ariel Landrum 25:21
So we could never meet up to pick up these shoes from each other so I had to wear them day of. We met at the Dapper Day Expo the day before the official Dapper Day event. Dapper Day Expo is essentially three days and the actual Dapper Day at the park is Sunday. So when you’re going to dress up at the park, it’s Sunday, however, some people will dress up the whole weekend. So we met on Saturday at the Expo. Here I am being gifted these boots that I haven’t even tried them on. And so we’re in the middle of the floor of the Dapper Day Expo…

Stefanie Bautista 25:54
There’s litterally vendors going like around those. There’s link a beautiful like swing band, big band, everyone’s dancing…

Ariel Landrum 26:01
And so we’re sitting on the floor. And I cannot put these boots on for the life of me. And it took a lot of wiggling my feet around like these are my perfect size. I don’t understand maybe maybe I’m just a different size Doc Martens. Again, I’m on and they fit comfortably now that I’ve actually slipped my foot in, they fit comfortably.

Stefanie Bautista 26:20
Slip is a very like, general term, we kind of had to ganker in there to the point where I think one of the Dapper Day workers were like, “Do you want me to get you a chair?” She was so sweet. And then like me and your partner were just like trying to like hoist them into link your foot into there. It was quite a scene.

Ariel Landrum 26:38
It was. And then it was even worse of a scene to take them off. It got to the point where I was afraid we were gonna have to cut these off of my feet. I was pulling and tugging and twisting and another like vendor came by and they’re like, “Do you need some help? Do you want do you need…” Like the everyone was it was worried about me. They were they were concerned about these boots.

Stefanie Bautista 27:00
There were two categories of people one category that was concerned about your health and safety in these shoes. And the other was “Where did you get them? Did you buy them here?”

Ariel Landrum 27:10
Yes, I kept getting asked, I asked “Where did you get these boots,” as I’m trying to like take them off or put them on. The problem was I had just been at Disney all day. And I was wearing sandals I had no socks on and my feet were essentially a little bit more swollen from the fact that I’ve been walking around. So we went and looked around and bought socks. I put the socks on the boots fit beautifully. Once I had socks, I was like, “Okay, I’m gonna have to find a way to wear socks tomorrow with these boots.” I was gonna have hideaway socks is what I thought I was going to do. But even in trying to get them up my my leg I need tall socks, we bought some extra ones at the Dapper Day Exo to make it happen.

Stefanie Bautista 27:49
That were like probably a little bit more than I know you were comfortable with paying but at that point you were like, “Eff it,. I just need this to work!” Because we know the potential of what it was gonna look like and we knew it was going to be perfect. So in trying to attain that perfect look, we were willing to do anything. And like you know, buy, whatever it took for you to get into those boots. I don’t know why we thought it was a good idea for you to slip them on without socks. I always wear socks with mine.

Ariel Landrum 28:18
The excitement?

Stefanie Bautista 28:19
I think it was the excitement. I truly think you’re just so hype on these boots because A. found them B. I got them at a deal. Even when I wear them with dresses, I wear stockings, or I wear some sort of like leggings or something. So I don’t know why I thought that was gonna work without all of that. And especially after you were walking at the park all day.

Ariel Landrum 28:34
It was hilarious and humbling. The next day, I have the socks on I fold them a little bit. I wear the boots all day, I feel great, my feet, my legs, everything feels great. The boots are a little heavy. So that’s the only thing is I had to get used to the weight of them. But we were pretty much there till dark, I get home and I take the boots and socks off. And wow, I had so many cuts and blisters and bruises up and down my leg where different parts of the boot was pressing. And it was about two months before like all of those scabs had essentially fully healed. And so even though I didn’t repeat the wearing of the heels I still got very blistered up and that’s because these were brand new shoes. So lesson learned there I don’t know. Again I don’t know who I think I am but I thought that this was going to be possible I should have just come over in the middle of the night and had you leave the boots on the door and like me grab ’em.

It’s not like we live that far from me.

No, no.

Stefanie Bautista 28:37
I think if you wear them now they will be the most comfortable things ever you could dance or whatever have you in them and they will be true to you. So what I love about getting a piece like that for costume or a cosplay is you can wear it over and over again. So it’s not something that was just specific to your Princess Leia outfit you can wear them just as a fashion piece and I think if you are looking to maximize what you wear, because you know, you don’t want to just throw away an outfit. That’s one of those things where you find pieces that you can reuse over and over again.

Ariel Landrum 30:09
The outfit we got for my partner Han is basically you know, a vest and white shirt. I couldn’t find any pants with red stripes on them. So he just wore pants. And then he decided to tie a belt around that kind of was supposed to look like the holster and we were going back and forth on the different pieces he was starting to add to his outfit because it was getting more towards cosplay. That is the component of Dapper Day where there’s a fine line between you replicating an outfit and you trying to upgrade that outfit in dapper s stylish, fanciful, whatever you want to put it, where it’s a nod to that character. It isn’t an exact replica. And so I think it was a good thing that we didn’t end up finding pants with the red stripe or it would have started looking more like a costume. That being said, even though the we went to boot to and took a picture with literally the Millennium Falcon behind us, I don’t know how much more like evident it was. People saw me posing with my partner in a white dress and thought we had eloped. And so I consistently kept getting messages of “Married question mark?” “When did you get married Question mark?” “Such a beautiful wedding photo!”

Stefanie Bautista 31:23
This is news to me. I did not know this. I am dying.

Ariel Landrum 31:26
It was nonstop for like two or three days even from like his family where they’re like, “Oh, is this a wedding photo? Is this a sneak peek? Is this an engagement photo?”

Stefanie Bautista 31:38
I think it’s because it’s so on, brand for you to do something like that. And I think the universe just wants it for you?

Ariel Landrum 31:45
I guess. And like everyone saw a white dress with like a flowy cape.

Stefanie Bautista 31:52
They did not, “Oh, no Princess Leia at Dapper Day. She’s gotten married.”

Ariel Landrum 31:57
And a part of it was I saw this picture on Amazon if someone else who did a Dapper Day of Princess Leia where they were their hair down. And then they wore actual ears that they made with buns on them. So the buns were on the ears. And I was like, “Oh, that is so adorable. I’m gonna do that.”

Stefanie Bautista 32:13
Because really, it is hard to do just buns and you’ve done it before. And to make them last is like there’s a science to it.

Ariel Landrum 32:19
It was gonna fall I knew that it was going to fall. So I was like, I will do that. So I was even wearing Mickey ears. But I think what people saw was a bow and my hair down. And so if they didn’t understand that it was Dapper Day and that I was Disneybounding it had to mean that we had somehow eloped at Disneyland.

Stefanie Bautista 32:38
Which you know, that is okay. I subscribe to this.

Ariel Landrum 32:45
Add to cart.

Stefanie Bautista 32:47
Add to cart and hey if it ever happens, you already have a dress sis.

Ariel Landrum 32:51
Yo, I have watched those Disney weddings on the Disney+ that ish is expensive.

Stefanie Bautista 32:58
It is unattainable. That’s how you do it in times like this. And they just called eloping at Disneyland in the open without them knowing. We are talking about budgeting at Disneyland not just for Dapper Day outfits, but also for life events. So I think that’s really funny how people interpret just by what you were

Ariel Landrum 33:19
I was surprised I was genuinely truly surprised that that was the reaction. And maybe it was like because on Instagram you can put up the 10 photos. But the first one is usually what people see and people hadn’t swiped through and seen like all of us together hadn’t seen other people in they’re dapper.

Stefanie Bautista 33:35
And you looked gorgeous.

Ariel Landrum 33:36
Thank you. It was the boots the boots made it. I think when it comes to trying to find the appropriate outfit for you, you know whether you are going cultural, whether you’re picking a specific theme, whether you’re picking a specific character do this more often, you start to get used to how you want to conceptualize your outfit. I had taken a little bit of a risk with this outfit because it was shorter than I normally go I usually do a long dress and it was a little bit tighter than what I normally do. So I was wanting to step out into something different. And a part of it had to be again, that body piece that we talked about. I want my body’s changed a lot it’s gotten a lot bigger in various areas and I wanted to embrace that and not try and like hide it or shame it and it was fine. Like I don’t know what it was what worry I thought I would have in this dress. I didn’t think people think I was my marriage dress but it it really felt good to have people at the park recognize me as Leia people wanting to take pictures with me that were other Star Wars characters. There was a lot of Rays I saw and lots of Kylo Rens. Another way to be able to embrace the like the park experience and connect with your fellow Park attendees because people who don’t even know about Dapper Day they’re just like, “What is going on? Why is everybody’s like so dressed up and it’s fun to be able to like share that with them and hope that inspires them to join like the next year.

Stefanie Bautista 34:58
Yeah, and it’s not even an element of like, “Oh, I know about this and you don’t.” It’s more of like, “Hey, I will explain to you and I’m more than happy to share with you what this is, so that you can participate next time.” Because I think on the other side, there’s some people who, you know, aren’t a huge fan of the event just because it’s like, there’s an element of privilege because you knew about the event. And, you know, you were able to put this outfit together. But I think over the years, it hasn’t been like that, or, I remember in the early years, there was a little bit of that, but as its expanded to, you know, include Disneybounding, and including, you know, families and things like that. It’s an overall really positive experience for you know, dressing up without actually wearing a costume. I didn’t really have an outfit, but I had, you know, a dress that I was gonna wear for my baby shower that I didn’t. And it ended up having had like, really big, puffy sleeves, and I knew that that was in and it’s very, you know, Disneyland like, it was blue and I knew that my daughter had a really cute Alice outfit. Kids can get away with almost wearing the costume because you know, who’s gonna knock on a kid for like, dressing exactly like. It was an official Disney, you know, bought Alice in Wonderland outfit, so she wore that. And I wore my dress, which was a very similar blue, and I tried to kind of be like a bigger version of Alice, but because I didn’t have an apron, everyone thought it was Wendy. And I’m like, “Do you see Peter Pan around me anywhere?” Like, “I’m not Wendy me but okay.” But again, I wear that dress because it was comfortable. I felt confident in it. My body has changed after two kids. And so I just wanted to, I knew I was gonna be pushing a stroller around. It’s like it was to be carrying just the purse. My purse has expanded now to a large stroller with you know many intricate pieces. And, you know, knowing it was gonna be hot, I wanted something flowy. And yeah, it really worked out. I do love that you stepped out of your comfort zone, because I think the form fitting dress really complimented your curves. And also, yeah, I mean, it was great. It made me want to be like, “I should wear something like that.” And not something so large, because that’s kind of what, that’s what we default to most days. But it really worked out especially for your concept. So I encourage everybody, if it’s your first time, this is your second time, if you’ve had friends participate, like do what’s comfortable for you. And you know, I think don’t be so hard on yourself if you don’t find the right elements, because I don’t think this is an event that’s going to go away anytime soon. If anything, it’s going to just continue and grow because like I said, they have these Dapper Day events at LACMA. They have them at the Huntington Library in Pasadena. More and more events where it’s not just restricted to the vintage community, because this is going to be for another podcast, I’m sure but there are people who feel some sort of way about, you know, being in the vintage community. And that goes for, you know, other fandoms.They don’t feel necessarily as comfortable. And I think this is one of the ways that for me and Ariel as vintage enthusiast but not like really serious about it, to be able to participate in it in a way that’s comfortable for us.

Ariel Landrum 38:11
as inclusive for us as possible. Because like we mentioned, there’s no way that we would be able to fit any actual vintage outfits. Given our curvy size and even height. I think being shorter Filipino women as you start to do Dapper Day more, it is a lot more comfortable and more accepting and that you get more joy out of experimenting. That’s when you can take you know a few risks. Like I wasn’t gonna get snares. I wasn’t gonna get people looking at me sideways. The things that I feared that I would get when I thought that I wouldn’t make an outfit look, you know, right, so to speak. There is a layer of privilege if you are going into the park because you’re spending a lot of the day taking pictures. If you are making an outfit that isn’t going to last a ride, you might feel like you’ve wasted a day if you’re not an annual Park holder. So this could be a component where you go to The Expo. So maybe you’re not in the park but there are a lot of people who actually just spend their whole day in The Expo.

Stefanie Bautista 39:06
And I’ve done that before and it makes me feel like I’m participating without actually being in the park.

Ariel Landrum 39:11
Like you said they have a swing bands so you can dance. They have raffles you can get to know the vendors it means that you wouldn’t be buying a park ticket which may not be feasible but you could still participate in the event.

Stefanie Bautista 39:23
Over the years it’s grown so much where you know it’s a multi day event so you don’t necessarily have to go into the park to appreciate it. And then you can explore the hotel you can explore like the places to eat there. I know last time when we went we ate at Tangaroa terrace, which is right next to Trader Sam’s and it was it’s great like. You could also take beautiful pictures around the hotel floor that if you haven’t you know been able to the hotel grounds are open even though you are not a you know a guest to the hotel. I think that’s a really good way if you don’t have the capacity to get into the parks because we all know that the prices are going up. That’s a great way to just get introduced to it or attend one of the off site events. And you know, see how you like it there.

Ariel Landrum 40:06
So if you are going to be attending the fall Dapper Day that’s in November, let us know, tweet us or message us DM us on Instagram. And let us know if you’re gonna go, what you’re going to wear. And if you want to meet up and take some pictures together, our Twitter is @HappiestPodGT, and our Instagram is @HappiestPodGT.

Stefanie Bautista 40:30
And we do have a lot of really exciting things coming up this summer. So in addition to planning for our Dapper Day outfits, which I feel like that seems like a lifetime away right now, we will be attending other events. So I’ll be hopefully we will see you all there very soon.

Ariel Landrum 40:43
Including San Diego Comic-Con where we will be hosting three different panels. So come check those out. We will give you more information about that. So make sure that you follow us on Twitter and on Instagram.

Stefanie Bautista 40:55
As always, thank you so much for listening in and we will see you all next time.

Ariel Landrum 40:59
Bye!

Stefanie Bautista 40:59
Bye!

Media/Characters Mentioned
  • Princess Leia
  • Moana and Maui
  • Kylo Ren
  • Ray
  • Jasmine
  • Aladdin
  • Snow White
Topics/Themes Mentioned
  • Expectations
  • HAES (Healthy At Every Size)
  • Vintage
  • Retro
  • Fashion
  • Dapper Day
  • Disneybounding
  • Dapper Day Expo
  • Disneyland Hotel
  • Self Acceptance
  • Comfort Zone

Questions? Comments? Discuss this episode on the GT Forum.

—

 Website: happy.geektherapy.com
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 | Stef on Twitter: @stefa_kneee | Ariel on Instagram: @airyell3000 |

Geek Therapy is a 501(c)(3) non-profit with the mission of advocating for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
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Disney After Dark: Princess Nite

March 10, 2023 · Discuss on the GT Forum

https://media.blubrry.com/happypod/media.transistor.fm/753fe6fd/beb55567.mp3

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#31: In this episode of Happiest Pod, join Ariel and Stef as they recount their magical evening at Disneyland’s After Dark event, Princess Nite. Held for the first time at Disneyland Park on March 7th and 9th from 9 PM to 1 AM, this special event transported guests into a world of princesses and fairy tales. And don’t worry if you missed it, as Ariel and Stef provide an in-depth look at the experience so you’ll know what to expect if you decide to attend next time!

Read the blog post for this episode for additional references and resources.

Become a member of Geek Therapy on Patreon: http://www.patreon.com/geektherapy

Summary

HPOE31
Summary

  • Intro 0:10
    • Welcome to the happiest pod on earth.

    • Today’s episode is all about Princess Nite.

    • How Princess Nite compares to Merriest Nite.
    • How to plan a Disney event.

  • Dressing Up for Princess Nite 8:14
    • Dressing up for a Disney event.
    • Dressed up for the gram.

  • Mickey and Minnie’s Runaway Rail Way 12:06
    • Rise of the Resistance and Mickey’s Runaway Railway.

    • The El Capitan in Los Angeles.

    • The lack of female representation in Disney movies.

    • How Disney has had to adapt to change.
  • Where are the Princesses? 18:20
    • Where to find the Princesses in Fantasyland.

    • The end of the line sign.

    • No signs saying where the Princesses are.

  • Soaring Melodies Under The Starrs 28:06
    • No projections.
    • A live Disney performance with singing and dancing.
    • Pyrotechnics.
  • The Broken Reservation System 30:27
    • High Tea menu at Cafe Orleans.

    • Special event Cinderella Popcorn bucket.

    • The app kept shutting down and didn’t say anything about the special menu.

  • Dinner During Princess Nite 36:09
    • Dinner at Tomorrowland was Princess themed.

    • All food was sweet and sugary, even the spicy tenders.

    • Magic Keyholders can pick up a special gift at The Landing Bay.

    • Pop Princess Dance Party.

  • Suggestions for Improvement 39:48
    • There could have been more interactive experiences.

    • Examples of different Princess interactions.
    • Confusion over the choice of a mirror for the lanyard gift.
  • Final Thoughts on Princess Nite 43:48
    • Disney Princess culture is a thing.
    • Disney Princess Nite had missed opportunities.
    • The DJ was the highlight of the evening.
Transcription

Stefanie Bautista 0:10
Hello, everyone, welcome to the Happiest Pod on Earth. I’m Stef an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them.

Ariel Landrum 0:21
And I’m Ariel, I’m a licensed therapist who uses clients passions and fandoms to help them grow and heal from trauma and achieve mental wellness.

Stefanie Bautista 0:30
And Happiest Pod is where we dissect Disney mediums with a critical lens.

Ariel Landrum 0:34
Why? Because we are more than just fans and we expect more from the mediums we consume. So Stef, what Disney experience are we discussing today?

Stefanie Bautista 0:42
Well, it has been a while since we’ve talked about any sort of experience because we’ve been busy busy people lately. But somehow we both carved out time to attend Princess Nite, which is in the realm of after dark events that Disneyland hosts. Other events include Oogie Boogie bash, Sweethearts Nite, I know they did like a Throwback Nite a couple of years ago. So Princess Nite falls into that category. And basically, it’s all Princess themed. This is the first of its kind. And I know in a previous episode, I talked about attending Marriest Nites.

Ariel Landrum 1:17
Yes.

Stefanie Bautista 1:17
Which did not get renewed this year. But in place of that me and Ariel decided, “Hey, let’s attend Princess Nite and see what it’s all about.” So today’s episode is gonna be all about that and what we think of this particular event and all the other night events.

Ariel Landrum 1:32
And I think this is a good time to talk about it not only because we love princesses, but also because it’s Women’s History Month.

Stefanie Bautista 1:39
Yes, it is.

Ariel Landrum 1:40
And so celebrating the heroic women of Disney.

Stefanie Bautista 1:45
And many of you guys know or maybe some of you don’t know that we have done a whole presentation on Disney Princesses and we have done a deep dive on what they mean to us what they mean to women everywhere and how we always want to challenge people to think about what princesses and you know what the role of women play in media, especially Disney movies, media, and you know, I guess music even.

Ariel Landrum 2:10
Absolutely. So in talking about Princess Nite, because you’ve gone to an after dark event, and this was my first one. How does it compare to Marriest Nites? Which is more holiday themed and so you have a different variety than a very targeted type of IP.

Stefanie Bautista 2:28
Yeah, I think the preparation for this one compared to Marriest Nites was a little bit different. There’s a couple stories that I’ve heard about Princess Nite not being popular when it first came out because I think it was released at the same time as Sweethearts Nite when they released the tickets. And Sweethearts Nite is the Valentine’s Day event that happens in February and that one sold out really quickly whereas Princess Nite did not. They kept advertising it on my Instagram ads. And so I was thinking, you know, maybe they didn’t sell out as fast as normal Disney events do. And normally you have to like be on your computer, getting the tickets like ASAP or else it’s you’re SOL basically. But that didn’t happen this time. And I know it. It was pretty open for a while and Marriest Nites was kind of the same thing. But I think going into Marriest Nites, because it is wholly Hollywood. It is holiday themed. You kind of go into it thinking “Oh, it’s going to be one big holiday party.” And everyone goes to Disneyland or many people go to Disneyland during the holiday season because it is magical. And we know that it’s like celebrating the holidays but amplified right? So Marriest Nites was that and more. So I think there was also just a precedent set there. But Marriest Nites was definitely like, I don’t know what to expect. But apparently they they wanted to do a little more marketing around the princesses. And I shared with Ariel a couple of weeks ago that they had released a map of what everything was. Ariel, was that helpful for you that you kind of had that to go off of?

Ariel Landrum 4:03
I mean, it’s sort of was it was really hard to actually plan and I think I remember when we talked about Marriest Nites, one of the things that you said was there’s kind of just stuff all over the place. And maybe now knowing that it would be easier to plan things out. But for me even with the map because Disney so big, it was hard to kind of figure out how I was going to do things. And the things that I even wanted to do, I couldn’t because of the lines. It was actually I was I was expecting it to be popular. It was a lot more popular event than I had realized, especially being during like a week night. I didn’t expect so many people to come with their very young children so late in the evening. Was that similar to Marriest Nites?

Stefanie Bautista 4:50
Absolutely. And it was winter time still. I know we’re going through a very unusual cold front here in Southern California right now. Which did also kind of take me by surprise. Because I thought by now we would have like a pretty fair night in Orange County, which is like 70 degrees, maybe 60 at like the very coldest. But it was 40 degrees at Disneyland after it had experienced snow for the first time, like two weeks ago, which was bizarre. But yeah, for Marriest Nites like, I knew people were gonna bring their kids but also it is it was during winter break. So it was a surprise, but not too much of a surprise. And I think my event went, if I remember was, I feel like it was like a week, a weekend night, at least like a Friday or a Saturday. Whereas when we attended Princess Nite, we went on a Tuesday.

Ariel Landrum 5:38
Got turnt on a Tuesday.

Stefanie Bautista 5:39
We truly, truly cut Princess wasted on a Tuesday, but I think it also happened last night, the 9th? I think that was the second day. So they were both weeknight events on a time, but normally not a lot of people have off. So interesting choice.

Ariel Landrum 5:58
I think the other thing that surprised me, which I didn’t quite see in advertising people knew so it must have been out there was there were a lot of adults dressed as Disney Princesses, not Disney bounding. Um, so not colorblocking not like the essence of a Disney character. They were in full ball gowns. I mean, the some of these were ornate and intricate. Like it was really people stepping into these outfits and gowns and being these princesses that’s usually not allowed in the park and has aside from Oggie, Boogie Bash, from my understanding has not been allowed. So I was really I was shocked. If I didn’t know and I could have worn a ballgown, I’d a done it.

Stefanie Bautista 6:42
Same and it would have kept us warm because we weren’t for freezing by like 11 o’clock, but I think you’re absolutely right. I sometimes I couldn’t tell whether it was a Disney actor or just a participant of Princess Nite. Because some of these people, they had amazing outfits and they had partners that had matching outfits. And I thought they were the ones who thought they were the Princesses, but they were also in like to take pictures with the Princess. Like, “Okay, kind of confusing there.” But I mean, kudos to them for knowing and just, you know, randomly just having their princess outfit ready and raring to go. But definitely, from the things that I’ve read is, maybe that was like an influencer insider thing in the community of people who cosplay as princesses. Because when we go to WonderCon, you do see Disney Princesses around because normally WonderCon takes place in Anaheim. So it’s like, you know, you double dip by going to Disneyland and you know, going to WonderCon. But definitely, that was the first thing that me and Ariel said to each other when we met up like, “Did you know you could wear a ball gown?” “No. Did you?” “No!” And just that disbelief and like, yeah, because, again, because it was cold. We did not know what to wear. And with these after dark events you it’s a toss up because it’s Orange County, and we’re used to a certain type of weather there, even as regular Disney goers. And yeah, this one was kind of hard to plan around.

Ariel Landrum 8:14
Yeah, outfit wise. We ended up my partner James and I did end up Disney bounding as Ariel and Eric and Eric was so easy. This white shirt, some blue pants and like a red sash, which for the sash, he like used an old uniform from like ROTC I think it was. He’ll correct me if I’m wrong, but whatever. He used an old sash from that, and then for me, I had some mermaid tights or leggings. And then like I tried to wear a tight shirt underneath for extra warmth. That was long sleeve and then another shirt over it was which was from Disney World. And it was the Ariel mermaid jersey from Disney World from when they opened the Grotto. And that was like as Disney bounding as I could get. And then it was jackets upon jackets upon jackets, so.

Stefanie Bautista 9:06
And yeah, as for me, I have the majority of my wardrobe if you know me is black, I wear black everything. I was once you know you’re talking punk rock goth chick, and it just kind of evolved into you know, mom, black clothes.

Ariel Landrum 9:23
Very New York Street esque.

Stefanie Bautista 9:26
Yeah. And so all I had were was this Nike sweatshirt with like a high color that was more pink than I thought it was when I ordered it during COVID. I don’t wear that out at all and I’m like, “Well, this is princessy I guess color wise.” And then I had leggings and then Air Maxes that have a little bit of pink in them that I was supposed to wear for my baby shower but never wore because I dressed up as Alice. So that was you know, totally not what I was planning to wear. And then a big ol puffy jacket because I was cold and I was more concerned of what I was going to dress my children and because they are so young.

Ariel Landrum 10:10
Yeah, you were one of the people who were brought brought kiddos, but yours don’t go to school?

Stefanie Bautista 10:15
No, they do not go to school. So they didn’t have to worry about waking up in the morning. And, you know, no low stakes there. And yeah, my husband did not dress up. I, he just wore a comfy sweater. And you know, we were super laid back. But then I think that’s the thing when you go to these things, and you do love to dress up Disneybound as we do for special events, you kind of feel like you’re missing out when you’re not completely dressed up.

Ariel Landrum 10:42
Yeah, yeah, I didn’t feel as integrated or with the vibe, so to speak, in just being regular clothing. Were not like there weren’t people that works. There definitely were, I think the thing was it. It just felt more fun. I can just see people really enjoying themselves because again, you don’t get to go to the park dressed up in full costume. That’s that’s not allowed. So the fact that they allowed it for this event would have been nice to be a somewhat rule breaker.

Stefanie Bautista 11:14
Yeah, I saw so many cool costumes under huge jackets. And then when people wanted to take their picture in front of the castle or on Main Street, they were like really toughing it out to not freeze over. And like look as cute as possible. So kudos to them. Bravo if you were one of those people, because I commend you for doing it for The Gram.

Ariel Landrum 11:35
Yup. Doing it for The Gram. So Princess-wise the Princess that I didn’t get to see which you never see at the park, which is why I was all excited to see her it was Princess Kida from Atlantis. There was a reason.

Stefanie Bautista 11:49
Yep, so one of the biggest complaints that I was reading in you know, a lot of the comment sections of you know, influencers that I follow is that the lines to take pictures with these Princesses were absolutely insane. I’m talking about like, one to two hour waits.

Ariel Landrum 12:06
You and I both, we took a picture with Moana and then I took a picture with Pluto when we first got there because the event hadn’t started yet. So just like Marriest Nites, you’re able to get in like two hours before the official start of the event to be able to just kind of enjoy Disneyland and the two things that we did that were like off event-type was took a picture with Pluto and then we grabbed some food and then booked it all the way to the actual ride. The new one that they built in Disneyland Mickey and Minnie’s Runaway Railway. Say that three times fast.

Stefanie Bautista 12:43
That was not part of the Princess Nite agenda at all. But Ariel went on the ride before I did and she’s raving about it and I knew that it was super super cool. I did not get to ride it when I was at Disney World so I was really excited to see how it was this time and yeah even though it wasn’t a Princess Nite thing I did not regret it at all because that right is so cool.

Ariel Landrum 13:05
Did not regret it. It is essentially based off of the one in Paris Disney for Ratatouille. And then they built one I believe you said in Disney World as well right? Before we even got one.

Stefanie Bautista 13:16
Yeah, at Hollywood Studios.

Ariel Landrum 13:18
So okay, when I say that it’s built similar to the one in Paris, Disney. The actual way that track is made, which is that it’s magnetic. You are on a trackless ride and magnets are what’s moving the vehicle, not it being pulled on a track.

Stefanie Bautista 13:34
Yes, not actual, like tracks that are metal.

Ariel Landrum 13:38
Yes yes.

Stefanie Bautista 13:38
Um very similar also to Rise of the Resistance, which is you know, the second most popular ride right now. Now,

Ariel Landrum 13:45
they created that design or functionality for that specific ride in in Paris, Disney and then they created other rides that use that functionality here in the parks in The States. And so there’s the Rise of the Resistance and then Mickey’s Runaway Railway was essentially themed as if you’re going into a theater, and ours here is based off of the El Capitan, which is an old theater that Disney bought out and shows only Disney like movies or Disney products in. And has we’ve talked about it on the show like really fun entertainment and before the movie even starts. Sometimes it’s an organ player a lot of times it’s 15 Different curtains. Now even though that’s the style they went with, allegedly…

Stefanie Bautista 14:33
Here it comes ya’ll. Here it comes.

Ariel Landrum 14:36
Looks like a 50s diner the colors are 50s diner. It is not look like our deco there was one art deco thing and it was a light and that’s it. That’s the only gripe. The only one.

Stefanie Bautista 14:48
Yes, so the El Capitan is one of the you know, the most iconic and oldest theaters in Los Angeles. And, of course, Los Angeles in its heyday was in the 1920s 1930s when you know all the production companies were booming out here. Silent movies to movies with sound and when you step inside the El Capitan it’s beautiful because it is kind of dark it’s kind of you know their art deco style is a lot of like golds and like blacks and a lot of you know those sorts of themes but when you step into the El Captune Theatre in Toon Town it’s more like flows V8 Cafe at Car’s Land.

Ariel Landrum 15:27
Yes.

Stefanie Bautista 15:27
And the one in Hollywood studios that I have not been inside yet is modeled after the Grauman’s Chinese Theatre in Hollywood as well. But even if you go into that theater, it’s the same dark art deco style of you know, the Hollywood heyday so. I mean it’s Tunetown. So we gotta we gotta be a little you know gracious to them for you know, picking colors that are very kid friendly and bright. It’s kind of consistent to the same style as the Monsters Inc. ride when you go inside where it’s kind of bright. You know, that’s supposed to feel like the DMV I feel.

Ariel Landrum 16:01
Which is never bright.

Stefanie Bautista 16:03
Which is never bright. But it feels like the DMV in there because you know, you’re going on Mike and Sally’s car. But anyway, I digress.

Ariel Landrum 16:10
Now, when you’re walking through, you see old movie posters, quote, unquote, for famous films, but they are taken off of other Disney merchandise is and instead of like the actors and actresses that play them, they are as if the toon characters are playing them. So a lot of I think, my our friend Chance and I we were sharing photos that we took, that’s when I first rode the ride of the different movie posters we had. And there was one that was really confusing to us. And it was like a Parent Trap, but it was the Chipmunk Trap. And it was Chippendale as the two Parent Trap children, but still Daisy and Donald Duck. And I’m like, why would Daisy Donald Duck have chipmunk children? Why weren’t they Huey, Dewey, and Louie? Like, I’m not understanding this.

Stefanie Bautista 17:01
That is what we call a reach. It was a reach. They tried.

Ariel Landrum 17:08
There was some good ones.

Stefanie Bautista 17:09
Yeah. I feel like if they really went for it, they would have to pick some pretty obscure characters.

Ariel Landrum 17:15
The one that we really cackling about was the Hocus Pocus one.

Stefanie Bautista 17:19
Yeah.

Ariel Landrum 17:19
And it had Clara Bell. It was like, |They don do her wrong!” Poor Kathy Najimy.

Stefanie Bautista 17:31
They needed a third female that was part of the you know, Mickey and Minnie animated series. But once you cross off Minnie and you cross off, Daisy, who do you have left?

Ariel Landrum 17:42
Yeah, we were trying to figure out if there was anybody else in the crew that could have been her and it was like that one chicken?

Stefanie Bautista 17:49
Oh, yes, yes, yes, I think I know who you’re talking about. But see, even that it took me a while. Then I feel like that goes back into, you know, female representation in old cartoons and how when they adapt them to more modern structures, there isn’t an equivalent. So there has to be some sort of a reach, because it has developed over the years, which is great. But I think that’s like a really great example of you know, how Disney has had to adapt throughout the years because there was a lack of female representation.

Ariel Landrum 18:20
Huge lack. Okay, and so in talking about female representation on Princess nights, who were the princesses that were there?

Stefanie Bautista 18:30
The ones that we saw are the ones we read about and never saw. We’re not gonna

Ariel Landrum 18:34
Say that all of them that were said to have been there and then who we got to see and who surprised you who was not a princess.

Stefanie Bautista 18:44
It’s great that they gave up the map because we knew where we were going. But I mean, Disneyland is pretty popular. So I kind of know where I’m going. But I needed I needed a little bit more information on where I could find the special things that were specific to Princess Nite. And I know they like the the outline that were on on the I was gonna call it the menu, the map. They had categories of all the lands and who was going to appear in the lands but they didn’t specify where in the lands they were going to be. So Fantasyland of course, because it’s Princess Nite had like a laundry list of princesses like maybe like 10 of them. You had to find them. So not only was it a scavenger hunt to find where these princesses were. Some of them were out in the open like Sophia the First was in that little theater where they normally do the Tangled Show. Ariel was in front of the pond grotto that King Triton statue is in that makes sense.

Ariel Landrum 19:36
And they had bubbles behind her that cute.

Stefanie Bautista 19:37
That was very beautiful, super cute. And then they had Princess Atta that was like tucked in the corner like on the side that we saw.

Ariel Landrum 19:45
Princess Atta from A Bug’s Life if you don’t remember her.

Stefanie Bautista 19:49
From A Bug’s Life, yes. Love her and you know she’s a huge and so who could miss her and and then after that, it kind of didn’t really see anyone. Oh, Snow White. Sorry.

Ariel Landrum 20:01
Yeah Snow White was in the those wishing well.

Stefanie Bautista 20:03
Where she has her statue.

Ariel Landrum 20:05
Allegedly who else was at Fantasyland?

Stefanie Bautista 20:08
Yes. And that that was the thing. So you found the princesses, but then when you tried to find the end of the line to where you needed to stand in order to get a picture with them, it was almost near impossible because it was just a sea of sneaking around.

Ariel Landrum 20:23
It felt like Comic-Con. And I only ever saw like two people with the end of the line signs.

Stefanie Bautista 20:28
Yes. And that was very Comic-Con esque of end of the line signs because that signifies that the line is so long that you have to have somebody saying where the end of the line is.

Ariel Landrum 20:38
So allegedly, who else was at Fantasyland was Aurora.

Stefanie Bautista 20:42
Yeah.

Ariel Landrum 20:42
Bell. Elena of Avila. Kida. Merida. Which I don’t know what she was doing there. Because ended up this is from the map because she ended up being somewhere else. Mulan. Raya. Uh, I didn’t see none of those fools.

Stefanie Bautista 21:02
So we ended up splitting up at one point because we took the kids on It’s A Small World and then on the way back, I saw Mulan, but not as Mulan. It was Ping.

Ariel Landrum 21:13
It was Ping!

Stefanie Bautista 21:14
So she was in her military outfit. It was not Princess is Princess ish, Mulan, it was Ping. And the lines of Ping was crazy, because we don’t see Ping very often, which is, I think that’s cool that you know, she was Ping. However, if you’re saying she was in Fantasyland, that’s really I know, it’s considered Fantasyland, but you’re in like, It’s a Small World territory. I think that should be its own land. Because it’s the huge walkway and then It’s a Small World. And then you have the theater to the side where they do Lion King, which is where Merida was. And we did a cool little game of archery there. That was, you know, a cool little wait, but also not really long, because it was when the event started. So naturally, of course, because there’s archery there Merida was there too. But if you walked into it saying, “I really want to see Merida!” You would have had to walk the far reaches of almost Toontown in order to find Merida in a corner with huge archery sets.

Ariel Landrum 22:13
Yeah, it was weird to the map didn’t have like the actual like dot that showed where each Princess was. And then allegedly the other princesses that are there, I guess. In Disneyland, we saw Moana in Adventureland. And we walked by Jasmine that line was ridiculous.

Stefanie Bautista 22:33
It was the whole line of Jungle Cruise.

Ariel Landrum 22:36
The entire thing and then New Orleans Square Tiana which makes sense, but I didn’t see her. I don’t know where she was. She had to have been on the boat. That’s the only thing I can think of.

Stefanie Bautista 22:43
Yeah, she had to. Yeah, because you even made it towards Club 33. And you didn’t see anybody back there right?

Ariel Landrum 22:49
Nope, nope. And in Frontierland was Pocahontas, which I would love because again, she doesn’t get to come to the park that often. I didn’t see nobody in Frontierland.

Stefanie Bautista 22:58
I saw a line so we walked around from Fantasyland through like were Big Thunder Mountain was there was a line there. But I the princess was not out yet. So I’m wondering if that was Pocahontas because it was right next to Big Thunder Mountain. But I didn’t see. And also, I think that’s another thing you see a line but you don’t know who it’s for, it would have been nice to have a sign saying, “This is where Pocahontas is. Or even just like a backdrop because at Marriest Nites, they had huge holiday postcards that were themed and drawn by many of the artists that couldn’t like contribute to Wonderground. And you know, the Disney Galleries. And that’s how you knew that was a photo op, because it was like a huge backdrop. And I think that would have been something that, you know, they could have incorporated for us to know, “Hey, this is Pocahontas.” Or, you know, not just looking for bubbles behind Ariel, you know? And you think about it right, you’re in line for an hour to an hour and a half for each of these princesses. There’s about at least 20 of them. And you only have from six, nine o’clock until one o’clock in the morning. And not everybody’s out from nine to one in the morning. And then you want to eat you want to do all these things. I get that you’re trying to saturate the event so that there’s something for everyone to do. But I think when you put things that everyone wants to do, all at once it creates like a problem. But you know, again, what would the solutions be right?

Ariel Landrum 24:23
I have a few ideas. But before we get to solutions, the last one which infuriated me was that Princess Leia was there and we never see Princess Leia. She was flipping Tomorrowland. Like, why do we build Batuu that’s supposed to be integrated in the Star Wars universe and she can’t be there? I that boggled my mind. Why should I get the Star core Cruise is in Tomorrowland? But that’s it. That’s it. That’s all it’s there and I don’t get it.

Stefanie Bautista 24:49
Yeah. The Millennium Falcon is in Batuu.

Ariel Landrum 24:52
That could have been in the backdrop of the photo.

Stefanie Bautista 24:55
There’s so many open spaces in Batuu that I think could have been utilized. You could have even had Fennec Shand there, I think, you know, yeah, I’ve been really cool. And yeah, I think that was a missed opportunity, I get maybe that they’re trying to keep all of the traffic into the main Disneyland area for staffing purposes, if I’m thinking, you know, managerially. But I think if you’re really just staying true to the content and the source material, it would have just made sense for her to be over there.

Ariel Landrum 25:27
And I think managerially again, if you’re talking about trying to get people in specific spots, you could have had her be like one of the first princesses that kind of came out both people in the back of the park, and then that area sort of closed down, or they’re migrating towards the front. And then and then it’s like you as an attendee just has to make a sacrificing choice? Do I want to start in the back to and wait in those lines? Or do I want to be more towards the front where I can have some other things to do?

Stefanie Bautista 25:50
That’s another thing that is very tricky about these events is where you start, and where you end up what your priorities are. Because, yes, they give you two hours to enter the park beforehand. But you’re battling against everybody who was at the park already. So you’re already you know, battling lines and battling crowds. And it’s a little bit confusing. So you’re wasting a lot of not wasting, but you’re expending a lot of mental and physical energy, just getting through the parks and trying to situate yourself. And then by the time the event actually starts, you’re like, “Oh my gosh, what do we do?” Cuz you’re in like regular Park mode and then you have to switch to event mode. Which is I think what happened with us because we didn’t want to experience Runaway Railway. And I think that’s a whole nother layer because of what if you don’t regularly go to the parks and you attend this event? And you want to ride the rides? But how do you ride the rides and do all the princess stuff at the same time? You can’t.

Ariel Landrum 26:49
There’s no way you would have had to make a choice. If you were going to do the special event things only or if you were going to do one special event thing in the ride. The things that we did get to do a bow and arrow shooting. And I made my first shot and then the rest two were crappy, but it doesn’t matter because I beat my partner who made no shots. Go me. We also saw like every hour, Giselle just strolling around.

Stefanie Bautista 27:16
Yes Giselle from Enchanted, which I think that was the highlight of many people’s experiences because we don’t see Giselle very often. And if you are listening, Lady who played Giselle, you could pass for Amy Adams impersonator hands down, because so many people were like, “Was that really her?” And you know, she’s waving about and you’re doing things that you she’s so physically animated that and we’re all tired at this point, people it’s like 9, 10, 11 o’clock. So we’re delirious. It you coulda fooled me. I would have thought that was Amy Adams, and they just probably paid her a fat check to be there.

Ariel Landrum 27:51
Yes. I If someone had told me that, that was her. I’d have been like, “Oh, yeah. Okay, bet.”

Stefanie Bautista 27:57
Bet. But that was a nice surprise. And they did a little fanfare for her. There were projections right on Main Street and The Castle.

Ariel Landrum 28:06
Okay, so there were actual projections. And then there was supposed to be like a projection show on the water. But there wasn’t projections really. And it was Soaring Melodies Under The Stars. So they were pulling all the Disney Princesses ‘I Want’ songs. And I was expecting Fantasmic I didn’t get it. But it wasn’t bad. I think from the way the map read and the stuff that I was reading. It said inspiring musical performance. But it didn’t put live. So I had no idea I was gonna be sung to.

Stefanie Bautista 28:35
That was when we split up and Ariel’s like, “Oh, we’re gonna watch a projection.” And I’m thinking it’s a projection because that’s what they do during fireworks. They project things onto Tom Sawyer’s Island. And, I mean, that’s just what I expect. When we were walking up, I hear a theme song, and I think it was it was, “How Far I’ll Go” from Moana. And I was like, “Oh, okay, cool. It’s it’s Moana time.” I hear her singing, and I’m like, “Oh, I hear breathing. And I hear someone’s singing.” And I’m like, “Oh, this is a live performance.” And they did have the Princesses come around the Rivers of America in like that float I guess you wanna say.

Ariel Landrum 29:12
The first song they did was “Colors of The Wind,” with Pocahontas. And she actually was dancing on the island.

Stefanie Bautista 29:18
Oh, okay.

Ariel Landrum 29:19
So she wasn’t even on those weird tiny boats, like she was she was feeling all the colors of the wind all throughout that island. Like, she was leaping like it was very, it was very gorgeous. But so far away, it would be hard to it was hard to see her if you weren’t like actually at the fence, and I was at the fence like I could put my phone…

Stefanie Bautista 29:37
Yeah.

Ariel Landrum 29:37
through it.

Stefanie Bautista 29:38
Yeah.

Ariel Landrum 29:38
And then it was. It might have been Moana first and then Merida and then Tiana. And I think that was it.

Stefanie Bautista 29:46
It was a live performance, which was lovely. I think it was great. The performance did a fantastic job and they had pyrotechnics.

Ariel Landrum 29:53
Yeah, they did. They did.

Stefanie Bautista 29:55
It wasn’t full on fireworks, but it was to the extent of like that Fantasmic fireworks, not as not as much, but there were pyrotechnics. So I don’t think that was said anywhere in the map, right?

Ariel Landrum 30:08
No, it wasn’t. And I’m looking at it right now the map literally says, “An inspiring musical performance with special appearances by Disney Princesses.” So that and it says it’s on Rivers of America. So that makes it sound like, again. I guess performance could have meant like dance, but I would have not thought live singers.

Stefanie Bautista 30:26
Vague. Yeah, we got to watch that. I got to eat one of the featured foods. I wanted to eat more, but I did not get to

Ariel Landrum 30:34
Something else we did not get to do like we want to to.

Stefanie Bautista 30:39
First of all, there was a high tea advertised that you had to make a reservation for and Ariel Do you want to kind of elaborate on what that process was? Because we sent you on that mission.

Ariel Landrum 30:51
Yes. So while you and the kiddos were on, It’s a Small World, my partner and I just like booked it straight to Cafe Orleans. In order to try and do the high tea service. It was it’s a prefix tea service. And it had a variety of things, including like short ribs, caviar, a crab avocado toast. They had plant based option if you are somebody who is vegan or vegetarian and strawberry shortcake. They had blueberry almond scones, like all these lovely, wonderful things that like we are all about. We get there and they said “The walk up menu is already full. You have to make a reservation.” However the app isn’t working. I was like, “Okay.” And they’re like, “Just come back at 10.” My partner gets in line for a popcorn bucket that was special for Princess Nite, which is Cinderella in her wedding dress in her carriage. Popcorn bucket is the carriage

Stefanie Bautista 31:43
Yeah, also did you know they started selling them today in the parks?

Ariel Landrum 31:47
Disrespectful. They said it was her Princess Nite.

Stefanie Bautista 31:50
That’s what I thought too. But I just wanted to sneak that in there. But anyway, go on.

Ariel Landrum 31:53
A disrespectful. Well, I got one first so there.

Stefanie Bautista 31:56
You did it’s beautiful. It was beautiful. It like knock people over. It was great.

Ariel Landrum 32:00
The performance for Rivers of America is at like 9:30. Yes, yes, it was okay. Okay. I’m getting my timelines, right. So it’s a 9:30. So I want to save the spot. In front of the Rivers of America, my partner is getting popcorn bucket, you and AJ are coming back from It’s a Small World. You and AJ stop to get the yummy treat, which we’ll talk about the only yummy treat. And then my partner cannot find me at the Rivers of America. So he just decided to get back in line at New Orleans Square. Because almost it’s now like 9:45, 9:50. The shows been going on and he wants to be able to try and get the walk in menu or whatever. Because the lady did say come back at 10. The woman is at standing at the podium. He’s there at 9:50. So that’s before 10. And she goes “Oh, well, the reservations are back open on the on the app so we’re not taking in any more walk-in ones, you have to do it on the app.” He tells me that and we’re both frantically looking at the app. And I’m like sending messages to Stef while I’m trying to like listen to these beautiful performances about like, apparently we can make reservations the app. I don’t know how we were expected to do that. I really don’t because the app definitely kept shutting down. It didn’t say anything about our special menu. I don’t know where it was supposed to go. So this is another one of those things where it’s like it people seem to have hidden knowledge. It doesn’t say anywhere were that we were allowed to like have this as a thing that we could reserve. In fact, when we locked when we went in at 6pm. And I was just looking at reservations for dinner. They all stopped it at 8 like there were they weren’t taking any more after that on the app because it was a private event after that. So I don’t know if there was like a special like button.

Stefanie Bautista 33:42
Was there a Google form that we had to fill out? Like, I don’t know. Was there like a Survey Monkey that was put out that I didn’t know about? I think it was kind of crazy because she told me that “Yes, it’s on the app.” So I’m frantically pushing a stroller trying to look at this app, but also try to listen to Moana. And I have these two churros in my hand. On our way back, we’re passing by where the Casey Jr. train is. And we see the Churro Stand, and we’re like “Ooh churros!” We haven’t gotten one. I think there’s a special one. And then I see the tiny tiny sign that’s in front of the registered that says “blueberry cheesecake churro.” And AJ loves blueberry and I so do I, but he loves blueberry and I love cheesecake. So I’m like, “No, we’re getting this.” And, you know, I’m texting Ariel like “Hey, do you want a churro?” And she’s like, “Yeah.” And so we get in line super quick. And then we get churro but the churro comes with like us. It’s like a dipping cream Yes, dipping cream. So it was dipping cream so I’m like holding these things and like putting into my stroller trying to like hold up these, churros because there’s no way to, you know, sanitarily is that’s even a word and put a churro down without holding it up. So whatever I’m holding it and I’m trying to check the app to like, find out what High Tear is or where High Tea is. And it’s so dark around the Rivers of America that I could not find remotely where Ariel was nor where James was. Apparently I had passed him and stood like four people away from him without even me knowing. And he was wearing a white shirt. So I was looking for Eric like colorblock Eric, and I couldn’t find him. Because it was so dark. I truly don’t think it needed to be that dark. Because it wasn’t a projection that we expected because it was a fully lit live show. I think it was a little too dark. And they were doing construction in the back in New Orleans squares, which is why we all couldn’t find each other. By the time we all reunited, we were just like, “We’re tired of trying to figure out this High Tea thing. Forget it. Let’s just eat this churro.” Because I took one bite of that churro, and I don’t know if it was because it was tired. I needed sugar or something. But wow, was it the best churro that I’ve had?

Ariel Landrum 35:43
It was the best churro ever. I think it was because we were starving. Because before that the only thing we had eaten was the like tots. Tater tots.

Stefanie Bautista 35:54
We all the four adults and one toddler shared a poutine tater tot plate at the Rose Tavern. Yep, yep. So that was like at 7 o’clock. And now it is nine and we are starving.

Ariel Landrum 36:09
And none of us had dinner because we were expecting a wonderful meal at the park that was that was Princess themed.

Stefanie Bautista 36:15
Cuz I’ve made the mistake. And Ariel’s made this mistake too. When we go to the Food and Wine Festival, we eat beforehand. And then we don’t have space for anything at the Food and Wine Festival. So we’re like, “We’re not gonna make that mistake again.” And we didn’t get to eat anything. So we were starving. But to go in a little bit into detail with this churros. So it’s a regular churro it has like blue and you know, sparkly dusting on it. The star of the show was that dipping cream, because it was as if it was whipped cheesecake with like blueberry in it. And it was so good. You guys, it was so good. And taking away the fact that were tired and you know, kind of upset. I think when desserts are really good, they make your mouth water. And I think it made my mouth like water in it, it made a churro juicy, which I don’t know if that makes sense. But it I love that churro it was really good.

Ariel Landrum 37:06
It was really really good. And looking at some of the other menu items. The majority of them were actually all mostly desserts. And I think this is part of when you think of the trope of a princess you think of very sweet and sugary and all of these things were sweet and sugary. Even of the things that were maybe more savory we have like Cajun honey glaze check. Yeah, we had.

It was spicy wings, right? Oh, yes, yes. The hula hula. Yep.

Stefanie Bautista 37:34
And that was at Tomorrowland, you would have thought from that description that Ariel just said they would have been an adventure land because you know, when you think of huli huli or anything that has like some sort of Polynesian connotation to it, you’d think it’d be there but no, it was in Tomorrowland

Ariel Landrum 37:48
It was at Galactic Grill. Spicy Huli Huli Loaded Tenders. And even though they were spicy, they sought a sweet tank to them.

Stefanie Bautista 37:56
Yes, they were good.

Ariel Landrum 37:57
And the reason we started one over there was because the Magic Keyholders can pick up like a special gift over at the Star Wars Landing Bay. And it was a sticker. So that was cute. I mean, aside from that, I never saw Leia over there. So I don’t know. I don’t know what was going on there. And then there’s the dance party, which I thought was a lot of fun. Pop Princess Dance Party featuring of Vanellope von Schweetz. And there are a lot of different people cosplay costumes as Vanellope von Schweetz.

Stefanie Bautista 38:24
Yeah, I was very surprised. I didn’t know she was such a character that people love. I mean, I think she’s great. But she doesn’t strike me as maybe it’s because she invited all the Disney Princesses like over in WreckIt Ralph Two that like automatically gave her a you know, street cred.

Ariel Landrum 38:39
I was wondering like if it was because her clothes are like comfy? And it’s like, you could wear that jacket and not and you still look like the character.

Stefanie Bautista 38:48
Or it’s really easy to just put your hair in a ponytail and put a bunch of charms in it. Um I yeah, I mean, the the accessibility of that costume is very high.

Ariel Landrum 38:57
And then there were a bunch of other photo ops that we didn’t get to do. I didn’t get to take a picture in Cinderella’s… Well, it’s like a cardboard cutout. So I thought it was going to be her actual crystal coach that I’m climbing into. It’s cardboard cutout. There was a giant storybook that in between walking to Batuu and Critter Country. And then when where we sat down on to have food, area that had these windows with glow in the dark marker that people were writing on and it was supposed to be like leaving your mark.

Stefanie Bautista 39:27
Like you know, affirmations and you know how you celebrate yourself and you know others and I think that was kind of cute. Again, a lot of these things had lines and if you didn’t have the patience or just retired from the night or if you had little ones it’s very hard to justify. I’m gonna stand in this line for 45 minutes to take a picture in front of a cardboard cutout as cute as it is.

Ariel Landrum 39:48
I really think there could have been more interactive stuff like the and this is where I’d say the things that could have helped spread things out. The like the leaving your mark that immediately actually makes me think of Rapunzel because she paints. Like they could have had a Rapunzel like painting and dancing around painting. And then you know, you can’t really stand and take pictures with her. But similar to the dance party, they could have been other people like drawing and painting. And you would have gotten a picture of Rapunzel doing those things, it would have been very interactive, that would be like one way to integrate that. I think another thing would have been, instead of just taking pictures of Tiana, they could have had a lot of the restaurants have windows where you can watch people cook, I think they could have had Tiana like baking, or like being the head restaurateur and like pretending to like tell people what to do. Ah I think there would have been that those interactive experiences would have been very different than just taking a picture with a character in a park and would have helped with creating more space. Especially if you know that that’s just where they’re gonna stay. And you can’t really go up and take a picture with them, but you are seeing the interacting, you are gonna get a picture, I think that would have helped honor the actual Princesses and their characters and who they are. I think that’s what I was expecting, which I don’t know why I was expecting that. But that’s what I was expecting.

Stefanie Bautista 41:08
Well, I think it’s, you know, you’re bringing the P+rincesses to life, right, you’re taking them out of their characters in the movie, where that’s where they live. And you’re seeing them out in the open where as we don’t normally get to see that at Disneyland. They’re just really there for photo ops. For me, I thought that they could have utilized things that they already do for Lunar New Year or, you know, California Food and Wine Festival where they have a coloring station for kids, like, girls could have colored a princess crown, or you know, a fan or a mirror or something like the lanyard that they gave us. For Princess Nite was essentially a cardboard thing with a mirror on it, saying, you know, “You are the princess kind of thing.” And I’m just like, again, a reach.

Ariel Landrum 41:50
Ah reach because to me, the it made me think of vanity, which was disrespectful, or the Evil Queen, but…

Stefanie Bautista 41:59
I was like, “Is somebody gonna pop out of my mirror and say, ‘Who is that fairest one of all?'” Like “What?”, it was kind of weird. And yeah, my toddler loved it because he likes seeing himself in the mirror. But other than that, it was kind of like not too sure if this was the move. For Marriest Nites, they gave you Christmas lights to wear around your neck, which is makes sense because it’s a holiday event. And they lit up and they gave it to you for free. Whereas if you had to pay for it, it’s like upwards to $30. So you feel like you’re getting value out of something that they’re giving you for free. And they had like a booklet of details of what the event had. Whereas this one was just a digital map that you had to download prior to the event or know where to get it in your app, which is not easy to find.

Ariel Landrum 42:50
Despite the fact that they make so much money off of the princesses and like literally it was it was Cinderella that saved that save the company. I feel like they could have done Princess Nite a little bit better. I feel like they did some of our Princesses a little dirty. Again, in thinking about embodying the princesses as certain characteristics. When I think of Ariel, I think of being very curious. Like there could have been a scavenger hunt of like Dingle hoppers like for Ariel, like Mulan’s strength and having like a sword class or something like that. But even with Princess Leia, like lightsaber class. I knew they used to do even like remember the Jedi training. With Belle, like having a library of books that the kids could have picked out or a living book, maybe that was digital. Those are things that they could have incorporated. I don’t know.

Stefanie Bautista 43:39
Yeah, or maybe even like finding your way with Moana like reading a map, or like getting a free map of the islands or something like that, or there’s easy ways of doing this. And these are things that they have done before in the past. So I don’t know if it was just a disconnect of you know, what they do at California Adventure and how to incorporate that at the Disneyland or if it’s just from what I heard from other people have thought this too is? Did they just try to fill an After Dark event with a theme and not really think it through? Because…

Ariel Landrum 44:09
Because that’s what it feels like?

Stefanie Bautista 44:10
Yeah. Disney Princess culture is a thing. And you know, the fact that we have dissected it enough. As you know, women and fans of Disney, I think this was kind of a missed opportunity, especially during Women’s History Month. Give them the honor and the light that they deserve. I hope they learn from this experience, because you know, After Dark events are really fun. And I know the most popular one is Oogie Boogie Bash, because that sells out and like t-minus 10 seconds before people are even thinking about it in like May. And we have yet to attend one of those. But I know that they’ve knocked it out of the park with that event. So maybe take some of those elements. And these are Disney villains that are kind of obscure too. So they’re not even as much in the forefront as our Disney Princesses are and yet they’re able to make them shine.

Ariel Landrum 45:00
Now I do not they do have two upcoming After Dark events, one’s Throwback Nite. And the other one is Star Wars Nite and Star Wars Nite takes place during May the Fourth actually. So there you go. Hopefully they will learn from this experience. My frustration is that I will find out that the other two experiences were were well thought out. And that this one will feel like it was just a spot filler.

Stefanie Bautista 45:29
Yeah, it’s just one of those things that they just tried. And we’re like, “Okay, I guess it didn’t work. So we’re not doing it again.” And that was the one that we experienced.

Ariel Landrum 45:35
Yes, yeah.

Stefanie Bautista 45:37
Umm, remind us of the price point of this particular event.

Ariel Landrum 45:41
Princess Nite, two tickets, $129 each. That’s basically the price of one day pass.

Stefanie Bautista 45:47
A one day pass, however, you only have from 6 to 1 o’clock in the morning. If you’re thinking about it. And, you know, for future events, I would say don’t bank on going on all the rides, because that’s not going to happen. Like we are managing expectations when it comes to what we want to do and what we actually got to do. I did not get to eat the escargot thingyamajig that I wanted to eat. Because it was so far and yeah, it was a little disappointing. But I think even at the end of the night, Ariel, I remember you asked like, “Did you get everything you wanted out of Princess Nite?” And I think at that point, cold and tired and like just happy that at least I got one quarter of a wing in my stomach. I was like, “Yes, I got everything that I needed.” I don’t know if you still felt the same way?

Ariel Landrum 46:39
I am still sad that I didn’t see Kida. I don’t know what I’ll get another opportunity. We’ll see if they bring her back for some other thing for that Princess Nite again. And I just like make that my priority just like stand in the line before it even starts. But other than that, I did enjoy it because I loved seeing everybody in costume. I think for me, the the most enjoyment I had was seeing all of the children dressed up. And little princesses, little princes, just all these people running around in their full costume and garb. I really, really enjoyed that. And I think the other thing that I enjoyed was the archery again, an interactive experience that I think they could have expanded in other ways. And then DJ was really good at the dance party.

Stefanie Bautista 47:29
The DJ was killing it, that DJ was killing it.

Ariel Landrum 47:32
And a woman. Woman DJ, she was doing good with the crowd engagement song choice, the mixing of the songs.

Stefanie Bautista 47:40
That dance floor was packed. I don’t know if it’s because people want it to be warm. But yeah, no, that was really good. It really set a good vibe over there, especially in a place where it’s kind of almost dead, I feel in that area because Star Wars has moved on to Batuu. And they’re just trying to fill in things that Tomorrowland that you know desperately needs kind of a makeover. So it was nice to see a little life over there. And people embracing that, I think for what we experienced and you know, we’re learning as we go, it was good. But obviously things to improve on which is you know, always the case. And I think even in our planning, there’s things that we probably could have improved on. However, you know, it was really nice to do an After Dark event because of the space that was available. I really enjoyed not being body to body with everyone like normally we do. I think the space was really good because you know, you get to breathe and you get to experience the park in a different way. I just wished that they you know could tighten up a few things and maybe not run out have some food. I hope you guys enjoyed our little breakdown of Princess Nite and let us know in our comments on Instagram or tweet at us @HappiestPodGT if you want to let us know about your experience. It felt really good to talk about this again because I know it has been a while.

Ariel Landrum 48:53
Yes. Catch us also at WonderCon. We will be doing a panel that Sunday and we hope to see you on the next podcast.

Stefanie Bautista 49:01
Yep, thanks for listening.

Ariel Landrum 49:02
Bye!

Media/Characters Mentioned
  • Princess Kida
  • Princess Atta
  • Mulan
  • Ping
  • Pocahontas
  • Princess Merida
  • Princess Ariel
Topics/Themes Mentioned
  • Expectations
  • Women’s History Month
  • Room for improvement
  • Food
  • Maps
  • Navigation
  • Disneybounding

Questions? Comments? Discuss this episode on the GT Forum.

—

 Website: happy.geektherapy.com
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 | Stef on Twitter: @stefa_kneee | Ariel on Instagram: @airyell3000 |

Geek Therapy is a 501(c)(3) non-profit with the mission of advocating for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
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Navigating Pop Culture Conventions

August 5, 2022 · Discuss on the GT Forum

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#30: Pop culture conventions, where fans and geeks gather to celebrate their fandoms, are often the most anticipated experiences of the year. This year, Stef and Ariel were blessed with the opportunity to speak as panelists at both WonderCon and the mega San Diego Comic-Con. In this episode, they share the ups and downs of navigating pop culture conventions.

Read the blog post for this episode for additional references and resources.

Become a member of Geek Therapy on Patreon: http://www.patreon.com/geektherapy

Transcription

Stefanie Bautista 0:10
Hello, everyone, welcome to the Happiest Pod on Earth. I’m Stef and educator who uses her passions and fandoms to help her students grow and learn about themselves and the world around them.

Ariel Landrum 0:21
And I’m Ariel, I’m a licensed marriage and family therapist who uses clients passions and fandoms to help them grow and heal from trauma and mental unwellness.

Stefanie Bautista 0:29
And here at Happiest Pod, we dissect Disney mediums with a critical lens.

Ariel Landrum 0:33
Why? Because we are more than just fans, we expect more from the mediums we consume. So Stef, what Disney Experience are we discussing today?

Stefanie Bautista 0:40
So it’s been a while since we’ve, you know, recorded and we’ve gotten back into the game. I know, as we always say, in our practices, mental health is number one. So we decided to take a little break for ourselves pay attention to what we need, the things that we need to do on our lives. But we went back into it full force with conventions. So it’s not necessarily a specific Disney experience. I think this is more of it encompasses everything that has to do with all geekiness all nerdiness anything fandom, definitely Disney is a big driving force in a lot of these things, because of all of its franchise acquirements. But conventions is our topic today. And we have done a lot of conventioning, haven’t we?

Ariel Landrum 1:27
Yes, yes. We have gone to a lot of conventions, I think maybe more you than me. Because I went to WonderCon and Comic-Con.

Stefanie Bautista 1:36
Yes. And I went to Anime Expo, which is one more than you.

Ariel Landrum 1:39
Yeah. And then we didn’t do Midsummer Scream because that’s always right after Comic-Con and I need like a break. And we are I know that both of us are going to try D23.

Stefanie Bautista 1:51
Yes, we are going to try with all of our minds and all of our Disney magic to do that. Because as you all have probably been seeing a lot of these in person conventions are coming back for the first time in 2022. So many people are eager, they’re willing to come back to the convention space to be with their communities, and also be with their tribes basically. And so what we’re finding is that a lot of these conventions are selling out. I know for myself, when I was preparing for Anime Expo this year, I did not realize that I was going to see many posts on Instagram saying they were sold out which is beyond anything that I’ve ever experienced before. I mean, for all of you con convention goers you all know that these things never sell out.

Ariel Landrum 2:35
I mean, with the exception of San Diego Comic-Con

Stefanie Bautista 2:37
With the exception of the big one. These almost never sell out. They’re usually still very niche communities that come together cosplay. But I think over the pandemic with the releases of so many platforms and so much accessibility to content. We’re just getting fans from everywhere. And it’s not a niche community anymore. As they say it’s cool to be a nerd now, right?

Ariel Landrum 3:02
It’s cool to be part of the geeky community.

Stefanie Bautista 3:05
It is it is so yeah, we attended quite a bit of conventions. We went into it. I know, both me and Ariel had been a little hesitant to be in the public space, especially since you know we are still in the middle of a pandemic. But we have been given some great opportunities, right?

Ariel Landrum 3:20
Absolutely. So So previously, before the pandemic, we would go to conventions every year, and on a different platform that’s been archived we actually went as press. And then even before that we were attendees. And even before that, I worked as a booth babe, which is somebody who passes out free things and stuff.

Stefanie Bautista 3:37
Ohh! Booth babe! Booth babe! I did not do that. I was always an attendee.

Ariel Landrum 3:43
So we have had many types of experiences of the convention. I think, the only experience that we haven’t had is being an exhibitor. I haven’t.

Stefanie Bautista 3:51
Yes.

Ariel Landrum 3:52
You?

Stefanie Bautista 3:53
But accidentally you were going to be an exhibitor this year at Comic-Con, right?

Ariel Landrum 3:56
Yes. And the other new experience that we had at WonderCon. And Comic-Con was we were panelists.

Stefanie Bautista 4:03
Yes. And I feel for us, it was just like a dream come true. I never thought that we would be at the level at this stage of I guess, in our geekiness that we would be presenting topics that people really wanted to hear about connecting with people who think just like us and share the same passions and fandoms as us and having some really meaty and meaningful conversations that lasts beyond the 45 minutes that they allow us to have.

Ariel Landrum 4:32
Yes. Being a volunteer or working at a booth working it’s essentially a W2 two or 1099 job you have to apply. When it comes to being a volunteer you also have to apply but usually volunteers. If you particularly San Diego Comic-Con because it’s so big. If you apply early and get approved, then you get passes for the whole shebang. So you end up not having to pay but you have to be prepared to work you have to be Be prepared to answer a lot of questions about the convention floor where things are about the panel’s. Really good volunteers who get chosen again next year are ones that create that connection and do the deep dive to learn about the convention and its size and where to walk around. But when it comes to doing something like press, being a professional, doing a panel, that’s it’s a whole other bar, where you have to, like, fill out paperwork, do a proposal. And when we had done it for press, you had to prove that you had a following you had people reading your content, or if you’re a podcaster, are listening to your podcast, or, you know, watching your YouTube channel, if you were saying that you were public, like a publication of some sort, you have to prove that. So for anybody who wants to have a press pass, if you don’t already work at a…

Stefanie Bautista 4:35
Like an established publication…

Ariel Landrum 4:48
You have to be willing to put in the work to make your own which means consistency, because that’s usually what garners the most attention.

Stefanie Bautista 6:02
Yes, definitely. And with those different levels, it’s kind of like, as an attendee, yes, you want to have fun a little bit. But when you have a purpose there, it’s all of a sudden, a different game, you have to make sure that you’re working having trying to have fun at the same time. But also, knowing that you have a responsibility there and knowing that you have to have a game plan coming in. Because when you’re making that jump from attendee to either volunteer or attendee to even press, you have to make sure that you’re getting what you need to get done. Because as you all know, who do attend conventions, the day just slips by, and it goes by so fast, and all of the sensory overload all of just the people overload, everything just kind of ends up getting in the way. So I know for myself making the jump from attendee to at least press, I had to, like totally prepare myself in a different mindset. I know for sure, I didn’t want to be a volunteer, because I didn’t want to work. I wanted to have fun. I didn’t want to work. But this type of work was a little bit different, because then I could put my perspective on things. But I did run into the problem of gathering all that information into a digestible way. And putting all of those things because there’s a lot you’re looking at a lot of things, a lot of things are being thrown at you, you’re experiencing a lot of different like either panels, Artist Alley, all that stuff. And then to be able to condense all of that information into something that’s digestible is not easy for a lot of people to do. So, like Ariel said, there’s many different avenues to be part of what is essentially a convention, but you just have to find the one that works the best for you.

Ariel Landrum 7:42
And burst a little bit of a bubble. Just because you get the press pass doesn’t mean that you get access to all of the things. There are even tiers, if it is a bigger convention, like San Diego Comic-Con, sometimes press gets special seating, but at smaller conventions, they don’t get preference in seating at panels. And they don’t get to automatically interview whoever they want. Obviously, larger press publications will get access to celebrities to be able to do sit downs, and Q and A’s. Whereas general press that comes from like blogs or YouTube channels that aren’t well established, but are still enough following that they can get a press pass, you’re probably just going to be able to just attend for free, which you know, is a money saver. So it’s not something to sneeze at. But don’t step into wanting to do those things thinking, “I’m going to now have these magic doors open to all of these and I get I get to meet like my you know, Chris Evans?”

Stefanie Bautista 8:39
Yes. Don’t think because you have a press faster, you’re automatically going to be IGN. And then you’re going to just give a sit there and people come to you. That’s not how it works. Although that would be great. That is definitely not how it works.

Ariel Landrum 8:53
We did press and we talked about being a volunteer and certainly being attendee is you just enjoying yourself. And we will focus on the attendee experience in a little bit, because that’s going to be everyone’s more general experience. But the next thing is being sometimes what they call a professional and the professional are usually individuals who get to be on a panel. Who either are running or moderating the panel, or are the key panelists in either a workshop or q&a format. And that was the the new thing that Stef and I were able to do this year starting with WonderCon and which is the sister convention of Comic-Con, so a little bit smaller, known as like the TV convention around here and is in Anaheim. And then we actually were able to because of that score, doing a panel at San Diego Comic-Con like the mothership of all geeky conventions.

Stefanie Bautista 9:49
Yes. And I think because there are sister conventions like that that is a way to get into the big leagues, right. I didn’t really think of it at first because is when we were at WonderCon, I was like, “Oh, this is it. We made it ya’ll.”

Ariel Landrum 10:03
“We don did it!”

Stefanie Bautista 10:05
“We don did it. We’re here in Anaheim, this is great.” Like, and they were coming out with so many cool things at WonderCon. Like people were actually like, bigger panels because I think I’ve only attended one or two WonderCons prior. And I think that was when Shazam first came out. And I remember this, like the size of it, because it was small, it wasn’t as overwhelming as Comi-Con, it was so much more accessible. And you know, of course, we’re next to Disneyland. So it’s always all good. And the people who normally would be Disney fans were there. So it felt a little bit more like home. We were, I felt very comfortable there. And I felt that it was a great foray into being a professional and a panelist because it didn’t feel foreign, even though we haven’t been in that space for a very long time.

Ariel Landrum 10:51
Well and then we’re talking about so for you and I, how the process went was we put in a proposal at WonderCon.

Stefanie Bautista 10:59
Months prior.

Ariel Landrum 11:01
Yeah, we put in, we put in each our own proposal, because what we’ve found out from peers who had done panels was that volunteers are the ones who look over the proposals, and they just get a pile. So we’re like, “Oh, well, we can increase our chances, if we each put one in. We didn’t think that they would both get chosen, where one of us had to do like you had to change the title of your panel and some of the goals.

Stefanie Bautista 11:26
And it was funny that I had to do that. And it was so nonchalant. They were just like, “You could just tweak it a little bit. And you know, we can we can accept it.” I’m like, “Oh, it’s that easy.”

Ariel Landrum 11:35
“It’s that easy?” And then we also had a friend Lorran, who also had a panel approved that she had asked me to be a part of and I was just like, “Oh, well, if our panels don’t get chosen, then maybe hers will.”

Stefanie Bautista 11:48
Yeah.

Ariel Landrum 11:48
So I went from like thinking I’d be on one to being on three.

Stefanie Bautista 11:53
And you’re really only preparing to be on one because I mean as as an attendee, you don’t even think you’re gonna get to that level at that point, or like, “Why? Why would they choose me?”

Ariel Landrum 12:03
Yes.

Stefanie Bautista 12:04
However, all these conventions, their goal is to connect with the people who love the content, right? Yes, they want to involve as much of the general public as possible. That’s what conventions thrive on. So knowing that they want to have real life people who can, you know, explain and talk about things that the general populace loves. So it is not that much of a surprise when you think about it from that perspective, because they do want a variety of programming. They just don’t want people going to a DC or Marvel or a Disney panel. They also want people who are consumers of this media, whatever platform you have, talking about why they love it, and in different angles too.

Ariel Landrum 12:46
And I think it’s worth it to note that a majority of these conventions, at least when it comes specifically to WonderCon and San Diego Comic-Con, they’re nonprofits, they’re huge. They look like they’re profitable. They’re nonprofits and, and not in their their mission statement involve education on pop culture media. So having panels that focus on learning about how to create a comic book learning about comic book law, learning about what it’s like to be a podcaster, learning how to voice act, all of those things are what make it rich. So for us, we we had three, I have three panels, Stef had two panels. And when we were chosen for our specific panels, we had to decide how we were going to do moderating, if it was going to be like co-moderating who we were going to have how we were gonna split it up. So the first panel was Lorran’s panel that I was a guest on and it was, Why Diverse Stories matter: Voices from the BIPOC LGBTQ+ Neurodiverse Community. And so the what we learned from Lorran, who had been doing panels at SDCC and WonderCon, consistently for a few years now, is that you want a variety of panelists, if yours isn’t niche, like we’re only talking about creating a comic book, then, you know, make it as diverse as possible. So she had actors, she had producers, she had comic book creators and graphic designers. So when we were thinking about the panelists for our panel, we had Coming Together on an Honoring AAPI Voices in Pop Culture, which was Stef’s panel, and then Celebrating AAPI Voices in Media, which was my panel, we wanted to do the same. So we had chosen panelists who were diverse in their professional background from our own.

Stefanie Bautista 14:39
Yep, exactly. And in doing those different types of panels, we had to make sure that the content had variety and that you know, we were attacking you know, the subject in different angles that were pretty much similar but a little bit different. And I think in crafting that it’s kind of like your writing up a podcast episode, or you’re writing up even just like a short essay, like, “How are we going to split up the subject in a meaningful way where everybody’s voices are heard?” And that is all dependent on your moderators, the people on the panel, their level of comfort of talking in front of an audience, because we also do want to honor that not everybody is great with public speaking, and they don’t have to be. And many of you know, the professionals that we had on our panel either had a lot of experience in that or maybe had little to no experience and that. For us, we were coming in as newcomers. So we are used to talking to each other on this podcasting, the resume, or also just talking with a bunch of friends. I think, finding the balance between those two is what we had to navigate and learn. And by the time that we did our San Diego Comic-Con panel, I feel like we kind of achieved a lot of the goals that we wanted to achieve. Because not only was the content, of course, all of our content, we love talking about all of it. But talking about different different subjects really impacts the flow of the panel and the flow of the conversation.

Ariel Landrum 16:09
And with our two specific panels being on the AAPI experience, the Asian American Pacific Islander experience, we had, of course, wanted panelists who were part of the community because it was meant to uplift the voices and celebrate the voices and honor the voices of our community. But we also wanted a diversity even in the AAPI. Oftentimes, you when you hear Asian American people immediately think of someone who’s East Asian. So we had a lot of Southeast Asians. And we didn’t have anybody who’s Desi or or Indian, but, you know, maybe something for the future. And we had a for my panel, a specific Creator, who was like, featured on all of the WonderCon like, advertising.

Stefanie Bautista 17:01
Yes.

Ariel Landrum 17:03
I was talking to her sway about like, I have to pick some people for a panelist and he was like, “Why don’t you just tweet at some people?”

Stefanie Bautista 17:10
Yeah. And honestly, that’s like, a felt like a reach for us. I remember when we were talking about it. We’re like, “Could we just try it?” And that is how we got Trung Le on our panel, because Ariel tweeted at him. And we’re not big tweeters, like, we’re not on Twitter all the time.

Ariel Landrum 17:28
Nope.

Stefanie Bautista 17:28
So this was totally like, shot in the dark.

Ariel Landrum 17:31
Yes. Yeah. And I did the same for our San Diego Comic-Con panel, which was titled,

Stefanie Bautista 17:40
“From the Screen to Your Plate: Food In Pop Culture.”

Ariel Landrum 17:42
Yeah.

Stefanie Bautista 17:43
I said it enough times.

Ariel Landrum 17:45
Yes. However, nobody responded to that. I was hoping Binging for Babish would want to be on. Or Feast of Fiction.

Stefanie Bautista 17:52
Or we got our panelists in very different ways for Comicon. And I think, see, and this is the power of the geek community and the power of our subject, which was food and pop culture, we were able to get some amazing artists and amazing collaborators, just by chance.

Ariel Landrum 18:15
Yes. Okay, okay, so for WonderCon I had asked individuals who I had known personally, they were my friends or individuals that Lorran knew. So these were these were all close friends and they had been on panels or her her friends had been on panels before. And then my my friends who was a psychologist and two app based creators, so they were in the graphic and and programming and web design art community. They were flying in from San Francisco, but they were someone that I had been collaborating with on creating apps. However, when it came to Comic-Con Stef and I did the divide and conquer where we both submitted proposals, we actually submitted five.

Stefanie Bautista 18:59
We did. Each.

Ariel Landrum 19:02
And with San Diego Comic-Con, only one got accepted. And even though we submitted the exact same thing with different names,

Stefanie Bautista 19:10
So we thought, “Oh, for sure, like our AAPI is gonna get picked for like something,” like because, okay, when we did the WonderCon panel, we had some meaningful conversation about what it is to be Asian American. I was like, I was so emotional, because I really feel like it’s a subject that I don’t get to talk about a lot, let alone with other female Asian American Pacific Islander creators, and to have a platform and to have people say, “Oh my gosh, I never thought that I would see like a whole full panel of female Asian American Pacific Islander creators and people who just liked the same things that I like, talk about what it is to see themselves represented in media.” That’s a deep topic y’all like 45 minutes could not contain the amount of knowledge and amount of just emotion and also real life situations that we could have dived into and we need like a part 1-234-567-8910 for it.

Ariel Landrum 20:02
Yes.

Stefanie Bautista 20:04
So going into Comi-Con we’re like, “Oh, for sure that’s gonna get picked.”

Ariel Landrum 20:07
Yeah.

Stefanie Bautista 20:07
Of course, lo and behold, the one that gets picked is the one about food.

Ariel Landrum 20:10
Yes, yes. So, when we were coming up with ideas, we thought about a Geek Therapy one, we thought about different AAPI ones. And we did we did one on Disney princesses, which we presented before, The Evolution of the Disney Princess, and then we’re like, “Hey, I don’t like the number four. I want the number five.” Number four is bad luck anyway. So let’s do five. “What should we do? We’re like we food.”

Stefanie Bautista 20:36
And I was like, of course, we can do food, there is so much to be said about geeky food. And we are always at a pop up, or we are always going to a themed ice cream day. Or we’re always like ever since you mean, me and Ariel have been friends. We’ve been doing pop ups and like consuming all sorts of foods that are themed from the time that it existed. So we were like, “Okay, no brainer, let’s do this.” And we came up with like, a really quick description was the last one that we submitted. And of course, that is the one that got picked. And we’re like, “Okay, well, then our approach is going to be a little bit different because we don’t have to have super professionals on this panel. This is going to be a different approach from all the other panels that we’ve done.” Which is like four.

Ariel Landrum 21:18
Which is four.

Stefanie Bautista 21:19
Four.

Ariel Landrum 21:20
the the thing about the food panel and proposals in general to be a panelist or to host a panel, yes, is that you need to request months in advance. And so as soon as WonderCon ended, Stef and I just put in our paperwork for San Diego Comic-Con, simply because one, we knew we were going to be busy and we didn’t want to forget the deadline. And two, we were just fresh off of that like glow from a convention.

Stefanie Bautista 21:45
Oh for sure.

Ariel Landrum 21:45
And like we just wanted to get do all the things.

Stefanie Bautista 21:47
Oh, yeah.

Ariel Landrum 21:48
Do all the things.

Stefanie Bautista 21:48
We can conquer the world.

Ariel Landrum 21:49
Conquer the world. And we just need to harness that energy. And so it had been like two or three months had gone by before we even heard anything. And a whole other thing of a Vegas trip happened with me and my friend Malaysha. That’s that’s its own thing. But I met someone on the plane, who, Joon and he is a shoe designer, and was also like opening up a K-popcorn chicken restaurant with his cousin. And I was like, “Oh, hey, we I made a proposal with my friend to San Diego Comic-Con. Would you be interested in being a panelist if it got chosen? And we just like exchanged Instagram and that was a thing. Low and behold, four days later, that was the one that was chosen. I told him about it. And he was our first agreed upon panelists.

Stefanie Bautista 22:38
Our first agreed upon panelists and I happened to be in San Diego visiting family at that time. And I was like, “I wonder what happened to our proposal?” Because I am literally across the street from the convention center at the Children’s Museum with my family. And I was like, “I wonder if I just searched Comic-Con and they ever responded?” And there it was, we were approved earlier that day to have our food and pop culture panel and I told Ariel, she was like, “I already have a panelist!” And I was like, |Get out of here!” And so we’re like, “Oh my gosh, we’re actually doing this like this is actually happening!” And so we had Joon on board, we had our good friend chance on board…

Ariel Landrum 23:15
Which you may remember him from the villains episode.

Stefanie Bautista 23:18
Yes. Fantastic. Fantastic human being also goes with us to many, many pop ups and you know, loves to eat just like us. So we were like, “Okay, great. We have four people, but two of them are moderators. So we kind of need a little bit more.” So we were, you know, kind of searching through, you know, our network of people. And we knew that as Asian American Pacific Islanders, Filipino Americans specifically, we knew that there were a lot of great Filipino projects that were going on around, Lumpia With a Vengeance,” which is a Kickstarter movie that had a part one, but is now advertising a part two. And we met a lot of the really awesome people over at WonderCon ironically, because of Chance as well.

Ariel Landrum 24:00
Yes, it’s a Chance. So what we’ve learned about panelists setting up is it’s oftentimes who someone else knows.

Stefanie Bautista 24:06
Yes it is who someone else knows it. I mean, it truly goes back to it’s who you know. And in this industry, even though we don’t consider ourselves to be mega part of the entertainment industry, there is bits and pieces of that. And I think we can definitely say as geeky professionals, we are in that industry now. It is definitely who you know, and the people you want to support and with the platforms that you have. So definitely as Filipino Americans, we did want to uplift our kababayan which is our, you know, our kin, and pretty much have people that are represented because they have a lot of really great projects happening. Like I said they had a part one now they’re gonna have a part two.

Ariel Landrum 24:46
A comic.

Stefanie Bautista 24:47
Yeah, a comic book as well. And ironically, they were doing a screening at San Diego Comic-Con. So we were like, “Hey, let’s see if we can get somebody on board from their team.” I was linked up to their PR person who was amazing and awesome. And I didn’t realize that we also worked around the same area because I work in historic Filipino town in the daytime. And we were able to get a Earl Baylon, which is one of the he’s a voice actor, he is on Netflix. And he is also one of the producers for Lumpia with a Vengeance. So he is also a very big foodie. And he also had a podcast and a YouTube channel where they would recreate recipes, and he was a perfect fit. So he was our number three. Yes.

Ariel Landrum 25:29
When it comes to going to conventions, one of the things that Stef and I love the most as Artists Alley. We love celebrating people who are creative fans that recreate our fandom, and also incorporate their own culture, their history into their artwork. I remember that when when we went to WonderCon we stopped by a booth where I had bought a Jollibee pin.

Stefanie Bautista 25:56
Genevieve Santos, she’s amazing.

Ariel Landrum 26:00
And so in doing that, you start to make connections. And sometimes you become a fan of even these artists, like there are regular artists that I visit regularly. And then there are actual like artists creators, so I had like signed comic books at San Diego Comic-Con. So creating connections with them ends up being a vital part of the community development when you go to conventions.

Stefanie Bautista 26:22
Definitely. And also seeing like, your culture represented. I think there are so many of us AAPI creators that are really starting from the ground up because you know, we weren’t always encouraged as young kids to be artists and you know, to love what we do and, and also represent ourselves in our craft. So like Ariel said, we love going to Artists Alley because that is where the grassroots of fandom like pretty much start off. Because I I myself, I’m an avid pin collector, I love collecting pins. I have so many pins everywhere all at once.

Ariel Landrum 26:55
Disney pins specifically.

Stefanie Bautista 26:56
Disney pins Yep. Disney pin pins specifically Anime pins, all of it. And going to Artist Alley. So timeline goes we did WonderCon. Anime Expo was next that I only went to. And I decided to go with, of course my family and I also decided to bring my little niece with me because it was her first convention. And she dressed up as Nezuko. And there were like 1000 Other Nezukos out there from Demon Slayer because everybody loves Demon Slayer. And that was my day to chill. Because like Ariel said, we always try to now have a day where we buy a lot of stuff our day to chill our day to you know, be with family or be with friends, what have you. So we go to Artists Alley, but then that was our chill day without my niece and we were like let’s go and see what we can buy pin wise. I had just bought a new Ita bag. And for those of you who don’t know what that is, it’s a clear bag that you can basically display all of your pins and buttons on. And it’s kind of like a walking advertisement of you. And everything you love. So if you see somebody who likes like Anime or like something that is similar to you, you can strike up a conversation with them, be like, “Oh my god, I love your pin!” And that is part of community building. So Artists Alley this year is kind of like other years at Anime Expo where it’s located in the basement of the convention hall because it used to be a small part of the exhibit hall but it has grown so much because anime content creators are its own thing. And like all artists from all source all parts of the country come to Anime Expo to have a booth and people can buy their items and not have to pay for shipping. Or back then before shipping was even really a thing you could only find them in Artists Alley. That’s why that is one of my favorite things to go to Anime Expo because you’re not always going to find official Japanese merchandise at a price point that you can afford anywhere. So artists are really what saved the day. So I’m walking through these halls and it is the Saturday of convention it is the most packed it is almost near impossible to get through one aisle, let alone I think they had 10 aisles of Artists Alley because people are packed like sardines and I am here with a stroller. My son’s asleep thankfully my my husband goes out to use the restroom or whatever. And so I’m like inching my way I live this is like worse than a busy day at Disneyland. I have literally walking inches to get to the end of the hall. And I happen upon this. This booth that look like a little cafe. I love coffee y’all.

Ariel Landrum 29:29
Oh no, no wait. She loves coffee so much that the one we worked as baristas at Whole Foods. They made a large cardboard cutout of her that people would hide in the freezer of her loving her coffee.

Stefanie Bautista 29:40
Yes.

Ariel Landrum 29:40
She was the lead coffee specialist.

Stefanie Bautista 29:42
I was the lead coffee. I bought all the coffee there so I I knew all of the coffee bars and I was we were getting coffee for free all the time. It was good times. So I love coffee a lot and so this booth automatically catches my eye because it has little awning. It has like a little cute pin display. Bored. And I’m like browsing around as I do. And mind you, there are people everywhere. So I can’t even move at this point. So I have no choice but to look. And I see that they had little pins that looked a lot like soda in a bag. And for those of you who have visited Southeast Asia or any, anywhere in Asia, really, when you buy street food out there, soda doesn’t come in a can. It doesn’t come in a cardboard box, it comes in a bag.

Ariel Landrum 30:25
A bag with a straw in it, and…

Stefanie Bautista 30:27
A bag with a staw in it.

Ariel Landrum 30:28
And if you go to Storytellers Cafe you can get a cereal milk in those bags in the straw. So what’s what has been what was street food is now bougie.

Stefanie Bautista 30:41
Is now bougie at the Grand Californian. That’s so funny. Um, but yeah, so I see it in a bag. And I asked the guy behind the counter like, “Is this Royal True Orange, which is the orange soda in the Philippines in a bag?” And he’s like, “It is!” And I’m like, “Oh my gosh, this is so cute. Like, who makes the pins?” He’s like, “Actually, my cousin makes the pins.” And so I’m like, “Oh, that’s really awesome.” And then I’m browsing a little bit more. And I’m like, “Hey, you know what, I’m gonna get a couple of these pins.” I got that. And also polvorón which is like a really sweet dessert that’s kind of powdery that comes in a little wrappings. That meant a lot to me, because I used to make those with my mom when I was younger. And it was like a really sweet treat that I love. And I still love to this day. And I was like, “I’m gonna buy some of these pins. But also, would your cousin be willing to talk to me because I actually have a panel…” And then I go into my whole spiel about how we have a panel at San Diego Comic-Con. And we would love to have creators like her who are artistic and use their craft to express themselves and their culture through food. And he’s just like, “Wait, are you serious? Are for real? Let me text her right now!” And then so he texts her and then the next day I set up a meeting with her her name is Celena, Sacramento, also known as Celine, Celena Bernice, and she is from LA. Ironically, she was, I think, getting lunch or something at that time, so she wasn’t there. But she had to step away from the booth a little bit. But Anime Expo was the only place that she would sell her things at that time. And she’d only been to San Diego Comic-Con as an attendee, and she was just like, “I would love to be on your panel.” She migrated here from the Philippines not that long ago. And she had some amazing stories to tell about being who she is in that space as a graphic designer. And it she said it also helped reinvigorate her craft. So I think it was like a win win situation. And I was so happy to have her on the panel and have her perspective, because it was such a unique one. And it made the conversations just so awesome.

Ariel Landrum 32:42
Yes. Now we have talked a lot about the panels that we did, and they will actually we’ll be putting the audio on the podcast and or if you want to actually watch them, we’ll be putting them on YouTube. I think that you all will enjoy sort of that adjunct to what we do.

Stefanie Bautista 32:57
Yes. And forgive us. We do not have professionals recording us. So if the audio is a little wonky. Forgive us we will improve…

Ariel Landrum 33:04
One was recorded on a phone my people we are not like, like, it looks like we’re that life. But we’re not that life.

Stefanie Bautista 33:10
No we’re not. We are grassroots just like you all. If you have tips and tricks about recording panels, we would love to hear about that. Because like I said, are like we said, being on these panels we are, they kind of just leave you to your own devices. And you kind of have to figure out how you want to record it. When you want to take your pictures. I know everybody has like the cute picture in front of like the in front of the panel and like the background, but you literally have to like take two seconds to do all of that stuff. Because you have like no time to prepare, and you have to just get it in or else you’re just not gonna get it in at all.

Ariel Landrum 33:45
And when it comes to managing expectations, some of it is some of your panelists might not show up, because their previous panel ran late or they aren’t able to attend anymore. Joon’s cousin who owns the K-Popcorn Chicken with him couldn’t come. So that’s why we had four instead of five, which was totally fine, because four ended up being the perfect number. And at San Diego Comic-Con, the slides wouldn’t load any of the images, because the internet was wack.

Stefanie Bautista 34:12
Beautiful, this beautiful slide. And because we were talking about food, you wanted to have recipes. And we wanted to like tell everybody how much because you know food, there’s so many different ways to communicate that and we wanted to attack it from all levels. And we had a QR code for everybody, which we will have hopefully on the podcast website for all of you guys to see. And none of it showed up. So we had to describe every picture.

Ariel Landrum 34:38
Which grateful that the QR code worked because people on their phones were able to see what you’re supposed to be able to see.

Stefanie Bautista 34:44
So yay for accessibility. We did it. Yeah, so things are not gonna go the way you want it to for all my teacher friends out there, you know, you can prepare a lesson to the tee to the minute to the second and have it be perfect. And then once you get up there at all falls apart. So this is just one of those things that it’s just the reality of it. And at the end of it, we all just had really fulfilling conversation that the audience was so engaged. Thank you for everybody who attended. Hopefully, we will see you all again. Because the guy there’s so there’s a guy in there who click click clicks away to see how many people are in the panel, and homeboy on the side just kept clicking away. And I was like, “Oh, whoa, there it is.”

Ariel Landrum 35:28
Yeah, the first three panels we did at WonderCon, WonderCon one a smaller convention. So we didn’t expect a lot of people. And then they were very niche. They were on AAPI experiences, or diversity. And so the the panel rooms, I would say, maybe like 40?

Stefanie Bautista 35:45
I would say, yeah, for WonderCon. Definitely, Maybe no more than 50?

Ariel Landrum 35:49
New Yeah, no more than 50 in the room. So we were just kind of expecting the same thing at San Diego Comic-Con. While there are more attendees at San Diego Comic-Con, we really factor that in. And oh my god, everybody loves food. And the interesting thing is, I don’t think I’ve ever seen a food panel. So maybe people were like, mind my phrase, hungry for this panel.

Stefanie Bautista 36:10
Oh, yeah.

Ariel Landrum 36:11
How many people do you think that we had in that room? And they just kept coming? My my my….

Stefanie Bautista 36:15
Oh, they just kept coming. And I was like, Are you lost? Did you Okay, so that was a couple of things that I thought about, actually, since it’s happened, because now I’ve had time to digest…

Ariel Landrum 36:24
Haha digest!

Stefanie Bautista 36:26
For me, I totally forgot how big the rooms were. And our room is 24 ABC. So I was like, okay, ABC. That means there’s three sections of a room that’s all compact together. And this is at the San Diego Convention Center. So we’re just right above the exhibit hall. Our panel is at 6:30. All the exhibit halls close at six o’clock. So afterwards if there isn’t a major panel in Hall H or like ballroom 20, which are the two big ones are the Indigo ballroom over at the San Diego Bayfront Hotel. If those are not as popular as people think they are, they’re going to want to just chill out before dinner. So I’m guessing a lot of people who were A just registering because it is the first day of convention center.

Ariel Landrum 37:09
Yeah, ’cause it was Thursday.

Stefanie Bautista 37:10
Registration was just down the hall from us. We were very accessible. And we were very fortunate to have that time slot because there weren’t a lot of big things going around. People just want to see what the convention is all about. And that is when you go see whichever panels are happening. And they always have a little agenda in front of every single room to see which panels are going on. And because some of them are niche, most people did gravitate, I feel like towards arts because it was a subject that everybody could relate to. Because people were dressed up as your friends and Good Burger costumes and.

Ariel Landrum 37:44
Ahh yes!

Stefanie Bautista 37:46
Your your little adoptees that you umm…

Ariel Landrum 37:49
We will talk about that in a little bit.

Stefanie Bautista 37:51
Yes. And it was right before dinner. So maybe people were a little bit hungry or just wanted to hear something a little bit different because like you said, I’ve never seen a food panel ever, and we’re not chefs, you’re gonna We’re home cooks at best; home bakers. We’re just foodies, and have lovers of foods. So I think maybe that also compelled people to just come check it out. And we were hyping there. I don’t know about anybody else. But that was the most hype panel that I’ve been on because the subject wasn’t so heavy. But it was very meaningful. But we were so excited to talk about it. I think that resonated in the room as well. So I would say maybe at the end of it, I would say near one about 100 people were in that panel?

Ariel Landrum 38:37
Well that day. So the the thing about our QR code and where our slides are, it counts, like how long or how many people have viewed or accessed it in that day, there was at least 120 people who viewed it. Just that day. And since then, I guess people are are viewing it afterwards, because there’s been over 300 people who have now viewed our slides to get the recipes.

Stefanie Bautista 39:02
That’s madness. I love that.

Ariel Landrum 39:06
What? You are accessing slides?

Stefanie Bautista 39:11
Slides that didn’t even work.

Ariel Landrum 39:12
Yeah, so thank thank you to those people.

Stefanie Bautista 39:16
think yeah, thank you to all of you.

Ariel Landrum 39:19
Rolling back a little bit. Okay, so, in talking about conventions first, do you want to hyper focus on this year’s conventions, and maybe starting off with Anime Expo because I didn’t go so what was that experience like for you?

Stefanie Bautista 39:33
Yeah, definitely. I mean, I go to Anime Expo every year, whether it’s just for one day, two days, all four days if I have the stamina, and also because Anime Expo always falls on the Fourth of July. There’s always a lot of family stuff going on. And it’s like the first. It’s the first holiday for all of the schools. So I always try to go in any way shape or form and I’ve been going since 20 a 2006, 2007.

Ariel Landrum 39:57
Wow!

Stefanie Bautista 39:57
Back when it was in Anaheim, where WonderCon actually is at the convention center. But man, it was Weeb Central. Like, you’re getting like the super niche…

Ariel Landrum 40:08
You’re like an Elder Weeb.

Stefanie Bautista 40:10
I am an Elder Weeb now I can say I mean, I feel like now a lot of a lot of people have been calling us Professional Geeks, which is awesome. Because we have achieved that level of success. But an all thanks to you all. But anyway, Anime Expo to me has always been home convention because A it’s always been somewhere in and around LA, whether it be Anaheim or the Convention Center where it now lives. And it always had a lot of opportunities for me to connect with anime that I wouldn’t necessarily be able to because we live in America, right anime is Japanese based. A lot of their products are just simply not here. I am very fortunate to live in Los Angeles where we do have a big Japanese American population. And so I can always travel to either Little Tokyo, Carson, Torrance… Any one of these enclaves even San Francisco, they have a big Japanese population out there to try and connect myself with merchandise with you know, like any little sort of thing to help me represent the anime that I love. So this year, was Anime Expo’s 30th anniversary. I had no idea. So there were a lot of cool things happening with Anime Expo because it was the 30th anniversary they were really hyping it up. It was back at the convention center in LA. And so…

Ariel Landrum 41:23
Okay the Los Angeles Convention Center.

Stefanie Bautista 41:24
Yes, the Los Angeles Convention Center right next to what is now called the Crypto.com Arena used to be called the Staples Center, not anymore…

Ariel Landrum 41:31
Dang crypto.

Stefanie Bautista 41:32
As a native Angeleno, I’m never going to call it the Crypto.com Arena, but that’s…

Ariel Landrum 41:36
Staples Center.

Stefanie Bautista 41:37
That’s a personal opinion of mine. It’s always gonna be Staples Center, always Kobe’s House. But they implemented a lot of different things that I feel like could have been done better. I understand that, you know, at first, when they were first advertising it, they said they were not going to verify COVID vaccinations. A lot of people were very upset about that, because they just said, “You know, you just have to monitor your health and make sure that you’re not sick.” But a lot of the panelists a lot of people who were coming from Japan, because Japan is still a closed country right now, they are not accepting any tourist, they are going to have a lot of they were or are going to have a lot of professionals at Anime Expo. And they didn’t want to risk exposure, which for all of us, especially for anime and the reach that it has now for younger audiences, a lot of parents and you know, me, myself, having my son, you know, having his first convention being Anime Expo after WonderCon. I didn’t want to risk that exposure either. And they realized that they needed to do a shift. So that’s when I first realized that we needed to do COVID vaccine verifications. And how they did that was they made you walk around the Convention Center, pretty far from where the actual entrances were, at the main Convention Center around the Staples Center, and into there’s like a street. It’s called Figaro. And it’s right between LA Live, which is like a shopping entertainment district, and the actual Staples Center and Convention Center. You had to walk all the way over there, get your COVID verification, and then come back. So it was a lot of walking. And mind you this is like the beginning of summer. So it’s just getting up into the 90’s here in Los Angeles. And so if you didn’t take advantage of that first registration day, all conventions, they normally have a day zero because there’s usually four days of registration. And Day Zero is when you get registered, especially for professionals, anybody setting up for the convention that has your day set up, get situated, get all of your credentials, everything that you need to have a good time at the convention to do what you need to do, basically. So if you didn’t take advantage of that day, you’re kind of screwed. Because you…

Ariel Landrum 43:43
Did you take advantage of that day? Did you know?

Stefanie Bautista 43:45
I definitely did I knew… because I had been doing this for so long. I always know to get my badge not on the day that I want to start doing convention things like going to the exhibit hall like seeing what I want to buy seeing what panels I want to attend. So luckily for me, because I don’t work too far from downtown. I was able to go get my badge first. But then with the amount of walking that I saw that I was going to do and the amount of walking people are going to be doing…

Ariel Landrum 44:10
Yeah…

Stefanie Bautista 44:11
In cosplay.

Ariel Landrum 44:12
Yes.

Stefanie Bautista 44:13
I was like, “Oh, I don’t know about this one.” So not only that, but they were also filtering out the lines that came into the convention center. I know for San Diego Comic-Con and WonderCon. You basically just walk into the doors, you verify your badge and you go in. This one they wanted you to be in a singular line and two entrances. And so these lines would snake around the Convention Center, around the Staples Center loop all the way back around… It was like being in line at Disneyland but like way more score connected. So for me, I know if you have been attending our panels, I am currently six months pregnant. So I am expecting a little one very, very soon. And convention going for me has definitely given a mama perspective as a different perspective altogether. But yeah, expecting Mama is definitely a even more different perspective because you have to think about how you are feeling. And if you are up for conventioning. Because for a lot of our friends who are considered disabled or it’s hard for them to get around, they have to think of other ways for them to be comfortable during convention because it’s a lot of walking a lot of sweating a lot of people around you, and you just want to be comfortable and enjoy yourself at the convention too.

Ariel Landrum 45:34
And I know even like prep work wise before attending a convention, at least the two or three weeks before I will start increasing my step count to be able to tolerate the amount of foot traffic and depending on the convention, like at San Diego Comic-Con this year, they didn’t renew the carpeting. So you were just walking on cement unless a booth had its own special carpeting or its own padding, at which the Star Wars’ booth had the best padding right next…

Stefanie Bautista 46:06
Oh I didn’t go to that one..

Ariel Landrum 46:07
Oh it was one right next to the Naruto bowl.

Stefanie Bautista 46:09
Oh!

Ariel Landrum 46:09
I just likes I would like slowly lean into those like costumes. Stand on the plantform.

Stefanie Bautista 46:15
That’s why you are standing over there. “I was, why are they, they’re not moving?”

Ariel Landrum 46:18
Oh. It was so good!

Stefanie Bautista 46:22
Yes, yeah, that’s definitely something that you have to take into consideration because not everybody can go full force 4 days straight. It’s like doing Disney World in a sense, because you have to make sure that you are your stamina is up to speed to be able to withstand and not be, you know, just dying at the end of the day of exhaustion and what have you. But anyway, I was actually able to be tipped off by somebody because I didn’t really want to walk again around the Convention Center to be in that line to get in because I was tired. I was with my two year old and my husband. And I was like, “I’m not gonna stand…” and pregnant. So I was like, “Is there another way that I can get into another line?” And they’re like, “Well, since you are pregnant, you can technically get an ADA badge, which is American Disabilities Act badge, because you are considered in the category of people who need assistance.” And so I’m like, “Oh, that’s fantastic.” I was able to get that badge and my husband was my helper. And because of that convention, the convention was so much more easier for us to navigate because I did not have to extend myself or overwork myself to the point of exhaustion.

Ariel Landrum 47:31
So in getting the badge, so you didn’t have it essentially, like the first day you got it the second day?

Stefanie Bautista 47:37
I did get it the second day.

Ariel Landrum 47:38
Okay. And then what were some of the accommodations that you received at Anime Expo? And how like, how did it change your experience?

Stefanie Bautista 47:48
Oh, absolutely. So the first day when I did not have the badge, I went into the general line. And people are just like, kind of like, shoveling you through kind of like cattle. It’s like, “Okay, scan your badge, make sure you scan it,” all that stuff. And that is a very stressful process. Because if you don’t know how to you have to scan your badge to the RFID scanner to make sure that you paid for your ticket, all that stuff. And that whole thing just to get it right. With my ADA badge, I went to a different line with much more friendlier people. And it didn’t seem like you know, they were hating life at that point. And, yeah, they were very accommodating. They were like, “Oh, it’s okay, you can take your time, we’re not rushing you.” There was no line to get in. They were very friendly. They made small talk with me. And then I was able to go into another entrance next to the main entrance. But it led right to the elevators to go up because there’s a lot of stairs around the convention center. But because of that, we had special seating for certain things. If you wanted to play video games, there were always like a separate section for people with the ADA badge. And if they saw that you did have an ADA badge, they would let you go into different entrances that made it easier to access certain things like panels, and also just special things that like giveaways and things like that.

Ariel Landrum 49:10
Okay, so I think maybe because Anime Expo is smaller than San Diego Comic-Con, it sounds like they gave you more accommodations then what it seemed like what we saw at SDCC.

Stefanie Bautista 49:22
Yeah, definitely. And on top of that, I guess it’s worth mentioning that even though you did not have an ADA badge, they did have special rooms that were quiet rooms and like manga reading rooms for people who wanted to just get away from the convention floor. And those were accessible on the second level of the convention, the Convention Center and all you had to do was just you know, go in there would just monitor how many people were in there. And if it was too loud outside you could go in it was air conditioned, quiet. Everyone’s just kind of on their phones with their headphones on. And yeah, you could you did not have to have an ADA badge to access that. And also a quiet manga reading room where you could just go in, and it was just a room full of manga. And if you didn’t want to be on the convention floor with all of the hullabaloo, you could just sit down and read manga and get your fix that way. And so that was really good, because you did not have to have a certain special badge if you just really wanted to get away and unwind, but also not leave the convention, you could utilize one of those two rooms as a regular attendee.

Ariel Landrum 50:30
Yeah, I think that accommodation is the one that one access to general public because you know, everyone kind of needs a moment to be able to decompress. And I know in talking to Josué, the Geek Therapy Podcast, and obviously founder of our network, he has worked with the Take This at conventions, and they have an AFK room Away From Keyboard.

Stefanie Bautista 50:57
Oh I love that!

Ariel Landrum 50:59
Where you get access to you just sit with a mental health professional, you get access to decompress, you’re given sort of additional supports, and it’s volunteers, as well as clinical staff. They don’t provide mental health services, like you’re doing therapy, but they help, you know, give you some emotional support, or maybe give you some support tools if you are becoming overwhelmed by the convention floor. And that is something that they had it like more gaming conventions. I think that is something they should implement at every convention.

Stefanie Bautista 51:29
Every convention. Especially the big ones!

Ariel Landrum 51:32
There’s just too much stimulus too much.

Stefanie Bautista 51:35
Yeah.

Ariel Landrum 51:36
There is a lot going on, and particularly for new people. But I also think of like kiddos who could just like need a place to like nap in their in their stroller or something.

Stefanie Bautista 51:44
Yeah, definitely, I know of just a thing that happens at conventions, you see people sitting everywhere, everywhere, any nook and cranny or wherever they can sit they will sit, because it is exhausting. Just doing all that walking constantly, you’re wanting to see everything you’re wanting to go out every floor, you want to go to every like experience. You just need a break sometimes. And you will see you know, people in cosplay just lying out on the floor or you know, just taking a break finding a place to eat. Because there’s very limited seating in front of where you can get food or the food trucks are outside or what have you. And so a normal thing is just seeing people laid out everywhere. But if we implemented something like that quiet room, or maybe even just like, even setting aside half of one of the halls just for a bunch of tables just to sit down, you don’t have to sit on the floor for those of us who can’t sit on the floor, or it’s hard for us to get up from the floor. That is definitely something that would encourage more people to go to conventions.

Ariel Landrum 52:43
Now, when it comes to accommodations, San Diego Comic-Con does a really good job. And they also do a very bad job. And this is where I think some conventions need to create like a pamphlet. So you you get a sticker or a special badge, you get something that markers that you are that you’re utilizing accommodations. And so for those who don’t know, I have a lot of severe allergies, one of them being Cholinergic urticaria. And what that means is I’m allergic to my sweat. Like, like y’all, San Diego Comic-Con in the heat…

Stefanie Bautista 53:27
It’s sweat city!

Ariel Landrum 53:28
In line. So I not only use a fan, I actually have a cool gel patch that I wear fairly regularly, I have an asthma inhaler to help me breathe, because what will happen is if my body gets too warm, and I start sweating, I will not only break out in a rash, but I will actually go into like an anaphylactic shock where I can’t breathe. So I finally decided this year that I would access the accommodations. That because my condition had just gotten so much worse, it was less manageable. I’m older, you know, it’s a thing you have to accept.

Stefanie Bautista 54:01
Yes.

Ariel Landrum 54:01
And you will go in and they will say, “Who needs accommodation?” You say “Me,” they’ll give you a sticker. And that’s it.

Stefanie Bautista 54:09
That’s it. Yeah.

Ariel Landrum 54:10
You have to figure the rest out. I don’t understand why they don’t have a pamphlet that says like, so there were outside activations that you needed to pre check in at the ADA booth. I didn’t know that.

Stefanie Bautista 54:21
I didn’t know that either. I thought you could just show up and then it just happened.

Ariel Landrum 54:24
So some of them, some of them you could show them and they have a separate line for you. But others like this year was the Game of Thrones, the House Targaryen one you needed to check in and some sort of virtual type check in at the booths. There were exclusives that had a specific line for individuals ADA again, you would have had to check in the booth. They didn’t tell me any of these things. They also didn’t explain how many people your handler badge could be given out to. Because what if your handler isn’t there that day or doesn’t have a badge? So remember that to get an San Diego Comic-Con you will are on a lottery. So you may get Thursday and Aunday but not Friday and Saturday. So who was going to come and assist me if I needed assistance?

Stefanie Bautista 55:08
Correct yeah.

Ariel Landrum 55:09
There were temporary day badges that you can get. But of course, I wasn’t aware of that. And so unless you are integrated with the community that has used these accessibilities, you would not have been aware. And then even when it was time to check in for you, we had asked, is there a decompression room and there wasn’t! How is it that small Anime Expo which isn’t a small anymore, but still a lot smaller in San Diego Comic-Con has a decompression room and yet San Diego Comic-Con doesn’t? They did have a nursing room. But it was literally a fake wall with curtains…

Stefanie Bautista 55:43
Yes.

Ariel Landrum 55:43
Behind the ADA check-in.

Stefanie Bautista 55:45
for those of you who breastfed not as comfortable as some other nursing rooms. I’ve been in nursing rooms in many different stadiums, and at least they have a plant in there’s, and a reclining chair.

Ariel Landrum 55:56
Nope, nope, none of that. And then even with some of the like the areas on the hall, like we talked about the decompression room is somewhere to sit. There, there’s nowhere to sit and they will tell you to stand up, they will tell you to get off the ground. If you were if you look like you’re blocking traffic, which makes sense. We don’t want to, you know, make a hazardous environment in case there’s crisis. But part, like part of the accommodation is that you can’t stand for long periods of time. And yet we have nowhere for people to sit?

Stefanie Bautista 56:28
Yes, exactly. And you’re right, they do a great job. And they don’t do a great job. Because although the verification process to get an ADA badge, of course, they’re not going to interrogate you and ask you lately, let me see your proof. They’re not going to do that. But the follow up to that is kind of like you said, you have to figure it out on your own. And unfortunately, for a lot of people who do fall into the ADA category, a lot of their lives are already figured out on your own. And so without that prior knowledge, you it can either make or break your convention experience. And so I think, you know, having that decompression room, or having a pamphlet of saying, you know, I feel like even and correct me if I’m wrong Disney, they have a specific like, they tell you where all of the ADA accommodations are on the map, I’ve seen that before, when you open it up, you see the little ADA little symbol that’s blue, and it tells you all of the different ways that you can access ADA accessibility through those things. So I think that system can be easily implemented into a four day convention where you’re not doing it every single day. Just a little thing like that. Because yes, there is a program guide that has, you know, it’s pages and pages of like descriptions and things like that. There’s also a map that is like, has all of these different explanations and things. So you know, these little tweaks could make a convention goers experience all the more better. And although more comfortable seeing that it’s already a pretty stressful situation.

Ariel Landrum 57:57
So just like our an older episode about managing expectations, when you’re going to Disneyland, you need to manage your expectation when you go to any convention, and particularly the bigger ones like WonderCon or San Diego Comic-Con. And the reason why is because in particular with San Diego Comic-Con, it is wider, it is longer there is a lot of like foot traffic you have to go through to get from one area to another. So if you have a panel that is at the San Diego library, which they do, then that’s part of Comicon. And then you’re trying to get all the way to Hall H that’s literally the other side of town, essentially.

Stefanie Bautista 58:37
Yeah. And when you’re on foot, it’s like and you’re walking outside, you’re not walking in like air conditioned vents.

Ariel Landrum 58:43
And so this is where I would say people who aren’t from SoCal and who don’t live in this area. I don’t think that they they immediately think San Diego, nice, cool, consistent weather in the 70s. And I think what you’re forgetting is that you’re in an area where a lot of the ocean breeze is being blocked by large buildings because it is in the Gaslamp District, and you are doubling the amount of people outside which just increases the heat. And then Comic-Con is always in July. And so the sun is just blaring on you. There’s where there’s barely any clouds and there certainly isn’t any like rain or cool mist.

Stefanie Bautista 59:20
Yeah.

Ariel Landrum 59:20
So you have to prepare for it being hot.

Stefanie Bautista 59:23
Yeah. And there is a level of humidity to your you’re physically walking. So depending on the amount of sweat that you produce in a day, whether it be doing 10 minutes of exercise or hours of exercise, which you are essentially are doing when you’re walking around Comic-Con you have to take that into consideration and know when to take your breaks. I know for myself I took a lot of breaks even just from walking to the parking from the parking lot where I parked which was near Petco Park where the Padres play and going to the Convention Center. I took a break at the Hilton just to decompress because I knew I needed it. I wasn’t going to make it all the way to the Convention Center. And even if I did, would it really be worth it because once I got there, would I be even able to enjoy what I wanted to enjoy because I was so exhausted.

Ariel Landrum 1:00:09
Absolutely.

Stefanie Bautista 1:00:10
So I mean, that. And parking is a whole nother thing too if you’re not from the area because San Diego Comic-Con is the only convention that I know that does not have super accessible parking right away for somebody who does not know how the process works beforehand.

Ariel Landrum 1:00:27
some of the things you have to be mindful of is how you’re going to get parking how you’re going to get around, and what you’re willing to carry. So what any convention if you can bring at least water and snacks, you are pretty good. However, most conventions have free swag, and your bag starts to fill fairly, fairly fast, and it starts to get tiring to carry. And if your car is nowhere near the Convention Center, if you had to park off site, like if you went to WonderCon had to park in a completely different parking structure, then you have to be willing to know that either, “I’m going to carry this around all day. Is it worth it? Is this is this swag worth it for me?” And when it comes to the scheduling, if you are wanting to your what I have found, I should say what I’ve found successful is having a specific day that is like your convention floor day and having a specific day that is your panel day and just sacrificing on my floor today, I’m not going to those panels on the panel day, I’m not going down on the floor. So I’m probably not going to collect every day’s buttons for something or enamel pin. And I know that I’m not going to see whatever it is a large panel for whatever TV shows going on. So I have to after really be willing to sacrifice so that’s part of managing my expectation.

Stefanie Bautista 1:01:42
Yes. And of course, as it happens, whatever you have to do at the Convention Center, something’s always going to collide with it, something’s always just gonna be either 10 minutes into what you wanted to do, or 15 minutes into, you know what you are doing. So you just have to manage those expectations. And you have to just say to yourself, you know what, I’m going to try to do my best, I’m going to try to enjoy what I need, enjoy, get whatever I need to get done, and enjoy everything else. Because everything becomes way less enjoyable when you have these high expectations for yourself. And you know, logistically, it’s just not going to happen. I know for for WonderCon. And this is kind of going back to the different levels of convention participation. You you are nervous to you know, be a professional, you want to do your best you want to show up for both your panelists, your audience and everything. So even from me that’s nerve wracking…

Ariel Landrum 1:02:36
Oh, people know that you’re professional, because your badge says so…

Stefanie Bautista 1:02:41
Yes to you, you have to kind of change your mindset a little bit. And for me doing WonderCon for the first time, I was definitely butterflies in my stomach, I did not know if it was gonna go off well, or if people are gonna like me, or if people are gonna, you know, be engaged with what I want to say. And all of that, you know, me and Ariel, I feel like we’re very, you know, good in preparing most of our content. And even with that level of preparation, there’s still a lot of anxiety that comes around it like, is everyone going to show up on time, like, there’s a lot of moving parts to that. And I think managing the expectation of let’s just get up there, do what we need to do, and enjoy it afterwards. Definitely, I had to keep that in the back of my mind in order to survive.

Ariel Landrum 1:03:27
Okay, so my Comic-Con babies. Here’s the thing big. Because San Diego Comic-Con is so large. And I think for people who don’t go to conventions, they don’t understand. It is so large, it literally takes over all of San Diego. If I go to the Ralph’s grocery store, everybody’s dressed up as a superhero. And they’ve got Excelsior, like on the windows and cardboard cutouts. And they have like Monster Energy drinks that they’re handing out because they’re know that there’s going to be more people. And they that’s a great way to advertise, give out free swag.

Stefanie Bautista 1:03:55
For sure.

Ariel Landrum 1:03:56
If you even if you don’t get into the convention, you could just go to the town and walk around and get so many free things and see so many experiences that aren’t exclusive to badge holders.

Stefanie Bautista 1:04:06
Yep.

Ariel Landrum 1:04:07
And pretty much every three years or so, if you go for three years in a row, you kind of got the idea of what you need to do. And that’s around the time where you meet new people who it’s their brand new time and you do something called you adoptees where you adopt someone into your group you into your fold. And so my my friend Alex, he his adoptees are these two really cool Canadians, Ravi and Shawn. And so this year apparently was my adoptees because I adopted Xavier and Greg and they weren’t new to conventions, but they were definitely new to San Diego Comic-Con and we spent almost every single day together once we adopted them the very first day on Preview Night and there was there’s some benefits of being essentially adopted or or at least included in the fold right for From your Comic-Con attendees. One of them being this year because of COVID. And needing to get the bat, the wristband that says that you’re vaccinated, they had two areas where you can get verified. And so there was the one right out front of the Convention Center, which snaked around the entire Convention Center like…

Stefanie Bautista 1:05:22
Oh, yeah…

Ariel Landrum 1:05:22
Four times.

Stefanie Bautista 1:05:23
I’m sure that’s those are the pictures that you all probably saw on Twitter or Instagram or Facebook of just like the madness of what that line was because it was right in front of the Convention Center where everybody takes all their pictures of cosplay everything.

Ariel Landrum 1:05:35
And what ended up being as if there was another one that was actually a lot shorter than not a lot of people knew about, and it was at the Marriott Hotel. So we immediately told them, “Go to the Marriott Hotel, get get your vaccine verification there, because the line is gonna be a lot smaller, and you’re gonna get into the convention sooner.” And remember, these tickets are very expensive. So you want to make use of as much time as you can. And if you have Preview Night, Preview Night only lasts I think from like six to nine so you don’t have a lot of opportunity to go into the convention floor and check it out. So that was our one of our first tips. Our other tip being the free shuttles. What most people don’t know is that Comic-Con has free shuttles that will take you from different hotels, so even if you’re really far away, you don’t even need to get a car or parking if you don’t plan on carrying too much stuff or you do the check in like we talked about.

Stefanie Bautista 1:06:29
They’re like huge charter buses to they’re not just like, you know, short buses…

Ariel Landrum 1:06:32
Short but yeah, they’re not they’re not they’re not like, like passenger vans.

Stefanie Bautista 1:06:38
Yeah, they’re not passenger. We’re not like like shuttles you would think they’re like big charter buses.

Ariel Landrum 1:06:42
Yeah, huge charter buses. And then the other suggestions that we’d given them was ways to get onto the different activations. Ways to get into Hall H we didn’t get into Hall H on the big mega Saturday. And we we stayed out in that line till 2-am ya’ll.

Stefanie Bautista 1:07:02
Oh my gosh!

Ariel Landrum 1:07:03
2, 2am There were some shenanigans happening and lots of our group was honestly the noisiest I’m sure there’s a Twitter Thread out there of someone who’s just trying to like sleep. And yeah, I think that, remember that that’s part of the culture and the community. I hope that if any of you decide to go to conventions, you can find an established group that looks cool that you can integrate yourself with because having convention friends, friends you only see at convention, it’s like a whole different vibe. It’s a whole new level.

Stefanie Bautista 1:07:33
And just a disclaimer, I was not in that line until two o’clock, I tapped out early because since yes, I am six months pregnant. Me and our friend Chance, who was kind of my my handler, like all of my handler, we were each other’s handlers. Because you know, we both have accommodations that we needed to take into consideration. We tapped out early. So we were kind of on a different trajectory as everybody else had had been a couple years earlier. I would I was right there with Shawn Ravi and our friend Alex and I would be at those lines, just you know, having a blast because like Ariel said, having convention friends that you only see at convention is very special because it is something unique and special to you. And you know, that sense of community is just irreplaceable.

Ariel Landrum 1:08:16
In switching to Disney specifically because the Disney podcast there is a Disney convention.

Stefanie Bautista 1:08:25
Oh, yes.

Ariel Landrum 1:08:27
Called D23 which basically as mega San Diego Comic-Con, because Disney owns so many of the franchises that we love. Have you ever been?

Stefanie Bautista 1:08:35
I’ve never been I do have friends who are part of D23, which is a club. It is a fan club that you have membership to not as exclusive and not as exclusive as Club 33 where you have to be invited in and it’s just like, you know, a whole thing. But D23 is where you get special releases. You get like a newsletter in the form of a magazine with like special art. There’s a lot of different perks to being a detail D23. Member. Yes. But yeah, D 23 was founded in March 10 2009. So it’s not very old, not very new. But I think as a convention that has grown over the years, because of all of its acquisitions, it has become something that is now its own entity. I know, being a part of San Diego Comic-Con and being a part of WonderCon they would always have like a Marvel panel, they would always have like, you know, some sort of Disney panel or Pixar or whatever. They have slowly been pulling away from these conventions because they want to focus on their own. So every year, just like this year, “Marvel’s not going to do a big thing!” And you know, “Marvel’s gonna do it all at the D23.” Yeah, this year at San Diego Comic-Con Marvel did the most and had like literally everybody under the sun for Phase Five and Six and yeah, total lie.

Ariel Landrum 1:09:45
Lie.

Stefanie Bautista 1:09:46
So now I don’t know what they’re gonna do for D23. It has to be something big because it is their own thing. So it is that is definitely the next milestone for us as a Disney podcast.

Ariel Landrum 1:09:57
Neither of us have been and it is a September this year. And we have a goal to, to get there in whatever way possible, but preferably, we were hoping to try and do press. I just I don’t think that we could create and propose a panel at this point. It’s actually too late. Like we’re recording this episode in August and it’s in September. So I’m assuming that that is, that’s close.

Stefanie Bautista 1:10:26
And, like we, it’s, it’s nearby, it’s in Anaheim. So hopefully, fingers crossed, we can get there. But if you know you have any experiences with d3 23 Please shout us out and tell us your experiences because we’d love to know we’re going into this blind.

Ariel Landrum 1:10:46
So if you have any ideas of how we can get into D23.

Stefanie Bautista 1:10:51
Shout us out. Let us know.

Ariel Landrum 1:10:54
If you have some convention experiences or if you’ve incorporated people to your group, some adoptees, just, you know, tweet at us @HappiestPodGT or DMS on our Instagram @HappiestPodGT.

Stefanie Bautista 1:11:07
Yes, we are so excited to be back. I know that we have a lot of content coming up. I know we’ve been pushing out a lot of episodes that we are kind of backlogged on, you know, life gets in the way. And that’s totally okay. We are all for taking care of ourselves and taking care of yourselves. In this new season. Now that we are coming semi out of this pandemic a little bit into more normal times, we understand that when we first started this podcast, it was a whole different world. So now we are navigating this in a different space. And we would love to hear your experiences, or maybe even at our next panel whenever that happens. Let us know and if you have any ideas of what other things we can think and talk about, we would love to hear from you. Because if we learned anything from these conventions is that creating a network of geeky professionals like you and I really makes this community so special.

Ariel Landrum 1:12:04
Yes. All right. Have a great rest of your summer. Buh bye!

Stefanie Bautista 1:12:09
Alirght bye, everyone.

Media/Characters Mentioned
  • Good Burger
  • Demon Slayer
  • Lumpia With A Vengence
Topics/Themes Mentioned
  • ADA
  • Accessibilty
  • Pregnancy
  • Nursing
  • Chest feeding
  • Conventions
  • Community
  • Integration
  • Friendships
  • Friend groups
  • Scheduling
  • Managing expectations

Questions? Comments? Discuss this episode on the GT Forum.

—

 Website: happy.geektherapy.com
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 | Stef on Twitter: @stefa_kneee | Ariel on Instagram: @airyell3000 |

Geek Therapy is a 501(c)(3) non-profit with the mission of advocating for the effective and meaningful use of popular media in therapeutic, educational, and community practice.
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Welcome to The Happiest Pod on Earth! On the Geek Therapy Network we believe that the best way to understand each other, and ourselves, is through the media we care about. On this show, we focus exclusively on Disney!

Hosted by Stefanie Bautista and Ariel Landrum!

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